Shouwa Genroku Rakugo Shinjuu – 18

The opening of this episode starts us off with an ominous note as Sukuroka’s eyes are shown with a deep blood red. Perhaps it is a sign that the reaper has come for Yakumo, but I think it’s too early for that yet. On Yotaro’s side of things, something I previously suspected was brought up as Yotaro still hasn’t found his Rakugo and I think that until the writer gives him some new material, he won’t. One thing he did realize was that s and his and Yakumo’s approach to Rakugo are different. Yakumo tends to push his style as a performer onto all the characters he portrays while Yotaro wishes to become the characters themselves. It’s an important step for Yotaro as it means that he is moving away from simply copying his master to developing his own style. Considering the events at the end of the episode, I hope he doesn’t regress back from this step forward. It was indeed a very unfortunate timing for Yotaro to have this revelation.

The final scene reminds me of a moment during the first season, when Miyokichi claimed that she would haunt Yakumo in episode 9. In a way she has done just that, so perhaps it gives her joy in the afterlife. Is this truly the ghost of Miyokichi come back to torment Yakumo or simply a hallucination due to his failing health? It really is up to the viewer, but it is rather interesting that Yakumo was telling a story about a man meeting his loved one by lighting incense and making the story more dynamic by having Konatsu light the incense. For the ghost of Miyokichi to appear from incense lit by her daughter, who just so happens to still hold a grudge against Yakumo is rather intriguing. As I stated in the title, I don’t think this is the end for Yakumo. Things may look grim but he still hasn’t hit the apex of this character arc yet. He is essentially the main opposition for Yotaro and for the writer to kill him off now would leave a gaping hole in the narrative. I think this near death experience should give him some perspective though. One thing that really caught my eye was in how Yakumo reacted to Yotaro calling Rakugo fun. Once upon a time Yakumo found Rakugo fun, but it seems after Sukoroku died, that event killed Yakumo’s enthusiasm for it. Rakugo is just a job for Yakumo now and I think this marks a turning point for him to regain that love he once had.

One thing that threw me through a loop this episode was before Yakumo collapsed, he looked at Konatsu and repeated “My Beloved, My beloved.” I personally saw the relationship between Yakumo and Miyokichi to be one sided. Unless that flashback was Yakumo playing unreliable narrator I don’t think Yakumo truly loved Miyokichi. He may have cared for her but often his more intimate moments with her felt like he was just indulging her. Of course time is a fickle beast and it’s possible that looking back over his past that Yakumo’s affection for Miyokichi could have grown into love. It was a long time ago and she was clearly the woman who made the greatest impact on his life. But perhaps there is something more to this. Perhaps Yakumo was hiding something that he didn’t tell Yotaro and Konatsu. What that could be is anyone’s guess. As a nice bit of symmetry this episode is the fifth episode of the second season which could potentially be Yakumo’s end as a Rakugo performer. The fifth episode of the first season was where Yakumo crossdressed for a play and discovered his talent with could be considered his beginning in Rakugo. In that regard this could be the beginning of great change.

Saga of Tanya the Evil – 05 [My First Battalion]

The only one thing I dislike about this episode was that we didn’t get into Tanya’s thoughts very much. I really wish I could have heard what she was thinking while training the troops because it would have been undoubtedly hilarious. It is clear by her reaction that she didn’t expect any of them to continue and was just waiting for them to drop out. From what I hear, we actually got the abridged version of her training as in the LN and manga, as she shot even more artillery shells at them after the original thirty-six hour time limit just to mess with them and then went through the list of the world’s most hellish training regiments. Of course, her efforts backfired as the harsh treatment of the troops gave the impression that she would kill anyone who dared tries to quit. It’s a common theme for Tanya to see things in terms of loss and gain as her previous life as a salaryman made her highly logical but apathetic.

Tanya only sees things from her perspective without taking into account the time or the mindset of others. In truth, Tanya’s mistakes are normal due to her misunderstanding of other people. To truly defeat God, she needs to stop focusing on her own goal and expand her worldview and the utter glorious tragedy of it all, is that Tanya is the kind of person so caught up in her own ideals to ever truly consider it. Despite being a clever individual, Tanya is quite childish and short sighted. After all, the main reason she is in this mess is because she prattled on to God without thinking. Tanya, to me, is how a villain should be written, not some unfazeable egoist mastermind sitting atop a tower saying everything is according to plan. Instead, she’s just a capable individual with a flawed personality and ideology, essentially making her human.

Thus, with the battalion formed, the group receives their first mission fending off an invasion by the kingdom of Diakon. I don’t know who this nation is supposed to represent but they seem to have not updated their war tactics from the 19th century. The lack of air support and rudimentary defense against mages makes Tanya sigh at their incompetence and the ensuing battle couldn’t really be called one but rather, it was a wholesale massacre and devastating defeat for the kingdom of Dakia. It seemed all too easy and I thought that God might throw a wrench into the works, but this battle does truly highlight just how ruthless Tanya really is. Her assistant Viktoriya has been acting somewhat of a moral counterpart, but even she doesn’t chastise Tanya for her level of ruthlessness.

Out of everyone in the world, she seems to is the one that knows Tanya the best as when battalion was given an explanation by their commanding officer about shelling them with artillery, Viktoriya had already begun digging a hole to avoid the bombardment. I certainly wasn’t expecting Tanya to pull out that little girl voice to announce the attack on the capital but that was certainly underhanded and remarkably clever. No doubt, this victory will push her reputation even higher which may have slipped her mind during this mission. After all, Tanya is thinking of war in terms of the modern world, so the massive numbers of Dakia troops doesn’t impress her. However, to the various militaries of this world, the news that she defeated an army with a single battalion, will no doubt have her superiors pushing her into much more dire straits.  Finally, we can see that Tanya is making use of her previous life’s knowledge as the speech she gave her battalion is almost a word for word quote from Full Metal Jacket.

Shouwa Genroku Rakugo Shinjuu – 17

Another time skip? That caught me off guard but it does seem like Yotaro has not quite gotten over the problem of not being able to find his own Rakugo but has gotten popular enough to be featured on TV and expand his fandom. As a fan put it, it’s not so much that Yotaro being consistently good but having moments of brilliance. So in that regard, I am glad Yotaro didn’t solve his problems offscreen. Konastu’s son, Shin, has grown up a bit and knows how to use his cuteness to his advantage. He gains a love of Rakugo just like his parents and even Yakumo can’t help but fawn over the kid. This was more or less Konatsu’s episode, and the biggest smile came across my face upon seeing her reaction to Shin performing Rakugo. Yotaro still hasn’t pushed their relationship further from what I can tell but the two have gotten more lax around each other. They understand each other so well and despite not really lusting after each other I would honestly vote them as couple of the year.

Konatsu’s Rakugo for the children really warmed my heart in just how much she enjoyed it. This seems to suggest that Kontasu would be entering the profession of Rakugo and Yotaro wholeheartedly wants her to do it. I somewhat agree with Konatsu’s assessment that she would be rattling the cage so to speak. Rakugo is something mired in tradition and any change, be it for better or worse, will be met with hostility and I even think that Yotaru creating new Rakugo is bound to stir up some anger. Throwing Konatsu on a stage just seems like a bad idea no matter how you see it and could be devastating for her as a performer.  If she really wants to become a Rakugo performer then it would be better to start with smaller gigs and then slowly gain a fanbase. Of course, before any of this can happen, she would need Yakumo to remove the ban on female performers so that she can become accredited and considering the character of Yakumo, it would be a monumental task indeed. He’s already getting crabby about people having fun in the green room so getting him to agree to this will take some far more convincing. Assuming that Konatsu wishes to go through with it. Which I honestly think she should, she would really light up the stage when performing Rakugo.

It’s nice to see that Yakumo isn’t cold to Shin but he’s certainly cold to the writer and his attempts to write new Rakugo. These two seem in direct opposition as the writer sees Yakumo his enemy in regards to keeping Rakugo alive. It’s possible that he holds a grudge over him rejecting him as an apprentice in the past. Or how he considers Yakumo one the of the main reasons for the decline of the art. Personally I see it as Yakumo keeping to his promise to Sukeroku. As Sukeroku said in the previous seasonj, it would be Yakumo’s job to keep old traditional Rakugo from dying out and Sukuroku’s job to reinvent Rakugo for the new age. This I believe is Yakumo’s main reason for tearing up the writers Rakugo stories. Yakumo is not the one to ask when it comes to developing Rakugo for the modern era. That job should be left to the man who inherited Sukeroku’s title. I admit however that this really could just be Yakumo being difficult and stubborn. However I find it hard to see Yakumo being purposefully spiteful as it’s more likely just his awkwardness with interacting with people. Which is something he never truly got rid off throughout his life.

Saga of Tanya the Evil – 04 [Campus Life]

What happened in this episode was essentially a joke with the majority of the time dedicated to   the setup and final few scenes being the punchline. It doesn’t necessarily mean that this was a bad episode as this show is still burning strong. However, in terms of plot progression, this was a rather slow paced episode but all things considered, it is nice to take a break from the battlefield and have Tanya playing mind games to enhance her position. That makes the beautifully cathartic moment all the more satisfying when these mind games ends up working against her. She manages to make use of her knowledge of World War I to predict how the war would develop and due to her efforts to impress her superior, she accidently suggests the formation of a mage battalion whom could turn the tide of the war. Essentially, she unknowingly recommended herself to be at the forefront of the entire world war and handle the most dangerous missions. The brilliant thing about this is that God may have set things up a little by having Zeller see her resume but, in the end, it was Tanya herself, that ultimately dug her own grave. I actually think that if Tanya appealed to take the safer positions offered to her, then Zeller would allow her to refuse as he does seem hesitant to send her out. Unfortunately, Tanya’s mind works against her and ultimately assumes that she has no choice in the matter.

It’s great that the war college isn’t used as an excuse to pad out the story or introduce a classroom full of wacky new characters. Instead it resemble more like an actual college, which I certainly appreciate.  There aren’t any silly sports festivals here and instead, we have Tanya convincing a man to abandon his position in the military in order to be there for his newly born daughter. That was quite a good scene as it really did seem like Tanya was being genuinely heartfelt, only to have that psycho smile flare up as it was just a ploy to convince the man to give up his post so she would steal it for herself. Giving someone a good heart to contrast evil actions can lead to nice moral dichotomy but in the case of our salaryman here, I think she’s at her best at being a bastard. Yet, despite the audience knowing her real thoughts, she may be giving the impression of being a good person to those around her. The only one cautious of her true nature is the Vice Director of Strategy and Operation although he doesn’t know her full backstory. Otherwise, he would know that all he needs to do to keep her from taking over is to give her a safe cushy job in the rear.

Now that I think of it, I haven’t commented on the opening and ending credits of this show yet. The opening is something I appreciate for being different, but I find the song to be too robotic with its vocals. The visuals are far too obscured and the majority of the opening just throws too many scenes, which makes it too cluttered. I do like the part with Tanya shooting the Nutcracker as a way of showing her conflict with god. Actually, that Nutcracker is a rather amusing choice for the representative of God. After all, God is the one that threw him into this grim reality and generally comes in to give him a kick in the nuts now and again. One has to wonder if it’s an intentional joke. While the opening doesn’t catch me, I found myself loving the ending. The song has a certain militaristic theme which I have a certain fondness for and the chorus just sounds great to me. In terms of visuals, I can’t decide if it was resourceful or lazy to make it a slideshow of the art featured in the light novels. The amount of effort required to make this ending is minimal, and if any other light novel adaption tried to do this then it would make for a weak ending for each episode.

However, the artwork of the novels is quite frankly, outstanding. It has a level of detail and beauty that will likely make people lament the downgrade that Tanya got in character design in the anime. If there is a negative to this ending, it is that ignorance is bliss so that by pointing out how good Tanya looks in the novel, people might be resenting her animated character design. I don’t quite dislike her design as when it comes to animation and character art as I prefer my characters feeling alive over being highly decorative cardboard stills. Her design may be a downgrade but it does allow for the animation to give her a wider berth of emotional  response. It’s sort of like how the anime version of Pokemon Sun and Moon handled their character redesign, which made a lot of people angry. Ultimately, it was done for better animation and in all honestly, it is a reasonable tradeoff. That said, Tanya’s female subordinate still looks bad, and if she’s going to be in this show a lot more then they need to do something with that off putting design.

 

Shouwa Genroku Rakugo Shinjuu – 16

 

After the last episode, I expected that this would be the episode where Yotaro digs his own grave. I thought he would have an outburst or just mope over his problems but surprisingly, Yotaro doesn’t do any of that. Instead he takes a course of action that is nearly suicidal and yet, a great step forward. The beginning of this episode touched on what exactly is the problem with Yotaro’s Rakugo with his conversation with his future Rakugo writer. Yotaro revealed that he doesn’t truly think about the meaning of the stories. That he tells and merely copies the mannerisms and tone when telling them. In that regard, he is like a parrot repeating only what he has been told with little thought beyond that. It is understandable as to why his Rakugo feels empty, because he can’t really empathize with the characters in the story.

The father of Konatsu’s baby is revealed to be the boss of the Yakuza which does explain as to why Konatsu wasn’t too eager to share that information. I was a little concerned that perhaps he forced himself on her but it looks like Konatsu may have some of her mother in her after all. For what I can tell from the exchange, Konatsu was in love with the man but it was clear he was never going to leave his wife for her. Thus like her mother she harbored feelings for someone who never returned them. Though I like how the Yakuza boss got angry at Yotaro for dragging Konatsu in and trying to push her into confronting him as it does show that he at least cares for her on some level. The main conflict of this episode was Yotaro essentially telling a Yakuza boss off for getting Konastu pregnant and telling him to not come back for the kid because he was going to raise him as his own. All the while being as polite as possible to avoid getting killed for angering him. Ultimately Yotaro uses Rakugo to vent his frustrations at the boss and I believe that’s the first time his Rakugo feels genuine as he is in a situation similar to the character within the story.

Overall it was a great episode and if I didn’t already like Yotaro before I certainly do now. He’s a happy go lucky idiot but the kind that has the right agenda at heart. He showed that his rant to the boss wasn’t for his own sake but instead for Konatsu. As he stated that he didn’t hold a grudge at the boss for being forced to spend jail time for someone else. In that regard I think he’s absolutely perfect fit for Konatsu and their relationship just warms my heart. Konatsu is a woman who keeps her feelings closed in while Yotaro shouts them from the heavens. To see Yotaro break down Konatsu’s standoffish nature and actually get her to begin to genuinely fall in love with him is the kind of love story I like to see. The kind with real chemistry and two characters who play off each others personalities instead of the usual bland male lead triggers anime character trope number 573. Yakumo looks to be pushing Yotaro towards understanding of the stories by giving him one of Sokuroku’s works and i think Konatsu is going to be a vital factor for Yotaro to discover his own Rakugo.

Shouwa Genroku Rakugo Shinjuu – 15

It was inevitable that Yotaro’s past with the Yakuza would come back to haunt him but boy did it really bite him in the ass. I was wondering as to how the show would work with Yotaro and give him conflict but then this episode comes along and gives him plenty to worry about. He’s having trouble finding his old style and is mimicking his masters and acting as a surrogate father for Konatsu’s child when the father appears to have returned at episodes end. Yotaro’s performance in this episode was hard to watch but I really love how Rakugo never has someone on the sidelines to inform us that the performance wasn’t going well. Just by watching and listening, even though I don’t know Japanese, made it clear how well it was going. Helped by showing the audience’s reaction and Yotaro’s own panicking nervousness. Rakugo seems like a temperamental art, much like comedy.

The mood of the audience can kill a performance and in Rakugo’s case, bore them to death. You can tell Yotaro is really trying with his performance but as the audience loses interest his moves grow all the more desperate. Even changing the voice of the housewife character mid performance as Yakumo complained about it earlier. When Yotaro unwittingly reveals his Yakuza tattoo in front of the audience he knows right away that he made a bad move. Still as painful as this is I certainly remember a fair share of Yakumo’s terrible performances. Though what certainly isn’t terrible is the new opening and boy if it isn’t a unique way to start this show. I am a little on the fence over the song but the visuals are fantastic. I love the imagery of Sukoroku opening his shirt to reveal a ribcage. I originally thought this season was going to be primarily about Yotaro but the opening puts Yakumo in the spotlight and shows his worries and the things that haunt him well. It worries me though as the opening is not very happy and could foreshadow this season being quite depressing. All things considered I would prefer a more heartwarming end to this story and more moments like Yakumo consoling Yotaro over his past.

Speaking of which Yakumo is not doing so well either. He’s not doing much to help out Konatsu with the child and it’s clear that he has long grown tired of his life. His cold attitude towards Konatsu and disinterest in the child is somewhat understandable. As I doubt Konatsu wants him anywhere near him. Konatsu is still just as hostile to him which is sad as Yakumo at least tries to throw some kindness her way. The scene with him reciting one of Sukoroku’s old bits that put her to sleep. I almost believed that this could be the start of them at least growing closer together as a family. Though Konatsu burns that bridge fast by reminding him that he lead her parents to their death. All things considered I think Konatsu isn’t really being fair. After all if anyone is to blame for what happened it would be her mother. Yakumo then reveals his desire to die and to take Rakugo with him. So in that regard Yotaro may have saved Yakumo’s life when he declared to be taking up Sukoroku’s name. So in one episode we have essentially declared the problems the protagonists will be dealing with for likely the majority of the season. And here I thought that the end of season one only signaled a rise for Rakugo in the future. Life truly is never that simple.

Saga of Tanya the Evil – 02[Prologue]

As I initially thought, this series becomes a whole lot better when you can see the disparity between the main protagonists thoughts and how those around her view them. The first episode jumped ahead in the story to where Tanya had established herself somewhat and I believe the intent was to mislead the audience with her character. This episode takes it back to the beginning and truthfully would have made for a much more engaging start to the series. We see now that Tanya was a Japanese salaryman who managed to annoy god enough for him to throw out some cruel and unusual punishment. The animation studio seem to have taken liberties with the meeting god scene as both the manga and light novel frame it in more comedic light. There god is represented by his standard look of an old man with a bread in a white gown.

God in that seems more exasperated and annoyed with the salaryman’s outright dismissal of him. Admittedly there is some value in that version but I find the version in the anime to be far more compelling and interesting. There time stops and the god that questions the salaryman feels more mysterious and authoritarian. It even doesn’t outright admit itself to being god and in some ways makes it seem like he was purposefully pushing the protagonist to give him a reason to punish him or prove his own theory on why people no longer need faith. It’s one hell of a way to start a series which makes it all the more questionable as to why they didn’t just go with this instead of the actual first episode.

Not that the last episode was bad at all. But I think this series really benefits from the dry tone of Tanya’s inner voice when contrasted with her psychotic tendencies. It goes to show that the truly evil do not think of themselves as evil. In Tanya’s case she’s just doing what she can to get a cosy desk job in order to spite god. A smile just comes to my face seeing her lying in the hospital bed putting up a front with everyone who’s impressed with her while in her mind she’s saying “Oh crap, I impressed them too much.” For Studio Nut’s first work this is a remarkably well animated show so far which could put them on the map.

Though reason for this may be due to the staff being made up of former Gainax/Madhouse employees, though that does need confirmation. At least that’s what I heard. The female character designs take some getting used too though I have grown accustomed to Tanya and her delightful crazy smiles.  Her subordinate on the other hand I don’t think I will ever get used to. The soundtrack isn’t quite to my tastes either but it is suitable for the show. If it can manage to keep things interesting this could well be another great show in what looking to be a strong season.

Drifters – 12[Staring at Shinsengumi ~The Song of the Fervid Kyushu Man~]

I know I am late with this and I am sure I disappointed those of you still reading though I doubt my Drifters reviews have been all that interesting. It is nice that Drifters managed to get a climatic battle in before the finale though what really saved it was the announcement of a second season. This series is far from an end goal and perhaps a second season can give it the time it needs to bring an endgame. This episode did manage to make the Drifters sweat a bit which was a good thing as we really need these guys to work for a victory for once. But Hannibal made that small moment of tension disappear by once again giving Oda an idea through his eccentric mannerisms.

I think Hannibal is really just putting on this senile act as the man seems to always intervene when he is needed. The battle between Toyohisa and Toshizou was clearly the highlight of the episode but was somewhat undercut by my not really knowing the history of these two. Drifters doesn’t really make an effort to explain the background of the characters which is fine for those whom have a decent mainstream recognition. But for the more obscure characters I could really use a blurb giving a brief rundown and save me looking up a wikipedia article. Even the Fate series makes the effort to acquaint the audience with the history of the characters.

Overall Drifters set out to capture the same ridiculous nature and badassery of Hellsing Ultimate  and I think it succeeded at that sometimes. The series never did stop getting hampered by Kouta’s rather jarring sense of comedic timing but it had it’s fair share of good moments. I do wish the animation could have been as impressive as the opening episodes as later down the line I noticed that the camera ratherly moved back to let you soak in the action. Often pulling out a large amount of close ups and still frames to save on the budget. On a show like this you really need to go all out on the action as it is the main selling point.

Having the character all be famous historical figures was novel but there is a problem that a lot of this are far too similar personality wise. The majority of the series so far has been a one sided match between the Drifters and the Orte so with little to make the Drifters sweat it’s been a consequence free slaughter fest. Now the Drifters have a standing with a worthy opponent to face. One of the most important things the next season can do is up the stakes, make the Drifters work for victory and get enough of a budget to make those action scenes really shine.

Occultic;Nine Review – 0/100

I am certain this may seem like an extreme rating for some but the number scale always has been something I only carried over as part of psgels format. But this rating exemplifies my feelings about this show in its entirety. This show is awful, terrible, rage inducing, illogical, nonsensical garbage. Watching this show was one of my most unpleasant experiences watching anything. When I started this show I at least thought it couldn’t be as bad as Robotics;Notes, for that show was truly something else when it came to bad writing. But I was flabbergasted to see that this show was so much worse. To the point where I may swear off watching any colon series from this point forward.

The plot of this show is a complete mess and looking at it in it’s entirely it not only makes no sense but the only points where the story goes anywhere is at the every beginning and the very end. The middle portion of this story is nothing but a giant waste of time as the characters only work to try to figure out a mystery that would eventually be explained to them and side plots which are introduced but have not plot relevance whatsoever. The main middle part of this story involves a murderer who not only has little or nothing to do with the main mystery but is dropped and never mentioned again once his little arc is through. The characters are all either unlikable or stereotypical and it’s important to note that they do mostly nothing besides motormouth exposition. Design wise they are not very interesting and need I mention the girl with a chest so astronomically huge that it is incredibly distracting? I do not mean that this is attractive, I mean that this girl’s anatomy is so utterly ridiculous that it’s like having a giant elephant in the room that no one seems to address. I will say as well that his character does nothing but try to figure out every motion she can make to move her breasts as much as possible and make me question how her back hasn’t snapped into splinters. She plays a stereotypical dumb blond joke until the last two episodes. Where she is pretty much lobotomized and replaced with a completely different character.

What the mystery becomes in it’s final episode is something you could swear was parody but the show itself is clear that it wants you to take it completely seriously. It tries to tug at your heartstrings when the characters are talking at a speed of bullet trains. Out of the nine characters mentioned in the title, only two are actually relevant. The rest are just throwaway side characters whose absence wouldn’t hurt the show, if anything it would shorten the runtime and make it more focused. It becomes impossible to take even an iota of this story seriously when it pulls out deus ex machina like those angel wings you happen to see in the screenshots up there. Isn’t that utterly ridiculous for a story that want wants to be an intelligent mystery series? Well if you find that hard to swallow I assure you that it’s the tip of the iceberg. This story has twists and turns that just make you wish to yell at the top of your lungs “WHAT?!”

The direction is a nightmare. Want to know how bad? You need not take my word for it, just watch the first thirty seconds of the very first episode. I assure you that by the time you get back to this review you will be very confused. I have no idea what the director of this show was thinking as screenshots have no logical cohesion with what is being represented. A large number of times our protagonists will suddenly start talking rapid fire like a bakemonogatari series before reverting back into normal speech. There is an episode filled with so many dutch angles you will feel physically ill just from watching it. There is a scene where the camera spins 360 degrees in place for three straight minutes. There are camera shots flipped upside down or 90 degrees for no apparent reason. Sometimes spacial awareness is just thrown out the window and you have a giant girl speaking to a small boy in a close up shot when they are supposed to be on opposite sides of the room. I must ask if they director went to film school because it was almost as if he wanted to make this show as painful to watch as possible. For that I truly pity the animators who do a stand out job despite what they have to work with.

There are some who say that at least this tried something different but I say no. Magical Girl Raising Project tried something different and while it didn’t succeed, at least the end result doesn’t make me want to claw my eyes out. You can say that someone tried something different by making a coffee mug out of monkey feces but it’s still shit no one wants. This writer has passed the point of being applauded for experimentation so it’s an insult to give him kudos for fan fiction level writing. So without surprise I am sure, I recommend you avoid this anime at all cost. Pay no heed to those claiming it’s good, they are clearly blind. Save your brain cells, don’t even watch it as a joke because I assure you that this series will go out of it’s way to make sure you can’t get any fun out of it. I declare Occultic;Nine to be the worst anime I have ever seen and if you are wise you would heed my words. Don’t waste your life on this flaming trashcan of a show. I have wasted far too much of my time on it already.

Occultic:Nine – 12[We’re Gonna Have a Real Good Time Together]

Well, it’s over. It’s finally over. You know, when I finish an anime series it can make me feel a variety of things. Sometimes I feel a gaping hole in my heart after tuning in and looking forward to a episode every week only to know that won’t happen anymore. Sometimes I feel satisfied with how it tied everything up and I want to start from the beginning to experience it all again. Sometimes I feel ambivalent as I thought a series was serviceable and at least wasn’t a waste of time. Sometimes I lament what a anime could have been had they just made different choices. Occultic;Nine made me feel none of these things as the credits rolled one last time. No, as Ryo-tas confirmed with her last words that I had indeed wasted four or five hours on this series I only had one word on my mind. Why?

Why was this anime made? To advertise a game, but even if you give this a full HBO series you couldn’t salvage this trainwreck of a plot. Why did underpaid animators have to work on this? Why is it that someone looked at this script and thought it acceptable? Why does this get an anime adaption when much greater works like Utsuro no hako to Zero no Maria, Lucifer and biscuit hammer, Sharin no Kuni, Rakuin no Monshou and the remainder of the Spice and Wolf novels remain unanimated? Why did the director want to make people throw up with his presentation and think that fast forwarding exposition was appropriate? Why was someone paid to write this? Why does Ryo-Tas have basketballs for a chest? Why? Why? Just why? I guess the only emotion I could call this is despair. Despair that I had indeed finished watching the worst anime I have ever seen.

I would not be surprised if you dismiss that above statement as hyperbolic but I assure you that it is not. There are certainly anime which are objectively worse than Occultic;Nine. Worse animated, presentation, acted and even written. But even something bad can be enjoyed and made fun of. This show can’t, it’s primarily exposition and while the plot is absurd it leaves little room to get any real enjoyment out of it. For me, I genuinely dreaded watching this excuse that dared call itself anime. Any time I finished it I felt drained or annoyed or sick or hateful or all of the above. You name any bad anime you can think of and I would gladly watch that over watching Occultic;Nine again. There are 387.44 million miles of printed circuits in wafer thin layers that fill my complex. If the word ‘hate’ was engraved on each nanoangstrom of those hundreds of miles it would not equal one one-billionth of the hate I feel for this show at this micro-instant. For it. Hate. Hate.

So what happened this episode? Well we had five Deus ex machina’s, that’s what. Maybe even six. Besides the mountain of sped up exposition we have a moment where Aveline says she’s going to sacrifice herself to make the key by God knows how and everyone’s getting all choked up about it because they knew her for like a day. But this is made into a complete waste of time as Gamotans just goddamn teleports the bloody key into his hand straight out of nowhere. Oh and the evil organisation detected the key teleportation because when you build a giant lightning pole designed for ghosts you make sure it can detect teleportation as well. Just right on the standard procedure specifications just right below the Santa Claus tracker. Then we have everyone saying another heartfelt goodbye as Gamotan is the one to sacrifice himself now. Oh how they claim that Gamotan changed their life when I say, what did he even do? All this stuff is just handed to him because he’s the “chosen one”. He has literally done nothing. In fact what did any of you do? Both glasses characters character arcs are a straight goddamn line. You have no arc to conclude! All you guys did was figure out the mystery that Aveline was going to tell you anyway! Glasses here even figured out that they can travel back in time but again the detective kid was coming to tell them that anyway. And yes, they actually went with it, they negated the deaths of most of the cast. Still left the other 251 people to die though. Our heroes everyone.

We soon find out that doujin girl sees the future by out of body experiences and she suddenly disappears proving that Occultic;Nine has yet another completely pointless character. Wow, nine main cast members and only two are actually goddamn relevant. Isn’t that swell. Oh I don’t care, not as if the show cares, so why should I care…Why should..You know what. Sure. Oh evil organisation only sends their leader to go deal with a problem? Sure, why not. Oh Gamotan got revived after a fatal blow because Ryo-Tas kissed him? Sure, why not. Oh he grows angel wings out of goddamn nowhere? Sure, why not. Oh Gamotans dead dad comes back to fix Gamotan arriving too late? Sure, why not. Guess he didn’t give a crap about his mother. And now Gamotan is a ghost blogger and everyone cheers that he blew up Odd Eye by screaming at it. Oh what a happy ending this must be for our heroes right before I assume the evil organisation comes to slaughter them all for ruining their plans. So do they actually still think people are going to buy the blu-rays of this?