Houkago Teibou Nisshi
Short Synopsis: A city girl moves to a seaside town and learns the joys of fishing and the outdoors with her new club.
Lenlo: For those that are new here, CGDCT (Cute girls doing cute things) isn’t really my genre. I don’t have anything against it, I just find them boring more often than not. Houkago doesn’t really break that mold, it’s exactly what you would expect. But it feels like there is a level of care, a solid foundation, behind that at least makes it tolerable. That makes it feel like an actual show with reason to exist beyond selling merchandise or appealing to weebs with cute girls. It feels like there might actually be a story here to tell, even if it’s not necessarily one for me. So if you like CGDCT, I see no reason why I wouldn’t enjoy Houkago. If you don’t like the genre, I doubt this one will change your mind on it.
Potential: 25%
Mario: The cute girls subgenre is more physically active this season (ironically since this is the only time where the world hibernates), with Tamayomi about baseball and this one Houkago is about fishing. Houkago is much more typical CGDCT as this episode does nothing to break its usual formula. We have the main girl being unfamiliar to the subject, getting dragged by her new senpai to join the club, doing the activity in question and realizes how much fun that is. So in other words, all the usual affairs. What makes it slightly better than average is the pleasing backgrounds of blue beach, and even their clubroom brings a cozy, warm feeling. The girls are fine, with Hina barely passing my test of endurance… but why includes an off-putting tentacle attack? I do love the haiku at the end, though, so it evens out, I suppose? I like CGDCT in general so I have a fun time watching it, but it isn’t on the same level with, say Yuru Camp, so for those who don’t care about cute girls being cute then you won’t miss out anything.
Potential: 30%
Fugou Keiji: Balance Unlimited
Short Synopsis: A multimillionaire solves crimes with the power of money in the most ridiculous ways available.
Lenlo: Holy-comedic-timing Batman. Fugou Keiji was a ride from start to finish, and I don’t want to get off. It’s just so ridiculous, as if Batman had more money, more snark and no cape. I am all in on Fugou Keiji, a show where the lead character’s superpower is money. Need a car to chase a criminal? Buy it. Damages incurred during the case? Pay double market value. Pay for a position on the police force? Get the one on the front lines as much as possible. Partner left hanging from a bridge after the criminal is caught? Not your problem, smirk as he falls into a river. This show is unapologetically balls to the wall stupid, without a serious bone in its body, and I love every second of it. Style oozes from everything from the characters to the animation. Also the ED is straight fire. Anime of the Season, calling it now. Daisuke Kambe, I love you, you ridiculous man.
Potential: 100%
Armitage: Okay. So, Lenlo apparently LOVES this. And that was one of the reasons I went into it with high expectations. But to be honest, I wasn’t that sold. The show’s aesthetic seems to be reminiscent of ACCA, another anime with similar themes which aired a couple of years ago. From the jazz soundtrack to the crime-solving nature of the plot, the two share a lot of similarities. But the main difference is that unlike Jean, our protagonist Kanbe came off as a rich, pompous, cigar-smoking brat with apparently an ‘unlimited’ credit balance and who seems to be anime’s take on Bruce Wayne. He has anime Robin as a partner for now but a future Catwoman appearance was also teased in the OP. Which would explain why the premiere played off as a cheap knockoff of the plotline from Dark Knight Rises, complete with anime Batman going after the truck which is carrying a ticking time bomb and having it blast off in the water. Sure, you may like all these things and the show itself has every chance to improve over the coming weeks, but the premiere by itself, was kind of a let-down. (PS: The ED is indeed incredibly fun and reminiscent of the Kokkoku OP, which was quite a thing a couple of years ago. It is also almost just as catchy.)
Potential: 55%
Appare-Ranman!
Short Synopsis: A genius inventor and a gutless samurai cross the Pacific Ocean and land in Los Angeles.
Armitage: So, who’s pumped for Steel Ball Run’s anime adaptation! I mean it’s the wackiest JoJo part so, I can’t wait to see how all of the crazy goodness gets adapted to screen. Huh? What do you mean it’s not Part 7!? I mean, there’s a race set in the American Wild-West with goofy looking characters and all, of course it’s JoJo’s. You wait till Gyro shows up! Wait, who’s this Samurai guy? Where’s Johnny!? The pink haired girl is a dude? I mean, sure. But why are there SO MANY characters? What is it you say, this is a PA Works original with the setting for SBR just slapped in as a PR strategy? O… kay, I guess. It should still be a fun watch, right? There’s no way that they can screw up such a distinctly unique and interesting premise. *20 mins later* Wow, I can’t believe they screwed up such a distinctly unique and interesting premise. Why, PA Works, why? You had one job! All we wanted was to see some racing action and devilish looking cars blasting each other off to shreds. Who needs backstories when the hook by itself is this gripping? Didn’t you guys see Redline? *Sighs* You really got to know your audience better.
Potential: 30% (75%, if they add stands and poses)
Wooper: If anyone was hoping for wacky race action beginning with episode 1, Appare-Ranman has some bad news. This premiere was a prologue to the cross country shenanigans to follow, and the involvement of so many characters who are now an ocean away from the plot feels like a waste. Character building is important, so learning that Appare is the black sheep of his family was all good, but the vindictiveness of Kosame’s lord wasn’t necessary. In fact, his character could have been cut out of the story completely – Kosame could have served Appare’s father, and been charged never to leave his side. That would have provided a much sturdier reason for him to get stranded at sea, and saved a bunch of time to boot. The scene where Appare broke himself out of jail with a screwdriver didn’t feel right, either (why was he allowed to keep a tool like that while locked in a cell?). The script doesn’t feel watertight, is the point I’m getting at. It does the job of landing the main characters in America, though, and the rest of the show will assume a different form, so I’ll write off my issues for now.
Potential: waiting for ep. 2
You cannot expect the series to kick into high gear right away. Set up is important