A Wind Named Amnesia Review – 80/100




Here is something that dawned to me while watching A Wind Named Amnesia, about modern anime movies: they aren’t rushed. Sure some of them are bad and all, but I don’t think I can name any movie that premiered during the past years whose story did not sort-of fit in the time that was allocated to it. Some may be fast-paced, but no movie really lacked entire arcs that should have been animated as well. It’s an interesting observation, considering how this is a problem that many TV-series and OVAs suffer from.

Some of the old movies also suffer from this, to take A Wind Named Amnesia just as an example. I haven’t read the manga (coming from the same original author as Vampire Hunter D), but at times, especially near the end, it feels like the creators skipped entire volumes out of time constraints, just to get to a very strange and confusing ending that doesn’t fit in the story in the slightest as a result. If you plan to watch this series, be aware of a very incomplete story.

The story that’s there impressed me, though. It is centred around a basic, but very interesting question, and the vast majority of this movie is dedicated to studying human behavior. It asks questions behind human culture and civilization, and what would happen if all of that would disappear: what would drive them and how do they survive when suddenly their entire lives are turned upside down? The movie is only 80 minutes long, which is way too little to really get in depth on the theme, but the stories that did make it into the movie are wonderfully told, and very interesting to boot.

It’s a very lonely movie. There’s this melancholy throughout the entire airtime that only gets strengthened thanks to some well chosen and performed background music. The protagonist here is excellent in the way that he is easy to relate to in the chaotic world that this movie portrays, while learning a lot throughout the movie and his backstory.

The animation isn’t the most consistent for a movie: some parts are really well animated, others a bit less, but it still is a visually impressive movie with strong character designs. But yeah, the ending jumps around way too much without any build-up. Ideally, this should have been a TV-series, not a movie.

Storytelling: 7/10 – Excellent atmosphere, but way too short for its story, which especially bites back at the end.
Characters: 8/10 – Both the lead and side characters are wonderfully portrayed in the short time that this movie has for them.
Production-Values: 8/10 – Excellent soundtrack, nice, though not the most consistent animation.
Setting: 9/10 – Based on a number of excellent ideas, and takes excellent advantage of this.

Suggestions:
Please Save my Earth (done by the same director, and again ridiculously rushed despite having an awesome premise)
Strange Dawn
Saishuu Heiki Kanojo

Wolverine – 09



Okay. That was a lot of action.

Seriously, these bad guys don’t know the meaning of overkill. This episode was worth watching, if only to see the ridiculous amount and size of all the things they threw at Wolverine, to just prevent him from ascending that freakishly long Hell Road. It was a complete carnage what happened there. i mean, this show takes fighting goons to a different level.

It’s a shame that this episode was clearly partly outsourced, because the direction of all of this chaos was really good. The bad guys just kept coming with new and different ways to try and kill Wolverine and this flowed very neatly from one action scene to the other, with interesting camera angles and and animation. Especially the fight with the thousand deadly spears looked wonderful, but as the episode went on there were just too many “one frame action scenes”. You know, the one in which the creators just show one single frame with a bunch of a sounds over it. It works for some series, but the previous episodes of Wolverine set themselves apart by exactly NOT doing that. The biggest hint to the outsourcing however was how the creators couldn’t decide how large the army of Yukio’s grandfather was. That shot of them, walking up Hell Road was probably the worst of this entire episode.

At this point, Wolverine has pretty much surpassed Iron Man in every conceivable way, aside from perhaps the background catchiness (seriously, near the end I was just watching Iron Man to hear that kickass background tune of theirs). The setting is a lot more solid, the plot is simple, yet effective, the action takes itself seriously and is well paced (and most importantly: really not formulaic aside from the fact that Wolverine keeps winning), the characters also aren’t going to win any awards, but they still do their job by being interesting to watch and everyone having their own motivations that isn’t a complete cornball. I wouldn’t call this series a complete success yet, because I’ve seen tons of action series that built up to a grand finale that never came (Sengoku Basara, High School of the Dead), but so far I’m enjoying this show much more than I thought I would after Iron Man.

Oh, and yeah, for those who didn’t know yet: the director of Basilisk and Afro Samurai is going to direct the X-Men. Oh boy. This really depends on what kind of scriptwriter they got here, but if that guy is good (meaning that he manages to come up with a good backstory, rather than what happened to Afro Samurai), then we’re really in for something interesting here.
Rating: ** (Excellent)

Gosick – 09



Dear police inspector. When someone comes across something he should not have seen, the bad guys will no doubt try their hardest to cover their mistakes up as thorough as possible by denying any sort of involvement. When examining testimonials like that, you should take every statement with a grain of salt. Not just the ones from the obnoxious kid you dislike.

Dear bad guys. When a random guy happens to stumble upon a priceless artifact that you have stolen, you really should get better security and you had better make damn sure that this guy does not have the chance to report EVERYTHING HE SAW to the police. I mean, you’re lucky that the inspector was a moron and all, so that these two stupid acts cancelled each other out.

I’m still not sure what’s up with these two, to be honest. I mean, I guess that the dumber the cast is, the smarter Victorique seems in comparison and all, but she doesn’t really need that. She’s a great character even without some morons around her, and I’d actually argue that if she were surrounded by other characters who at least had some common sense, she’d end up shining even brighter. I at first feared that she was too much of a tsundere, but the past few episodes have made her a very strange tsundere with some… interesting quirks. The previous arc also really did its job and gave her some depth and this episode too was pretty charming due to her catching a cold. Neat way to flesh her out some more.
Rating: * (Good)

Some Quick First Impressions: Danbooru Senki

Danbooru Senki

Short Synopsis: Our lead character possesses the legendary tiny robot to save the world.
This season, the first series to debut was also its biggest mystery: the director of Berserk and Figure 17 doing a kiddie show. Now, after watching this first episode, it’s unfortunately not like this series strays far from the usual formula of these kinds of series: three lead characters, one main rival, a tournament arc, and the lead character who possesses the single most important robot in the world. Not to mention the way in which every single adult in this show leaves the fate of the world hanging on the shoulders of a young boy. OLM have really become lazy during the past decade. I mean, I know that they’ve got successes with Pokemon and all, but even Toei comes with shows like Mononoke or Trapeze once in a while. Having said that, though: for a kiddie show adhering to this overused formula, it’s not half bad; I’ve definitely seen worse portrayals. There is none of the obnoxiously bad acting that you usually see with these kinds of series, and the creators immediately state that the lead character is special due to his father’s influence as the inventor of these strange fighting robots that this series focuses on. He also doesn’t find his own robot by accident, but for some reason his father made the conscious decision to send the world’s most powerful robot to his teenaged son. That does bring up the question of what an incredible bad parent you must be to involve your kid in international schemes like this…
OP: For a kiddie opening, it’s pretty decent.
ED:
Potential: 30%

Arashi no Yoru ni Review – 75/100




Ah, a story about a wolf and a goat becoming friends. Going into this movie, I expected a lot of cheese with this recipe to get it even remotely off the ground, but The whole set-up of the premise was surprisigly well told here. Sure, the goat is a bit of a masochist, but the writing of the parts where they meet each other and become friends is top notch.

Instead of the usual cheesy lines here, the characters can actually speak to each other in a normal way, and they’re aware of the issues that come with their friendship. It’s both interesting for kids and adults to watch. It takes a deeper look at the usual “wolves and goats don’t go together”, and especially the nonchalant way of the lead characters, instead of the usual angst you see with these kinds of stories, stands out as interesting. Beyond that there are also enough comical moments for the kids to enjoy.

As the movie goes on however, it turns more and more into a “been there done that” star crossed friends type of story. It starts to more and more follow the generic formula for these kids of stories, but the characters make it nice to watch. The creators lose it near the ending, though. The movie ends with a bunch of really weird deus ex machina that have no purpose whatsoever, especially considering the messages that it wanted to convey. It’s the type of ending that actually makes the rest of the movie also less good, because of all of the build-up it just nullifies thanks to the completely stupid twists it pulls.

So yeah, for the Wolf versus Sheep/Goad storyk, I’d recommend Chirin no Suzu over Arashi no Yoru ni, but at least it has a lot of eye candy here. This movie looks unlike any other movie I’ve seen. The camera work is also pretty interesting here. It’s a nice watch in any case, though don’t expect anything special.

Storytelling: 7/10 – Nice atmosphere and pleasant pacing, though it also has a number of very blatant Deus ex Machina, and these are pretty bad ones.
Characters: 8/10 – Good and down to earth chemistry between the lead characters for this type of story.
Production-Values: 8/10 – Very interesting looking graphics and animation, though some parts (most notably the muddy river) stick out as a sore thumb.
Setting: 7/10 – Some nondescript landscape. I feel like the creators could have done better to flesh it out.

Suggestions:
Chirin no Suzu
Yobi – The Five-Tailed Fox

Mr Stain on Junk Alley Review – 80/100




Here’s another one completely done in CG. Mr Stain has thirteen episodes of seven minutes long, plus one that clocks in at half an hour. It pretty much tells fourteen standalone stories about Mr Stain, and some of the things that he finds around his Junk Alley (why yes, this one has a very descriptive title).

The character models are much more cartoonish than usual with CG anime, which solves the Botox faces problem quite nicely. In fact, the entire series has no words in it whatsoever, and it entirely reliant on the nonverbal communication between the different characters, and that is something that this series is really good at. The facial expressions, the way that the characters move, their gestures. It’s all simplifies, but very sincere and genuine. Also be sure not to miss the EDs for this series, which are based around a wonderful idea.

The stories themselves are a bit of a mixed bag. There are about five or six episodes, like the one with the fish or the one with the fridge that are rather uninspired, and don’t do much interesting. On the other side of the coin though, some of the episodes are shocking, some are touching, some are hilarious and others are just completely bizarre. Some of the things that Mr Stain finds but especially the things that the creators do with them are very imaginative. I especially loved the episode with the Flower and the one with the Baby, due to the bafflingly unexpected twists that the stories in these episodes take.

Beyond that, there isn’t much to this series: episodes don’t build up for each other and the characters just reset themselves after episode after the final one, so there’s not much depth to this thing. It’s a great quick watch though, if you’re in for something strange, yet uncomplicated. What really sets this one apart is some of the bizarre and sometimes even macabre ideas it goes with. It’s completely unpredictable, and yet it’s not just random for the sake of being random.

Storytelling: 8/10 – Fourteen standalone stories, told without any dialogue and makes good use of the fact that there isn’t any dialogue.
Characters: 8/10 – Lovable and well acted, but completely one-dimensional.
Production-Values: 8/10 – Simple character designs, but well animated. doesn’t have the graphical problems that most CG anime have, and yet it was made eight years ago.
Setting: 8/10 – It’s just a strange alley, but the things that pop up there are very creative.

Suggestions:
Hoshi no Umi no Amuri
Genius Party – Deathtic 4
Fireball

Yumekui Merry – 09




Ah, of course. The thing with Merry is that its plot is very unambitious. It’s just Merry fighting a bunch of dream demons, with next episode the dreams of one of the side-characters finally put on the line. The teacher indeed turned out to be one of the bad guys, and Tachibana is his next victim. The way this series progressed its plot is really where this thing lost points: it really should have needed more variety and creativity in those scenarios.

On the other hand though, we have the characterization. Nine episodes in, and I love what the characters have turned into. The unique direction plus the way in which the major characters discovered that they have been thrust into a ridiculously unfair setting in which the enemies are forced to take hostages that can not be saved. It created a bunch of excellent characters. This is what I mean by fleshing characters out: we’ve now got a good view of who the characters are, and how they behave, and causing even the simplest of conversations to be likable. Well, to me, at least.

What impressed me about this episode was how it immediately turned that clown Dream Demon ten times more interesting than what he was at the end of the previous episode. In this episode things weren’t as one sided; he started playing with the weaknesses of the lead characters.

Also, every time I take screenshots of this series, I’m just reminded of how awesome the graphics here are. It’s not just a matter of things that look good. Beyond that, the creators manage to stuff a ton of eye candy in each episode that just continues to change. There are so many awesome shots to take in this series, and they’re all so different from each other. Even though this episode hinted at a slight loss of budget with animation that was not as detailed as in some of the previous episodes, the creators still managed to put in many different poses, backgrounds and compositions here.
Rating: ** (Excellent)

Mahou Shoujo Madoka Magica – 09



A very, very macabre build-up here. On one side, the deaths in this series don’t have as much of a shock value compared to what happened to Mami. On the other hand though, the creators just did decimate the cast here. At this point there are only five named characters alive, and two of those have stopped being relevant to the plot.

In about a week the definitive lengths of the series of the current season should get announced, but it looks like there are three episodes left at this point. These should be enough for this series to change its direction, now that it lost some very important side-characters, and use these changes for its ending. The pieces are now all correctly set: Walpurgis Night is coming, and Madoka pretty much is going to have to choose between either becoming a mahou shoujo or having this Walpurgis thingy feasting on the city they’re in.

A lot of the finale is going to depend on Madoka’s development. I mean, she’s probably the most typical character of the entire cast, and spends a lot of time angsting, but a character was really needed for this show to be able to do what it wanted to do. As a deconstruction, this series would not have worked as well if Madoka was more mature. A part of the charm of this series is seeing Madoka nearly giving into Incubator again and again, continually building the tension between them. Because Madoka is indecisive it allows this series to flesh out all possible options for her to a great detail. Sure, weak characters like her can get very annoying when used poorly, but this show shows how to do them right, by having the entire plot revolve around this weakness of hers.
Rating: ** (Excellent)

Fractale – 07




The graphics in this episode were utterly amazing. The animation was as excellent as ever, but that’s not all. This episode had some excellent background drawings, and especially the animation near the end of the episode was full of life and imagination. It’s here where the direction showed its best again: that climax was really drawn and portrayed with power. Finally this show does something with its potential!

It also just shows how this series lacked vision. I mean, the final quarter was pretty much the best thing that happened to Fractale. So how did they get there? By having Clain wander off on some flying machine for no reason, having this machine broken down and somehow ending up in this fantastic Fractale world. It’s completely random! No build-up whatsoever, it’s just there. What is this awesome world doing so far away from the plot here? Why didn’t the first half spend time fleshing this thing out? The creators did not spend enough time here thinking how to fit everything together.

As for Clain… well, he got better. He still had his moments of annoyance, not to mention the strange idea of the creators to suddenly dress him up as a girl and make his hair grow, but once he twisted his ankle he got surprisingly interesting. I really feared this episode once it started off with those boobs and all, but as the episode progressed it twisted those fears right upside down.

This episode improved my impression of Fractale a lot, though. Especially after I found out that the character designer of Kaiba, Kemonozume and Yojou-han was the animation director, and it shows. Variety was exactly the thing that this show needed in order to save itself from being a complete bore-fest, and this episode delivered there, and then some.
Rating: *** (Awesome)

Hourou Musuko – 07




Hourou Musuko… just surpassed itself. Seriously, this episode was better than any of the previous episodes so far, and convinced me that the creators know what they’re doing. Finally we have another romance that tries to portray love realistically, and FINALLY we have another series that subverts the “lead characters are soul mates” trope.

While Fractale is currently showing just how much of a double edged sword the Noitamina timeslot can be, Hourou Musuko just nailed it. This is the part where we really get to the interesting character development. Nitori suddenly deciding to date Anna was a brilliant move. He’s actually moving on, after being rejected by Takatsuki and exploring the different sides of love, with someone completely different from the one who was first made out to be his soul mate.

It’s here where the power of this show really shines. This show has lead characters, but beyond that the creators make sure to give each of the characters a down to earth portrayal, and it’s not unfair towards anyone: the scenarios are written so that nobody really gets the chance to devolve into a stereotype, even the energetic girl has subtle different sides, miles away from your usual cliched energetic girl. This episode showed the subtle side of this show at its best.

The oddball here is Chiba, who seems to have a lot of issues throughout the series. She’s a great source of drama, and yet she doesn’t devolve into cheese. It’s hard to make a character like her believable, but I think that the creators did it by having her constantly tell how she feels, and what she thinks.
Rating: *** (Awesome)