Shouwa Genroku Rakugo Shinjuu Review – 90/100

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo is a time of performance art that involves a man sitting on stage and telling a story. Sometimes a funny story, other times a heartwarming story or sometimes even a horror story. The man is given no props and much convey each actor and event in the story with his voice and mannerisms alone. Rakugo is the art of the storyteller and Shouwa Genroku Rakugo Shinjuu is a story about those storytellers. Truthfully it’s difficult for me to explain exactly why this series is so great. It could be considered a landmark in character drama and a true mature anime for those tired of superpowered teenagers fighting monsters. Rakugo is a story about tragedy, about the harshness of time, about the stories that lie within stories. It follows the tale of a young boy entering the art to his final days performing in old age. In a way this story isn’t about Rakugo but instead how it affects those involved with it and their passion to perform.

Admittedly though this isn’t the show for everyone. For one a large amount of the show is dedicated to Rakugo performances. While you can admire the skill of the voice actors emoting and the general outline of the story, it’s clear that a lot is lost on ears that cannot understand Japanese. This is a character driven story and the characters are driven by Rakugo so if the Rakugo itself doesn’t quite appeal to you then admittedly that’s a large chuck of the show you won’t enjoy. Even for those that do enjoy it there is the issue that while the first season is near perfect, the second drags out it’s conclusion which can be a detriment if it isn’t tugging your heartstrings as much as it wants to. Through if Rakugo hits that sweet spot for you then it will likely be a series you hold close to your heart. The characters are great with Yakumo being center stage for most of the story. We see him go from an insecure young man to a confident performer to an old tired professional in the span of a single season. Sukeroku is the lovable mooch whose passion for what he does is unmatched. Likewise you have Yotaro who is a man that’s loud and straightforward, but delightfully genuine. With Konatsu being the snarky girl with a heart of gold. What truly makes these characters special is that they lack the common anime tropes which seem to invest each anime character nowadays. The characters of Rakugo are genuine in personality and that’s what makes the drama so strong.

Animation and art wise the series is relatively subdued and a lot of the effort goes into the emotions during  Rakugo performance. This series isn’t a visual tour de force but frankly that’s not the point. Music again is suitable but not really all that memorable. If you happen to have an interest in Japanese culture and feel worn out by the modern cliches of anime then Rakugo is a breath of fresh air for you. It will take you on a ride with twists and turns before ending with a conclusion that leaves no loose ends. By its very nature I think Rakugo will be a niche gem of the anime medium. Through however niche, it will truly beloved. Much like the art of Rakugo itself.

Shouwa Genroku Rakugo Shinjuu – 24

When I started this season of Rakugo I was under the impression that this would be Konatsu’s and Yotaro’s story seeing as Yakumo’s had reached it’s end. However to my dismay it appeared that halfway through the season Yakumo has hijacked the series. I previously stated that the story of Rakugo has already ended with the last episode and nowhere is this more apparent than this episode. In a rather odd supernatural twist this episode took place entirely in the afterlife with Yakumo meeting Sukeroku and Miyokichi. Overall this episode confirmed one thing, that Yakumo is 100% dead and unfortunately after the previous fake out’s I don’t have any real strong feelings about that. I love the guy for sure but him dying has essentially been the only story going for the last couple of episodes. I don’t think removing this episode would have a major impact on the series and in some cases it would be a good thing seeing as this episode makes it out that the ghost apparitions Yakumo was seeing were indeed real. This show has always been fairly grounded in reality so it’s odd that I now know everything about the afterlife of this world. Of course you could write it off as some sort of fever dream before Yakumo died but in that case it would make this episode a rather sad delusion of his subconscious absolving him of guilt.

From what I see this episode hit a lot of people hard as it certainly was pushing for the so called “feels”. Being the heartless monster I am, I found myself rather unmoved. I will admit to having a soft fuzzy feeling when Yakumo and Sukeroku did a pinky promise on the river zanza but I think this episode was trying a little too hard to that effect. Having Masuda show up as Yakumo’s boatman was an outright sign for “Cry now please” I can’t say I hated this episode but I also can’t deny what it is. Pointless. None of this was really needed and I actually really hate that they tried to explain away Sukeroku’s stabbing as a joke that turned into a horrible accident. Oh she used to wave around a knife and just so happened to trip…bullshit. Where the hell did the knife come from in that hotel room? In a way it sort of cheapens the whole tragedy by showing the two in the afterlife as it makes their death have far less gravitas. Looking back at the first season there won’t be any real emotion in that scene anymore because here they are laughing it up in the afterlife.

That just really bugs me. I am somewhat reminded of the ending of Infinite Regius which attempted to turn the horrible experience the children went through into some fondly loved adventure. It paints the suffering the characters went through as something minor and insignificant. Yakumo gets his emotional sendoff but none of the emotional drama over death has any real meaning anymore. Makes Yakumo’s suicidal thoughts seem almost comical with him getting all worked up over death when it was his big afterlife surprise party I must reiterate that I didn’t hate this episode and still enjoyed it but this show truly has run out of steam. I honestly think it would have been better off giving Rakugo a ten episode run and giving the remaining episodes over to KonoSuba which could have made much more out of them. Next episode has us seeing Yotaro’s and Konatsu’s children grown up and I find myself not really caring all that much. The extended epilogue continues when the majority of the cast has left the stage.

Saga of Tanya the Evil – 10[Path to Victory]

What am I to say when the majority of the episode is detailing a military operation? I admit that content has become spare in this series as of late and the Tanya vs God battle has more or less been pushed to the sideline. Tanya had one moment here where it looked like her mission could be a bust but thankfully, her subordinates hits gold. There is a certain joy in seeing a plan come together and this plan had echoes of Hannibal’s tactics during the famous battle of Cannae where he managed to surround a far larger army on all sides and rendered their numbers meaningless. We get a small glimpse of the politics of the empire and it’s clear that the army holds significant sway in decisions. They tried to use the retreat as a means of criticising the army’s leadership, only to have the military succeed and render them all silenced. In a way, Zetter’s genius is scary as the man not only won a war but used that victory as a means of retaining political dominance and shut down criticism of the military. As it is now, I would say that the Empire is only a mere facade of democracy and has become a full blown dictatorship.

Anson returns with a bang as he shoots down Grandz. I have my doubts that he’s actually dead as I didn’t see any blood but this does confirm that Anson is the endboss of this series and I more than welcome someone who could make Tanya try for once. The end credits scene shows why Grandz looked rather awkward when Tanya commented if anyone did anything to Viktoriya. If you wanted to look deeper into it you could theorise a level of indoctrination with Tanya’s men as Viktoriya follows her orders to kill even within her dreams. There are rumors that this show will actually be two cours which I find dubious considering that this episode was delayed as well as the clear production troubles the studio has been having. I would most certainly welcome two cours but if it was going to be the case, I would prefer it to be a split cour so the studio can lick it’s wounds. Former madhouse staff or not, this is still their first production as Studio Nut and the last thing we need is them burning themselves out.

Shouwa Genroku Rakugo Shinjuu – 22

Now I really do feel like Rakugo is dragging it’s feet as we have an episode focused on Yakumo which by all accounts feels like a retread of the last episode. But I admit that I am rather irritated more with how the episode ended rather than how the episode was. For you see dear readers, I hate fake deaths. It is one storytelling device which I utterly despise for its artificiality and how it renders drama worthless. A death in a show is a game changer, it can change the very nature of a show. A single character death can affect the characters and push the show in new directions. It takes a lot to build the personality of a character over a show’s runtime and decide that they shall never more feature in the tale.

I respect that even if it means my favorite character will be no more and nothing is greater than them getting the end that paid respect to the legacy of that character. This episode did that for Yakumo, it set up his death in a manner that was downright perfect. The passing of the fan to Yotaro, the last performance at the prison and finally performing his signature Shinigami in an empty theatre. There was no better way for the Rakugo master to die than that, it was beautifully poetic and it just infuriates me to no end that it was all a fake out.

This is why fake deaths are such a pain, why it spits in the face of the viewer. For having saved Yakumo’s life, that build up to his death means absolutely nothing. A fake death is akin to deciding to go bungee jumping and once you have the rope around you and you are ready to jump, you just decide to go home instead. All that build up for an anti-climax. After that there is no longer any tension for if you try to build up for a death once again it won’t have the same tension. Because we have been through this same song and dance before. This is why I came to hate Key works, for they want all the drama that comes with foreshadowing death but don’t have the guts to actually go through with the consequences.

So what did this episode accomplish? Well Yakumo attempted to kill himself again, only to be stopped yet again. Am I supposed to be believe that he had a change of heart? I thought he had a change of heart last episode but he switched right back to suicide watch. Who’s to say he won’t try again? And when he does die it won’t ever match this. I feel like I watched a Romeo and Juliet play that ended with the two coming back from the death and getting married. It’s just so..so very annoying. Otherwise I don’t have much to add, up until the last minute or so I was ready to call this a great episode but now more than ever it seems that Rakugo doesn’t have enough story left to fill the remainder of it’s runtime.

Saga of Tanya the Evil – 08[Trial by Fire]

Like I have said before in previous posts on this series, I’m growing rather tired of Tanya’s lack of real opposition and non-stop victories. Given the events of this episode, I should be annoyed as this episode was yet another victory for Tanya and her battalion but a little change of perspective can make all the difference as she essentially commits a war crime. Let me tangent for a moment and talk about World War 1. You see it’s not often you hear about WWI in comparison to how often WWII comes up. It’s no surprise as WWII was the more appealing one with the Nazi’s acting as the perfect supervillains for the world to fight off. World War 2 was about triumphing over adversity, odds and great injustice. World War one of the other hand was about something else entirely. You see before WW1 there was still belief in the glory of war, in distinguishing yourself in battle. War is where heroes are born and boys are made men. At least that was the sentiment. but WWI changed that. There was no glory in WWI, only people dying pointlessly in trenches, misery, disease, chemical warfare and in the end nothing was truly accomplished other than a severe loss of life. It taught the world a simple truth, that war is hell. Now in Tanya’s world these people are learning that lesson for this is their first World War.

What I find most amusing is that this is very much the same situation as the attack on the Dakia Capital. The tactic is essentially the same, announce an evacuation and use that as grounds to justify attack. Seeing as this plan was conceived from a report that Tanya drew up I wouldn’t be surprised it the Dakia attack served as inspiration for it. In purely practical terms the plan makes sense as with the empire fighting a war on two fronts, they cannot spare the resources to quell internal conflict. Rather than spend weeks negotiating and fighting off republic mages, just shelling the town with artillery is a faster solution. This is likely the logic Tanya is using to justify this attack and I appreciate that she doesn’t quite take joy in the act itself. She did seem gleeful on the plans introduction to her but I take that as her being satisfied that command tooking her report into heart. In purely logical terms this plan makes sense, but morally it’s absolutely monstrous. Tanya may be able to rationalise it but members of her battalion are showing hesitation. Weiss followed orders but he was so distracted that he didn’t notice that he got shot. But the one to take it the hardest was a solider by the name of Grantz who really didn’t take kindly to firing on civilians. But as Tanya so aptly put it, a soldier does what they are ordered and today’s survivor is tomorrow’s enemy. I half expected Grantz to fire on Tanya but perhaps he is so terrified of her that opposition isn’t even an option. Tanya’s Battlian has been shown so far to be an invincible force so it’s nice to see so cracks forming in their ranks. I wouldn’t be surprised if a few suffer from Post Traumatic Stress Disorder now.

The after credits scene shows something I didn’t quite expect. The return of Anson Sue. I find the reveal to be rather cheap and from what I hear this isn’t what happens in the light novels. Apparently Anson’s death went like the previous episode in that Tanya just killed him offhand and that was that. So it seems that he’s being brought back to give the series an antagonist for Tanya to face in the season finale. While I have misgiving about this I do see it as a good choice. Anson is the closest thing this series has to a human antagonist and with some god power he could prove to make the finale more exciting. However I am worried the series may attempt to make an anime original ending which in my experience rarely turn out well. I still believe that Mary Sue is coming into this story and I would like to see a second season where that could happen. So far all anime original aspects that Studio Nut have added have worked out great for the series. in particular the portrayal of God is leagues better than the source material. So in that regard I hope they manage to pull off Anson as a good antagonist, or perhaps as this episode has shown, maybe he’s the protagonist?

Shouwa Genroku Rakugo Shinjuu – 21

Allow me to be honest for a moment, my dear readers. Recently, I’m having a hard time sitting down to watching Rakugo. This is not due to a lack of enjoyment and I found myself to have this strange apprehension to starting to watch it. Youjo Senki and Little Witch Academia are shows that I can’t wait to watch and usually do so at the first chance I get. Rakugo, however, I find myself putting off for reasons I can’t quite fathom. Perhaps, it’s due to not having a lot to say about it in my blog posts as the slow pace of revelations leaves little room for interpretation or opinion. Another reason could be that a large amount of the series is already tied up. Yotaro has gotten over his problems as a performer, Konatsu and him now have a rather loving relationship, and Yakumo’s past has been laid out to bare. Really, there isn’t much left to this story and the plot now focuses on Yakumo getting back into Rakugo after his health taking a nosedive. Truthfully, I find everyone’s attempts to force him back on the stage to be rather cruel. He’s past his prime and the accident took away his ability to perform well, so if there was a point to retire, this would be certainly it.

I can understand what Yotaro is trying to achieve in performing Sukeroku Rakugo in front of Yakumo as it ss made clear that he wants his master to have fun performing again. In a way, it’s similar to how Yakumo pushed Sukeroku back into performing before his death. Though, the big reason to get Yakumo to perform is to make the yakuza boss happy as he and Yakumo have some shared history that I don’t believe was explored in the anime. Actually, on that note, there has been a disconnect between episodes in regards to time. Each time I start up an episode it feels like a significant amount of time has passed but not many clear indicators of it having done so. Maybe there is a date shown at the beginning of the episode but it’s mentally taxing for me to keep track of the timeline week after week. Either way, Yakumo’s problem looks to be wrapping up if it wasn’t for the police to have picked the worst timing to arrest the Yakuza leader. From the next episode preview, it looks like

Yakumo will be giving him that performance in prison is what’s in the future for this series. The only thing left isn’t essentially saving the art of Rakugo but how that is going to happen is a mystery. We have the writer working on new Rakugo stories and preserving the art but other than that, there hasn’t been much effort to shake up the art. I do still like this show but I admit my interest is waning a bit. In truth, Rakugo was never usually my kind of show as I tend to not go for series set within reality. I often prefer to escape the mundanity of real life, which makes slice of life such a bore for me. Rakugo to me looks to have reached a premature conclusion and now needs to bring up a new struggle to deal with in its final episodes.

Saga of Tanya the Evil – 07[The Battle of the Fjord]

After a recap episode last week, we are back to Tanya and her efforts in the war but I must admit that while still enjoyable, this was a weaker episode of the show. I am reminded of the first episode of the series which, while visually interesting, lacked a real hook to get the audience invested. The characterisation and interaction between Tanya and her subordinates has been lacking and I noticed that the past two episode had little of Tanya’s own inner monologue. One of the most entertaining aspects of this series is the contrast between how Tanya thinks and the views of others of her, but ever since establishing the battalion, there hasn’t been many times where we hear her thoughts. The five minute shorts do show more of how Tanya interacts with her subordinates but in the main series itself very little is shown besides her few interactions with Viktoriya and even those are strictly business.

Have you ever seen a simple action movie, where the protagonist’s family member is killed by the villain and then they grow up to take revenge in the films climax? Well, I feel like that is what is happening here but instead, the protagonist is the one doing the killing. It took me a while to remember that Anson was one of the officers who first fought Tanya on her first mission and it is  rather odd that he got so much focus this episode. Anson Sue (Crunchyroll has translated this as Sioux but it’s up for debate if that is an accurate translation), sends his family away from the war and loses his life in a desperate gamble to take down Tanya. Tanya, with complete disinterest kills him and steals his gun which happened to be a Christmas present from his daughter, engraved with his initials. I doubt Anson will be making a second appearance as that fall looked fatal and any attempt to bring him back would be cheap or ludicrous.

As a result, Tanya is now lugging around a gun that signifies her as the killer and I think someone’s daughter is going to be out for sweet revenge once the war reaches American shores. It certainly seems like the workings of Being X, to give someone a personal reason to start gunning for Tanya’s life and give another a beatable antagonist for Tanya to face. It is rather hypocritical if this is the case as he choose to support a non-believer over a devout soldier which does call into question why he is deserving of such praise when he tosses aside one of his followers in order to spite a non believer? What I find especially delicious about this development is that Ansons daughter is named Mary. So Tanya would be, quite literally, fighting a Mary Sue. The biggest problem about this is that if Mary Sue is going to get involved in this war, it certainly won’t be in this season. Most likely, it will be later down the line in the novels which we may never see animated.

Other than that, this was another easy win for Tanya and with the Entente Alliance on it’s last legs, this could signal the intervention of other countries. Daika has already made a move, unwise as it was, but I will say that other countries are getting the same idea. The Empire has grown to an alarming degree and as predicted, will soon be fighting a war on all fronts. Tanya’s reputation is growing greater as she guesses the plans of the top brass and can even challenge her superiors with her opinions but I find this rather hard to be invested in. Why? Because it is set up for a war that we will not likely see play out in its entirety. As far as I know, this series is a single cour which would be enough to cover maybe two or three light novel volumes of content. There are seven novels so far and could end up following the likes of many anime series that are only designed to drum up sales for their source material.  It could be possible that a second season is planned though considering the recap episode last episode, it’s possible that Studio Nut is already working to the bone to give one cour. My biggest worry would be that the rest of this season would be spent building up to a second season and have no real satisfying conclusion. It’s a sad fact as an anime fan, we do not see a proper ending to a majority of the series we watch. It would certainly be nice to have such a thing although greedy and unrealistic at the same time.

Shouwa Genroku Rakugo Shinjuu – 20

Looking over my old review of episode 12, I find that I didn’t really cover the episode decently. I gave a brief summery but I don’t think I really articulated my feelings on the episode as well as I could. I do remember finding it to be a big heel turn when it came to Sukeroku’s and Miyokichi’s final moments but I was willing to give it a pass. Now this episode comes along and reveals that was all a fabrication. Thinking on it, I believe Yakumo incorporated part of the last Rakugo story Sukeroku told into his version of the events as it detailed a story involving a deadbeat husband changing his ways. However now so many things make sense. Konastu’s hatred for Yakumo and why she calls him a murderer and why Yakumo is so beaten down in his old age. All this time her lied to protect Konatsu from the horrible truth. The truth that she was inadvertently caused the death of her parents.

While I do find this version of events quite interesting, it does hold a level of contrivance like the last version. It makes sense for Konatsu to lash out at her mother after she stabbed her father but I find her pushing her mother back into the balcony and the balcony collapsing at that exact moment to be too calculated. Konatsu and her mother were fairly far from the balcony so Konatsu pushing her that far seems a little unrealistic. Still the thematic implications are strong and it certainly is heartbreaking to have Yotaru embrace Konatsu while crying. All the while Konatsu being ignorant of the fact that those tears were for her. So the question is, will Konatsu ever learn of this truth before season’s end or will Yotaru and Yakumo take it to the grave. After all these years learning the truth would break Konatsu, it would utterly destroy her.

Other than that we have Yotaru watching the old videos of Yakumo and Sukeroku and remarking at the difference. Yakumo in particular did seem much more cheerful in the past when doing Rakugo, a point Yotaru notices easily. Seeing Sukeroku after all this time was oddly nostalgic and I felt a connection with Matsuda in that it really felt like the return of an old friend. In other events the writer looks to have had a crush on Miyokichi which does explain the level of antagonism he has for Yakumo. Though in turn that seems to be the origin of his love for Rakugo. On top of all that Yakumo says he’s done with Rakugo, this may be why his vision when he fell unconscious features Sukeroku strangling him. To Yakumo, Sukeroku took his voice and without Rakugo he only has to wait for the reaper. The rest of the cast is reluctant to let him leave the Rakugo world but perhaps this truly is the end of his carreer.

Shouwa Genroku Rakugo Shinjuu – 19

The Rakugo breakthroughs in this show always come from unexpected places. Yakumo had his breakthrough while crossdressing as a woman for a play. A second breakthrough with his shinigami story after the death of his dear friends. Meanwhile Yotaro has his breakthrough due to his Master collapsing and having to perform under pressure. Strangely this was the perfect way for Yotaro to work his Rakugo as he previously mentioned about wanting the characters of the stories to come alive instead of placing himself within the characters. Thus comes the moment when Yotaro literally cannot put himself into the performance. For Yotaro at this point in time is a complete nervous wreck over Yakumo’s condition. So against all odds, Yotaro not only manages to perform Inokori but does it magnificently. I like that he left out the introduction as you could tell he wanted to get through this performance so he could check on Yakumo. So he jumped right into it without pause. I was originally worried that Yotaro was going to tank this due to his mental state but it became clear as he continued that he was getting in the zone. Afterwards he even lamented that his master couldn’t see him give one of his best performances since becoming a storyteller.

With Yakumo unconscious for a week, Yotaro finds himself filling in for all his gigs and performing quite admirably. He proclaims that Yakumo will be back on his feet but truthfully this is a big wake up call to just how fragile he really is. Rakugo is in a dire state and already a gaping hole is left with Yakumo out of the picture temporarily. The future of an art could very well live or die and it rests in the hands of someone far past his due date. It’s clear what must happen, Rakugo must change and evolve with the times. But as the theatre owner laments how he must rebuild the theatre to meet new building standards for withstanding earthquakes, he does point out something important. Even if the theatre was flawed in many ways, it still holds a history that will disappear when it’s rebuild. This seems to mirror the very state of Rakugo, for to change Rakugo is to challenge that history and potentially replace it. Unlike a Theatre however, replacing Rakugo is no simple task. The rakugo world needs a Yakumo, it needs a Yotaro, it even needs a Sokuroku. None of these men can carry the art by themselves so we need new blood and their lies the paradox. To make Rakugo relevant again it needs new blood but to get new blood Rakugo needs to be relevant again. Perhaps this is the tragedy alluded to in the title Shouwa Genroku Rakugo Shinjuu.

Saga of Tanya the Evil – 06[Beginning of Madness]

This week’s episode is more focused on action so I have less to talk about. In terms of plot, we get the main gist that World War One is revving into gear. Dakia looks to be knocked out of the war, thanks to Tanya’s efforts and as predicted, her success has caused the top brass to use her battalion as their ace in the hole. Oddly enough, Tanya doesn’t seem all that concerned about it. Despite the fact that she is ordered into brutally killing people, Tanya seems to be enjoying herself. A lot of this episode was Tanya showing that she’s a badass who can chuck grenades into bomber planes and blow up observation stations attempting to gather data on her. In truth, while watching this episode I was starting to become concerned that we could have the same issue that Drifters had that nothing was really going to pose a tangible threat to Tanya. I have said it before, a one sided battle is boring to watch and makes it feel like the protagonist is never in a position of danger. If the remainder of the series is going to have episodes like this, then the enemy needs to get Tanya to work for her victory instead of getting curbstomped just to show off just how amazing Tanya is.

Thankfully, it looks like the show recognizes that disparity and Being X shows up to rain on Tanya’s parade. This is a break from their normal interactions as this appearance is much more provocative and malicious than previous encounters . By taking control over a dead body, Being X reminds her that even though she has won some small victories, she will soon be fighting the entire world. It is funny that Tanya’s very first response on his appearance is by shooting a round into the bod as she states that this was specifically the reason she carried her gun around everywhere. Being X could arrive at any time and when he does come, she wants a gun on hand to shoot him.  This seems to have give her no real self-satisfaction and his words definitely affect her mood. Before his arrival, Tanya was practically having fun managing the battle and becoming victorious, but her mood soured greatly after God showed up, to the degree that Viktoriya noticed her drop in mood.

The after credits comedy scene worked really well here with Tanya remarking about the dangers of secondhand smoke that nobody in this timeframe is aware of. After all, it cannot be good for her to go to briefings filled with cigar smoke. It could really stunt her growth but that could be a plus on the other hand. As she stated herself, that small body of hers makes for a harder to hit target. With the appearance of God, this likely means that things are going to get a lot harder for Tanya and perhaps this could mean the birth of an archenemy is on the horizon. God does make a good villain but lacks presence to act as something for Tanya to fight against. What would be really cool now is for a kind of Joan of Arc figure leading the war on the other side. Something tangible for Tanya to take down and fight. Sadly, next week’s episode is a recap episode which doesn’t come as too much of a surprise. Considering the quality of the show so far and that this is a first effort by animation studio they have be straining themselves. Last week’s episode did show more signs of cutting corners in terms of animation and I personally would prefer a recap episode over a rushed-out mess.