Tag: show

Magical Girl Raising Project – 08[Sudden Event In Session!]

by AidanAK47, posted in Currently Watching:, Magical Girl Raising Project

Blessed be the peacemaker, for she ups the body count. I don’t think it’s a surprise that Winterprison ended up dying while protecting Nana. But it is surprising that she managed to take down one of the twin angels before getting taken out. All the more surprising considering that the angels didn’t get a flashback so hurray for unpredictability! Though considering that I don’t really care much about them for it to hold any emotional weight it was more just nice to have one of the annoying characters get taken out of the show. Swim Swim is someone I care about and it was fascinating how she went about this. Ultimately she was following Rulers advice in that the leader does the absolute minimum and leaves the majority of the work to a subordinate. It’s no doubt that Ruler was an incompetent leader with a superiority complex but it is fascinating in how Swim Swim holds her in such reverence and uses her image to become a better yet crueler leader than Ruler ever was. Really what is wrong with this girl, after all she wasn’t sad that one of the twin angels died, instead she was disappointed in herself because she thought that Ruler would have done it better.

It was a good plan but they didn’t quite count on Weiss not getting taken out immediately. There is the question of why the peaky angel didn’t transform to escape Weiss’s grasp, especially when Weiss was specifically telling her that if she transformed into Nana again she wouldn’t be able to hurt her even if she knew she was fake. But I think they can’t transform as long as someone is touching them. Evidence of this being how when the angels stabbed Weiss and she pulled out the knife and threw it into the air before she transformed back. Fear as well could be a factor. But if I was to question anyones actions here I would question Weiss’s. Taking into account her ability I think she could have killed all the team by using her wall ability to crush them against the ceiling.

Koyuki seems to see that Hardgore Alice isn’t her enemy though she doesn’t quite like her all the same. Calamity Mary on the other hand has gone full psycho. With both Weiss and the angel out that means we only have two more eliminations to end the battle royale. Judging by current circumstances I doubt Mary is going to come out of this alive. We have seen that Mary was an abusive housewife looking to bully the weak and Fav jumped to give her power straight away the demonic little monster that he is. I do quite like when he drops the cutesy act and his tone goes more malevolent. Mary’s background is pretty typical but it does make her reaction to Alice a little more interesting. Mary likes to bully those weaker than her and while she can overpower Alice, she cannot kill her. So this pretty much makes Alice unbullyable and something Mary cannot stand. This would give their next confrontation some real emotional weight that has been missing from all the fights up to now.

Watching this really makes me appreciate just how well Fate/Zero set up it’s own Battle Royale as it truly was a well structured plotline. With fight scenes in a story you generally have a few ways to go about it. One way is to go with spectacle and make a fight visually dynamic say like Drifters did with it’s action scenes this week. However Raising project just doesn’t have the kind of animation and artstyle to really deliver on a spectacle. Another method is to give a fight an emotional weight. In Fate/Zero the first episode was the worst but it did the groundwork of clearing up all the masters motivations and how they contrasted the other players. The very first fight of the series setup dynamics between the servant. Like Gilgamesh wanting to take down berserker, Berserker wanting to fight Saber, Saber needing to fight Lancer…each character had a counterpoint that made the fights compelling, be it through principles or personality. Raising project doesn’t have that. For the most part all the battles are random skirmishes between opponents who don’t actually know each other. Dues to our lack of information on their characters these fight just feel rather empty and ineffectual.

However we do have counterpoints forming within the cast. Nana has reason to fight Swim Swim, the peaky angel will likely want to attack Nana in revenge for her sister, Mary wants to get back at Alice, Koyuki will want to fight Cranberry after finding out she’s responsible for Souta’s death…these could make the battles more interesting but even then I think this shows big mistake was having such a massive cast of characters. The best battle royales make it a point to get you to care for the characters before killing them off. I am far too apathetic about the plight of these girls to get invested in the conflict. Of course this doesn’t mean we need more flashbacks as they are the lazy tool for character development. Instead having more meaningful character interaction and grown would be a better option. Ripple and Top Speeds relationship is a good example. Speaking of which, I really worry for top speed. We have got the full extent of her backstory which means that she is a prime target to be killed off.

Drifters – 07[Chaos Diver]

by AidanAK47, posted in Currently Watching:, Drifters

Considering this is the first clash the Drifters had with the ends things went rather smoothly. They managed to take one down and send the other one packing. This really is what Drifters is best act, balls to the wall action and insanity. Admittedly I wish the animation is better as it does rely on closeups to cut down on the animation needed. But I wholeheartedly admit that Ufotable may have spoiled me in regards to fight animation. This was indeed a spectacle of badassery and with the leader of the Octobrists bringing in the rest of the Drifter I think we could have some interesting interaction and culture clash as they bounce off each other. One thing I particularly loved was when Butch and Sundance brought out the Gatling Gun. The look on Oda’s face when he saw that gun was priceless. As a guy who heavily pushed firearms in Japan during his time, I most certainly think he will be interested in that beast of a weapon. Big problem is that upon gunning down Giles they did mention that they used up the last clip and i think it would be a major problem figuring out how to reproduce the bullets.

As for the battle itself, Toyohisa once more working with suicidal charges, Yoichi shoots arrows and Oda hangs back to lead the elves. If it’s one thing this episode pointed out it’s that the ends really do have a massive advantage in this battle. If they are all as hard to kill as Giles then they happen to have superpowers along with heavy invulnerability. Though the difference could be like Toyohisa said, the ends are now exactly professionals when it comes to combat. At least what I heard of Joan of Arc she wasn’t exactly famous for being a great fighter and Anastasia certainly has no real combat experience. That does seem to be the turning point in this battle, Easy is choosing tragic figures who have reason to hate the world while Murasaki is choosing Military commanders and strategists. The only thing that really give the ends the edge is there supernatural tendencies so Murasaki may be onto something here.

So Joan of Arc is defeated by our resident Samurai and upon confirming she is a woman, he refuses to kill her. Allow me to ask the loaded question. Does that make Toyohisa sexist? Well looking at the actions presented here the answer to that question would be yes and yet calling Toyohisa sexist just doesn’t sound right to me. After all he did thank the octobrist girl for helping to save his life and trusted her to help him in battle. I believe this does present a certainly nauce often overlooked by more overzealous types that attempt to label every person, word, action and home appliance as sexist in some nature. In my personal opinion I would deem that Toyohisa is not sexist but is instead following the traditions and beliefs of his clan which have been pounded into him from birth. Those traditions are indeed a product of a time less kind to woman but to Toyohisa these very things are his reality.

Imagine if you will that you walked into an alternate reality where fish swim in the sky instead of the sea. Wouldn’t that feel wrong? After all fish swim in the sea, it’s what makes sense, it’s what you have been taught from the beginning. Same goes for Toyohisa, in his world woman stay off the battlefield. That’s just his reality. If he came from a world which woman fought on the front lines it’s likely Toyohisa wouldn’t have any real problem with Joan being on the battlefield and would have beheaded her. So is Toyohisa in the wrong here, I say no. The only thing wrong here is that Toyohisa let a very dangerous individual live to fight another day when he could end her then and there. Otherwise Toyohisa was simply living up to his character as someone deeply entrenched in his beliefs. The only thing I find immensely weird here is that Toyohisa was confused over Joans gender and yet Yoichi he recognized as a man immediately? How very odd.

3-gatsu no Lion – 07 [Important Things. Important Matters – Teach Me How to Play Shogi]

by SuperMario, posted in 3-gatsu no Lion, Currently Watching:

Oh, the vitality of youth and first crush! It’s fun to see Hina’s under that crush spell and making a big fuss over Takahashi coming for dinner. As for Takahashi, he climbs up from being “an object of desire” from last few episode to a very straightforward and a bit serious boy now (anyone seen him smile once?) but his cold appearance is a nice contrast to Hina’s nervous sicken state. Well, enjoy it while it lasts girl because you ain’t gonna feel it again when you’re getting older.

It seems the show now covers the source material a bit faster now (2 and a half chapters per episode), but if that’s the case then I’m not totally on board with it. The main reason being each chapter is a self-contained story, even with chapter that begins as mundanely such as this one, being “Takahashi comes over for dinner and the family enjoy the night together”, it still manages to pull off a satisfying punch; that’s why breaking the chapter apart feels a bit disruptive to the flow of the story and could potentially lose its emotional earnest. This episode gets away with this issue this time, because of the continuity of Takahashi appearing in two chapters, but I’m not so sure if they can manage that next time. I would prefer they either stick with 2 chapters or they can speed up with 3 chapters per episode, but since I’m enjoying the deliberate pacing as it is now so I hope they won’t change that much.

As I mentioned above I very much enjoyed the chapter-style of the show so far, as each chapter manages to give a different angle to Rei and the people surrounding him. In contrast with the dark and sad story from last week, this episode shines with light touch and upbeat tone that actually signals the grow of Rei, even just a slightly bit. Firstly, through his honest-but-shabby explain to Takahashi, he’s actually able to reach him. Human interaction and connection is one of the most important fragment in our life, and sadly Rei is always out of touch with it. With just a little affection from Takahashi, it means a world to Rei, but it’s true that everyone would feel this happy when others understand exactly what you mean, especially someone who often self-doubt like Rei. Secondly, he’s now willing to take risks as well. With his old-self, for a shogi move that he feels too dangerous, he’d retreat instead; but now he’s heading over it to see if he can handle it. Although it costs him the match, I’d say it’s important for him to take that risk so that he could learn from his mistake. Finally but most importantly, he’s exploding over Harunobu’s comments, and that step is extremely important because it shows that he cares. As contrary to his fear last week, he actually cares for shogi and he cares for himself so he cannot stand to be talked down like that. At least he still feels something. You’ve grown Rei!

The supporting cast also works like a charm this week. For once, I feel Botoro’s (oh, I mean Harunobu’s) passionate advice from a shogi commentary no less as sincerely and heart-felt instead of annoying and I feel this is one of the strongest moments in this episode. He’s always the opposite to Rei in term of personality, as Rei always keeps his feeling inside himself, he is the one who says out loud what he feels and those advises are what Rei needed to hear (again and again in recorded tape or VCR that is). He really cares for his friend and even him appearing in later part to teach Hina and Momo shogi come off as necessary contrast to Rei’s stiff and machine-like teaching. Takahashi also shows his passionate side for baseball, and he fits like a glove to the rest of cast and his looking-up to Rei as a (sort-of) role model making them a weird (but nice) pair. Lastly, I know it isn’t much but look how shy and stiff Hina was at the beginning of the dinner, and then to her smile as she giving a piece of fruit to Rei and acting so herself in front of Rei, I feel a warm feeling inside me.

This episode might be a bit too light for 3-gatsu no Lion, but it’s by no mean a filler or even a mediocre episode. There’s still so much details to enjoy here and this episode is just so fun to watch. It’s great to see Rei has matured from time to time and seriously, who would say no to a shogi cat-warrior dance? Damn entertaining!

Flip Flappers – 07 [Pure Component]

by SuperMario, posted in Currently Watching:, Flip Flappers

And here I thought I know what to expect from this show, yet I would never anticipate a Flip Flappers episode that is a direct continuity to the event of last week. In addition, this episode serves as a nice contrast to last week thematically as well. It only makes sense that after the episode concentrating about two girls performing same role, the next one will be about one girl who carries several roles, right?

Upon noticing that Iro-senpai has been changed in terms of her behaviors since their last Pure Illusion trip, and then later was confirmed by Hidaka that digging deeper into Pure Illusion level can alter the current world, Cocona doesn’t take it too well. It’s understandable in her case, since she’s fine as long as those crazy worlds are all fun and games. But when actions in these universes could potentially bring out consequences, it’s another matter altogether. The Pure Illusion world that Cocona got in this time carries out many characters that directly associated with her characteristics: that world is surprisingly grounded, mundane and completely isolated. That is when Papika multiple roleplaying really makes sense narratively to this episode. She represents the changes. Many roles she performs here aiming to assist Cocona to try something new and at the same time to have fun, demonstrated by many scenes like when the classmate boy who suggests her to skip class, or that emo girl who keeps pressing Cocona to open the drawer (for the meaning of that nail-clipper though, I have no idea but frankly my dear, I don’t give a damn), or trying new clothes. Ultimately, Cocona learns that many things might have been changed by Papika’s and her actions, but changing isn’t always mean bad. In Iro-senpai case, I’d definitely say that she’s happy with herself right now. Isn’t it satisfied enough as long as they bring the happiness to others?

Papika performing various characters also serve as a direct reflection to her own role in Cocona’s life. Take notice that all the roles she plays can be seen as Cocona’s personal and social relationship. She starts as Cocona’s little sister (so cute!), the insecure child who takes care for Cocona and always seeks her attention; then as a classmate boy who genuinely cares for her; then as various social friends who spend time with her, and finally as her sensual lover. All those roles serve as substitutes towards Cocona relationships in order to raise a central message: Where would the real Papika fit in? Is she her family, friend, or lover? Cocona’s for this whole episode trying to sort out her feelings about Papika through having fun times with those variables, and Cocona soon realizes Papika’s none of the above. She holds a special place in Cocona’s heart that raises above all other alternatives.

Moreover, the use of multiple roles also makes a whole lot sense in the context of identity and growing up. Never in any other shows that I’ve seen the constantly jabbed at the role of identity like this one. The first read is of course multiple personalities, and I don’t mean it in a disorder viewpoint. Not unlike the class S, yuri genre where they hold a belief that mutual crush between two girls is a necessary phase for girls to mature into normal, healthy woman; multiple personalities can be interpreted as an adolescent phase, where kids put up many masks of personalities to fully understand who they are, who they are not. The play on gender roles could be seen as a second read, as Papika freely transforms from one gender to another, indicating the break from societal norms towards what are expected for them to perform. Lastly and not really related to the multiple roles, but learning to take responsibility is also another theme that this episode going for, as Cocona learns exactly that from the consequences of her last Pure Illusion trip.

So again, what do we learn this week? Things seem to go badly for Yayaka, as we now know that her place amongst the organization is pretty shaky. And the twins are referred to as the amorphous children, which could mean that they are artificially created by the power of the amorphous. Now it’s an interesting concept if you ask me. It is also confirmed that the deeper level of Pure Illusion world could alter the present world, which could mean the stake is higher next time knowing they have real consequences, but frankly I’d have preferred much better if they don’t try to explain it at all. After all, this is one of those things (the willingness to keep us in the dark that is) that make Flip Flappers so charming and adventurous in a first place. Finally, Papika just mutters “Mimi” out of nowhere to the new sets of character we never heard from before (Mimi’s holding a child if you notice closely, and looks like the guy who is busy with his PC game is the person in Papika’s flashback- or is it Dr. Salt? Hard to tell) and in any ordinary anime that would be a recipe for nightmare kitchen, but it’s Flip Flappers for Christ sake so I know the show will find a way us care about those new characters.

As much as I see many layers toward this episode, as I mentioned before Cocona and Paprika alone can’t carry the episode on their own and this episode was just thisclose from being dragged out, and the lack of interesting visuals certainly won’t help. That doesn’t mean this episode is bad either, and my expectation for the show is still as high as ever, but this episode also isn’t among their best effort.

Sound! Euphonium 2 – 07 [Station Concert]

by SuperMario, posted in Currently Watching:, Sound! Euphonium 2

After spending the first half of this season for second year drama and the regional Kansai competition, it’s only natural for Sound Eupho to turn their focus on the third-year students now. After all, National competition will be their last performance, so there’s a lot of meat to invest on. Now we know more about Asuka’s issues, her mother is an uptight parent who wants her to concentrate more on the entrance exam and forces her to quit the band. Apparently, her mother thinks the band is just a distraction towards whatever goals she wants Asuka to achieve because she “knows” what is best for Asuka. Well, I don’t need to point out the problem with this attitude, instead I’ll tell you a story that I know in RL. A friend of my friend (so I don’t personally know her) had her parents divorced when she was young and her mother forbid her to meet the father out of her own hatred. In high school, she decided to secretly meet her father by telling her mom she’d walk home that day and planned to meet him in front of school’s entrance. Unfortunately, her mother spied on them so as soon as the two met, she detested by jumping into the running car and of course that event scarred the girl for life (true story!). My point is this, when parents dictate their child into such extreme without considering the child’s own feeling (the same case here with Asuka), things bound to get more disturbing. There’s still something that only hinted very slightly in this episode about Asuka and her mom’s relationship. Her mom tells her that Asuka playing instrument is to get back at her, it might mean that Asuka’s father also played instruments before. We don’t know either what Asuka wanted to talk to Natsuki about, but really the way she acts like nothing wrong happened even though everyone knows how dire her situation has been actually signaled that she’s in deep trouble right now, and I know things will get worse later on.

Haruka and Kaori likewise have a good amount of development this week. Despite being a band president, it’s obvious that Asuka has more of an influence band members than Haruka and even she knows that she isn’t leader material. But that’s not to say that she isn’t a good leader and this episode really articulates well her characters and her personal struggles. First, the absence of Asuka leaves a bad mood to the band, so for once she stands up in front of the band and asks them to trust the senpais and keep moving on. It wasn’t a very good speech (but she’s never a good speaker to begin with), but it was the right timing to encourage the band to focus on their playing. Moreover, she was asked by Taki-sensei to performing solo, which of course made her nervous. She’s always good at staying behind the scene and supporting the band, so to become a center of attention isn’t really her thing. But she has grown too. She has grown to start embracing the leader role, be more comfortable with her own self-esteem, and that solo part really shows how far she has developed as a character throughout the series.

Now, to the time shift “one month has passed since Asuka stopped coming to the band”, it’s nice for Sound Eupho to focus on a specific narrative issue, but for me the show has always shined on making the band club as real and relatable as possible, and that included the messiness in narrative. In real life, issues and events come as random as the weather, some issues we already anticipated beforehand, some we don’t. That is why I really enjoyed the randomness and messiness of last weeks’ many dramas, because it feels like the very world we live in. Now, we just passed a month without any real moments, in expense of showing Asuka’s issues, and that take away the “real life” the show has built up to. I mean what’s about Kumiko’s relationship with her sister at that time? What about any other band member’s interactions? This is not their fault obviously as shows need to have focus drama and I frankly would do the same if I were in their position, but the point being I hope that they don’t push up the drama in the sacrifice of the naturalness of the show.

Everyone who watching this show know that the production values are overall top notch, even comparable to the quality of feature length movies; but here I want to press how attentive to details this show is. I’m not the man who judge the quality of the music played by the band, but by reading analysis from someone who used to play in an actual concert band (I’ll give you the links if you guys ask for it), most of the musical was played correctly, even down to the fingering, the notes they play, the position of the hands and bodies were all executed perfectly, and for me that’s just insane. KyoAni not simply done their research, but it feels like they animating the real concert band performing. The more I read about how correctly each segment played, the more I am blown away. Imagine they made it right for the whole 10-minutes performance by all the instruments played, now imagine they even got it right when the band practiced throughout this one and a half series-length. As it become a norm that the production quality would drop significantly towards the middle part in anime world, KyoAni’s consistency towards the quality, plus their willingness to get ever minor details right that frankly put other productions into shame. They set a high standard on how production quality should be and I don’t think there is many productions out there that could come close to it.

Magical Girl Raising Project – 07[Up Your Friendship!]

by AidanAK47, posted in Currently Watching:, Magical Girl Raising Project

Hardgore Alice really lucked out in regards to Magical girl abilities as he pretty much has the perfect ability for making her the most dangerous thing in this battle royale. I do wonder what happens to her phone though when she gets ripped to shreds. Calamity Mary’s whole gauntlet of trying to kill Alice. She quite literally tried everything in regards to killing her from encasing her in concrete to trying to dissolve her in acid. Either way it looks like Calamity Mary’s ability is being able to pull out any weapon she needs. I at least appreciate that Mary liked Magicaroid enough to actually seek revenge for her death and Fav is certainly showing that he’s willing to bend the rules as long as he gets something in return. Mary didn’t specify just what job she would do for Fav for the information on Hardgore Alice but it could be related to her calling out Ripple at episodes end.

We also get a look into a character’s backstory. I originally thought it was Calamity Mary seeing as the entire first half was dedicated to her but it seems that it was instead Ripple, the Ninja magical girl who hangs out with Top Speed. I do like Ripples style as her backstory was gearing up to be a typical abused child story but she’s got moxie. The characters around her are playing the usual fair of being bullies why too obnoxious to be considered believable but the minute they go too far she shows them she ain’t going just let them walk over her. Especially love how she dealt with her mother’s new husband. I was really dreading the direction that was going but the minute the man showed his intent Ripple was like “Oh, hell no!”, kicked his teeth in and announced that she was going to live on her own. I have serious respect for this girl but it’s clear she doesn’t hold her mother in high regard. In some ways she may be seeing Top Speed as a kind of surrogate mother as she does tend to act like one. I doubt Top Speed gave Ripple her real age as she did mention drinking alcohol and Ripple pointing out that she would be underage for it as well.

Of course if you were following the trend of deaths so far then it’s a safe bet to assume that Ripple is the next one to die. After all, anyone who gets a flashback is generally the one to end up dying in this show. I would like for the show to break this pattern and instead have someone else get taken down because unpredictably would be a great asset to this show and that’s sadly getting ruined by how telegraphed the deaths are. It’s also sad that most of the people who die are those with the most development so far. I think characters are starting to get fleshed out a tiny bit in the case of Swim Swim, Alice and Mary. Through not really enough to make me care whether they live or die. Though I must admit that I find Alice’s current relation to Snow white interesting. Snow’s clearly terrified of her but Alice seems to genuinely want to help her. After all she did spend six years of her live to buy that rabbit’s foot only to give it to Snow White. Her nature does make her seem suspicious and pretty dangerous, especially the stiff undead movements. However I am guessing Alice is a Snow White fanboy(Confirmed to be a girl by last week’s mid card which pointed out that she lives with her aunt and loves stuffed bunnies.), and considering her abilities she would certainly make for one fantastic ally for this Battle Royale.

 

Drifters – 06[Men of Destiny]

by AidanAK47, posted in Currently Watching:, Drifters

Well those soldiers deserved to die much more unpleasantly but at least the deed is done. Though I do find it interesting in how Oda interfered with their execution to prevent Toyohisa from giving the order to kill them. The funny thing is that this effort didn’t seem to be made in order to save Toyohisa the guilt of killing unarmed men or to save the men but instead Oda wanted to take on the dirty job of killing them so the act wouldn’t sully Toyohisa’s position when Oda pushes him to become the leader. Much to Oda’s dismay, Toyohisa hands the reigns of leader over to the elfen chieftain on the grounds that if he did lead the elves, then eventually the time would come when their arrows would be aimed at him. Though regardless they look to be playing a pivotal role in the army. In other surprising revelations, it turns out that the master race bigots of Orta was set up by Hitler. HItler can’t seem to be satisfied with screwing one world up, he has to go and wreck another. We won’t be seeing a climatic battle between evil Jesus and anti-hero Hitler(…I actually kinda want to see that.) as according to the Octobrist agent, Hitler has once again killed himself. It’s up for debate whether he did genuinely kill himself or if he was more likely assassinated. Still I did see someone theorize that perhaps when seeing that he was repeating history he decided to off himself which I find a more poetic end. It is rather funny that none of the Drifters recognise Hitler because he was after their time.

Speaking of Drifters I think the roster has a bit too much Japanese representation. We got a grand total of five Japanese representatives on the drifters side with the main trio, the fighter pilot and the navy admiral. The ends even have two Japanese figures and from the looks of it the Octoberist leader looks to be another Japanese figure. There are other historical figures that I really think are unrepresented in media. For one I think Admiral Yi would have made for a better sea commander and I would have loved to see famed Finnish Sniper Simo Hayha, Aka The White Death who would make a perfect counterpoint for Anatasia of the ends. And if you were going to pick any World War II fighter pilot then why not Erich Hartmann? I feel he would be a much more interesting choice than Kanno Naoshi. But who know, maybe later in the story they might show up. Not sure what to think about the transvestite count that’s shown up in Orta, for one I find it odd that Hitler would choose to work with such a guy and he seems to be mainly a comic relief character in a story where the comedy is certainly falling flat. Overall I don’t see him as much of a worthwhile addition at this point as at most he has pointed out that Orta seems to be doomed that’s to overextending its armies which I believe was also a mistake that Hitler made in WWII as well. The black king drops more hints to him being Jesus by referencing Jesus cursing a fig tree for being barren(Got to admit, not his most graceful miracle.) and it looks like Joan the pyromaniac is coming to take on the Drifters. Considering their army is just getting set up this likely won’t end well.

3-gatsu no Lion – 06 [Child of God part 1 – part 2]

by SuperMario, posted in 3-gatsu no Lion, Currently Watching:

Okay, I think I need to let this out first: What is that screenshot right at the end of preview chapter? I know some other mangaka draw this (Like Miura did in the first episode), but this image of big boob Akira is totally inappropriate with the show. This is a total disaster if you ask me.

This episode takes an unflinching look into the mind of Rei again, but unlike last week where the events were already happened in his past, this episode concentrates squarely on his inner thoughts: on how he perceives the world. The main strength of 3-gatsu no Lion has always been the way the show dig deep in Rei’s insecure self, and this episode really takes a step deeper and darker. While his past is certainly tragic and compelling, if the show relies too heavily on his past to draw sympathy from us, it won’t go anywhere because Rei doesn’t progress. Instead, this episode focuses on Rei’s attitude towards the past and how it affects him even now. Kyouko abusive voice again lingers in his heart, basically devalued his self-worth, but the sad thing is he’s submitted to it. He’s afraid that he doesn’t belong anywhere, this again reflects on his complicated relationship with shogi. Last week, we learned that he chose to play shogi not because he loved it, but because he wanted to spend more time with his father, and later as a ‘contract’ to get out of his trapped life; this week he sheds another light to it: he’s into shogi as a place where he feels himself belong to. But does he really feel belonging? As he continues to swim over countless waves to reach its destination, he begins to lose sights on the big world around, on his next stop. He reaches the island, he reaches his goals but now too afraid to make any more move. That is one hell of depressing thought.

The introduction of Touji Souya, a current meijin (one of the most prestigious title in shogi) serves as a great reference to Rei. The two of them share many things in similar: they are both become shogi professional shogi player when they were middle schools (the 4th and 5th people who do so), and their playing styles are strikingly similar as well. All those players who became professional in middle schools would all later become masters (including Souya), and that made Rei feel pressure towards those “achievements” that the shogi world expected of him (curiously enough when you realize his adoptive father never really give him that kind of pressure). His recent losing streak certainly brings him down and that again made him afraid whether or not he’s worth it. Well, that kind of pressure is not what he needs to care, but thankfully the teacher Hayashida was there to cheer him up. He, along with the three sisters, are the friends that Rei really need to bring him out of his depressions. I am really amazed that the show goes this far to bring out the dark inside Rei, we get to know him better and better now and he becomes one of the most fully realized characters that I’ve encountered in recent years. Thank you Chica Umino!

Speaking of her, I think I need to address on the comedy of this show. Many people complain that the comedy is the weakest part of the show, but for now I interpreted it differently. When you really think about it, for a quiet, slow coming-of-age story, voicing over the cats (and dogs) don’t really make much sense, but here it’s working. The thing is those light moments aren’t supposed to be humorous, or to get chuckles from us, but they serve as a cute, light-heart moments to balance out the dark, heavy inner Rei. There are some comic relief moments, sure, but their main objectives are to contrast with the lonely world of Rei, not for comedic effect; thus to judge it based on its poor ‘comedy’ doesn’t really ring true for me, because it isn’t strictly a comedy.

Lastly, this episode is a perfect example to dissect how well Shaft adapting this manga. When you really look at it, Shaft is one of the most unlikely studio to adapt this story. Of course Shaft is talented enough to bring the right pace and feel to the story, but being Shaft, sometimes they have to make somethings stand out. And stand out is the worst enemy for this kind of slice-of-slice show. With this episode, their marks are all over the place with varying degrees. When Shaft dwell into the mindscape of Rei, the visual language is easily the most striking 3-gatsu no Lion could ever have achieved. A small figure swimming in a dark red ocean, or the very next scene when Rei arrived in a blue island, are Shaft at their finest and those choices fit the theme perfectly. The close-up shots while in a conversation between characters and the head-tilts, on the other hand, are distracting the flow of the story and standing out too much and that were rather mediocre choice. All these cutesy moments are hit or miss at the moment: sometimes it works; sometimes not but I especially enjoy the sound designs of those sequences (like the part when Hina says something unintelligible “Zumomomo” and then run off). All in all, this episode got to be the darkest episode of 3-gatsu no Lion, as it never afraid to show the dark depressing side of Rei and for that I really appreciate it. Rei is a very flawed kid, but that’s exactly why he feels exactly like a human.

Occultic;Nine – 04-06[She Took a Long Cold Look]

by AidanAK47, posted in Currently Watching:, Occultic:Nine

Forgive me for my recent laziness in covering this series. I would like to give you a proper excuse as to why I have been slacking in my coverage of Occultic;Nine but in truth it really is due to a complete lack of interest in my part. My previous episodic reviews have been heavily negative and when tasked to yet again complain about how this show just isn’t interesting I find my motivation just isn’t there.I mean sure I could complain about how the blogger constantly tries to use the tooth key on every lock he finds when just looking at the lock itself would tell him if the key would fit. Seeing as the key is a lever lock type so using it on a lock clearly intended for a standard Pin tumbler lock key is just pure stupidity. There also isn’t any real need for him to find out what it unlocks in the first place as getting involved gets him closer to being arrested, though quite frankly it’s a miracle he hasn’t been arrested already. Then there is the professor who decided the best way to hide information was to fill in the dots on his ceiling to match baudot code and decided the best way to inform people of this was by writing code with his last breath?

One, isn’t there a much easier method of hiding information? Two, wouldn’t you run out of space on your ceiling if you have to write 256 names and some obscure number? Three, what is the point of writing 256 peoples names on your ceiling in the first place? If you want it found then use it to explain the entire situation to them. There’s no point in being obtuse with those whom you intend to have find the message. Then there’s the point of Ryo-tas being a complete worthless character and the detective kid who seems to only go up to people, talk nonsense for an extended period of time, reveal who he is, what he knows and then walks off having learned nothing. See…just pure complaining. Constant complaining is what these episode reviews would be and despite this I appreciated that the show was at least trying to repair the damage done from episode one and at least on some level trying to set up a coherent interesting mystery. Failing at it of course but at least trying. Then episode six happened and I felt compelled to write about this.

I am flabbergasted at what I have just witnessed as it is a repeat of the failings of episode one on a much grander scale. Sudden spitfire dialogue is back and the pacing is screwed to high heaven as we are overloaded with so much information that I wouldn’t be surprised if viewers were brain dead by episodes end. This episode wasn’t just a trainwreck be story standards but a visual trainwreck as well. The editing was scatterbrained and there are just decisions with have me confused as to why anyone in their right mind would consider it acceptable. We have one certain scene were the detective kid is once again acting coy, then shooting off what he knows only to run off having learned nothing. Yet when he is explaining everything he’s investigating, for a straight minute and ten seconds the camera spins in place.

It’s disorientating, annoying and has nothing to do with what the scene is trying to convey. Most of the episode followed a pattern of slow pans that when on for far too long follow by a sudden influx of jarring shot changes. Episode five had an equally weird moment of when the blogger walked into the professor’s room and for some reason they flipped the camera upside down. To highlight the ceiling? Then why follow that with 90 degree flips and having proceeding shots being slanted. What on earth is that supposed to convey? The director seems to be experimenting with shot style but frankly there are certain rules on how to set a scene for a reason. Breaking the 180 degree rule tends to leave the viewer disoriented and considering how much you are demanding they keep up with here that is a serious fault.

So suddenly we have we have Kotoribako and if you have no idea what that is then don’t expect to know by episode’s end as the first minute and a half proceeds to shove information about it down your throat at the velocity of a rocket. Suddenly this thing which was never mentioned before has become the centerpiece of the plot. This is giving serious deja vu of how the D-Swords hijacked the plot of Chaos;Head.(All that stupid nonsense for what is essentially a crappy Zanpakuto) Anyway we also have a sudden Illuminati that has also never been mentioned appear and start pointing out how the mass drowning was some attempt to create some kind of human Kotoribako and….sorry if I didn’t quite get it as my brain was really genuinely struggling to keep up with the sudden influx of information. Either way I don’t think it makes any sense. The creepy boy also seems to be creating some human Kotoribako while mouthing off the defense of infancy as an excuse as to why he can’t be held accountable for murder.

Thing is that defense only works the murderer in question doesn’t have the emotional maturity to determine the wrongness of the act. Considering that the first thing you do when confronted is mouth of the defense of Infancy that clearly shows you do know what’s wrong about the act therefore rendering your excuse complete moot you idiotic troglodyte. But hey he’s a demon child or whatever so it doesn’t matter either way. Thus we have the final twist of the episode and it’s the big one that it’s apparently been building up to. The twist is that….everyone’s dead! Yes, it appears the majority of the cast has been dead all this time and I just…really can’t care anymore. This is one of those twists which upon reveal seems shocking and interesting but when you sit down and really think about it the less sense it actually makes. I don’t know what this show is trying to accomplish anymore and it just seems folly to even try. I plan to finish it but my episode reviews may be more sporadic in regards to it. As you can see, my enthusiasm is at rock bottom when it comes to this.

Flip Flappers – 06 [Pure Play]

by SuperMario, posted in Currently Watching:, Flip Flappers

This episode was magnificent. I always know that Flip Flappers is capable of being inventive, but I’d never have thought that they can pull an episode that emotional satisfying, while never swing away from its main adolescence theme. Moreover, the execution is both awe-inspiring and ambiguous. Seriously I think this series is like a stairway to dreamland, with each step we reach a new high bar and the ambition is getting higher and higher. What’s await us in the destination then? Hell if I know but I am enjoying in every steps they made so far.

First, I actually think it’s a very good idea of Flip Flappers to use its transformation sequence as a transition between the real world and Pure Illusion worlds. We don’t really follow their every Pure Illusion world either so the creators have more freedom to put on whatever they like. In this Pure Illusion for example, Cocona and Paprika have to fight with the multi-eyes spider-inspired monster with its colorful threads, but the important bit is what come afterwards. For the first time, there is an abnormality in this Pure Illusion world – there is an entrance to someone’s memory (So, what exactly is Pure Illusion anyway? Someone’s streams of consciousness? And the fragment? Their memories?); and the rest of the episode goes to completely different fashions than previous ones, instead of seeking for the fragments, they digging deep into someone’s consciousness.

The theme of identity again is apparent in this episode, as the two girls both play the same person: Iro the kid and the plot involves her trying to get her name remembered again. That kid doesn’t have an ideal family life to say the least. Her parents just plainly neglect her, she’s confined in her room, where she keeps drawing as passing time. They even go too far as commenting her drawing “weird”, discourage Iro to paint. She finds herself happy with another parental figure: Obaa-chan (hmm, I can draw a line between this Obaa-chan and Cocona’s grandmother here), who spends the time with her, cares for her and teaches her happiness. The fear of losing someone dear to you because they forget who you are (the theme of insecurity) is pretty poignant. The symbolism of nail polish is pretty dominant in this episode. Nail technicians need to be familiar with nail salon terms. Nail polish, apart from being closed to oil-painting; is also a part of growing up, when at that stage one start to grow self-esteem and attractiveness. I say this episode’s main message is about kid’s development through family issues and the story about Iro and Obaa-chan alone is solid enough on its own because of its emotional resonance.

But the execution is what make this episode stand out. By making Cocona and Papika keep changing roles (but we mainly followed Cocona’s narrative), this episode both maintains its dreamlike structure, and speak well to the theme as well. There are always two versions of young Iro life: an orange-heavy, happy life with Obaa-chan and the blue, almost empty world in her house. Whenever she feels blue, herself painted in blue, as did the world around her (the world has consumed her). The highpoint of this is when she realizes that Obaa-chan forget about her, she turns into blue while the surrounding is still orange bright, stressing her confusion and sadness. The sequence that show her parents in a really trippy, Masaaki Yuasa-inspired art style with very rough, scratchy designs is another highlight of this episode. God, apart from the show usual experiments with colors, this episode shows their willingness to experience with the art styles as well, and boy how it paid off.

Overall, I had believed that the show could never top last week’s quality but it succeeded. This episode has to be the most heartfelt moments Flip Flappers ever commit itself to. Paprika and Cocona’s journeys proved to be everything I could ask for in an adventure: inventive and ambiguous but never forget to be fun and entertaining and always stay true to itself. Remember I said that I have my title for AOTY? Well, at this rate Flip Flappers has a real shot to challenge that top spot.