Little Witch Academia – 05[Luna Nova and the White Dragon]

Well there goes my character focused episodes theory unless the purpose of this episode was to introduce Fafner the dragon. I think only trigger can manage to turn a situation with dragons stealing a magic stone into a tale about the academy trying to pay off a debt owed to to a dragon who works in the stock market. Dragons in particular are known for hoarding treasure with Fafner being a dwarf who turned into a dragon and guards his treasure hoard. So a modern interpretation of this being a dragon who acts as a loan shark while working digitally with the stock market is a stroke of genius. If you’re unfamiliar with the stock market, platforms like IG Review can offer insights into how the stock market works. I certainly wasn’t expecting that after a powerpuff girls reference at the beginning of the episode. The Dinotopia reference with dragonese being essentially footprint alphabet I didn’t catch until reading discussions. Also found out that dinosuar show I watched way back in 2002 was called Dinotopia and was based on books. I will be damned. Other than that this did give the troublemaker trio of Amanda, Constanze and Jasminka some time in the spotlight, especially Constanze who has likely won more fans with this.

In my book any character than can pull out a Spaz shotgun and shoot down dragons is a character worth remembering. The diversity of nationality is pretty unheard of for an anime as well with Akko being Japanese, Lotte being Finnish, Sucy is from southeast Asia, Amanda being American(Considering her second name is O’Neill, she’s most likely part Irish too.), Constanze is German, Jasminka is Russian, Diana is British and even the announcer from the broom race looked Africain. I can’t think of many anime with a cast like this other than maybe Jojo and that anime that represented each country with an anime character(Helalia was it?)  Considering that Little WItch Academia appeals more to a western audience than a japanese one this could be fanservice on Triggers part and boy do I love them for it.

It’s a little early to call this a demerit to the show but if not remedied soon Akko’s attitude could become a problem. Akko’s main gimmick is that she is a girl with incredible passion and daring which will most likely cause a change in the magic world. Right now however when Diana was laying into her about her faults I found that I agreed with her 100%. Akko doesn’t think about how her actions affect others and despite talking up about how she is going to be the best that ever was, she never makes a real effort to try. Ursula is more than willing to give Akko the help she needs but she is getting shunned or ignored fast by Akko. The big factor in this episode is that Akko placed her friends in real danger just by butting into a problem which would have been resolved without her. As I said it’s a little early to call this a flaw as Akko’s development is clearly going to be a big part of the series but she is going to need to at least start changing a little. One thing that constantly had me wondering while watching this is that Akko and her friends went to take on dragons and for some reason Akko did not bring along Shiny Rod. She was lucky in this case as the dragon in question didn’t intend to hurt them but to go up against a dragon without the deus ex machina stick isn’t bravery, but pure foolishness.

Fafner does bring up a point which is likely to play an important role in this series, namely that magic has become outdated for the modern world. The luna nova teacher state that there is a decline in students and it doesn’t help that they have proven themselves fairly incompetent so far in the series. Magic does look to have great benefits like with Diana reforming the potion that broke during Akko’s and Amanda’s fight. However those benefits come with an immense downside as the witch’s can only use great magic within the grounds of the school. In that regard just what does one gain from studying to be a witch? Constanze has proven it well enough that technology can not only do what magic does but it can do the job better. So the big question is what caused of the decline of magic? For Shiny Chariot could once use great magic outside of school so what exactly changed? Could it have anything to do with that star shaped scar on the moon? For that scar doesn’t appear to be on the moon in the very first episode during Chariots show. Perhaps the fall of magic could be related to why Chariot gave up being an entertainer and lost the power to wield Shiny Rod.

Shouwa Genroku Rakugo Shinjuu – 18

The opening of this episode starts us off with an ominous note as Sukuroka’s eyes are shown with a deep blood red. Perhaps it is a sign that the reaper has come for Yakumo, but I think it’s too early for that yet. On Yotaro’s side of things, something I previously suspected was brought up as Yotaro still hasn’t found his Rakugo and I think that until the writer gives him some new material, he won’t. One thing he did realize was that s and his and Yakumo’s approach to Rakugo are different. Yakumo tends to push his style as a performer onto all the characters he portrays while Yotaro wishes to become the characters themselves. It’s an important step for Yotaro as it means that he is moving away from simply copying his master to developing his own style. Considering the events at the end of the episode, I hope he doesn’t regress back from this step forward. It was indeed a very unfortunate timing for Yotaro to have this revelation.

The final scene reminds me of a moment during the first season, when Miyokichi claimed that she would haunt Yakumo in episode 9. In a way she has done just that, so perhaps it gives her joy in the afterlife. Is this truly the ghost of Miyokichi come back to torment Yakumo or simply a hallucination due to his failing health? It really is up to the viewer, but it is rather interesting that Yakumo was telling a story about a man meeting his loved one by lighting incense and making the story more dynamic by having Konatsu light the incense. For the ghost of Miyokichi to appear from incense lit by her daughter, who just so happens to still hold a grudge against Yakumo is rather intriguing. As I stated in the title, I don’t think this is the end for Yakumo. Things may look grim but he still hasn’t hit the apex of this character arc yet. He is essentially the main opposition for Yotaro and for the writer to kill him off now would leave a gaping hole in the narrative. I think this near death experience should give him some perspective though. One thing that really caught my eye was in how Yakumo reacted to Yotaro calling Rakugo fun. Once upon a time Yakumo found Rakugo fun, but it seems after Sukoroku died, that event killed Yakumo’s enthusiasm for it. Rakugo is just a job for Yakumo now and I think this marks a turning point for him to regain that love he once had.

One thing that threw me through a loop this episode was before Yakumo collapsed, he looked at Konatsu and repeated “My Beloved, My beloved.” I personally saw the relationship between Yakumo and Miyokichi to be one sided. Unless that flashback was Yakumo playing unreliable narrator I don’t think Yakumo truly loved Miyokichi. He may have cared for her but often his more intimate moments with her felt like he was just indulging her. Of course time is a fickle beast and it’s possible that looking back over his past that Yakumo’s affection for Miyokichi could have grown into love. It was a long time ago and she was clearly the woman who made the greatest impact on his life. But perhaps there is something more to this. Perhaps Yakumo was hiding something that he didn’t tell Yotaro and Konatsu. What that could be is anyone’s guess. As a nice bit of symmetry this episode is the fifth episode of the second season which could potentially be Yakumo’s end as a Rakugo performer. The fifth episode of the first season was where Yakumo crossdressed for a play and discovered his talent with could be considered his beginning in Rakugo. In that regard this could be the beginning of great change.

Saga of Tanya the Evil – 05 [My First Battalion]

The only one thing I dislike about this episode was that we didn’t get into Tanya’s thoughts very much. I really wish I could have heard what she was thinking while training the troops because it would have been undoubtedly hilarious. It is clear by her reaction that she didn’t expect any of them to continue and was just waiting for them to drop out. From what I hear, we actually got the abridged version of her training as in the LN and manga, as she shot even more artillery shells at them after the original thirty-six hour time limit just to mess with them and then went through the list of the world’s most hellish training regiments. Of course, her efforts backfired as the harsh treatment of the troops gave the impression that she would kill anyone who dared tries to quit. It’s a common theme for Tanya to see things in terms of loss and gain as her previous life as a salaryman made her highly logical but apathetic.

Tanya only sees things from her perspective without taking into account the time or the mindset of others. In truth, Tanya’s mistakes are normal due to her misunderstanding of other people. To truly defeat God, she needs to stop focusing on her own goal and expand her worldview and the utter glorious tragedy of it all, is that Tanya is the kind of person so caught up in her own ideals to ever truly consider it. Despite being a clever individual, Tanya is quite childish and short sighted. After all, the main reason she is in this mess is because she prattled on to God without thinking. Tanya, to me, is how a villain should be written, not some unfazeable egoist mastermind sitting atop a tower saying everything is according to plan. Instead, she’s just a capable individual with a flawed personality and ideology, essentially making her human.

Thus, with the battalion formed, the group receives their first mission fending off an invasion by the kingdom of Diakon. I don’t know who this nation is supposed to represent but they seem to have not updated their war tactics from the 19th century. The lack of air support and rudimentary defense against mages makes Tanya sigh at their incompetence and the ensuing battle couldn’t really be called one but rather, it was a wholesale massacre and devastating defeat for the kingdom of Dakia. It seemed all too easy and I thought that God might throw a wrench into the works, but this battle does truly highlight just how ruthless Tanya really is. Her assistant Viktoriya has been acting somewhat of a moral counterpart, but even she doesn’t chastise Tanya for her level of ruthlessness.

Out of everyone in the world, she seems to is the one that knows Tanya the best as when battalion was given an explanation by their commanding officer about shelling them with artillery, Viktoriya had already begun digging a hole to avoid the bombardment. I certainly wasn’t expecting Tanya to pull out that little girl voice to announce the attack on the capital but that was certainly underhanded and remarkably clever. No doubt, this victory will push her reputation even higher which may have slipped her mind during this mission. After all, Tanya is thinking of war in terms of the modern world, so the massive numbers of Dakia troops doesn’t impress her. However, to the various militaries of this world, the news that she defeated an army with a single battalion, will no doubt have her superiors pushing her into much more dire straits.  Finally, we can see that Tanya is making use of her previous life’s knowledge as the speech she gave her battalion is almost a word for word quote from Full Metal Jacket.

Scum’s Wish – 04 [Bad Apple!!]

This was a sublime episode from start to finish. By showing these tales of love through fragments from many characters’ point of view, it adds more layers, as well as more perspectives to this webs of broken desires. Normally this approach of focusing of fragments mean that the story can become disjoined; but not here. Every small stories in this episode matter and it keeps sinking us to its muddy swamp. And yes, the music in this show is incredible; if you listen closely there’s a distinctive theme for its stories and it really helps to elevate the mood for each segment; like how you could feel a seedy sense in Akane-sensei story, or a false mood of sweet, dream-like quality in Narumi-sensei part. Again I’ll discuss each of the theme in last week’s format, as I see it as the most appropriate format to squeeze out most of what this show tries to convey.

“Being desired by men. There’s no greater feeling than that”

Turn out that our sweet Akane-sensei isn’t sweet at all, but a manipulative bitch. That might sound negative but in truth this is a kind of character that works really well in this story. She isn’t your typical bitch after all, as she’s the most observant one out of all characters in this story. She is the only one who sees through many intertwined love nets and really the only one who can sees through Hanabi. Using her attractiveness as a weapon isn’t something utterly terrible, but what is remarkable about her character is how she’s playing up her attractiveness mainly for wrecking other girls, for them to feel the pain of seeing the one they love taken away by her. She said she doesn’t aim for superiority but all I can see is superiority plays a significant role here, since all she wants is attention from men and the hurtfulness from girls. I love the way she recognizes that Hanabi is pretty much on the same side as her, by neglecting the one sided love of other (Moca). The true Akane is anything but pretty, but now at least she’s real. What impressed me the most is the way the show underlines her sexiness and her thrust of physical consumption; not through big boobs, sexy clothes or suggestive behaviors, but merely by her sweating. Hooray for solid characters writing here.

“I decided to believe it was fate”

The next segment was told from the point of view of Narumi-sensei, on how he was attracted to Akane and thus become her unfortunate prey to play with. This story is slight and the least impactful compared to other segments, but I still found it interesting because out of anything, the first impression he had towards Akane was directly tied to his memories of his long-lost mother. It furthers detailing his long searching for a feminine figure all his life, and really that was a false picture that he incidentally subjects Akane to be and that was the reason why he’s blind be this affection. In the end, things that too good to be true are more likely deceptive in nature so I really hope he’s sensitive enough to figure out the true Akame on his own (would be really disappointed if he can’t).

“I want you to be filled with me”

Last but not least we have a development to Ecchan and Hanabi relationship as they sunk deeper to love confusion. There’s always a distinctive border between friend and lover and now they crossed that line, each for their own selfish reasons. Hanabi both needs Ecchan as a way to escape her own heartbroken from Narumi (which I can totally feel for her), and because she still needs and loves Ecchan as a friend. Ecchan likewise knows all this, but she’s determined to use every opportunity to have Hanabi all by herself. What they both know but too afraid to acknowledge is that once they crossed that line, they can never be back to “just friends” again. That image of little Hanabi disgusted with her current self sums that sense up pretty nicely and for me the best moments out of this already excellent episode. Scum’s Wish stands on a very firm ground here, as the story keeps maintaining its confidence take on the line between physical desires and emotional desires, on how the characters keep using the former as the substitute for the latter (the first and the last segment directly tied to this), but end up being more lonely and suffering. I know a lot of viewers have been turned off by its depressing nature but all I can say is guys, you might miss out one of the more thought-provoking look on relationship here.

ACCA: 13-Territory Inspection Dept. – 04 [Smoldering Embers in an Isolated Nation]

We are no stranger with this kind of world in anime: an isolated, conservative world that cut-off from outside communication and ultimately stay behind its times, slowing back 10, 20 even hundred years. Everything there is monitored and controlled by the rules and authority. As ACCA keeps suggesting the chaos within this peaceful façade, the most appropriate way to question this very world is to put its ideas to an extreme spectrum, as a result we have this isolated district of Suitsu. The Dowa kingdom promotes autonomy in its 13 districts, with each of the district bring their own uniqueness to better suit the place; but what happen when the authority started to abuse their power in a negative way? Citizens in Suitsu are prohibited to use phone, even to communicate with outsider in the pretense of “preserving tradition”; they in turns are displeased with how things going and form an angry mob. What sadden me the most is we’re living in this exact same world, where North Korea still cut-off from the rest of the world just like this. Suitsu district, when you look at it, is more like one of those weird countries straight out of Kino’s Journey, but it still manages to add ambiguity to the flaws of the Dowa Kingdom’s systems so in that regards, this episode still has its merits.

But when it comes to the actual plot of this episode, then this week ACCA made one mistake that they managed to avoid so brilliantly before: its delicate pacing. ACCA is slow-burn, at the same time there are many plots and themes going on both underneath and beneath the surface but as far as I concerned they hold everything together extremely well. This week though, we follow Jean as he auditing the district, witness him being kidnapped, then learn about the coup d’état, follow the angry mob, the uprising and their ultimate downfall, both in a runtime of merely 20 minutes. The pacing therefore is much quicker this time, as a result those big events don’t have time to settle down or give much impact. We just know Wabler or Biscuit at the beginning of this week so it’s hard to relate to them or the events around them. I get the message: frustration out of unfairness and strictness is relatable, but I hardly feel any of this. It comes quick and goes quick and leave not much impact.

When you judge this episode through its stance in the big picture, then this show offers too little to the main narrative as well. At the end, those uprising will be hidden and forgotten, only Jean gets away with the knowledge of the actual coup d’état and that’s freaking little development for a complex show like ACCA. Although we do learn that Nino apparently is working as a triple agent and we have a glimpse on another member of the ACCA’s five Pastis and the Suitsu representative Beurre, this still leave a lot to be desired. No, this episode, while certainly is a competent episode in its own ways, serves as my least favorite episode so far of ACCA (the curse of episode 4) both because it runs too quick for its own good, and it adds too little to the main narrative. And where is the glorious cake and tasty bread this time? All we have was a loaf of bread when Jean was all tied up so… um, no, thank you.

God Eater Resurrection Video Game Review – 60/100

 

A good while back I bought a little game for the Wii called Monster Hunter Tri. After playing it for a bit I got tired of collecting bits of twig and not doing the monster hunting the title promised and left it on the wayside. Then one week I decided to put in my all and finished Monster Hunter Tri and came to find what made the series so appealing. Though I stopped keeping up with the game because every time I bought one there would be a Monster Hunter slightly better edition released and the games are so much of a time sink that I can never get around to playing them. Now you may be wondering just why am I talking about Monster Hunter when this is a God Eater review? Well that’s simple, God Eater wears its inspiration inspiration on it’s sleeve. To the degree that I was ready to label it babies first Monster Hunter within its first third of missions. For reference the copy I am reviewing is God Eater Resurrection steam version which comes free when you buy God Eater 2 on steam.

Thanks to my experience with the God Eater anime I walked into this game expecting absolutely nothing from the story. That was most certainly a good call. This story is just as bland and forgettable as the anime portrayed it so in that regard I guess it was a faithful adaption. Which isn’t really helped when you have a silent self insert protagonist. There was only one point I became somewhat invested in the story and that had to do with a girl who pretty much had the personality of Asuka Langley Soryu but was hit with a serious case of PTSD. Helping her work through it was a rather good part of the story for me but I may be projecting as she has the upward character arc that Asuka so desperately needed. Other than that I found it hard to really feel the levity of this world on the brink of destruction by aragami when everyone in it dresses like they came out of a cosplay convention. Forgive me but it’s a little hard to take the situation seriously when the woman giving me missions is wearing no top besides a jacket zipped down with no bra and pants that show off the sides of her thighs. I feel a serious disconnect as what she is wearing doesn’t seem to reflect her no nonsense personality at all. Everyone else is a bunch of standard stereotypes as well with Souma(Actually had to look up his name because I forgot it) being the worst offender as he is standard emo all the way. The presentation isn’t much to look at either seeing as this is a remastered PSP game and no matter how prettied up it is you can see the signs of it’s portable origin. The first part of the game is essentially about teaching a human aragami to love and stopping the plans of the evil director who you can pretty much guess is evil by the time he opens his mouth. After that it becomes a hunt to find a former mentor who goes missing and lastly just some powerful Aragami shows up and you have to kill it. The story tries to tug at you but I found myself purely apathetic which is funny because the way I designed my avatar it looks like he gave about as much of a damn as I did. I will say that the weird sense of style does give you a lot of customisation when it comes to your avatar. So naturally I fulfilled my dream of hunting monsters dressed like a pimp with a tiny top hat and a scythe.
Continue reading “God Eater Resurrection Video Game Review – 60/100”

Little Witch Academia – 04[Night Fall]

No legendary items or Shiny rod antics this time as we have an episode focusing on Lotte and her particular fascination with a book series called Night Fall. A series spanning 365 volumes(Oh my god, this thing must be as worn out and tired as The Simpsons.) which seems to be a Twilight like story that somehow evolved into Jojo’s Bizarre Adventure levels of ridiculousness. Just hearing fans talk about it makes the story sound completely insane, so much so that I actually would be interested in reading it. After all there’s a chapter where the main heroine catches a nuke with her bare hands and after hearing that all I can say is where do I start reading? Out of the episodes so far I would call this the weakest but still a fairly enjoyable episode. For one I noticed that Diana’s two cronies are called Hanna and Barbera which is clearly a reference to the Hanna Barbera cartoons. Pretty amusing how one of them was a closet Night Fall fan getting the other girl to check out the event to “see how stupid it is”. Yet at the first Night Fall question her hand to shot up right away. I think it’s the little touches like that which makes this series so charming.

Lotte’s admiration for her idol did bring an interesting contrast to Ako’s admiration for Shiny Chariot. In Ako’s case she really wants to be Chariot and perform great feats of magic in front of an audience. Lotte on the other hand doesn’t want to write Night Fall like Annabel and instead wants to enjoy the books she writes while cheering her on. It reminds me of a time when I was trying to get a career in the Video Game industry as I love video games and couldn’t think of anywhere else I wanted to be. However after getting a taste of what making games is actually like from college I realised that I didn’t really want to make games, I just wanted to play them. If video games were my job then could I really enjoy them as a hobby? Lotte hit the same conclusion when given the opportunity to become the new writer of Night Fall. I find it funny that she spent so much time encouraging Annabel when later it’s revealed that her main reason for doing that was that if she wrote Night Fall then she would know what happened and thus couldn’t enjoy reading it anymore. I feel a bit for Annabels dilemma in that she was tired of being bashed by the internet. As they say, Haters will broadcast your failures, but whisper your success. Or to put it another way, people only have a reason to speak up when you stop doing your job right. Lotte brings up a good point that the most vocal on the internet don’t really represent the opinions of the majority and that’s pretty well evidenced here as Night Fall has fans from new to old who are still passionate about it at the unveiling of Volume 265.

Otherwise this entire episode is likely what happens when ordinary people listen to anime fans. We know absolutely nothing about Night Fall and yet what little bits we hear of it just sounds outright insane or nonsensical. Really goes to show how fans can have their own internal logic which can only be understood by other fans. After all if I talked to anyone who did not watch anime about tsunderes, yanderes and likewise then chances are they wouldn’t have any idea what I was talking about. Regardless neither Ako nor Sucy attempt to badmouth Lottes hobby despite finding it impenetrable and just respect her passion for the series. Lotte did good here as well by not attempting to force the series on Sucy or Ako like your more stereotypical fan would. Ursula can’t seem to catch a break and it’s a little sad that Lotte recognised her idol immediately when Ako has no idea when Chariot is standing right in front of her. Considering this episode it’s possible we will be getting character centered episodes from now on so Sucy is likely next up followed by the girls from Enchanted Parade like Amanda. Or we shall be returning to Ako and her antics with Shiny Rod. Finally the only thing they eat at Witch Academia is potatoes? Guess there’s no house elves in this dimension.

Shouwa Genroku Rakugo Shinjuu – 17

Another time skip? That caught me off guard but it does seem like Yotaro has not quite gotten over the problem of not being able to find his own Rakugo but has gotten popular enough to be featured on TV and expand his fandom. As a fan put it, it’s not so much that Yotaro being consistently good but having moments of brilliance. So in that regard, I am glad Yotaro didn’t solve his problems offscreen. Konastu’s son, Shin, has grown up a bit and knows how to use his cuteness to his advantage. He gains a love of Rakugo just like his parents and even Yakumo can’t help but fawn over the kid. This was more or less Konatsu’s episode, and the biggest smile came across my face upon seeing her reaction to Shin performing Rakugo. Yotaro still hasn’t pushed their relationship further from what I can tell but the two have gotten more lax around each other. They understand each other so well and despite not really lusting after each other I would honestly vote them as couple of the year.

Konatsu’s Rakugo for the children really warmed my heart in just how much she enjoyed it. This seems to suggest that Kontasu would be entering the profession of Rakugo and Yotaro wholeheartedly wants her to do it. I somewhat agree with Konatsu’s assessment that she would be rattling the cage so to speak. Rakugo is something mired in tradition and any change, be it for better or worse, will be met with hostility and I even think that Yotaru creating new Rakugo is bound to stir up some anger. Throwing Konatsu on a stage just seems like a bad idea no matter how you see it and could be devastating for her as a performer.  If she really wants to become a Rakugo performer then it would be better to start with smaller gigs and then slowly gain a fanbase. Of course, before any of this can happen, she would need Yakumo to remove the ban on female performers so that she can become accredited and considering the character of Yakumo, it would be a monumental task indeed. He’s already getting crabby about people having fun in the green room so getting him to agree to this will take some far more convincing. Assuming that Konatsu wishes to go through with it. Which I honestly think she should, she would really light up the stage when performing Rakugo.

It’s nice to see that Yakumo isn’t cold to Shin but he’s certainly cold to the writer and his attempts to write new Rakugo. These two seem in direct opposition as the writer sees Yakumo his enemy in regards to keeping Rakugo alive. It’s possible that he holds a grudge over him rejecting him as an apprentice in the past. Or how he considers Yakumo one the of the main reasons for the decline of the art. Personally I see it as Yakumo keeping to his promise to Sukeroku. As Sukeroku said in the previous seasonj, it would be Yakumo’s job to keep old traditional Rakugo from dying out and Sukuroku’s job to reinvent Rakugo for the new age. This I believe is Yakumo’s main reason for tearing up the writers Rakugo stories. Yakumo is not the one to ask when it comes to developing Rakugo for the modern era. That job should be left to the man who inherited Sukeroku’s title. I admit however that this really could just be Yakumo being difficult and stubborn. However I find it hard to see Yakumo being purposefully spiteful as it’s more likely just his awkwardness with interacting with people. Which is something he never truly got rid off throughout his life.

3-gatsu no Lion – 15 [Moonlight – Lump of Ego]

Let me get off track for a bit, but the truth is that I’ve always been fascinated by moonlight. Moonlight gives me a warm presence, moonlight (especially in full-moon) gives me the bright feeling that there’s no more worry in the world. Sit there and watch the moonlight is one of those rare moments where I truly “enjoy my moments of nothingness”. Coincidently, many media involving moonlight have a special connection to me: “Moonlight Shadow”, “Dancing in the Moonlight”, even last year’s indie gem “Moonlight” gave me a certain feeling that resonate strongly to me. This week in 3-gatsu we start with the chapter named “Moonlight” and again this proves to be a special episode to me, one of my favorite chapter out of 3-gatsu in fact. The ambiguous relationship between Kyouko and Rei has been one of the show’s strongest material, and this episode manages to take that relationship up a notch.

I will forever remember the image of that young Kyouko; there she stands, beyond the moonlight by the window, demanding Rei’s and our attention. If there were moments that best captured the relationship between Rei and Kyouko, that would be the moment she sneaks into his bed, whispering those words “Don’t touch me. But don’t move away from me”. Kyouko, just liked the way Rei described her, is a strong-willed but deeply insecure girl. The girl who has everything that she doesn’t need, and ‘fails’ the only thing that profoundly mattered to her. To her eyes, she’s always the inferior one compared to Rei, both in shogi and in their father’s attention. Rei isn’t any better when it comes to self-doubting though, as a result we encounter one of the most heartbreaking moments when the only way those two know how to comfort the other is by ways of showing that insecurity, but even then Kyouko still gets hurt really bad. That is Kyouko, love and hate someone with the same intensity.

And when it comes to her loving someone with full force, we also see her and Gotou together for the very first time, and this relationship is still pretty much blurred at this time, but fascinating nonetheless. Gotou is oblivious to Kyouko’s feeling, even calling her “stalker”, but of course Kyouko doesn’t back down just because of that. We saw them together twice this episode, and while the first time he allowed her to walk side by side with him, the second time he ditched her like a bastard. Except when you think about it, this is the best kind of actions when dealing with someone as bombastic as Kyouko. He’s a married man anyways. People seems to agree that Gotou has been using her but from what I see it might not be the case; it’s Kyouko who clearly steps out the line right now. I have a feeling he still cares very much about his sick wife but I know we will see more about his relationship soon enough so let’s wait and see.

The rest of the episode also follows the best-of-three matches to determine title-challenger between Gotou and Shimada. They are basically equal in terms of skills level so the matches are long and worn-out ones and resulted in one slightly beaten out than the other, which the first match goes to Gotou and the second goes to Shimada. I’m glad to see that Rei really invests in those matches. Yes, to learn from the people who are higher than you and get inspiration from those matches are the right way to get out of his own depression now. Speaking of that, Hina has an adorable moment of sitting in the chair and worrying for Rei, just so that the grandfather gives her his wise advices of basically come down to “let him deal with his issues himself”. At the same time, Harunobu offers his insight on how Rei changed his attitude towards shogi and the very reason he cares deeply for his “best friend”, this is a sweet little material for Harunobu, but I can’t help but feel that we already know that Harunobu felt that way even before he tells it, so the result gives us very little impact; which is a shame. As now a tradition with 3-gatsu no Lion, if I have to recommend the series, I’d just recommend certain chapters out of the show because when the show hits, it hits real hard, like this week’s Moonlight chapter. Other chapters though aren’t as strong or memorable and I guess with the intention of adapting faithfully to every chapters of the manga by Shaft, we will have to bear with it for the long, long term.

Saga of Tanya the Evil – 04 [Campus Life]

What happened in this episode was essentially a joke with the majority of the time dedicated to   the setup and final few scenes being the punchline. It doesn’t necessarily mean that this was a bad episode as this show is still burning strong. However, in terms of plot progression, this was a rather slow paced episode but all things considered, it is nice to take a break from the battlefield and have Tanya playing mind games to enhance her position. That makes the beautifully cathartic moment all the more satisfying when these mind games ends up working against her. She manages to make use of her knowledge of World War I to predict how the war would develop and due to her efforts to impress her superior, she accidently suggests the formation of a mage battalion whom could turn the tide of the war. Essentially, she unknowingly recommended herself to be at the forefront of the entire world war and handle the most dangerous missions. The brilliant thing about this is that God may have set things up a little by having Zeller see her resume but, in the end, it was Tanya herself, that ultimately dug her own grave. I actually think that if Tanya appealed to take the safer positions offered to her, then Zeller would allow her to refuse as he does seem hesitant to send her out. Unfortunately, Tanya’s mind works against her and ultimately assumes that she has no choice in the matter.

It’s great that the war college isn’t used as an excuse to pad out the story or introduce a classroom full of wacky new characters. Instead it resemble more like an actual college, which I certainly appreciate.  There aren’t any silly sports festivals here and instead, we have Tanya convincing a man to abandon his position in the military in order to be there for his newly born daughter. That was quite a good scene as it really did seem like Tanya was being genuinely heartfelt, only to have that psycho smile flare up as it was just a ploy to convince the man to give up his post so she would steal it for herself. Giving someone a good heart to contrast evil actions can lead to nice moral dichotomy but in the case of our salaryman here, I think she’s at her best at being a bastard. Yet, despite the audience knowing her real thoughts, she may be giving the impression of being a good person to those around her. The only one cautious of her true nature is the Vice Director of Strategy and Operation although he doesn’t know her full backstory. Otherwise, he would know that all he needs to do to keep her from taking over is to give her a safe cushy job in the rear.

Now that I think of it, I haven’t commented on the opening and ending credits of this show yet. The opening is something I appreciate for being different, but I find the song to be too robotic with its vocals. The visuals are far too obscured and the majority of the opening just throws too many scenes, which makes it too cluttered. I do like the part with Tanya shooting the Nutcracker as a way of showing her conflict with god. Actually, that Nutcracker is a rather amusing choice for the representative of God. After all, God is the one that threw him into this grim reality and generally comes in to give him a kick in the nuts now and again. One has to wonder if it’s an intentional joke. While the opening doesn’t catch me, I found myself loving the ending. The song has a certain militaristic theme which I have a certain fondness for and the chorus just sounds great to me. In terms of visuals, I can’t decide if it was resourceful or lazy to make it a slideshow of the art featured in the light novels. The amount of effort required to make this ending is minimal, and if any other light novel adaption tried to do this then it would make for a weak ending for each episode.

However, the artwork of the novels is quite frankly, outstanding. It has a level of detail and beauty that will likely make people lament the downgrade that Tanya got in character design in the anime. If there is a negative to this ending, it is that ignorance is bliss so that by pointing out how good Tanya looks in the novel, people might be resenting her animated character design. I don’t quite dislike her design as when it comes to animation and character art as I prefer my characters feeling alive over being highly decorative cardboard stills. Her design may be a downgrade but it does allow for the animation to give her a wider berth of emotional  response. It’s sort of like how the anime version of Pokemon Sun and Moon handled their character redesign, which made a lot of people angry. Ultimately, it was done for better animation and in all honestly, it is a reasonable tradeoff. That said, Tanya’s female subordinate still looks bad, and if she’s going to be in this show a lot more then they need to do something with that off putting design.