The World God Only Knows II Review – 72,5/100




The second season of The World God Only Knows has some good points. At the very least the girls that Keima has to conquest (read: get a kiss from) aren’t as terrible as the idol or the rich girl of the first season. Unfortunately, there just still is too much wrong with it for me to really rate it any higher than its predecessor.

Really, I only barely managed to finish this series. If I had to give a tip for anyone checking this out: don’t expect anything from it. The world God Only Knows doesn’t aim to be anything big or spectacular. It’s just there for really light entertainment and to provide some interesting observations about dating sim games. It’s not deep, it’s not funny, it doesn’t have any good characters, nor does it have particularly impressive animation (this is without a doubt Manglobe’s least visually impressive series; just about everything looks generic here). In every area, it does just enough to be watchable.

There are a number of good arcs in this series, in particular the middle one that actually makes use of the build-up that the first season provided (something that unfortunately the rest of the arcs don’t do). It’s here where this show jumps away fro its formula, delivers its best characterization and the most interesting and least stereotypical character of the series. The problem is that all of the other arcs left something to be desired with.

This series follows the same format as the first: we first get a long arc detailing a “conquest”, followed by a short arc detailing something random about either the world of this series or dating sims in general. The long arcs suffer from stereotypical and one-sided characters along with nonsensical conclusions. The short arcs suffer from being completely stupid and moronic. Really, those episodes are completely terrible.

The thing with this series is that it does take care to give its characters interesting back-stories. That’s why I’m not giving this one a terrible rating, and all of the main arcs have their points that make them worth watching. But there’s just way too much fundamentally flawed with this series. This series doesn’t feature a series where a guy needs to save random girls who are infected by evil spirits, it feels more like a guy who needs to collect various characters who magically escaped from his games.

The characterization in this series leaves much to be desired: everyone in this series just has one side, sometimes that side has a twist, but there is nothing other to these characters beyond that twist. Even the main characters suffer from this! I could forgive the first season for that due to the lack of time, but come on: it’s already been 24 episodes and they’re still the same stereotypes.

This series advertises itself as a light-hearted parody, but the problem is that it’s just not funny. This show just doesn’t know how to write comedy: Elcea still is the most obnoxious character, and any joke this show attempts to make falls flat on its face due to poor timing: everything in this show is slow and mellow, even the delivery of the jokes. This show includes a lot of references to other stories, but that’s just what they are: random references that try to be clever, yet aren’t.

At the very least Elcea doesn’t try bathing with Keima anymore, and that second arc finally took this show somewhere other than just a cliche fest, but the main reason why I’m rating this series lower than the first is because it’s a much bigger chore to sit through. The terrible, terrible side-arcs are part of this, but the big factor is that this show has had 24 episodes now and I’m getting really tired of it. I don’t enjoy watching the majority of this series. It’s a miracle that I even kept with it, but that is mostly because people keep telling that the future arcs get better. I’ve been hopelessly caught in this series, hoping for it to finally turn good, fueled by a few good parts here and there that affirm this and yet this bloody show keeps testing my patience over and over with its cliches and complete stupidity.

Storytelling: 7/10 – It’s sufficient, but refuses to try and stand out. There’s a lot of meh in the way it delivers its story, most notably on how slow and monotone it can get.
Characters: 7/10 – It’s a character study, so the characters at least are well explored. They’re all (with the exception of perhaps one) still game stereotypes, though. If they were enjoyable to watch then okay, but more often than not they’re not!
Production-Values: 8/10 – Adequate. But for Manglobe’s standards it doesn’t stand out in any way.
Setting: 7/10 – Offers nice trivia at times, but most of this series isn’t about games, it’s about games in the eyes of an obsessed fanatic. This show did the opposite of what it was supposed to do and made my (someone who never plays visual novels) image of dating sims even more jaded than it already was.

Suggestions:
Kuragehime
Hanamaru Youchien
Skip Beat

Ao no Exorcist – 11



Just… what?

So it was clear that we were getting a filler episode in this episode, and a beach episode at that. Obviously I wasn’t looking forward to it. But what was that? Who the hell wrote this? There was so much wrong with this episode, but I have no idea whether it was in a bad way. In either case it was completely stupid. And next week we’re going to an amusement park?!

Rather than a filler, this feels like we’re in a completely different series. The beach part doesn’t even matter anymore. From out of nowhere the creators suddenly introduce a young boy who acts like he’s been part of the main cast for ages. The show does the same with a guy who obviously looks like he’s cross-dressing in his spare time and then it suddenly comes with a giant squid story. The subsequent fight establishes the squid as the dumbest monster alive, only followed by a completely bizarre anti-climax.

T=Here’s the thing: as stupid as this episode was, I enjoyed it. The creators actually tried to do something different, and I admit that that climax had me in stitches and the episode overall was a unique experience that was definitely creative…

But it also completely destroyed the credibility of this series…
Rating: @!# (???)

Hana-Saku Iroha – 13



This was a wonderful conclusion to the past arc. Instead of using the midway climax as the most dramatic of the episodes so far, it was actually really warm-hearted and entirely focused on character development. Ohana’s mother’s visit was very down to earth and it showed something new about pretty much the entire family. Ohana’s mother’s advice and presence really brought change to this series.

I especially loved that the characters weren’t afraid to use liquor in this. That always turns out to be a great way to flesh out characters. It’s a bit weird for Ohana to get drunk on soda, but the way it finally made her lay out her feelings was really worth it. It also was quite unexpected that Ohana’s grandmother suddenly started drinking. Through this episode you could really see that Ohana, her mother and her grandmother are related: they’re all big workers, even though their personalities are completely different. The only oddball here is Ohana’s uncle: this episode really established him as a third wheel, and I suspect that the rest of this series is going to make use of that.

Also, since next week will be a beach episode, it’s clear now what format this show is going to follow. Setting aside the fact that beach episodes are bloody overused, this show will follow about the same format as Tiger & Bunny: the first half has random episodes with a long climax, the second half also has random episodes followed by a bit of a longer climax.

That’s not a bad thing by the way. When an episodic series is done well, it’s the second half where its episodes really start to shine because it’s there where the characters really start to show themselves off, and it’s here where the creators can really play with their development.It’s been a while since we’ve had series like this, so I’m quite interested to find out whether Hana-Saku Iroha and Tiger & Bunny can pull them off again. It’s a format that I really like because it can lead to a lot of variety. Whether or not we’ll already see this with the beach episode though… I’m not sure…
Rating: ** (Excellent)

Tiger & Bunny – 13



And wit this we conclude the first half of Tiger & Bunny. This episode was… interesting, because it wasn’t exactly the best episode of the TV-series. Because the previous episodes built it up so meticulously this episode pretty much did everything you’d expected, without much surprises aside from Kotetsu using his head again. It’s good build-up though: Barnaby and Tiger will receive a lot of development from this episode.

The thing with Tiger & Bunny is that it’s really entertaining when building up, and it looks like the random episodes will continue again after this arc, so this is definitely promising to become even better. It’s there where this series can really start using its build-up of the first half. I expect the second half of this series to continue with a similar pattern as the first half, with it ending with a climax that focuses both on Lunatic and the fact that the entire city looks like the Ouroboros logo.

What I do hope is that that final arc will use its characters more. That’s the only thing that really bothered me in this episode: in the end everyone aside from Kotetsu and Barnaby was pretty useless and the only parts where they actually helped to solve things were just… cut out. I want to see the creators come up with a story that doesn’t just require the powers of everyone, I want them to come up with a scenario that puts all of them in the spotlights. They’re all great characters, they deserve that.
Rating: * (Good)

Deadman Wonderland – 11




Holy crap! Now that’s some awesome animation worthy of the label of Manglobe. This episode was really well produced, the camera angles were strong and the animation for once was dynamic throughout the entire episode, instead of leaving that just to the money shots. That really was the kind of animation that brings something extra to the characters.

And this entire episode was just wonderful. It had neat ideas, and even though Ganta’s new powers made no physical sense whatsoever they were damn well animated, and I like that the creators used his anemia to just prevent him from going all out. This should have been used better by other characters though, like how does the Branches of Sin armor work? that also looks like it drains a lot of blood there.

But… unfortunately we’re nearly at the end. The problem with this episode was that it asked some really intriguing questions that it’s never going to be able to answer in just one episode, even if they go with an original ending. There are like, what? nine villains left at this point who all still need to be wrapped up? Yeah, that ending isn’t going to be pretty. Not to mention that little girl, who I just realized has a father in the ED that looks a bit too much like one of the members of the resistance.

What especially intrigued me abut this episode, aside from the obvious excellent direction and characterization, is the scars on both Mockingbird and Shiro. What happened to them? How are they still fine after the crazy kinds of operations that this show likes to perform on its prisoners?

Oh, and take that, Sailor Moon!
Rating: *** (Awesome)

X-Men Review – 80/100




Overall, the past season has turned out to be excellent, but there is one interesting are where it is below average: the animation. Unfortunately, the earthquake’s mark on the anime industry shows up the clearest here. And so we got quite an interesting series to walk away with the award for the best animation of the season: this one.

This series doesn’t look as good as Madhouse’s best looking series, but it still is a wild and vivid looking series. the colours are really varied, the animation is bold and strong and the character designs are completely unlike any other anime out there, even considering that this is based on an American franchise.

If you’re also looking for good action, then this show has it, and buckets of it. It’s a really well directed show in technical terms: the action is plentiful and always moving, making sure to alternate enough between characters to keep everything dynamic. Couple this with the gorgeous animation and you’ve got a very entertaining series to watch.

Now, where this show falls down a bit is the plot. It’s not bad like Iron Man or anything, but it made a number of core design decisions that prevented the story from fully delivering. The creators unfortunately tried to do two things at the same time: first of all they wanted to make an epic and action-packed action series, and on the other hand they wanted to create a serious drama about mutants and teenagers with powers and the people around them. These don’t really blend well together.

The result is an action-packed series that tries to be deep, yet doesn’t have the time to actually flesh out its characters. It has like five different villains who all are tied together, and yet it has nowhere near enough time to focus on all of them, leaving some key villains as dull and uninteresting. On the side of the good guys meanwhile, the creators introduce a rather annoying new character. You want to see the X-Men kick ass? Well, there’s a Mary Sue amongst them who keeps stealing their spotlights. This reduces Storm in particular to someone who doesn’t just do anything, but the rest of the cast also particularly near the end is ignored in the favour of some random whining teenagers. Essentially the entire final conflict is nothing more but dictated by Teenaged angst and emo. This doesn’t work with characters who aren’t well fleshed out!

This is a shame, because the parts about the X-Men themselves are quite good Wolverine in particular is a lovable character, but the tension between them is also healthy and interesting, and whenever the teenagers aren’t at the centre of the attention this show really kicks ass. It’s just a shame that the finale of this series, the place where everything was supposed to come together, gets completely dominated by teenagers who don’t know what they want to be. Compare that to the Wolverine series: it knew exactly what it was, it knew exactly what it wanted to do and all of the characters knew their roles and were fleshed out sufficiently, while at the same time the series delivered a lot of neat action. Its acting and production values may have been horrible, but this balance is something that unfortunately the X-Men lacked majorly, and that’s why they get the same rating.

Storytelling: 7/10 – Doesn’t know what it wants to be, and therefore doesn’t come together at the end leaving a bad taste. It’s really good at writing action scenes, though.
Characters: 8/10 – A bit of a mixed bag, but most of the characters are interesting enough to keep watching. The teenagers just aren’t.
Production-Values: 9/10 – Gorgeous animation and visuals and a strong soundtrack to boot.
Setting: 8/10 – The backstory behind the X-Men remains a fascinating one.

Suggestions:
Wolverine
Toward the Terra
Read or Die OVA

X-Men – 12



So, I guess that this is where the string of awesome endings ends then. This episode on its own was already pretty lukewarm, but I have to be harsh after having seen such a string of fantastic endings: this episode could have been much better.

First of all, the technical terms. This series had consistently the best animation of the entire season, so you’d expect the animators to really go all out this season. And instead they come with a finale where people mostly stand and talk about cheesy morals and values. Oh sure, there was eye candy, but everything suddenly happens in still frames. It still looks better than many other series this season, but it just didn’t live up to the standards this series set.

The production values weren’t necessarily the problem, but the dialogue was: it was dull. not well built up and wasn’t what this series had been building up to in the first place. Characters just stand helplessly after attacking… once, and they just talk about trying to convince Takeo not to emo. That’s just cheesy.

In the end, my biggest fear for this show turned out to be true: Hisako is a freaking Mary Sue. None of the regular characters did anything in this episode, just so that Hisako could take the spotlight. This series refuses its cast to shine just because of Hisako. Cyclops only got a few lines to get over Jean’s death while this episode just kept repeating Takeo over and over.

In the end, I’m unfortunately going to have to rate this as high as Wolverine. I still think that it’s better than Wolverine: its action and animation are just too superior for that, but the plot of the X-Men just turned out to be a disappointment. The only thing that I can really praise is the way in which Sasaki Yui was actually the villain, but even that was just glossed over in this episode thanks to Hisako’s “Sasaki is a good person!”-thing. The thing is that I really like a good action series, but this series ignored just too many chances to shine thanks to Hisako. Storm and Cyclops got reduced to mere side characters who never got to do anything. The direction of the series in the small scale is really good. In terms of the bigger picture though, it left a lot to be desired. Compare that to Wolverine: it knew what it was, it delivered on that and it made sure it was really entertaining in the process. The token female also knew who she was and what her part was, and it nicely made all its subplots come together and give all of them a nice conclusion in the end.

It’s a shame, because I saw the two big flaws of this series coming from very early on in the series. The way in which the series kept juggling around villains was bound to backfire: Sasaki Yui was the big exception because she tied the U-Men together, but when the focus suddenly turned to Takeo the show fell apart: we know just too little of him, and the cheesy messages to get him back in this episode had no meaning behind them whatsoever. It’s just the same cheesy morals that you see everywhere. We never really saw anything from Takeo to warrant this.

It’s the thing about enjoyment again: I really enjoyed the X-Men, but the flaws are big enough to leave a bad taste; especially this episode. Wolverine in comparison was consistently entertaining and left no bad taste whatsoever. The big problem with this series in the end was that it didn’t know what it wanted to be: on one hand it wanted to be an action series. That’s fine, but then don’t throw in Takeo or Hisako. On the other hand they wanted to focus on child mutants and their issues. If that’s the case, then drop the action or at the very least make it a much less significant part of the series, get a good voice actress for Hisako and focus more on their characters. This series tried to do both and got tied up.

And I now just realize that I typed up half of the review of the actual series. Um yeah. Expect a lot of repeats in the actual review…
Rating: – (Disappointing)

Gosick – 23



Oh what the hell. This week has been absolutely amazing in terms of anime. Here we yet again have an awesome episode. Steins;Gate, Anohana, C, Enma-kun and now Gosick. All of them completely delivered. This week has turned out to be an amazing closure to the past season!

This was the kind of episode that was entirely building up to its final minutes, but those minutes were extra sweet because of that. I’m really surprised how this episode shifted Kujou’s role, and actually made him enlist in the military in order to prevent getting kicked out of the country. From that position though, he couldn’t really do anything, and instead the one who saves everything turned out to be… Cordelia. The fight between her and Marquis de Blois was really well animated, and a fitting climax. I really admire the creators that they didn’t go with the most predictable turn of events.

Overall the plot too wrapped itself up quite nicely. This episode really focused on Marquis de Blois’s obsession over the Occult, and how he’s using it to deceive people. The only question mark is why he found it a good idea to allow Victorique to speak. That’s the kind of logic that ends up killing your average bad guy, but in this case this was not vital to Cordellia’s plans: all she had to do was dress up as Victorique and Marquis de Blois would come to her eventually. Red Haired guy’s illusions would have been more than enough for this switch trick to work.

Also, I’m a bit puzzled as to why this show is already announcing the third world war when it’s only 1925. This is an alternate history of course, but I do wonder why the creators decided to speed things up aside from it being handy for the plot.

Also: next episode. It should be entirely focused on Kujou and Victorique trying to find each other again, which really seems like a great conclusion for this series. It’s interesting that that there is no big mystery in these episodes, but that would have felt really out of place in the plot at this point. Either way, I’m really curious how they plan to end this thing.
Rating: *** (Awesome)

Dororon Enma-kun Meerameera Review – 85/100




I love remakes! I’m not sure what it is, but they nearly always seem to get made by big fans who really want to make something special out of them in order to do them justice. Take Casshern Sins with its amazing style and direction, or Tetsujin 28-Go which brilliantly made the context under which its original series was written into its storyline and made it a central theme. This also goes for the silly series. And damn. Dororon Enma-Kun’s new coat turned into a wonderful and outright crazy series to watch for the past season.

Let me first put up a fair warning though, because this show isn’t for everyone. I really mean it when this show is crazy. It’s also a fanservice series: the main character is a huge pervert and this show won’t shy away from any opportunity to show naked girls. It even has a character who runs out completely naked throughout the entire series. It’s filled with sexual references, and it’s completely juvenile in every single way.

In fact, when this series started I was really close to drop it. The first two episodes of this show are really bad, and they just feel like some random adventures with a lot of annoying kids and fanservice that just wasn’t entertaining at all. Only at episode 3 does this series show its real colours. From this moments, it just takes its fanservice to complete absurds. No idea is stupid enough for this series. From episode three onward, this series gets completely over the top in every single way. It’s filled with the most bizarre scenes, parodies some obscure references from the time in which the original Dororon Enma-kun was written, and the overacting reaches bizarre levels of ridiculousness.

I’d even label this over Panty and Stocking with Garterbelt. It’s true that that series looks more unique and that it also have some really good ideas to base its episodes on, but Dororon Enma-kun has it completely upstages in terms of entertainment. If you can appreciate the juvenile humour, it is a ridiculously entertaining series. It takes one crazy idea and just makes it spiral out of control over and over without any sign of slowing down. Not all of the episodes are of the same level, but the really crazy episodes (there are about five of them throughout the series) are just completely awesome from start to finish and one hell of an entertaining ride.

Basically, this is the kind of series that I want to watch when I don’t feel like watching an intricate plot or deep characters: a show that really releases all brakes in order to be as entertaining as possible. This show knows how to upstage itself time and time again, and while it uses several running gags, there is so much creativity put into this thing that it never feels repetitive or dragged out. It uses its own ideas incredibly well and I had one hell of a time watching this. Pun semi-intended.

Storytelling: 9/10 – A “No idea is too crazy”-mentality. Completely over the top in every single way and uses its huge amounts of creativity to deliver a really entertaining series.
Characters: 8/10 – Obviously you shouldn’t expect any development here, and they really take time to get used to, but their antics get hilarious to watch.
Production-Values: 9/10 – Amazing soundtrack (seriously, this thing is completely awesome) and while the character designs look simple at first, there is a ton of creativity put into it.
Setting: 8/10 – Obviously it’s nothing special at first look: youkai invade the world and they need to be stopped. But it has so many ideas put into its run that it it becomes amazing.

Suggestions:
Hoshi no Umi no Amuri
Hakaba Kitarou
Shin Mazinger Shougeki! Z-Hen

Dororon Enma-kun Meerameera – 12



Okay, I know I already made a post for my Kaleidoscope this season, but I just can’t help but gush at how absolutely fantastic this ending was. This ending… it’s just unbelievable. If you thought the previous episodes were crazy: this one actually tops them. It’s been a long while since I saw an ending with this much BALLS. It was the perfect closure for this series. But what the hell did I just watch!? Seriously, who came up with this stuff?

This episode already started off hilarious with a Wacky-races parody of all things, but after that the characters just continued to pull all sorts of random powers out of their ass to upstage each other. It was a really creative final battle where things like popcorn were used to fight Enma’s fire for example, or glowing tangerines turned Kappaeru into a professional wrestler. Just when you thought that this couldn’t get any crazier, this episode pulled something more bizarre out of its ass.

And then… the finale. That was just… surreal. The entire series had been building up to Enma losing control of his fire powers. The OP kept unsubtly foreshadowing it, and when it finally happened… it just turned out to be a side-effect of his powers. I’m not going to say here what the real reason why his powers were sealed was. Just… watch this episode.

What I’m really amazed at is how all three endings of this season so far have been much better than I ever could have imagined. Anohana, C and Enma-kun: they all ended with completely amazing endings that brilliantly made everything come together that they had been building up to. Enma-kun has been incredibly juvenile, but ridiculously entertaining. If you’re looking for a series that’s completely crazy: go for it.
Rating: **** (Fantastic)