Summer 2022 Coverage & First Episode Awards

Lenlo: Welcome back everyone for another season of anime over here at Star Crossed! We have a decent amount in store for you this season as we… What’s that? This is… this is how late? Oh crap, who can I blame this on? Uh… Aidan, he doesn’t want to write about Biscuit Hammer after that shit show, surely he won’t read this. And you, my dear readers, won’t rat me out? Right?

Jokes aside, I’m glad to finally be able to get our coverage up. We have a decent number of shows being covered this season, from Throwback Thursday to actual seasonal content. I think it will be a good time! Assuming any of these shows make it to the end with a decent score that is. Anyways, without further ado I present to you our Summer 2022 lineup as well as our first episode awards!

Summer 2022 Lineup

Lenlo
– Yofukashi no Uta
– RWBY: Ice Queendom
– Welcome to the NHK (Throwback Thursday)
– Isekai Ojisan

Amun
– Occasional Weekly Summary
– Danmachi S4

Continue reading “Summer 2022 Coverage & First Episode Awards”

Summer 2022 Impressions: Isekai Yakkyoku, Shine Post, The Devil is a Part-Timer S2

Isekai Yakkyoku

Short Synopsis: A medical researcher dies and is reincarnated in the body of a young mage.

Wooper: Seeing as I’m forbidden from complaining about this sort of anime for another 18 months, I’ve got to muster what few compliments I can about Isekai Yakkyoku. Let’s see… I guess I “liked” the POV flashback to the main character’s sister in the hospital, asking whether she’ll get better if she takes some medicine and goes to sleep, which was immediately followed by a scene of her funeral. I appreciate when an anime tells me how to feel, and this is one series that will never stop helping in that regard. The newly reincarnated protagonist’s quest to discover his magical powers was another bit I “liked,” especially nifty tricks like cutting to a silver platter (both literal and metaphorical) bearing an assortment of chemical compounds that he’s just generated off screen. What a hard worker our young hero is! The dinner scene where his new father quizzes him on the ingredients of an obscure ointment while his mother and sister sit around and look cute was also “good” characterization – you love to see it. “Best” of all, though, was the revelation that he has unlimited magical power, courtesy of a magical power-ometer that his sexy tutor happened to have on hand during their training session. Could anything be more promising? (Apart from a believable premise or a distinctive visual style, I mean.)
Potential: 0%

Amun: Okay, a former medical researcher is reincarnated with the name “Farma”…that’s a little on the nose, don’t you think? This lad also unironically firehosed out a window all over his maid. Lots of, erm, “symbolism” going on in this episode – Freud would have a field day. While I’m not in love with the character designs, the story itself is pleasant enough. Just don’t look for too much substance or you might hurt yourself. I wonder when a garbageman is going to get reincarnated and somehow use garbage collection to save the word. Still, it’s a passable enough isekai if you’re into that sort of thing – I certainly am. Also, I too recommend not grasping a veiny, throbbing “Divinometer” in front of anyone else…
Potential: 40%

Shine Post

Short Synopsis: A new manager with truth-o-vision partners with an unsuccessful idol trio.

Wooper: Idol shows have been a fixture of seasonal anime schedules for about a decade now, so at this point, unless they have “Love Live” or “Idolmaster” somewhere in their title, they typically need a noteworthy gimmick in order to stand out. We saw Kami Kuzu Idol go the ‘idol doesn’t want to be an idol’ route about a week ago, and now Shine Post is sort of taking the same approach, only instead of illustrating that concept with spirit possession, it’s going with lie-detecting eyesight. I don’t know about you, but I’d much rather watch a show about a ghost possessing a guy during his dance sequences than one about a stodgy-looking manager who can see when people aren’t telling the truth. The hook is that one of the three girls in his new group isn’t lying when she says she wants to become a successful entertainer…and that’s it. She actually wants to be an idol, shock of all shocks. What does it say about Shine Post that the unfeigned enthusiasm of its would-be star is the basis of the show’s appeal? For me, it says that I’m entirely comfortable skipping its remaining episodes.
Potential: 0%

The Devil is a Part-Timer S2

Short Synopsis: Mortal enemies Hero and Demon King receive an unexpected Apple Baby to raise.

Amun: It’s been a decade of waiting. The OG reverse-isekai. And after all that time, the premiere…was alright? It was kind of weird, honestly – I watched this a decade ago, and while I’m quite different, their world is exactly the same. Well, not quite exactly – it’s pretty obvious that the visuals are being handled very differently. I’d say the character designs fall into the uncanny valley of similarity – close enough to tell who is who, but just slightly off enough to be jarring. I also was reminded of what I didn’t like in the original: Chi-can. Every second she’s on-screen, the show wanders away from the more interesting dynamic of Hero vs. Demon king. The new season’s premise is interesting enough – joint custody of mysterious portal baby. I’m just surprisingly worried about production and if there’s enough content here to carry an additional season. All in all, I guess I’m underwhelmed, but still happy Devil is back!
Potential: 60%

Mario: Can’t believe that it had to wait this long for a sequel, considering how popular the first season was. For me, I consider the series has one big joke, and the rest kinda repeats the same joke over and over. That is why the appearance of this new kid in a block (literally) is a much welcome change of pace. Not only it steers the show into a direction it has never ventured before (the Devil Lord and the Hero raising a child), the reaction of Yuusha and Maou will have new sparks as well. Visually it looks just standard, but the facial expressions are done fairly well. I’m looking forward for more to come.
Potential: 30%

Yofukashi no Uta – 2 [Do You Do LINE]

Hello everyone, and welcome to my last show for the season, Yofukashi no Uta AKA Call of the Night. It’s a cute series, but I’m sure you all have other questions first, such as “Where the hell is the seasonal coverage post”. Well I’m wondering that to, so don’t worry. Currently waiting on some last minute additions from the other writers, so it will go out when it goes out. Don’t worry though, I’m going to keep a consistent schedule with my 3 (4?) series. So without further ado, lets dive into some late night vampire sexy times!

Starting off, Yofukashi continues to look good I think. There are some issues here and there with the composite, the characters feel very out of place at times. But I absolutely love the neon color palette. When combined with the darker, flatter backgrounds it lets the colors really pop. On top of that there are some really cool shots peppered throughout, even if the animation isn’t anything impressive in them. My only real issue right now is that some of the colors feel… off. My friend described the yellow ones in particular as a “piss filter” and I can’t get it out of my head. They really do look that unhealthy, questionable shade and simply don’t look as good as the blues, greens and purples. And sadly? I don’t think they are going away any time soon. At least the OST is fire, right?

Continue reading “Yofukashi no Uta – 2 [Do You Do LINE]”

Welcome to the NHK – 15/16 [Welcome to the Fantasy!/Welcome to the Game Over!] – Throwback Thursday

Welcome back to another week of Welcome to the NHK! This is another fantastic pair of episodes as, for the 3rd time, NHK leaves me absolutely floored. What could it tackle to achieve that you may ask? Well let’s cut this preamble short and jump into it!

Like I said, with this arc NHK has once again flabbergasted me. The setup, lead in, execution and climax of this arc was simply perfect. From the type of neetdom it tackles to the arc/involvement of every character in it, french kiss. But before I get into details I want to talk about something I thought was really impressive: The way NHK fit this entire arc into 2, maybe 3 episodes depending on what the next one does. And this is only possible because of the consistency between arc, the way they flow into one another. Sato came into this arc after just being cut off by his parents, after trying to improve himself, failing, and then almost killing himself. Already the stage is set for him to desperately want money while being more horrified than ever by crowds and society. This setup leads us into the first episode.

Continue reading “Welcome to the NHK – 15/16 [Welcome to the Fantasy!/Welcome to the Game Over!] – Throwback Thursday”

Isekai Ojisan – 2 [“Guardian Heroes” Shoulda Been Number One!]

Hello everyone, and welcome to what is technically the 2nd show I’m covering of the season. RWBY preaired 3 episodes though, and that’s cheating. Anyways, this week Isekai Ojisan continues to riff on the Isekai genre while also introducing a new character! Is it good? Sorta. Will it last? Let’s jump in and talk about that.

The core thrust of Isekai Ojisan is riffing on Isekai as a genre. Taking shots at every character and story trope it can. And for episode 1, this was pretty funny! I had a good time. But it has already, by the 2nd episode, started go stale. It feels like Isekai Ojisan only really has 2 jokes: Old things that the Uncle remembers that are no longer around, and screwups within the fantasy world. Now I want to be clear, this is fine if all you want is a few chuckles. Even telling the same joke for 12 episodes will probably get one every now and then even when I know it’s coming. But if you want to truly succeed as a comedy? Then you have to widen your repertoire. Luckily however, it does seem like Isekai Ojisan recognizes that and is trying to fix it. On both counts!

Continue reading “Isekai Ojisan – 2 [“Guardian Heroes” Shoulda Been Number One!]”

Summer 2022 Impressions: Call of the Night, Isekai Ojisan, Extreme Hearts

Call of the Night

Short Synopsis: A disaffected middle schooler resolves to become a vampire by falling in love with one.

Lenlo: Well I found the seasonal waifu y’all, and this time I can say she’s actually kinda hot. People just need to let Kotoyama design all of their characters, or at least the women, because the guy is damn good at it. Beyond Nazuna being a choice cut, the rest of the show doesn’t look half bad either. I’m a fan of the neon color palette of the city night, and the angular features of all of the characters. On top of that, it’s just well directed in general. Lots of interesting camera angles and well paced shots. This is probably, visually, one of the better shows of the season for me. As for the story, I honestly have no idea what’s going on. Not why the night is so off limits, nor the whole seemingly hikikomori deal with our MC, not even the vampire nature of our lead girl. None of it makes sense, we just kind of get thrown into the middle of it. For a first episode that’s amusing enough, the dialogue especially was entertaining. I just have no idea where it’s going to go from here or what it’s going to do. Is this going to become a classic battle series with vampires? Or play it straight as a full on romance between our leads? Or maybe something else entirely?! I don’t know. But I’m intrigued enough to find out.
Potential: 70%

Wooper: There have been (and will be) a lot of disappointments this season, but I allowed myself some hope for Call of the Night (Yofukashi no Uta) upon seeing its Noitamina intro. Plenty of duds have emerged from the programming block over the last decade, but it was something for my optimism-starved brain to latch onto – and wouldn’t you know it, the episode turned out pretty well! I think my favorite thing about it is the restless storyboarding, which pitches a curveball at least once a minute. Claustrophobic fisheye lens shots, ultra wide angles, pushing characters to the edge of the frame – if Yofukashi could use it to depict the protagonist’s perplexity, it did so with abandon. Why was he so perplexed? Oh, romantic troubles at school, having his shoes vomited on by a middle aged man, being dragged back to the house of a strange woman who ended up being a vampire – the usual middle school stuff. I didn’t think I’d like the relationship between the human and vampire leads as much as I did, but he’s strange enough and she’s human enough that I enjoyed their back and forth. She loves the taste of his blood, sure, but she also enjoys the company of a fellow nightcrawler, as evidenced by her willingness to fly him around the city at night – a great final sequence for one of the few successes of the summer thus far.
Potential: 60%

UNCLE FROM ANOTHER WORLD

Short Synopsis: An older man wakes up from a coma, having been a hero(-ish) in another world.

Lenlo: It absolutely pains me to say this but… Isekai Ojisan wasn’t that bad. In fact I dare say I kind of… enjoyed it. The entire premise of the show is riffing on Isekai and their protagonists. Mocking the way they advertise other worlds as being ideal fantasy lands, how deadbeat losers suddenly become suave chads after being hit by a bus, and all the tropes that come with it. Even directly calling out how Tsunderes weren’t an established trope in the 90s, or how the uncle came back probably even worse than he left. Combine that with some clever direction and an artstyle that I really like. I love the thicker, sketchier line work and stark difference in color palette between the fantasy world and our modern one, and you have what might be the best Isekai of the season. That’s a low bar I know, but I’ll take what I can get. I kind of wish the uncle didn’t have magic in our world and the main joke was that he actually imagined it all, but the youtube channel setup with his nephew works too. Isekai Ojisan probably won’t be able to keep this up for its entire season, it’s probably going to screw it up around halfway through and become the very thing it’s mocking. But for now? I actually had fun here.
Potential: 50%

Amun: Isekai Ojisan is a different take on the titular genre. I certainly respect the unique angle, even bringing magic improbably into this world. I just didn’t have that good of a time – I felt bad for everyone involved. From the misunderstood tsundere to the torn apart family – combined with the dreary palette and harsher character designs – Isekai Ojisan felt sad. A bit like squandered youth, I suppose – a world that’s passed the lead character by. Painful nostalgia, I guess. While the subject matter is certainly fair game for anime, I can’t help but feel a bit of a mismatch between the media and the message. I’m interested in seeing where the story takes us, but unlike Lenlo – I didn’t have any fun here.
Potential: 50%

Extreme Hearts

Short Synopsis: An aspiring singer-songwriter trains to participate in a sports-themed variety show… with EXTREME GEAR!

Wooper: This show has some of the most throwaway character designs I’ve seen in ages. They may have some competition for the worst of the year, but they’re almost certainly the worst of the summer. Seriously, can you detect any life within these eyes? Then again, maybe I shouldn’t be so harsh – I’ve got no reason to expect the characters to look conscious when they were drawn by people who don’t care about the story they’re animating. How could they? It’s an original show with a flimsy-ass premise, directed by Junji Nishimura, the Snoop Dogg of the anime world (I’ll leave it to the music fans reading this post to pick up on my meaning). A wannabe singer signs up for an extreme sports tournament in a desperate bid for relevance? And the extreme sports in question are just soccer and baseball with reality-breaking equipment? The only way this could get stupider is if the script were largely made up of people explaining their sappy backstories – which it is. Extreme Hearts did rouse me from my stupor when it introduced a quartet of robot practice partners during one of its training scenes, but that flash of interest was the only thing I felt during its time-warping 24 minutes.
Potential: 0%

Lenlo: So this is… wizard sports? Basically? But they aren’t wizards because they use technology, not magic, but the technology is so advanced that it’s basically indistinguishable from magic? And we are going to tackle every sport at once, because we can’t content ourselves with just one? And they are simultaneously idols? Or is that whole singing bit not going to come back around at some point? This is… fine… I guess? There’s just nothing about Extreme Hearts that I would call interesting. It’s competently animated, and its narrative is so by the books I half think it was written by committee. But that’s kind of the problem. Extreme Hearts feels like a show made to checkboxes, created to sell, rather than because of any one creator or author’s vision and passion. It’s easily one of the most forgettable things I’ve watched so far, despite being nowhere near the worst produced or worst story told. Hell, even as I’m writing this I struggle to think of anything the show did that’s different, beyond the magic sports equipment.
Potential: I can’t even remember what I watched /10

Summer 2022 Impressions: When Will Ayumu Make His Move?,Shadows House S2, Black Summoner

When Will Ayumu Make His Move?

Short Synopsis: A boy intends to ask out the girl he likes if he can beat her at shogi.

Lenlo: This one was actually kind of cute. Surprisingly so. Visually there’s nothing special about Ayumu, at all. It’s a dime a dozen in that regard. But narratively I found it sweet, wholesome and straightforward. The way it gets the premise of the romance out in the open right at the start, no beating around the bush on whether or not they like each other, just so they can focus purely on the relationship. Or how it skipped right past the kendo-club drama, heading it off at the pass. Ayumu just feels like a straight forward, no gimmick romance. In a way it’s like Kaguya-sama, where all the information is presented to the viewer from the start and it’s just a matter of the “how”. I have no idea if that will change moving forward as the series struggles to keep its story going without falling into a rut. It’s possible it falls off a cliff and becomes one-note and boring. But my hope is that it will actually end with them in a relationship and continue past that, the hurdle so many romances seem to struggle with. So yeah, I enjoyed this way more than I thought I would. Tentatively gonna watch it. I just wish they would stop visually coding these characters as small children.
Potential: 50%

Mario: If you have already watched Takagi-san, then Ayumu runs on exactly the same concept. It’s a series of teases between the main two characters spending time together alone. Unlike that other show, these two characters are on the same footing, which makes the back and forth conversation more two-sided. So far, we only see these two characters, but I suspect they will expand the cast more in later episodes. It’s not a bad episode per se, but if this episode doesn’t convince you about the duo, then I doubt the rest of the episode will.
Potential: 30%

Shadows House S2

Short Synopsis: Young children are brought to the mysterious “Shadows House” to act as faces for creatures that don’t have their own. What manner of plots and evil are taking place here I wonder?

Lenlo: My biggest issue with Shadows House continues to be its depiction of the shadow characters. Not their personalities or depictions, those are fine and I dare say the intrigue surrounding it all is rather interesting. No, I mean the literal, physical character designs. It feels like almost no thought has been put into the color design or framing of any scene, the way the black of their heads or bodies contrast the background or surrounding furniture. I suppose that may be the point, to really emphasize the need for a “face”, but damn if it isn’t aggravating. Beyond my rant on color design though, Shadows House is back just as it was before. The intrigue is interesting, but the introduction of a power system and the focus it seems it will have is a bit souring. Hopefully the series sticks to what sets it apart from the crowd, the house intrigue, and not become just another battle series. The second half of the episode is leaning towards that with the introduction of Suzanne, you just never know when a series will slip up and go down the easy route of storytelling. I’m hopeful at least, even if it’s a bit awkward for now.
Potential: 50%

Black Summoner

Short Synopsis: A teenage boy wakes up in a fantasy world and does JRPG shit.

Wooper: The subtitles you see above are Black Summoner’s (Kuro no Shoukanshi) very first piece of dialogue, and it only got less inventive from there. Instead of wasting my time detailing just how derivative this episode became, though, I’d like to take a moment to reflect on an even less essential question I’ve been pondering recently: is the prevalence of modern isekai anime similar to that of CGDCT anime following their respective peaks? Some of the attitudes I’ve seen toward this new breed of fantasy anime are highly similar to the ire that was once directed against cute girl shows: they have no substance, they pander to the lowest common denominator, or my personal favorite, they’re the Cancer Killing the Industry. Both then and now, this hyperbole is simple backlash against a subgenre that doesn’t entertain a subset of fans – in short, it’s just their opinion, man. But if the overabundance of these niche shows can be called a loose “justification” for that backlash, then whichever one is more ubiquitous (over a period of, let’s say, 10 years) “deserves” it more.

I decided to use AniList to compile my data, since it allows users to filter by tag rate; that is, you can search for shows that a minimum percentage of taggers have marked as belonging to a particular subgenre. To qualify for this exercise, shows had to meet or exceed a 75% tag rate, having consistently received the CGDCT or isekai label. For the former, I used Spring 2009 as my starting point (when K-ON! first aired) and found that 1341 full length TV anime aired over the next 10 years. Of that sample, 7.31% (98 series) qualified as CGDCT. For the latter, I used Summer 2012 as the starting point (when Sword Art Online first aired) and found that 1475 TV anime aired over the next 10 years. Of that sample, a smaller 6.78% (100 series) qualified as isekai. Thus, I have proven that CGDCT was the more pervasive trend in the 10 years following its prime, and isekai detractors are forbidden from complaining about their hated subgenre until 2024 at the earliest.
Potential: Oh yeah, Black Summoner was terrible.

Summer 2022 Impressions: Bucchigire!, Lucifer and the Biscuit Hammer, The Yakuza’s Guide to Babysitting

Bucchigire!

Short Synopsis: Seven rainbow-haired criminals are spared execution in exchange for their loyalty to the Shinsengumi.

Wooper: Bucchigire’s first episode didn’t get off to the best start, as the whole first half was a one-by-one introduction to its seven main cast members, each of whom took it in turns to accept the same job offer. Despite their varying personalities, designs and hair colors (can’t forget about hair colors), this resulted in a somewhat monotonous beginning, to the point that my brain was in danger of tuning out the show altogether. Fortunately, the second half had me feeling a bit more alert, as the characters could display their whacked out personas a bit more freely while they prepped for their first Shinsengumi mission. Bucchigire doesn’t meet the nutcase quotient of something like Akudama Drive or Heion Sedai no Idaten-tachi, but there are definitely some crazies among the cast – disappointingly, there are also characters like Bou (whose defining traits are fatness and gluttony) and lead character Ichibanboshi (whose seiyuu attempts to shred his own vocal chords with every third line). I’m not even a tiny bit interested in the latter’s backstory, given how poorly the flashback to his parents’ death was presented, so his sizable role in the larger plot means I probably won’t be watching for long. Still, I was generally pleased with the art and animation, even if they (along with the rest of the show) were covered by a distracting screen-wide texture effect. I’d call the series competent, if not engaging, so far.
Potential: 30%

Lenlo: I’m actually impressed by how unabashedly trashy Bucchigire is. I thought this series was going to take itself, and its premise, too seriously. Instead it feels like Bucchigire knows exactly what it is. It wasted no time skipping over all the piddly details, you know just important stuff like plot, character motivations, etc, and just shoved it down your throat to get to the good stuff. The first half of the episode is devoted to almost magical-girl like introductions, with big spins, bright colors, wacky names, over the top backstory with “Black” bars, and each and every character embodying an entire archetype. It moved a mile a minute! Meanwhile the second half was more your standard “2nd episode”, with everyone getting a moment to express more of who they are and giving us some decent fight scenes. And you know what? Those fight scenes didn’t look terrible. Most of the show didn’t look great, lots stills, stiff movement and awkward directing, but every now and then the animation got reeeeeeal smooth. Combine that with your standard Idol show color palette and some thick black lines (Mmmm) and you have something that doesn’t look half bad. All in all I think that while Bucchigire impressed me, it only did so because my expectations were rock bottom. The show still probably isn’t anything special, but you could probably have a good time with it.
Potential: 30%

Lucifer and the Biscuit Hammer

Short Synopsis: A college student swears to serve a princess in her mission to prevent Earth from being smashed by a planet-sized hammer.

Amun: I heard good things about the source material for Biscuit Hammer, but I went into this episode pretty blind. And wow – this is a colossal screw-up. Lucifer and the Biscuit Hammer is the clear and present winner of the Worst First Episode Award, even if the vote comes out otherwise. The rest of this paragraph will just be my list of complaints. Let’s see, first of all everything about this animation is always slightly wrong. Only one part of the frame at a time is animated – on characters’ faces, during action shots…it’s all just very wooden and frankly shows low skill and terrible layering. The music, the voice actor choices, the shots just don’t work together. The dialogue is wonky, and the explanations are insanely convoluted – Biscuit Hammer manages the odd feat of being both boring and over-explained. The humor is also…really, really bad. The main character is awful and the lizard drags on in a quasi-Buddah voice…that should be the comedic relief. So many other things are wrong here: textures and perspectives have their incompetence showcased in the latter half of the episode. What really pisses me off is that I can see there’s a potentially good story in here if it was handled right. This may be the greatest waste of potential in anime history.
Potential: This is probably the worst premiere I have ever seen.

Wooper: Now that I’ve watched this premiere, I feel silly for criticizing the Tokyo Mew Mew reboot’s art and animation so harshly. Biscuit Hammer is probably 50 percent worse looking – its overexposed character lighting, ugly filters and textures, and limited range of motion hamper its presentation across this entire episode. Protagonist Yuuhi’s first encounter with a menacing golem becomes an unintentional comedy when it awkwardly teleports in front of him from ten meters away, and after a young girl appears to save him by punching the golem really hard, its unmoving image slowly floats away from the point of impact. Day saved! Biscuit Hammer’s stop-and-start music and strange voice direction aren’t much better, but even putting its audiovisual elements aside, the narrative setup here didn’t grab me. I haven’t got much experience with mangaka Mizukami’s works (I’ve only read Spirit Circle), but I know he likes to deliver Campbellian calls to adventure via atypical characters – this time it’s a talking lizard who repeatedly demands that Yuuhi protect a princess and save the world. It’s only through sheer force of eccentricity that I could be brought to care about any of that, but this episode was less eccentric and more bewildering. I’m sure the manga sells the start of this story with far more confidence, so I’d sooner read its first volume than watch the anime ever again.
Potential: 0%

The Yakuza’s Guide to Babysitting

Short Synopsis: A wild yakuza’s new mission: babysitting his new boss’s daughter

Amun: I usually like anime where tough guys have to take care of little kids (Beelzebub comes to mind, even Gintama to a lesser degree), so Yakuza’s Guide to Babysitting seems up my alley. And after the first episode, my verdict is…this is perfectly average. Small detail – props for giving someone who makes his living fighting proper cauliflower ears. The characters are fine – I don’t actually think Kirishima’s warmer side is entirely unbelievable, since those confident in their strength can show kindness towards the weak. I don’t think the setting is that original, and there really isn’t anything that sets Yakuza’s Guide to Babysitting apart – but I had a good time, so I’ll keep watching for now.
Potential: 60%

Mario: At this point, anime’s “single parent taking care of a child” premise isn’t that refreshing anymore, so to really stand out those shows have to go the extra mile. So far, Yakuza Babysitting sits squarely in the middle pack. It has some good moments: the school scene is warm and both Kirishima and Yaeko act maturely most of the time. But Kirishima’s quick acceptance of his new role is kinda glossed over in this episode, and the production is unremarkable so far, especially the distracting score which I don’t think fits the scenes. This is a breezy watch, but it needs to do more to impress.
Potential: 30%

Summer 2022 Impressions: Harem in the Labyrinth of Another World, My Stepmom’s Daughter is My Ex, Smile of the Arsnotoria the Animation

Harem in the Labyrinth of Another World

Short Synopsis: A young man gets teleported to another world with enough equipment to be a hero and earn some money, only to spend it on slaves, whores and sex.

Lenlo: Dear god, it looks like Vermeil has some real competition in the trashy bullshit department. As the title suggests, this is just your regular isekai with sex thrown in, with absolutely 0 effort put in to separate it from any of the others. I’d say it’s trying to be a less edgy Redo Healer or Shield Hero, but even there it fails. It doesn’t even have the bravery to show full on T&A like Reviewers did. Just… don’t watch this. Find a better Isekai. One with decent production, or at least a community and fanbase large enough to find other people to enjoy it with. There’s nothing here of value.
Potential: -10%

Amun: I was actually so bored watching this episode that I quit before it got trashy.
Potential: None

My Stepmom’s Daughter is My Ex

Short Synopsis: A day in life of new step-siblings who used to date each other.

Mario: My mission here is to find out if the show itself is better than what the title suggests (so the bar isn’t exactly high) and it was… for a while. The episode plays out different scenarios of the main characters flirting with their new relationship status: from trying to get the upper hand, to how their peers consider them, to their own romance. It’s clear to me that the second segment works best and the last segment is just trashily bad. The characters don’t harbor any wit in their exchanges, so most of their forth-and-back falls a bit flat, but sometimes you can feel their emotions come through – the kind of hate / love dynamic that is understandable for 15 year olds to have. This show isn’t downright terrible, but it’s not memorable either, making it a bland romance. Rather unfortunate for a title this bold.
Potential: 10%

Lenlo: Whyyyyyyyyyyyyyyy. Why is Japan so god damn obsessed with incest. Even when it doesn’t have the balls to actually have them be related, it just says “Step-siblings”. Is it every kid’s dream to screw their sister over there? Is this the only kind of cliche romance they can come up with? Is Japan’s grand plan to solve declining birth rates to make everyone want to have a sister? I just don’t get it. And at the very least if you were going to force a sibling romance into a story, you could at least make it good. Instead we get a trope filled, “Kyaa he touched my boob when we hugged”, piece of garbage. There’s nothing authentic or passionate in this story. It’s just someone cashing in a pay check with “They aren’t blood related” incest bait.
Potential: 0%

Smile of the Arsnotoria the Animation

Short Synopsis: Five students at a magical boarding school have tea and scones. Elsewhere, a squad of swordsmen commit genocide.

Lenlo: It took me way too long to figure out why Arsnotoria felt familiar: It has the same character designer as Re:Zero and Granbelm. It’s not a bad look, the designs are good! Now if only the show was remotely interesting to back it up. Arsnotoria took 20 minutes to do absolutely anything, the rest of the time being filled with slice of life fluff that had me constantly checking to see how far I was. When a first episode feels twice as long as it actually is, that’s not a good sign! If that’s supposed to be their hook, their opening salvo where I spend 20 minutes with 5 little girls sitting around eating biscuits and drinking tea, then why should I bother with the rest? Now maybe the show picks up, maybe that ending means something interesting will actually happen. Personally though? I wouldn’t count on it.
Potential: 5%

Wooper: I’ve got no idea how the quaint first 20 minutes of this episode (in which five girls meet for afternoon tea) and the murderous final three minutes (in which hooded swordsmen set fire to a town and kill its European-looking residents) are connected. I do know that my curiosity about that connection is supposed to drive me to watch the second episode next week, but unfortunately that’s not going to happen. There were things I liked about Arsnotoria’s premiere, including a vague sense of mystery surrounding its magical dormitory, bolstered by translucent figures walking along its hallways and references to activity “on the surface,” as though the dorm existed on its own plane of reality. There was some good character animation throughout the episode, and the detail that went into the school cafeteria (staffed by fire and forest sprites) displayed some real imagination. I even liked one or two of the gags that recurred throughout the girls’ tea time – black-haired Alberta sinking deeper and deeper into her pile of cushions springs to mind. Ultimately, though, too many of their discussions failed to support the show in any meaningful way. It was all either pleasantries or banter, with almost no detail or context about their characters being supplied, and the script wasn’t nearly sharp enough to support that approach. The show is sure to become more exciting in future weeks (the action-driven OP is evidence of that), but its premiere didn’t do much for me.
Potential: 5%

Summer 2022 Impressions: Vermeil in Gold, Made in Abyss S2, Tokyo Mew Mew

Vermeil in Gold

Short Synopsis: Genius kid is so bad at summoning he summons a succubus…for friendship and respect.

Lenlo: Vermeil in Gold? More like… Ass and… titty. You have no idea how long I struggled to make a joke out of this before I gave up. Anyways, my point is that Vermeil is your ecchi-bait of the season. It really shouldn’t come as a surprise, it’s a show about summoning a freaking succubus in a virgin-killer. I just wish it had literally anything else going for it. Story? The only “plot” this show has is bouncy and attached to the token waifu. Characterization? We have shy dweeb and an ara-ara Onee-san demoness, with a childhood friend tsundere thrown in for options. World? Stereotypically magical. I just… There is no reason to watch this show when the only thing it can give you is something the doujins will probably provide better. If you want to have an Onee-san whisper in your ear for 30 minutes a week, go for it. As for me? This is a pass.
Potential: 5%

Amun: To be fair, I’m not sure where Lenlo is seeing the ass, but he’s really understating the sheer cubic inch volume of boob that’s happening here. I respect shows that embrace their trashiness and understand why you’re watching. For example, this season’s Engage Kiss is a little confused – Vermeil is not in the slightest. For me, it’s interesting to see the progression of anime’s line-pushing…does anyone else remember when you were lucky to get a kiss by the end of the season (Toradora for example)? Kids these days go all the way in episode 1 (Scum’s Wish, I’m looking at you). Get off my lawn or something. Anyways, Vermeil puts the tongue in and looks generic doing it, but I’ve seen worse production (although the backgrounds have that weird sketchy look we’re seeing more often). I just don’t really like the character designs honestly – they’re kind of lacking that special care that takes you into S-tier waifus. There isn’t that much here but oppai filler – if that’s what your season’s palette is missing, then this is your show. Pass from me.
Potential: 10%

Made in Abyss: The Golden City of the Scorching Sun

Short Synopsis: Two children delve into the depths of the earth, encountering all sorts of horrific and fantastical creatures and environments along the way, Season 2!

Helghast: Even through I’m all up caught with the manga, I don’t have a good recollection what actually happens in the sixth layer. I just know that going to fucked up as the fifth layer but in a different disturbing way. Made in Abyss doesn’t waste anything time in living up to that expectation as it shows off rape, puking and mutilation in the first few minutes. Narratively, I think it a bold choice to have a split storyline between Riko’s present-day adventure and Vueko’s memories of the Ganja Squad speedrunning their descent into the more primal murder-death hole. Having the experience of pervious explorers in the background as Riko experiences the village of Ilblu provides a sense of foreboding before those two experiences clash in an explosive conclusion. Kevin Penkin’s gorgeous OST is looking to match the standard of the previous seasons with hit singles like “Gravity” drawing the viewers in and immersing them in the beauty and deceptive nature of the abyss. If you can ignore the bits of a loli struggling to poop quietly, Made in Abyss has the animation, music and storyline to easily become the top anime of the season. If you’ve seen the first season and movie , you really have nowhere to go but continue on through with the series. After all, the adventure in the sixth layer has only just begun!
Potential: 85%

Lenlo: Made in Abyss is a weird one. At its core, I think this is really good. I think the structure of telling two parallel stories at once, both in the same location but at different points of time, is really strong. I’m looking forward to how they overlap, to inevitably meeting the characters from the past, in the present. On top of that, all of the production is still good. Kevin Penkin’s music is still strong, and I still quite like the art style and direction. Basically, everything that was good about Made in Abyss is still good. But… that also means everything that was bad is still bad. I’m of course talking about Made in Abyss’ treatment of children. For the most part it’s whatever, anime is filled with lolicons and there isn’t anything we can do about it. Other times though… Do we really need the sound effects for a child taking a dump? Or to open the first 30 seconds with an ugly bastard and a loli? These aren’t enough to kill the show for me, I just ignore them. But I know for a fact some people are uncomfortable from all of this. If that’s you, it’s back. If it’s not? Then I expect we are going to have a good time here.
Potential: 80%

TOKYO MEW MEW NEW

Short Synopsis: A love-obsessed high school girl is conscripted into a magical Earth-saving task force.

Lenlo: This is a complicated one. Visually Tokyo Mew Mew has some pretty great highs and some average lows. The transformation sequence in particular looked gorgeous, and the designs are typically appealing. It’s the most basic of basic Mahou Shoujo. It’s like someone saw that the current Precure wasn’t that good and thought they could come in and snipe some of the audience. And from what I’m seeing on discord and chatting with some friends, it’s working. The problem? I cannot stand Mahou Shoujo. Not one that plays the concept straight anyways, Princess Tutu and such are still great. I find them so sweet I fear it will give me diabetes, and the story rarely has anything to sink your teeth into. Here at least you might get some romance, something more than a sanitized and sweet magical girl show.
Potential: 50% – If you like Mahou Shoujo, otherwise 0%

Wooper: The only association I have with the Tokyo Mew Mew is that an old buddy of mine used to watch the original series with his girlfriend, for which I ceaselessly mocked him. (He has since married his teenage sweetheart while I’m in my early thirties and single, so he got the last laugh.) Fifteen-ish years later I find myself watching the premiere of the reboot and wishing I was doing absolutely anything else – not because I still think I’m too old for magical girl shows, but because it’s clear that Tokyo Mew Mew New’s existence is rooted in the desire to make millions of nostalgia bucks. If it were made out of love for the franchise, its designs would reflect a more personal style than “make them look like characters from a ‘How to Draw Anime’ book circa 2012.” Its animation producer’s first full-length TV credit wouldn’t be from 2021, resulting in a who’s new of personnel being thrown at every scene (barring the one that will play a dozen more times before the first season ends). Its sparse backgrounds wouldn’t give the impression that the story is taking place in a simulation. I’ve got my issues with the plot and characters themselves (what little I’ve seen of them, anyway), but it’s the presentation of this episode that marks TMMN as a dire adaptation.
Potential: 0%