Spring Season 2019 Preview

HelghastKillzone: The Winter 2019 season of anime was pretty good, wasn’t it? It was filled with great adaptations, amazing animation work, hyped sequels, brand new movie releases from major franchises and the reimagining of old IPs. When it comes to the upcoming spring season though… I fear that it just won’t be as good as these last three months. We’ll give you our thoughts on what interests us but from a curious glance at the numbers from MAL and the PVs shown so far, it is certainly looking thin on hit shows.

Mario: Spring 2019 can also be seen as the season where the three arguably MOST INNOVATIVE auteurs working in anime today are releasing their new works. Shinichiro Watanabe, Masaaki Yuasa, Kunihiko Ikuhara… they all have changed the anime industry in some ways, and it’s unavoidable that their new works will be hyped to the sky.

This also marks the first time where Aidan steps down from editing this preview, so in a way, this is our first real collaborative effort for this type of post. Personally, doing this preview reminds me how much of a pain it is to run through these things. So we offer our gratitude for old man Aidan for giving his opinions on shows that we will eventually forget ever existed. As it stands, I’m not too sure if we will keep this format for upcoming seasons, but rest assured that we, the writers here, will come up with a more suitable format that still benefits you readers.

For this edition Helghast and I are also doing the Movie Preview section. Due to the nature of movie release, many films we preview below won’t be available to us for a good 6-months, or in some cases, a whole year, so this preview serves more as putting these titles into your radar. Keep in mind that this isn’t a comprehensive list (nor do we intend to make one), the list below is merely anime movies that we believe have some merits for you to check out. In the end, a whooping 13 titles are previewed for this season alone, just to say how the anime industry has been more concentrated to theatrical releases more than ever.

Again, sorry for the late post. If you are looking forward to certain shows this upcoming season, make your voice heard by either voting in the two lovely polls below or leaving a comment.

What will you be watching this spring?

 

The sequels/shorts we don’t care about

Araiya-san! Ore to Aitsu ga Onnayu de!? (softcore short)
Aikatsu Friends! Kagayaki no Jewel (sequel)
B Rappers Street (kiddie)
Bakumatsu: Crisis (sequel)
Beyblade: Burst Gachi (kiddie)
Bungou Stray Dogs 3 (sequel)
Chou Kadou Girl ⅙ (short)
Duel Masters!! (kiddie)
Diamond no Ace: Act II (sequel)
Han-Gyaku-Sei Million Arthur 2 (sequel)
Joshi Kausei (short)
Kedama no Gonjiro (kids)
KING OF PRISM -Shiny Seven Stars- (sequel)
Midara na Ao-chan wa Benkyou ga Dekinai (short)
Nande Koko ni Sensei ga!? (short)
Nobunaga-sensei no Osanazuma (short)
Rilakkuma and Kaoru-san (kiddie)
Senryuu Shoujo (short)
The iDOLM@STER: Cinderella Girls Climax Season (short)
World Witches Series 501: Butai Hasshinshimasu! (short)
Yatogame-chan Kansatsu Nikki (short)
Yousei Chiitan (kiddie)

Series we don’t care about

Bokutachi wa Benkyou ga Dekinai


Studio: Arvo Animation/ Silver
Director: Yoshiaki Iwasaki
Script/Series composer: Gou Zappa
Source: Manga
Yuiga Nariyuki tutors three genius of different subjects in highschool to get a scholarship. Furuhashi Fumino is a genius on literature but horrible in math, Ogata Rizu is a genius on mathematics and science but literature and arts are terrible subjects for her and Takemoto Uruka is a genius in the athletic field but really bad in all the others. Together, they study very hard and want to get better at their worst subjects while Fumino and Ogata wants to go to college and work on these subjects for life.

Aidan: Well for this one let me ask you something. Do you remember Nisekoi? That manga and Shaft anime which had the internet fighting an endless waifu war over a series which was nothing but vapid harem antics that never led anywhere? A series born from a mangaka whose more interesting works like Double Arts got axed and just decided to make the most generic thing he could as a joke that became ridiculously successful? Well this series isn’t really related to that author but let me tell you that this is the new Nisekoi. Oh it starts with some promise of story and is even interesting to a degree. But make no mistake that much like To Love RU and Nisekoi, that story just evaporates and we are left with the harem girl of the week formula where each girl is given a momentary pedestal to give the impression that she’s somehow gonna get this guy only to be brushed aside by next chapter. The endless purgatory continues until the author finally decides to end it or stops getting paychecks. You may find some value in its opening episodes, readers, but take it from someone who read long into the series, this is just a waste of time. Continue reading “Spring Season 2019 Preview”

Mid-Season Review of Kakegurui××

For all of you who are disappointed that we didn’t cover the sequel to the show that even Elon Musk watches, I felt that this season of Kakegurui would benefit more from an periodic overview rather than following it week from week. Kakegurui was never about the mechanics nor tense stakes as it relies on its orgasmic reactions, psychotic personalities and outlandish circumstances to appeal to the mainstream audience. It doesn’t hurt to have one of the most memorable OP of recent times. However, when it comes to the opening credits of this season, it was always going to be an uphill battle to match, much less surpass, the visually exciting and musically alluring predecessor. That being said, I think that the second opening is actually pretty good and I wouldn’t mind listening to it a couple times on repeat.

Continue reading “Mid-Season Review of Kakegurui××”

Spring 2018 Anime First Impressions Podcast

For the first time in a very long while, the writers of Star Crossed Anime Blog have assembled together from over five different timezone and participate in a podcast that gives our first impressions of the Spring 2018 anime season.

The intro for this episode is from the intro theme for Ragnarok Online 2 by Yoko Kanno. The outro for this episode is Deja Vu by Dave Rodgers.

Anime Discussed In This First Impressions: Persona 5, Legend of the Galactic Heroes, Wotakoi Love Is Hard For Otaku, Hisone to Maso-tan, Golden Kamuy, Magical Girl Site,  Hinamatsuri, Megalo Box, Steins Gate 0, My Hero Academia 3, Tokyo Ghoul re, Sword Art Online Alternative Gun Gale Online, Full Metal Panic Invisible Victory, Lupin III: Part V

Edited by HelghastKillzone

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio.

Taking place in the metropolis of Neo Yokio, a mashup between New York and Tokyo, it follows the Magistocrat Kaz Khan as he balances his life between hunting down demons, being a connoisseur of fashion and tempering the various relationships with the women in his life. Each episode tells a different stories but still slowly builds the continuity of its themes of the excesses of capitalism and vanity of the privileged.To be fair, you have to have a high intellectual capability to understand the points it’s expertally trying to get across like the giant Toblerones of which Kaz seems to carry everywhere with him as the basis is set in his desires to be the rock hard but sweet protector of Neo Yokio. While Jaden Smith, who is a young Hollywood actor and the son of Will Smith, isn’t known for his voice acting ability, he does an amazing job in portraying a character besieged by his overbearing aunt and social responsibility of becoming the most eligible bachelor in the entire city. Even the side characters like Kaz’s friends and the ever stalwart mecha-butler, Charles, are really well done as they add to the high-end atmosphere that Neo Yokio sets itself out to be by drawing from the philosophical works of Michel Foucault and Albert Camus into their own being. I will say that not everything gets wrapped neatly in the end but the journey of shifting alliances between the top bachelors, exhilarating demonic showdowns and standing up to Aunt Agatha’s tyranny instills the character growth I want to see from my Chinese cartoons. It may only be six episodes long but that’s all it needs to get its point across unless other shows that need twelve or more episodes because they can’t manage their overboasted plotlines properly.

In keeping with its themes and tribulations of Kaz being a part of Neo Yokio’s high society, the musical score does not disappoint in the least with pieces like Vivaldi Concerto in E Flat Major, Bach’s Harpsichord Concerto No.5 in F Minor BWV 1056, and the winter portion from the The Four Season done by the violin in F Minor. Often, I think that we are too focus on consuming original content when there is already such amazing soundtracks to choose from. After all, it is impossible to argue against centuries-old musical scores that have withstood the test of time and are still played by professional orchestras in fancy opera houses around the world. Neo Yokio distinguishes and elevate itself over the typical anime trash by building on top of masterpiece to become a masterpiece.

If there is any fault that I can find with Netflix’s impeccable first stab at overseeing anime production, it is that the animation isn’t the best out there. Produced in conjunction with Production IG, Studio Deen and Studio MOI, it is clear that they didn’t have the sheet talent or funding to reach the levels like Ufotable but the overall quality is quite nice in how they rendered city of Neo Yokio in the landmarks and extra additions like the The Sea Beneath 14th Street or the crazy Formula One race in the finale. Overall, it beats out most of the garbage that comes out every season but could give trashy overrated shows like Made in Abyss or Violet Evergarden a run for its money.

There seems to be a minority on the internet that decries Neo Yokio isn’t all that great to begin with but obviously, they can’t appreciate the nuance that is the choices of clothing like the Chanel suit or the travesty of a midnight-blue tuxedo. It is painfully obvious that criticism of that uncultured nature is shallow and pedantic at its very best. As this site prides itself on watching nothing but the best and with the new season begins in April, you would be a fool to miss out on this pinnacle of anime.

94 Toblerones/100 Toblerones

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By combining the sexual violence of its source material to the likes of Urotsukidoji and having big names like Masaaki Yuasa at its helm, the Devilman franchise makes a comeback into the western mindset after spending decades in obscurity.

For those of you not familiar with the Devilman series, it was a huge series in the 1970s where it tells the story of a teenage boy, bestowed with demonic powers, fighting against other unearthly horrors in an monster-of-the-week format. Subsequent OVAs attempted to follow the manga source more closely but could never finish the job. Devilman Crybaby makes a couple of liberal changes but the core story remains the same with Ryo and Akria teaming up to fight the demons with Miki supporting from the sidelines. Yuasa’s version adds a whole bunch of layers like the incorporation of track and field and roaming beatboxing freestylers . All those aspects are done quite well but perhaps the strongest aspect of having Netflix being the financier and distributor is being able to be very casual about its sexual and violent content. It was once said that:

There is nothing that arouses a stronger response in human beings than either sex or violence. A mixture of the two is very powerful indeed.

Unlike other anime where the mature content is done for the sake of being edgy, Devilman Crybaby uses its brutality to validates its darker themes as it progresses further along its story. I don’t want to give out spoilers but since the source is a 70s manga that influenced works like Berserk and Evangelion, there is nothing comforting about how everything plays out.   

If you are familiar with Yuasa’s unorthodox animation style, then Devilman Crybaby’s eccentric visuals should come as no surprise. It doesn’t have that crude design of Ping Pong the Animation, but lacks the fancy special effects that other studios strive for. Instead, it swings between the plain and psychedelic color palette, the strength to this anime is not found in the details but the unhinged motions of its characters and artistics liberties taken with the framing/composition of its shots. Like its animation, the music (composed by Kensuke Ushio of Koe no Katachi and Ping Pong the Animation fame), is just as unique with its elements of synthwave and an epic orchestral choir to the point like it came out of Hotline Miami 2‘s soundtrack. In keeping up with the insanity shown on screen, the soundtrack does a very job and only serves to enhance the show overall.

Devilman Crybaby is the definitive complete package of its source material but it doesn’t come without its fair share of problems. Clocking in at ten episodes, I had an issue with its pacing especially towards the latter half of the series when Ryo’s grand plan comes into fruition and things get very crazy. It goes far too fast in its escalation of conflict between the demons and mankind and in a few instances, I had to pause and read between the scenes to understand the what exactly happened in the final episodes. In addition, Ryo and Akira’s memories of their early childhood together should have been sprinkled in far earlier in the series instead of shoehorning it into the last episode as it seemed rushed to have the foundation poured in before the conclusion of their conflict. The second negative is the amount of Erglish thrown around as it becomes a distracting element for the story’s more serious moments. While Roy’s japanese voice actor is relatively decent in pronouncing his English line when compared to other anime (I’m looking at you Zankyou no Terror), there are some major speeches where his delivery fall flat in invoking the intended reaction from the viewers.

Devilman Crybaby is not a show for everyone. It is a vulgar, uncensored and sexually violent reinterpretation dreamed up by the surreal creativity that is Masaaki Yuasa. For those of you who are able to stomach such things or have a fascination with anime’s more unhindered aspects, this show is the shining example of the medium is capable of and the new business direction it is heading towards. However, for all its praises, there are just a few significant issues that holds it back from becoming anime of the year although it would easily a top ten list for any serious anime fan. In any case, Devilman Crybaby was an experience for me that I won’t forgetting about anytime soon.

83/100

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be brought down by the remaining supporting characters given that Selecia disappeared in the blue ether beforehand. Predictably, it comes down to Altair convincing herself that the world is worth saving and the conversation between Altair and Setsuna was really well done with both voice actresses going back and forth with their arguments about placing the blame on the world that was so cruel to Setsuna. There is a parallel between those two and how Bltiz choose to switch side when confronted with the opportunity to gain back the very reason for their motivation to end the world. As well, the transformation from the PPSh-41 machine gun to an actual violin is a visual symbolism of her ultimate choice to create and not destroy. As the far as the main plot goes, Re:Creators is finished as its antagonist goes happily off into sunset with her creator into their own world of adventure and fun. It’s not the best twist ending but I’m perfectly satisfied with how the series build itself up to that point and concluded it.

After everything’s said and done, the final episode wraps up with everyone having a celebratory meal, saying their goodbyes and reflecting on past sacrifices. The creations go back to their own fictional world but Meteora, due to the untimely death of her creator, which begs the question of what happened to Magane. Curiously absent from the final episode, I would infer that she would have lost her powers just like Meteora and go on to become a regular trolling schoolgirl. It’s not quite the ending for those who wanted to see justice be served for the murder of the shopkeeper and her own creator but I think it better to see her leave quietly than having a upbeat epilogue scene for her. The ending summarizes the points of the series in that creators will keep on creating even to the point where a creation, like Meteora comes full circle and end off the series with her own work of Re:Creators.

Re:Creators marks the third series that Studio TROYCA have made with Aldnoah.Zero and Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru being the first two. While their original mecha show was a wild ride of disappointment that really needs more time to flesh out its characters and concepts and the episodic nature of its investigative show took away from the overarching narrative, I felt that they succeed in having and executing an interesting premise while having a few flaws. The biggest glaring issue I had was the uneven pacing in regards to the infrequency of actions scene and mid-series lull of dealing with Sota’s underlying guilt and laying of the foundation for the Elimination Chamber Festival. Also, as Rei Ham (Writer of Re:Creators) regretfully mentioned in an interview, Mamika exited far too early in the show as she was probably one of the best characters arc by growing out of her naive magical girl persona. Her replacement of Hikayu wasn’t all that great despite the creators having fun with her backstory and power-ups. Finally, the 3D stilted animation of the mecha hasn’t been improved over their effort of Aldnoah.Zero and just cements the reality that 3D and mechs don’t mix (Knight of Sidonia is an exception). Aside from those quibbles, I enjoyed my time with Re:Creators over the past half year and looked forward to watching it every week. It looked nice, had that sweet sweet Sawano soundtrack and always had something interesting to say about the nature of artistic creation.

7.5/10

Re:Creators – 20 [Before the Reverberation Disappears]

As speculated last week, Sota and Magane comes in save the day and provide the ending twist to the climax of the Elimination Chamber Festival but not before a barrage of powers being thrown at Altair in an attempt to end her.

Not even taking a moment to mourn the loss of Selesia, our embattled creations uselessly throw themselves against an overpowered opponent who can literally undo plot points. Altair seems to have adopted Shunma’s philosophy of not completely wiping out creations for the entertainment of the story even though it would be tactically effective. It’s all part of the plan to have the birdcage gain enough acceptance although I don’t believe that having Selesia getting herself deleted was supposed happen. The surprise appearance of Charon threw a wrench into plans and costed the government side a creation and her super fighting robot. Aside from that speed bump, the trump card of Sirius is a fun concept in defeating Altair by having a copycat consume her. I like the simplified crude design of Sirius as the show even acknowledge her as a throwaway character of a plot device. Of course, that wouldn’t be enough to take her down with two more episodes to go as it doesn’t provide a good ending to the antagonist and is unsatisfactory to the main plot. Even the explanation of how Altair subvert their perfect plan is meta as she isn’t tied down to one creator because we, the audience, all feed into her backstory and powers because she never had a original backstory to begin with. While the creations have their own unique character, Altair is creator is us, the audience, a fourth wall breaking idea that has been executed here.

How does one stop a creation with the power of literally thousands of creators behind her OP abilities? By going back to the opening scene where Setsuna decided to be turned into human paste. Getting there is the probably ending point for the odd relationship between Sota and Magane seeing that she’s already at the airport about to get on a plane to go abroad and murderously troll more people. If you recall, the whole mess with Sota started out with Magane deducing the massive amount of guilt associated with Setsuna’s suicide which led to a huge creation fight. It come full circle for those two to be connected back to Setsuna abit through a different process and have a constructive outcome.

Audience acceptance has been huge part of Re:Creators as it powers the existences and abilities of its characters. The way show bypasses that fundamental basis for the final twist before the climax was really clever as the reverse causality power that Magane passed onto Sota had all the hallmarks of good foreshadowing and built up.The audience doesn’t accept this Meteroa’s Hail Mary but the audience does accept the power of reverse causality so the result is that the audience will accept Sota’s character. It’s really meta if you think about it. Now that Re:Creators has gone back to square one, we can get the core of the conflict with Altair and her angst towards the world. Though, this Setsuna is only a copy of her real creator and there is no power that is able to bring back the real dead people unless the show pulls that card out of its ass. Re:Creators will most likely have Altair comes to an understanding and go back into her world with a happy ending with Setsuna but there always room for a surprise.

Re:Creators -19 [Wrapped in Kindness]

If you thought Re:Creators had some big plot moments over the last two weeks, this episode just straight up racks up the series’s biggest body count by wiping out three creations from the storyline. While the last episode had some hilarious fourth-wall breaking jokes mixed with in with the action, it’s all serious business here as Selecia’s and Alice’s come into their abrupt end. Starting off with Alice, she was truly the muscle-head that Meteora described in the recap episode with the way she got removed from existence. While she did eventually figure out that Altair was the culprit behind Mamkia’s death and had a half-decent betrayal plan, I can’t ignore the sheer stupidity of punching herself to death after experiencing the firsthand effects of reverse causality. Like Altair said, she isn’t the main character of this story and her second-rate ending really slam that fact home. If I was her creator, I would also be balling my eyes in the hallway at how my own creation would stupidly allow her quest of revenge go unfilled.

While having any creation be erased is a big deal in a show like this, having a pair of characters from the same story out in a blaze of glory is a very bold move. Before their demise, I was reminded of how similar Selecia acts to Mamkia’s fight at the bridge as she tried to play both sides before committing to death by suicide pact contasy of the Infinite Giga Machine’s repulsive wave. I would have like to see Charon to have more development behind his tiredness of fighting but with ten other creations, their creators and the audience already hogging the spotlight, it comes as no surprise that he comes and go within an episode. There was also the matter of Selesia’s professing her love for Charon as it felt kinda hollow as we don’t see the comradery that the in-universe light novel series builds up. At the very least, Selesia went out with a bang as opposed to the self-inficted death of Alice.


After everything has been said and done, three creations have removed from storyline along with two and a half super fighting robots. Altair now stands alone against the remaining forces but if her one-sided fight with Alice is any indication, it going to be a real rough ride to dislodge her from her goals of world destruction. The very nature of Altair’s powers are exponentially driven by her fan base and I’m just waiting for that part for her to pushes a power out of her ass and completely wipes the floor with everyone else. Perhaps Magane and Sota can do something with their own unique powers of creation and causality because all the conventional upgrades of Meteroa’s team isn’t doing jack shit. In any case, reaching this point where all the plotlines and buildup explodes into a cluster bomb of a mess has been quite a long journey but we’re finally getting everything that Re:Creators promised it would be.

Re:Creators – 18 [All of Us Are Incomplete]

One of the major gripes I have with this series is its uneven presentation that has far too much exposition while lacking in the action department. In the eighteenth episode, it finally found its footing in balancing the exploratory themes of creativity, action scenes and comedic bits in a seamless transition as Re:Creators successfully sustain its momentum in its push towards the last few closing episodes. From Blitz’s defection to the hectic fight of Shou and the explosive entry of Charon, it did not let up in its twists nor epic moments of awesomeness. Of course, Yuuya’s creator gets the short end of the stick as his own creations decides to spoils his own flagship series in such a causal manner that is akin to Reiner’s underhanded reveal in Attack on Titan. It doesn’t stop there as even in its more fanservicey moments, it manage to say something about the nature of anime fans as Hikayu’s scandalous martial artist outfit shows how their willingness to accept ludicrous scenarios.

For once, talking with Magane doesn’t end in a reversal of causality that is detrimental for those on the receiving end. Sota, in particular, has matured quite a bit from being the otaku version of Inaho (Aldnoah.Zero) to having a backbone when conversing with the most twisted and manipulative creation of the show. Seeing him defends his dreams of becoming a creator makes him a far more likeable character than the secretive Sota of the mid-series. I’m quite curious in seeing what Sota drew in his own notebooks as it is obvious that it isn’t doodles of Altair or erotic stretches of Selesia (or it is?). In any case, the decision to release Hangaku back into Yuuya’s control and allow for Sota’s creations to translate into reality is really the surprise of episode. I doubt Magane did Sota a favour out of the goodness of her heart given her history of being a murderous troll. This moment of graciousness doesn’t redeem her lies and bloodshed in the slightest, but it does show the other side of the coin that is the fun-obsessed Magane.

With four episodes to go, it comes as no surprise that we have not reached the climax of Re:Creators just yet despite everything being literally lined up for Altair’s defeat. There is simply far too much time left in the series for that to happen and Charon still need to have his time in the spotlight. I find it perplexing that the three defecting creations didn’t bother to even inform the government forces of Charon and his massive robot. While Charon does have that menacing looking mech adorned in black and red accents, the combined arms of the other creations should be more than enough to bring down Altair and a Vogelchevalier clone. As one person on the internet once said, “one super fighting robot isn’t gonna make a difference”.  

Extra points for those who can figure who said that last line.

Re:Creators – 17 [The Rain’s Rhythm Shoots Down on the World’s Roof]

If you are still remaining faithful to Re:Creators over the course of months on end, then this is the episode where all the buildups and exposition pays off in dividends with the grand opening of the ‘Elimination Chamber Festival’. Characters with long standing grudges square off, insert songs being played back-to-back, and Studio TROYCA really went all out with the visuals in serie’s longest sustaining and best fight so far. In spite of all the explosions, pretty lights and new powerful abilities, nothing, outside having Altair embracing Selecia from inside her cockpit, is surprising. None of the fights have resolved themselves although there are signs that there are much bigger twists to come like Alicetaria’s eventually betrayal and Magane’s continuous intrusion into Sota’s life.

While the first half satisfied that craving of action that has been sorely missing for the last two months, the second half had the best conversation between a creator and her creation. Within the initial nine creations introduced in the first half, Blitz is the final character to met up with his creator for a chat and this was probably the best out of them all as it provides some of the best insights into why a creator would subject their creation to terrible scenarios. Simply enough, the answer is for the sole enjoyment of the audience. Think of some of the most popular franchises out there like Game of Thrones, Walking Dead, Berserk, Attack on Titan and Tokyo Ghoul and the insurmountable challenges and hardships within them. It is in these extremes where the audience finds their greatest enjoyment as characters we know and love go through their journey of suffering and ultimately triumph. In comparison, Altair’s motivations of revenge, as Suruga describes it to be a shallow fanfic bore out of resentment and anger, ,are actually quite basic once you get passed her dressed-up fancy speeches. Blitz isn’t cut from the same cloth as her, in spite of following Altair around for most of the series and being hellbent on following through with his destructive plan. There is something far deeper that a dedicated creator like Suruga has invested into Blitz and this is the exact method, with the stunning reveal of his daughter, in which to turn Blitz against his current master. The best part is that the crazy ride to Re:Creators finale is only beginning with plenty of surprises to come.