Ookiku Furikabutte – 38,5



Apologies, I seem to have missed Ookiku Furikabutte’s DVD only episode. It’s a bit of a second epilogue and it’s very much like the DVD only episode of the first season: focused on the aftermath, both for the lead team and the ones from the opposing team. It’s been a while since the series finished, so I had a bit of trouble refreshing my memories and remembering who was who again, but overall I liked this episode.

This episode pretty much did everything it needed to do to wrap up this season, while at the same time leaving with a huge “we’re not done yet so read the manga”-end in which the different team members show their ambitions for the team (they did this once before, right?). We see some interviews, Abe’s visit to the doctor and also the opposing team as they mentally prepare for their next match, along with the anxieties of their captain.

I really wonder whether or not a third season will arrive. Overall the DVD and BD-sales have not been bad at all, averaging at around eight thousand copies per volume. This is however considerably less than how much the first season sold, not to mention the terrible reception of this series in the western world. Ah well, it’s a matter of time before we know for sure. There was a gap of three years between the first and second season after all.
Rating: * (Good)

Mitsudomoe Zouryouchuu! – 02



As for the series I’m not going to blog:
– Let me get back to Gosick when either Heartcatch Precure ends or Showa Monogatari’s first four preview episodes are over. By that time the characters will hopefully be less annoying.
– I remember noting how Cardfight Vanguard at least didn’t contradict its own rules in its first episode. It did in its second, though. Not to mention the huge amounts of cheese.
– Freezing’s second episode was even worse than the first. Plus, it has one of the worst male leads of the season, only eclipsed by the one from Cardfight Vanguard and Oniichan.
– Oniichan no Koto Zenzen Suki Janain Dakara ne… just… no.

Meanwhile, there are two reasons why I decided to blog Mitsudomoe:
1. Convenience.
2. It’s rare for a comedy sequel to actually be better than the original.

In regards to the first reason: Mitsudomoe 2 will only have 8 episodes. That will be very handy considering this. In case you haven’t looked at its official website, let me elaborate: the official site lists the following release dates for its DVDs:

Blu-ray&DVD 『SUPEARNATURAL THE ANIMATION』
ファースト・シーズン/全22話
◆2月23日⇒Vol.1-3(第1-6 話) レンタル開始/Vol.1(第1-2 話)発売
◆3月9日⇒Vol.4-6(第7-12 話) レンタル開始/BOX1(第3-12 話)発売
◆3月23日⇒Vol.7-9(第13-18 話) レンタル開始
◆4月6日⇒Vol.10-11(第19-22 話) レンタル開始/BOX2(第13-22 話)発売

Basically, episodes 1-6 will be available from February 23rd, episodes 7-12 from March 9th, episodes 13 to 18 on March 23rd and the final four episodes on April 6th. That is a whopping twenty-two episodes of Supernatural in only a month and a half. If Mitsudomoe ends a month earlier, then at least I’ll have a bit more space in the hopes of being able to properly cover it….

As for the the second reason: this sequel is just unbelievable. The first season had its problems: about 50% of the jokes were hilarious, the other 50% just fell horribly flat. In the second season, this ratio shifted to 80% of hilarity with 20% of jokes that just aren’t as good. These past two episodes have been absolutely hilarious, and to my surprise this second episode was even better than the first.

In this episode, this show finally shows that it knows the difference between repeating a joke ad nauseam and running jokes. This episode took the material of the first season, and really started toying with it. The start of the episode was the perfect example, in which that creepy occult girl suddenly appeared. Right from the start, you could sense the tension and the huge probability of things going wrong.

It also helps that these episodes were much more varied than the first season. Even the previous episode which was just focused on one big story never felt like it dragged on. This episode was the complete opposite in that it had many different scenes that prevented these jokes from dragging or milking themselves. The entire second half for example was about Christmas, and yet we saw the preparations to the Christmas party, the Christmas party itself, the hopeless way in which the teacher spends it, the part where santa clause arrives, and its aftermath. The story here flows much more naturally than the first season, which just was a bunch of random scenes pasted together.

Now, this show still has its mind in the gutter, but it’s much less deep than the first season: it only makes a tasteless joke when it’s got a really good one (like Hitoha’s hairy leg) and even the resident pervert didn’t keep on rambling about panties like he did in the first season. On top of that, this show can also boast Mitsuba: the first female lead character who actually doesn’t look like a supermodel in a long while (Kuragehime only counts half, because the only thing that prevented Tsukimi from the same thing is that she didn’t bother to spend time on her looks).

Now, there were some bad jokes in this episode. The female teacher… even this sequel didn’t really manage to make anything out of her. She’s such a hopeless character that I don’t think that anything can make her funny. The mother joke also felt a bit flat. Still, this episode had me in stitches during the largest part. This is really one of the series this season that majorly exceeded my expectations.
Rating: ** (Excellent)

Letter Bee – 40



This episode was evil. The more I think about it, the more I want to curse the creators. To end with such a cliff-hanger, how are we supposed to wait another week for that?!

Seriously, the majority of this episode was so incredibly sweet. It was very sappy, but with this series it only makes sense for Lag to be overjoyed that he can finally spend time with Gauche, and actually carry out a number of deliveries with him. It’s finally time for Gauche to pick his life back up where he left of and the reunion to Aria and Sylvette was really sweet and emotional.

And then Thunderland came with the announcement that he just realized that Gauche might have been putting up an entire act. It was built up really well and worked as an excellent plot twist. What exactly went on in his mind though is a complete mystery. We know that he regained his memories of both his time as Gauche and as Noir: if he still was the old Noir he wouldn’t have gotten along with Lag this much; he could easily have smacked him in the head and ran off. At the same time though, the bugger found his duties as Noir more important than his family. I’m really dying to see his thought-process there.

On a completely unrelated side-note: it seems that Bleach is actually going to end (there is no way that that band would screw something like that up if it wasn’t true). Great news, because that means that Studio Pierrot finally have more resources available to make interesting stuff again. Having them adapt both Naruto and Bleach at the same time really hurt their output of interesting series. Perhaps Level E is the first sign of this. Or perhaps Beelzebub is going to take its place. To be honest, I hope that that last thing isn’t going to be true.
Rating: ** (Excellent)

Bakuman – 15



After the eventful previous episode, we’re back to a leisurely pace this week, centred mostly on its aftermath, building up and one new major development: Mio’s debut as a voice actress. The romance itself didn’t really change during the past few episodes due to that strange promise of not wanting to meet each other until they’ve both made their dreams come true, but thankfully that’s about the only thing about this show that’s currently not moving (albeit really slowly). That’s pretty much this show’s biggest strength at this point.

This episode did give Moritaka some extra motivation though, now that he knows about it. Mio also showed some new sides of her: the conflict between her modesty and her dreams of becoming a voice actress. She did get herself quite a rare chance here (I can only imagine how different the voice acting business works from the manga writing business) and it took a while for her to really accept that she just made a major step toward becoming a full fledged voice actress.

The start of this episode meanwhile (the recap at the start was one minute and ten seconds long, by the way; I think I’m going to keep track of those times from now on…) showed also a bit more about the difference between Nizuma Eiji and our two lead characters. Because he’s on his own, he has this talent of making things up as he goes along, and somehow making it interesting (I’d like to see how that guy handles continuity, by the way), but with two people this suddenly becomes a lot more difficult as you have to make sure that you’re both on the same line of thought. At the same time though, Moritaka and Akito also don’t strike me as the pure version of the “calculating type”, in the way that Nizuma Eiji is the pure form of the “genius type”.
Rating: * (Good)

Wolverine – 02



As for the series I’m not going to blog:
– Infinite Stratos has a male lead who despite only piloting a mecha once, has 1337 piloting skillz. Yeah right, been there, done that. Moving on,

Anyway, now that the entire season aired, I can really say that it has one HUGE advantage, and one huge disadvantage:
– The great thing about this season is that just about every series has an awesome soundtrack. There really is a TON of ear candy here.
– The bad thing about this season: teenagers. Whether it is the series that continued on from previous seasons or the ones that debuted during the past two weeks: nearly every freaking show revolves around kids and teenagers.

The only exception is this one: Wolverine. So of course I couldn’t pass this up, especially how much better than Iron Man it has turned into. Wolverine pretty much had the worst possible publicity with the disaster that was Iron Man: poor in just about every way. Let me reassure you though: Wolverine was made by an entirely different production team. One of the few similarities is that they had their soundtracks composed by the same guy, and even there Wolverine is better.

Now, I am not really a fan of Wolverine, so I don’t really care whether or not he’s different from his American version. Still, I’m not going to complain that this series is going to adapt a number of the comic books that are integral to his backstory, especially after how Iron Man screwed up with its original story. Wolverine’s action also was much better than the incredibly dull fight scenes of Iron Man. It’s well directed and makes great use of its soundtrack in order to build up and create its atmosphere. The fights themselves aren’t particularly well animated, especially after watching Madoka Magica and Yumekui Merry, but they still work thanks to a good sense of timing and atmosphere.

The acting is very stiff, this episode showed that again, especially during the quiet parts. Still, the characterization is good enough to make up for it. The female character who was introduced in this episode actually kicks ass, compared to Iron Man’s love interests whose roles were completely shallow and corny. Yukio’s backstory meanwhile is simple, yet effective. It fits the whole superhero series much better.

Ironically, two and a half years ago Madhouse and Osamu Dezaki pretty much created the perfect example of how an anime superhero crossover should be done with Ultraviolet: it had interesting plot and characters and a unique style and creative vision. Wolverine ultimately is too simple to be as good, but this simplicity is more than enough to keep my attention here because beyond the stiff acting there’s nothing really wrong with this one. Still, this remains a great sign: all of the marvel anime are going to be completely different from each other, instead of the same. Who knows, perhaps X-Men and Blade are going to be even better?
Rating: * (Good)

Yumekui Merry – 02




In a way, Yumekui Merry is quite similar to Madoka Magica: they both deal with magical girls, and both have gorgeous action scenes in a strange kind of dream world. After two episodes, I’m definitely liking Yumekui Merry more. It’s got some of the best direction of the entire season, plus it already packs some good drama and characters after only two episodes, beyond simple introductions.

This episode introduced a bunch of different new characters, including a childhood friend and her awesome father, along with a bunch of other classmates and a girl who wants to be a nurse. I especially like the latter, as they show how many different dream creatures there can be: beyond just existing, they also can inspire people, creating “dreams” in the sense of long-term goals. Especially that scene in which her dream demon got eaten away was just beautiful to look at. This show has some of the best background art and character designs of the entire season.

It’s a shame that this show also couldn’t escape the “walking into the shower naked” cliche, but at least the creators had this “ah, it’s in the manga so let’s just get this over with and focus on what’s more important”-air about them, compared to stalling such a scene for a ridiculously long time and getting the lead character to make a fool out of himself. That male lead meanwhile… this season definitely has a ton of characters like him. He isn’t the best, because we haven’t really learned much about him beyond the fact that he has weird dreams involving talking cats, but he’s also certainly not the worst, thanks to his acting. He’s neither overly whiny or hormonic and so far is doing pretty well to carry this series.

Now, I doubt that this series will be as good as Casshern Sins, but you can really see that the two series have the same director. The camera work especially shows this, with a ton of close ups and shots that focus purposefully on the tiny details on the background, like a bunch of leaves, a can or some chalk.
Rating: ** (Excellent)

Mahou Shoujo Madoka Magica – 02




As for the shows I’m not going to blog:
– Rio Rainbow Gate is one of those rare shows that are so bad that they’re good. But it’s still way too stupid for it to be interesting enough to blog.
– Kimi ni Todoke just was too annoying, despite how the graphics have gotten even better in the process.
Note: this season I’m going to have a bit of a strange blogging schedule, due to Heartcatch Precure and Showa Monogatari, so in about half a month I’ll have room to pick up two more shows (yes, I am going to end up blogging 50% of this winter season!). Even with that taken in consideration though, I don’t think that Kimi ni Todoke will be one of those two, due to the large amount of other interesting shows this season.
Note2: I’m going to be blogging four shows on Thursday. So yeah, some of them will be delayed. Especially because I’m not often in the mood for these low quality versions that often pop up first.

In any case: yeah, I’m blogging a Shaft series again. Soredemo Machi last season did a great job of taking away a part of my bias for them, and this show holds some nice potential. It obviously takes a lot after Nanoha, but brings enough of its own for now. I’ve seen Shaft do much worse in this area before, in any case.

This episode wasn’t as good as the first, but I still liked it quite a bit. This show is especially good at its action scenes, which are really artistic and well directed and do a great job getting me to care about the characters. This entire episode built up pretty decently to that scene at the end, though I would have liked to have seen more details into the witch, and less general explanations.

Now, this episode did show that we shouldn’t expect much from the humour in this show. There was this one bit in which that classmate of the lead characters started making lesbian jokes… and they didn’t work at all. It just shows how dry Shaft’s humour has become, and I don’t mean that in a good way. Thankfully it was just limited to one scene and this show takes itself seriously during the other parts of this episode.
Rating: * (Good)

Some Quick First Impressions: Hourou Musuko and Fractale

Hourou Musuko

Short Synopsis: Our lead character wants to be a girl.
At the start of this episode it was a tad hard to figure out who was who because the creators didn’t bother to introduce most of the characters (this episode started in the middle of an already ongoing story), but yeah: this is good. It’s got some of the best acting of the entire season, it’s wonderfully animated with its own distinct art style, and this episode did a great job of portraying its different characters. I like how all these characters have had a history between them, and act like it. It’s miles away from the usual “childhood friends” stereotype that you usually see, and even the fact that the male lead cross-dresses is portrayed in a way unlike I have ever seen. This show takes itself seriously and really knows how to do good drama. The only pitfall that I can see is that this is Noitamina: does the story of the manga fit within 11 episodes, or do we get another rushed ending like with Kuragehime?
OP: Decent, but cliched and nothing special.
ED: Well sung at the beginning, but then loses steam.
Potential: 85%

Fractale

Short Synopsis: Our lead character saves a strange girl from a bunch of bad guys.
Ah, now I understand why this got to be Noitamina: it’s heavily inspired by Ghibli. It’s been a while since we’ve seen such a series. This show pretty much tries to add the moe factor to Ghibli, with some parts that work and others that don’t. In a lot of ways this one reminds me of Dragon Crisis’ first episode. It’s only that the setting for this one is much more creative, while the characterization is far from as good. The annoyance of the characters is definitely going to be the biggest problem for this series: just about every major character had his or her moment that rather got on my nerves due to the stereotypical moe acting, the worst being the male lead whenever his hormones started acting up. Still, this episode brought quite a bit of interesting stuff to make up for it, including a really trippy OP and a very detailed setting that is unlike anything that appeared during the past two years.
OP: Very trippy, excellent example of how to do a low-budget OP correctly.
ED: A bit of a boring ballad.
Potential: 70%

Gakuen Senki Muryou Review – 87,5/100




Here is one for the category “series with very misleading titles”. This one has two titles: Gakuen Senki Muryou and Shingu – Secret of the Stellar Wars. And yeah, I guess that they make sense when you’ve seen the entire series, but with such titles I expected an epic show about galactic warfare and strategic battles and the role of a random school in them. I was expecting a fully blown action adventure here. Madhouse had different plans, though.

First of all, Gakuen Senki Muryou isn’t about war at all. Sure, there is a war going on and all and there are a few battles here and there, but it’s actually focused much more on diplomacy than actual warfare. Throughout the entire series we get to see all kinds of diplomats, trying to get all kinds of alien relationships to flow smoothly, and trying to take care of the oddball aliens that try to invade the earth. It’s actually quite an interesting concept that the creators got here, unlike any other show I’ve seen here.

Second of all, I did not expect this series to have as much slice of life as it did. It’s even a bigger focus of this show than the diplomacy: this series really shines in the way that it depicts its characters when nothing is going on and they’re just living their daily lives, and it really took its time to portray all of its characters as ordinary humans who have enough things to do on their own when they’re not saving the world. It’s all wonderfully down to earth: often you just randomly see people having dinner, attending classes or trying to get an interesting school project off the ground.

It all meshes surprisingly well with each other and often times the line between slice of life and diplomacy gets pretty blurry, with some wonderful results. It also really helps that this show is really good at fleshing out its characters: the dialogue is often quite witty, the lead characters, especially Nayuta, receive quite a bit of depth throughout the series, and even the smallest side characters here feel like actual people that have their own lives. This show also likes to sometimes focus on random discussions from people that just happened to be in the neighbourhood, and this show actually succeeded really well in making its setting come alive.

This show also subverts a ton of stereotypes: one thing that I especially loved about the first half of this series is that nobody really turns out like what he appears to be at first sight. The show comes with a ton of surprises because of that, which made it very fun to watch, even during the slow pacing of the plot and the childish (but hardly ever annoying!) characters.

Now, first and foremost this is a series about middle schoolers, but it’s also one of those shows whose target audience is pretty vague: there is also quite a bit of attention to the large cast of adults that roam this series, there are no high schoolers whatsoever and the elementary school kids that pass by are also wonderfully characterized (I especially loved Hajime’s sister). On the other hand, all of the scientific theories, diplomatic discussions and the entire backstory will probably fly over the heads of most kids (because really, there is a ton of depth behind the world that this show attempted to create).

It’s pretty much a series for many different ages, especially if you like middle school adventures and the combination of slice of life with something else (in this case science fiction and diplomacy). Just don’t watch this for the action alone: the battles are few and far inbetween, and it’s about the only part of this show that isn’t creatively portrayed. Shingu is a very obscure series, but it really doesn’t deserve that: it’s got more than enough to like.

It’s definitely not the most exciting series: it always favours its laid-back style and pacing, even at the darker parts in the series, but at the same time I can hardly see anything that this show does wrong. Yeah, perhaps it has one tsundere and perhaps the ending could have been less rushed, but that’s just nitpicking here.

Storytelling: 9/10 – Slow paced, but great slice of life, creative depictions of the characters and great combination with diplomacy.
Characters: 9/10 – Greatly written characters, both the main ones, the side ones and the very small side ones: everyone feels important in this series. There’s also virtually no cheese in the drama here.

Production-Values: 8/10 – The animation itself is nothing special, but the art is quite consistent and creative.
Setting: 9/10 – A unique setting thanks to the unusual different focuses of this series. It’s very well detailed and explored throughout the series.

Suggestions:
– Level E
Maria-Sama ga Miteru-franchise
Tytania

Showa Monogatari – 02



Erm… what is going on here? Wasn’t this thing supposed to air in Spring? I can understand previewing the first episode a few months in advance, but to air the second episode a week later… what are the producers trying to do here? Is there some announcement that I missed or something? In any case, if this does end up airing weekly then you can consider it as one of the shows I’m going to blog. If it has some really weird airing system, then… to be honest I have no idea. I still have no bloody clue how I’m going to cover Supernatural the Animation this season…

In any case, one thing that I DO know about this show is that it’s another product of Wao World, the people who were behind the movies Nitaboh, Furusato Japan and Symphony in August. This series misses their flagship director, but a lot of other people who worked on these movies are also working on this series. Especially interesting is going to be the upcoming movie, which is going to be directed by someone who went from a special effects expert to an executive producer to a director. That should be interesting (because yes, both the movie and the TV-series are made by different people).

Wao World, for those who don’t know about their previous works, pretty much is a company that tries to celebrate the Japanese cultural heritage. They’re the perfect antidote for the moe and bishies that have invaded anime nowadays and I’m really glad to see that they’re actually doing TV-series now. The big difference with their previous movies is that Showa Monogatari isn’t about performing: it instead tries to depict the daily lives of a typical family in the 1960s.

It’s got a pretty good balance between the uneventful parts and the drama that comes along with being a kid those days, like the tension with your parents. This episode also showed him getting into trouble for something as simple as secretly buying manga with his parents’ money (plus: ah, the sixties: the time in which children still could buy cigarettes unsupervised). This episode also touched upon the relative poverty that some families lived in, yet also makes sure to not portray it as one sided as you’d expect. On top of that, the past two episodes have devoted enough attention to a lot of other characters besides this kid: his parents and friends also received quite a bit of attention.

The weakest part of this show is probably its production values: the voice actors for the kids lack experience, and the animation is often quite jerky and off model. It’s been a while since we’ve seen a series like this, though and I like it a lot so far.
Rating: * (Good)