Michiko & Hatchin – 13/14 [Goldfish of the Marsh/The Daredevil Explosive Runner] – Throwback Thursday

Welcome everyone, to a late post about Michiko & Hatchin! Apologies for that, First Impressions is pretty busy at the start of a season. Still, the show must go on, so lets dive into the episodes!

Starting off, we have episode 13, “Goldfish of the Marsh”. This episode was all about Atsuko, giving us both a look into her past as well as her future. All in all? I thought it rather interesting. Watching Atsuko get back on her feet after being demoted and sent off to some tiny shack of a police station was really nice. It felt like she was being sent back to her roots, allowing us to watch her claw her way back up, just like she did as a child. But it’s held back by the fact that we really don’t know all that much about her. We get a lot of that this week, yeah, and that’s a good step forward. However giving us her history and defining character moment in the same episode makes me think neither were able to live up to their full potential. A shame.

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Michiko & Hatchin – 11/12 [Starting Line Downpour/Purgatory 108°C Telepathy] – Throwback Thursday

Welcome everyone, to the halfway point of Michiko & Hatchin! This is… it’s an interesting week, not entirely good reasons. I have some concerns about what happens and where the series is going. Still, that means there’s plenty for us to talk about so lets just jump right into it!

Getting right into it, first up is episode 11, “Starting Line Downpour”. At it’s core, this is a good episode. Michiko & Hatchin has the right idea here. It’s all about Michiko and Hatchin coming back together. Taking their solo episodes, meeting back up, reconciling some differences and realizing that they need each other. This is way sooner than I was expecting Michiko & Hatchin to do this, sure. I thought we would have a few more episodes of them solo. And the opening segment of the episode is just as confusing as it always is. But overall the show has the right idea. These two are the emotional core of the show after all. There’s just one major issue. It doesn’t feel like they actually resolved anything. Well ok I lied, 2 major issues, they also rushed the shit out it. What do I mean? Let me explain.

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Michiko & Hatchin – 9/10 [The Chocolate Girl in Love/The Carnival of Hyenas] – Throwback Thursday

Welcome to another week of Michiko & Hatchin! It’s been a busy week, between catching up on posts and starting up a Mob Psycho review. A bunch of stuff needs to go out by new years and I’m not sure I can get it all done. So if a few things start to slip a bit, like maybe this post being late cough, don’t hold it against me yeah? Now without further ado, onto the episodes!

Overall this was an interesting week, as we get 2 solo episodes. This is the first time since episode 1 where Michiko and Hatchin haven’t been together, and the first time in the entire series they haven’t shared an episode. I’m honestly rather surprised by that. I thought that they would be reunited by the end of episode 10, at the latest. Instead this appears to be our new status quo, with both of them going their separate ways and heading further and further apart. Makes me wonder when they will reunite, if they ever will. Are they going to look for Hiroshi on their own, finding him at the very end with their own methods and reuniting as a family with all of them full self actualized? Won’t lie, that would be pretty cool if they came to miss and appreciate each other that way. Only time will tell.

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Michiko & Hatchin – 7/8 [The Rain that Falls in Monotone/Black Noise and a Dope Game] – Throwback Thursday

Welcome everyone, to another week of Michiko & Hatchin! This is going to be a weird week since I will be attending a wedding when this goes up. Maybe it will mean that this actually goes up on time this time though, who knows. Anyways, without further ado lets dive into the episodes!

Starting off, this week I want to take the opportunity to talk about Michiko & Hatchin’s OST. I haven’t had the opportunity to go through it in full yet, I tend to save that for the final review. But this week definitely served to bring it to my attention, with tracks like “Desencanto” and, I believe, “Gagorra“. Now for those of you who read my Megalo Box: Nomad review this should come as no surprise, but I absolutely love Latin music. There’s a rustic passion to it I feel, a beautiful simplicity that speaks to the heart that a lot of more modern, urban music just doesn’t for me. So tracks like this, or what little I heard of “Temporada das frutas” before I turned back to avoid spoilers, are right up my alley. Hopefully Michiko & Hatchin can keep delivering on them moving forward, because I love it.

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Michiko & Hatchin – 5/6 [The Saudade of Fools, Part 1/Part 2] – Throwback Thursday

Welcome everyone, to another week of Michiko & Hatchin! This week is our first 2 parter, so we have a lot to talk about. From getting more of Michiko’s past to Hatchin going out on her own, it’s all inside. So lets dive right in!

First up we have episode 5, “The Saudade of Fools, Part 1”. This was a really interesting episode, and definitely my favorite of this week. We get loads and loads of backstory for Michiko, not only arriving at her home town but meeting who raised her, seeing how she met Hiroshi, and learning how she fell into a life of crime. All the while we see the knock on effects of these moments in the present as Michiko returns to town with Hatchin. I cannot understate, I really really liked this. Backstory is generally hard to do in anime, and is often just a forced flashback during a climactic moment. And while this was a flashback at times, it was done via Michiko revisiting those locations in the present and remembering them herself. They had in-narrative effect on her own emotional state, making them feel so much more purposeful.

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Michiko & Hatchin – 3/4 [Like a Frantic Pinball/Stray Cat Milky Way] – Throwback Thursday

Welcome everyone, to another week of Michiko & Hatchin! Last week was our introduction, so this week is our chance to see what the show is really like. Is it a buddy cop? A think piece? Some kind of tragedy? Lets dive in and find out!

Starting off though, I just want to once again praise Michiko & Hatchin’s backgrounds. These are, without question, the most impressive part of the production. Not just in their details, those are incredible, but in their variety and number as well. Even something as small as the Chinese noodle shop had, at least, 5 different backgrounds portraying it’s interior from various different angles. Each one covered in minute details like slightly discolored tiles, dents in the wall, rusted pipes, and chipped surfaces. Not to mention different colorings for day/night, lights on/off, etc. Now consider how many repeated locations we had across these two episodes, and multiply all of these backgrounds by that many locations. You begin to understand why I’m so impressed, right? While the animation isn’t perfect, and Hatchin’s design is a tad unappealing, the backgrounds carry the visuals on their back.

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Michiko & Hatchin – 1/2 [Farewell, Cruel Paradise!/The Brown Sugar Outlaw] – Throwback Thursday

Welcome everyone, to the next season of Throwback Thursday, Michiko & Hatchin! I hope you’re all having a great Thanksgiving. I hope I am, I’m writing this a few days in advance. We have a lot to talk about with this new series, and not a lot of time to do it, so lets jump right into it!

Starting off, lets talk production. I’m very split on how Michiko & Hatchin looks. The backgrounds are absolutely gorgeous, no question there. Whether it be the cheap “rich” inside of the priests house, with its fraying wallpaper contrasting the rich furniture, or the detailed and dirty city streets and all the graffiti present on the walls, it looks great. It’s been awhile since I’ve seen a world so fully realized as this through just its background art alone. But the rest of the visuals… Something feels off. Michiko herself is fantastically animated at times, from the wind blowing through her hair as she rides her bike to her various gunfights. But something about Hatchin’s design, her face, the proportions, all feels off to me. Maybe I’ll get used to it with time and it won’t be an issue, but this early on there’s definitely something off putting about it.

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His and Her Circumstances Anime Review – 68/100 – Throwback Thursday

Romance is a fickle thing, meaning something different to everyone. To some it’s a casual fling after a night on the town, while to others its a lifelong commitment. It’s this mercurial nature that so often makes Romance as a genre difficult to pin down. Some are looking for a wholesome, drama free experience like Ore Monogatari!!. Others want a show that burns hot, fast and steamy, like Domestic na Kanojo, while others still are looking for a tragedy. It goes on and on and on, with each kind of romance pulling a different audience. But sometimes… sometimes you want the purest, most distilled and focused kind of romance you can get. And that’s the kind of romance Kareshi Kanojo no Jijou, AKA His and Her Circumstances, embodies. Created by Masami Tsuda, directed by the legendary Hideaki Anno and animated at Studio Gainax, This is what we’re examining today!

Be warned, this review contains minor unmarked spoilers for His and Her Circumstances. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents. Continue reading “His and Her Circumstances Anime Review – 68/100 – Throwback Thursday”

His and Her Circumstances – 25/26 [A Story Different from Up to Now/14 Days, Part 6] – Throwback Thursday

Welcome everyone, to the grand finale of His and Her Circumstances. Well, I say grand, but it’s not, is it? Closer to a grand disappointment if anything. I cannot think of a more messy, disappointing finale to a series I’ve actually enjoyed than this. It’s almost impressive, if I wasn’t so absolutely livid. Why? Well lets dive in and talk about the “why”.

First up, the production. To call these episodes a mess would be a disservice to messes everywhere, it was downright trash. Oh there were some bits that looked nice, I’ll grant. The stark coloring in episode 25 lent very well to the horror vibes, while the rainbow patterning on Arima’s face really sold the internal strife. Aside from that however, both episodes were veritable power points, with episode 26, the bloody finale, not even having that. It’s like the episode never made it out of the storyboarding phase, complete with text on the screen in place of spoken dialogue and simplistic, black and white sketches for the characters. Some might try to defend this as “Unique” and “Artistic” but I just call it “Mismanagement” and “incomplete”. As someone who loved His and Her Circumstances production early on, this was a massive disappointment.

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His and Her Circumstances – 22/23/24 [14 Days, Part 4/14 Days, Part 5/Recap] – Throwback Thursday

Welcome everyone, to the penultimate week of His and Her Circumstances! That’s right, we only have one more week before this is done and you get a final review. So if you have a series you want covered in Throwback Thursday, make sure to leave a comment so I can put it on the poll. Now without further ado, lets dive into the episodes!

First up, episode 22, “14 Days, Part 4”. This episode is all about them prepping for the upcoming play. And you know what? I need to say it. I have no idea how this is going to transition into a satisfactory finale. Between the prep there are some small scenes about Arima’s jealousy and personal issues, despite Miyazawa’s previous affirmations about their relationship, but it’s not thing particularly notable. And even if it was, this play doesn’t seem like a good way to address them what with it’s sci-fi themed subject matter and how Arima isn’t involved in it at all. In fact, it seems like Asaba is doing more to notice and address Arima’s issues than anyone else. But even he disappoints in just silently being there rather than any kind of… cathartic discussion, and also not having any actual arc of his own.

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