Scum’s Wish – 12 [Two Stories]

So we end things up with the bookend of school festivals, huh? I think I get it, school festivals supposed to be fun, exciting and thrilling which is exactly opposite with how Hanabi feels. She feels lonely, but now as time slowly passes, when all the pains become somewhat endurable, she just wants to be left alone. Drifting in life so to speak. But that happy tones of those school festivals seem out of place to me, especially those comic exaggerated reactions don’t land well. Maybe in the manga form it works better because we can still have the silent moments of sobering, but in anime there are noise everywhere. The jump back and forth between festivals don’t really inform us much either. That got me thinking but I do feel that in this case, the best way to end the show could be flashforward few years into the future and show us how the characters are at that time. In Flowers of Evil, when the manga did the massive time-jump, it felt jarring at times, but afterward I found that last part the right treatment to examine the wound, the aftereffect of those obsessions bring to the main character. In Scum’s Wish, the characters are in the same circumstances: lost and adrift in life, time can indeed heal these pains but those wounds don’t heal overnight. It’s a progression; seeing how the past still affects them, but they still can move on with their lives would be rewarding enough. But I’m settled with this ending, not the best way to close up the story but it still pulls great emotional punch to our two mains.

It’s great to bump up each of the cast for the last time, and they’re all in a better, healthier stage right now. Moca embraces her dark self and becomes more beautiful, more attention-grabbing because of it. Remember the ugly duck transforms into a beautiful swan fairytale? Well, she was no ugly duck by any mean but this is a right metaphor for Moca: SHE TRANSFORMS. Ecchan; cuts loose her hair and still manages to be that hot, lets go of that dark past behind and moves on. The way she treats Hanabi was the same way Hanabi treated her back then, sincere and earnest as friends. Four-eyed teacher and Akane are all happy, of course, with the wedding around the corner. Hanabi had a moment to really accept that she can’t never be with Harumi and feel happy for him, and I love the brief moment of Akane being her usual self while picking on Hanabi. As it turns out, I’m pretty the same with Mugi, preferring Akane when she was a broken, lonely character than her current happy version.

At last, it’s time for Mugi and Hanabi relationship and overall I like this treatment. Back in my weekly coverage, I firmly believed that they couldn’t be great together because they don’t talk to each other about their problems, instead just keep those feeling bottled inside and release them in terms of sexual contact instead. Well, this last time they do just that, talk to each other about everything, no physical contact, and decide to part ways to grow on their owns and find their new true love. Well, this show’s main theme has always been about exploring unrequited romances, so I’m happy with this ending; although I do feel like they could’ve been better. As a final impression, Scum’s Wish is an emotionally charged and mature series that don’t afraid to go dark and disturbing to examine unflinchingly on what it means to love someone with all your hearts. I don’t mention it much in my weekly reviews but the direction for this show is rock solid, and I pretty much agree with most of their visual choices there. As for my personal feeling on Scum’s Wish, although the show managed to grasp me personally, I’m more respecting it as a well-written character study, rather than outright responding to it. I’m not that big romance and true love to begin with. Can’t say I’m “enjoying” the experience but I’m glad that I’m sticking with it, because it manages to pull many raw feelings that other series shy away from addressing. The pains won’t go away anytime soon for our Hanabi and Mugi, and I know at the end of this trip, they don’t learn much about what they want, but certain only of what they didn’t want. And that’s fine, it’s all part of growing up.

ACCA: 13-Territory Inspection Dept. – 12 [Where the Bird Flies]

Boy, what an impressing ending to this great show. In a way, I should’ve thought about that, keeping in tradition which what ACCA has been established so far: a coup d’état without any chaos, or violence; an actual coup d’etat but not aiming to exclude the Prince and the royal, but to Furawau district. The coup that was just… too polite, like it was the calm during the storm itself, but it swept all my concerns for a conclusion that tied up ALL the loose ends. First, it’s none other than Qualms who leaked about the royal blood rumors (this guy’s impressive!), but the main players in this game are none other than Jean and Mauve. Jean apparently learned about Lilium’s plan from Mauve back when she informed him about his royal heritage (don’t underestimate the power of the opening sequence, when she literally whispered to his ear), then it was Jean who proposed a counterplan that run right beneath Lilium’s evil plan. All the districts want the continuation of ACCA, Lilium wants the power into his Furawau’s district. Mauve takes up the stage and delivers a kick-ass speech, in which not only “forced” the Prince to accept the continued existence of ACCA, but also negated Lilium’s own plan. He left the game, as did his district from the Dowa kingdom. Jean settled the game without having to step in for the throne and his identity is kept secret from the public. I can’t possibly think of any better way to resolve it as satisfying as we have here.

After that, everything else falls on positive notes (if a bit overly so), the Prince turns out to be much nicer than everyone thought. The 5-heads dragon, now with Lilium gone, decides to disband, each of them (save Grossular) returns back to their district to become a chief district and seem to be much happier with it. Mauve becomes the leader of ACCA (so deserving), and while it’s a bit sad that Mauve and Jean don’t become a couple, I believe they’re better off that way. The two poorest districts are now growing to be much better (I can see that the author really care about those two districts), with Pranetta hits gold and become a new “American Dream” – or should I say, “new Furawau Dream”; Suitsu opens its borders and now citizens can vote freely. Lotta has a whole lotta more opportunity to meet her new cousin and beloved grandpa and eat cakes and breads. Abend is indeed, Owl, and this guy was the one who pulled the strings from behind so that everything can fall according to this outcome. Like Nino said, an impressive feat.

Finally, Nino seems to be so relaxed and peaceful. I think all of his load was taken off from his talk with Jean last episode, now he’s truly free to do what he wants. I was actually smiling when he stands behind Lotta in that crucial moments to protect her. He can’t change, huh? Kudos for the show to focus squarely on Jean and Nino’s relationship in ACCA’s final moments. In the end, no matter what happen, they will always stay beside and trust each other. I’m in particular impressed again with the use of jazzy music during the coup scene and the use of strong color pallete everywhere in this episode. This episode indeed ends the show in a high note, and I’m sure this show will hold up very well, and rewatching it to pick up all the subtle details would be very rewarding. In retrospect, people might complain about its slow and deliberate pacing, but for me this is one of the most confident and well-balance pacing that I’ve seen in recent years. Every detail they put in counts and I don’t really see any unnecessary fat so far. I really have a blast blogging this one, and believe it or not ACCA becomes one of my favorite titles this season (not a slight judgement with a season that has Rakugo, Little Witch Academia, and Hand Shakers… I kid, I kid). Well, full review will be up soon, all I can say is I am satisfied with the whole experience. Well done ACCA.

3-gatsu no Lion – 13 [Black River (part 2) – Beyond the Door]

This week we have 2 disjoined chapters, which are different in tones and more importantly in their point of view. We go through the first section from Smith-san perspective detailing his own thoughts towards the match against Gotou, and the latter part Rei took the stage, being on his way to challenge Gotou in next match, except things weren’t go according to plan either. If there is any mutual theme out of these two chapters, it’s this: know your own place in the shogi world.

3-gatsu no Lion sure has a very slow pace, and it’s most apparent here in the first 6 minutes when all the actions can be displayed in one brief sequence in other anime, but the show goes on and on, both in a good and bad ways. Look, for a show that relies heavily on building up and tender atmosphere, it makes sense that some scenes they need to drag out a bit longer to provide the mood; but truthfully, I don’t get the recap here. We don’t need that, tell me something else instead. The latter part, in contrast, followed Smith-san having breakfast (eating fresh, whole tomato!) played like a gif animation with its jerky movement and upbeat music and I’m digging it very much. If you decide to go off the track, then make it with styles. Thank you Shaft.

But to be honest, spending an entire chapter focused on Smith-san feel like a filler, side story because at the end of the day it doesn’t add up much to the mother narrative. Smith-san has never been anything other than Rei’s shogi-mate before so it’s hard to relate to him more than that. Telling the story in his point of view, however, still has its purpose because one-part of 3-gatsu is still stories about the life of shogi profession players anyways, and Smith-san’s perspective provides a more mature look at shogi than Rei’s, as he’s now in the middle of his career path. It’s true that when one becomes a professional, the only thing he knows best is his own ability comparing to others. This isn’t simply the lack of confident, but more in terms of actual level, the actual talent that separate those great players and the rest. Here in this chapter, Smith-san went all he got despite knowing full well that gap; but in the end what he found really was that he still has a long way to reach to the top, to perfect his style. It’s fine though, since not only he found these things, but a black tray cat in need of aid as well. Kudos for the show’s consistency of providing the world full of cats. Hungry cats, stray cats, owl cat, warrior cats, you name it.

It’s Rei, on the other hand, who needs to learn a hard lesson about knowing his own place in this shogi world. As his mind was occupied by the provocation of Gotou, he steps into the match against Shimada the 8th dan with his head in the cloud. The show smartly conveys that sense of thoughts as we see Shimada as a shadow, unimportant figure until Rei pays full attention to him. I love the smart storytelling that later fleshing out Shimada in his best possible way in just few details, both underlines how he truly cares about the kid Harunobu (“I want you to split Rei’s head in half”. What a great friend Harunobu is), and how good he’s actually is in shogi (well, he’s in 8th dan for a reason); leading Rei all the way to his destruction without him realizing it. Rei does need something like that (I don’t mean that splitting head in half metaphor. Too graphic! I’ll go with slapping in the face) for him to know that he isn’t that talented to underestimate other players and there is a long way for him as well to be ready for that fateful match. This is a minor 3-gatsu episode, but even so there’s still plenty good moments to recommend.

3-gatsu no Lion – 12 [What Lies on the Opposite Shore – Black River (part 1)]

3-gatsu no Lion is back again in the new year with another stellar episode. Structure-wise, I think this is one of the most confident episode 3-gatsu no Lion has delivered for a while, as the show handled multiple tones and aspects in Rei’s current life in one neat package. This episode begins with a deep look inside Rei’s depression, then move on to the noise and colorful life of his shogi life from his shogi-mates, then deliver one of the most intense moments when Rei meet Gotou, and later on back to the warm and cozy atmosphere of the sisters; the result is like a roller coaster of feeling: disturbing one moment, warm and heart-felt the next, all wonderfully tie up with Rei’s own emotion right in the center. Let’s get down to each of them below.

Shaft has always been superb when it comes to depicting Rei’s inner psyche, especially his insecurities towards the life he been living. Sharp lines with black and white imaginaries, water bubbles, the loud noises of his clock and his air conditioner, and even their extreme close-up, all successfully visualize his mental breaking point. It actually gives us the nausea effects that Rei is suffering, put us into his mindscape and for me this is one of the most real depiction of depressions in anime. Rei compares the three sisters’ house as kotatsu, a place so warm that it makes every other place seem colder and pale in comparison. Now he’s sitting in his house and realizes how lonely he is and he knows full well that he can’t rely emotionally to others; because once you rely on something you become dependent, and vulnerable as well, yet at the same time he can’t help but longing for one. I’m myself amazed with the complexity of personal struggles the show given to Rei. It’s not only his struggles but the same for all of us, it isn’t a temporary battle but a lifelong one and even then we might never find a true answer at the end of the road. Must be suck being human.

In a steep contrast to that dark void of his inner voice, the professional shogi players all serve as an energetic and hilarious facet to spice up his life a bit. All the matches this week aren’t about competition or ranking progression like other sport shows, but function more as bright, light moments in his life. The ninth dan who played against him this week fit well into that vein as his antics are decidedly quirky. I personally love the moments Smith-san won the match, the two were just staring and dissecting Smith’s tactics because it’s so damn unprofessional but simultaneously show how they love shogi at hearts. The shogi chairman also kicks things up a notch with his fishes. A lot of fishes. It’s a brief sequence but I’m totally feel the care of him towards Rei so I’m up to see more about him in the future.

But never before, even in Kyouko’s moments, the show has reached that much intense when Rei (to be more exact, we) finally meets Gotou in person. Unlike Kyouko where Rei’s feeling for her is a mixture of love, guilt, and heaps of pain, there is only pure hatred from him when it comes to Gotou; not that the guy has any better opinion towards Rei either. Now it sheds a rather intriguing twist to Gotou and Kyouko’s relationship: Gotou calls her “a stalker” and wants to get rid of her. Talking about perspective! Either they had been in an affair (his wife is “still” in the hospital) and now Gotou wants to cut his ties or all the intense love from Kyouko are just her feeling alone. Those possibilities are still pretty much unclear at this point; but one thing for sure that Kyouko is in a deeper sh*t than she thought and that Gotou is not a sane guy. Things pretty much set up for the match between those two (poor Smith-san) and I know everyone is pretty hyped up for that moments to come. Well, you better be.

The episode ends with the warmness moments inside the Kawamoto’s house and the show again handles those scenes with styles. Rei now aware that he feels at home in that house but in order to keep forward, he has to step out and walks on his own two feet. The moment when Rei hold Momo tight gets me every time for how emotionally honest it feels. This episode by far is the most tonal inconsistency the show had to encounter so far, but by focusing squarely on Rei’s feeling, those uneven in tones actually become an asset to underline the highs and lows of Rei’s current life; as a result this episode is one of the richest 3-gatsu no Lion had ever pulled off.

Occultic:Nine – 12[We’re Gonna Have a Real Good Time Together]

Well, it’s over. It’s finally over. You know, when I finish an anime series it can make me feel a variety of things. Sometimes I feel a gaping hole in my heart after tuning in and looking forward to a episode every week only to know that won’t happen anymore. Sometimes I feel satisfied with how it tied everything up and I want to start from the beginning to experience it all again. Sometimes I feel ambivalent as I thought a series was serviceable and at least wasn’t a waste of time. Sometimes I lament what a anime could have been had they just made different choices. Occultic;Nine made me feel none of these things as the credits rolled one last time. No, as Ryo-tas confirmed with her last words that I had indeed wasted four or five hours on this series I only had one word on my mind. Why?

Why was this anime made? To advertise a game, but even if you give this a full HBO series you couldn’t salvage this trainwreck of a plot. Why did underpaid animators have to work on this? Why is it that someone looked at this script and thought it acceptable? Why does this get an anime adaption when much greater works like Utsuro no hako to Zero no Maria, Lucifer and biscuit hammer, Sharin no Kuni, Rakuin no Monshou and the remainder of the Spice and Wolf novels remain unanimated? Why did the director want to make people throw up with his presentation and think that fast forwarding exposition was appropriate? Why was someone paid to write this? Why does Ryo-Tas have basketballs for a chest? Why? Why? Just why? I guess the only emotion I could call this is despair. Despair that I had indeed finished watching the worst anime I have ever seen.

I would not be surprised if you dismiss that above statement as hyperbolic but I assure you that it is not. There are certainly anime which are objectively worse than Occultic;Nine. Worse animated, presentation, acted and even written. But even something bad can be enjoyed and made fun of. This show can’t, it’s primarily exposition and while the plot is absurd it leaves little room to get any real enjoyment out of it. For me, I genuinely dreaded watching this excuse that dared call itself anime. Any time I finished it I felt drained or annoyed or sick or hateful or all of the above. You name any bad anime you can think of and I would gladly watch that over watching Occultic;Nine again. There are 387.44 million miles of printed circuits in wafer thin layers that fill my complex. If the word ‘hate’ was engraved on each nanoangstrom of those hundreds of miles it would not equal one one-billionth of the hate I feel for this show at this micro-instant. For it. Hate. Hate.

So what happened this episode? Well we had five Deus ex machina’s, that’s what. Maybe even six. Besides the mountain of sped up exposition we have a moment where Aveline says she’s going to sacrifice herself to make the key by God knows how and everyone’s getting all choked up about it because they knew her for like a day. But this is made into a complete waste of time as Gamotans just goddamn teleports the bloody key into his hand straight out of nowhere. Oh and the evil organisation detected the key teleportation because when you build a giant lightning pole designed for ghosts you make sure it can detect teleportation as well. Just right on the standard procedure specifications just right below the Santa Claus tracker. Then we have everyone saying another heartfelt goodbye as Gamotan is the one to sacrifice himself now. Oh how they claim that Gamotan changed their life when I say, what did he even do? All this stuff is just handed to him because he’s the “chosen one”. He has literally done nothing. In fact what did any of you do? Both glasses characters character arcs are a straight goddamn line. You have no arc to conclude! All you guys did was figure out the mystery that Aveline was going to tell you anyway! Glasses here even figured out that they can travel back in time but again the detective kid was coming to tell them that anyway. And yes, they actually went with it, they negated the deaths of most of the cast. Still left the other 251 people to die though. Our heroes everyone.

We soon find out that doujin girl sees the future by out of body experiences and she suddenly disappears proving that Occultic;Nine has yet another completely pointless character. Wow, nine main cast members and only two are actually goddamn relevant. Isn’t that swell. Oh I don’t care, not as if the show cares, so why should I care…Why should..You know what. Sure. Oh evil organisation only sends their leader to go deal with a problem? Sure, why not. Oh Gamotan got revived after a fatal blow because Ryo-Tas kissed him? Sure, why not. Oh he grows angel wings out of goddamn nowhere? Sure, why not. Oh Gamotans dead dad comes back to fix Gamotan arriving too late? Sure, why not. Guess he didn’t give a crap about his mother. And now Gamotan is a ghost blogger and everyone cheers that he blew up Odd Eye by screaming at it. Oh what a happy ending this must be for our heroes right before I assume the evil organisation comes to slaughter them all for ruining their plans. So do they actually still think people are going to buy the blu-rays of this?

Magical Girl Raising Project – 12[File Not Found]

The day is saved thanks to Ripple and, well just Ripple. Snow White did help near the end by bringing the rabbit’s foot but other than that she pretty much won the battle royale by doing absolutely nothing. The final battle was somewhat anticlimactic and I do think that maybe with a higher animation budget and better fight animation this could have been a real great battle. However as is the battle is serviceable but I do admire Swim Swim’s ingenuity in choosing a battlefield suited to her abilities. She planned well all things considered and was only caught off guard by a sudden thunderstorm and Ripples flash grenades taken from Calamity Mary. Fav wasn’t foolish for thinking that Swim Swim would win, by all accounts she really should have.

Despite the main fan consensus of her being hated because of her tendency of killing off the more likeable characters, I at least will miss Swim Swim. I do think that she was a great villain that sadly didn’t get the development or opportunity to really shine. I have heard that the author makes a character like her later in the story whom might prove to fulfill the potential Swim Swim had. Sadly the show skimmed over what would be the big shock moment where Ripple would find out she killed a little girl by having her vision be obscured during the act and her reaction just briefly flashed on. I really thought that would be a much bigger deal that it turned out being and quite frankly the author missed a good opportunity there to make the final part of the fight a real punch to the gut.

It was somewhat satisfying to see Fav undone by the very things he gave the magical girls in the first place but his ending is rather anticlimactic. I don’t really get his reasoning for bringing Snow White to his side as revealing that the battle royale was essentially his and Cranberry’s idea only serves to get her all the more reason to not be his master. For the most part I think Fav didn’t actually think Cranberry would die and his efforts after were just his attempts at weaseling himself out of a bad situation. Like how he was doing when he realized that Ripple got hold of a weapon that could actually destroy him. Fav like more or less every other character in this series, only really started to get interesting just right before he’s going to get killed off. Seeing Fav panic really showed that he’s not quite as cool and in control as he pretends to be and Snow White could see right through him. In fact Snow and Ripple also only really started to get interesting just right before the show ended. Still there are talks of a Magical Girl Raise Project sequel and while this series isn’t perfect i do think there is potential for the writer to turn it into something great. Even the idea of continuing Snow White’s transformation from stereotypical magical girl to magical girl superhero could make for an interesting second season.

Flip Flappers – 12 [Pure Howling]

We have a recap episode of sort this week as our new pair Papika and Yayaka had to travel pass the previous Pure Illusion worlds we seen throughout the season. It sucks for the Cocona-rescue team of course since the closer they get to Cocona, the more Mama Mimi made them detour around those worlds and of course fight more monsters. That means the awesome seductress villain from episode 3 is back, the giant mecha robot reappears, and those snow creatures return. Well, all the usual suspects. But Yayaka is even more kick ass than Cocona will ever be, so instead of spending the whole episode to destroy those monsters, the new team just takes mere minutes. Her fight between the seductress is pretty amazing as well, easily the highlight of this episode. But even someone as badass as this one still suffers from the usual’s villain pitfall: Talking way tooo much; so that Yayaka has a chance to blow her up… and then Yayaka transforms. With Cocona being Pure Blade (Red), Papika being Pure Barrier (Blue), of course Yayaka is becoming Pure Kick, and green is the color of the day (another basic color). I never would have expected to see another new transformation this late in the game, but wayyyy to go Flip Flappers because this transformation is a nice conclusion to Yayaka’s character growth throughout the series, and she freaking earned it.

But the crazy parts don’t stop there. Mama Mimi’s getting more and more extreme by the minutes to the point of manipulating her only friend into submission. But the evil Mimi couldn’t control herself (to be more exact: her good self) to appear in front of Cocona, then Papika when it counts most. This turn of events isn’t unlike Deux Ex Machina in execution (good Mama Mimi: “hah! I just wait until all the fuss is over and then jump in and save the day!”), but anything that force Cocona out of that stone face is good on my book. You want something crazier? How about MUSCLE? Out of nowhere, Hidaka presses the button (he must carry it all the time since this is a new lab, right?), and Bu-chan got a whole new ridiculously muscled body, attached by- what I assumed- brains, just so the very next moment got swept away by the snow caterpillars. This moment was so Flip Flappers-y that I can’t help but cheers along the way. Just let the sequence writes itself and logic out of the window. Finally, what’s that in the end after their hands touch each other? Another new transformation, Cinderella-style with wings? OH MY GOODNESS. I would totally understand Mimi’s frustration here: Why so lame??? Why not something cool like a dress on fire? I come to believe that the main theme of this episode is about transformation; as our main characters are all “level-up” based on what they grow emotionally, by being able to address their own feelings.

The plot at this point pretty much reach its full potential that not much left really for us to say, but there’s still some interesting plot points going on. Namely, what Salt is up to with the ELPIS? In order to show Mimi something? (Also, that totally random bike is cool). For the first time though the show mentioned about Cocona’s father, so let see in the next episode whether or not Salt is her actual father. The twins also for the first time show some sort of personal feelings, which is always welcome and that third girl is still having a lot of fun screwing around at the moment. But her role is not purely a red herring though. Given the fact that they are the Amorphous child, it’s mean that they are somehow a part of Mimi so those Amorphous children are the key in order to destroy the Mama-knows-best Mimi for good. Only one episode left so whatever going to happen in that last 20 minutes, I know there’s going to be good times.

Thunderbolt Fantasy – 12

Now, we just have one episode left, but things get even more intense and crazy by the minute, to the point I don’t really know how they would wrap it up neatly. At the beginning Shang Bu Shuan was mocked by Juan Can Yun that he should be titled “Edgeless Blade”, because his sword-style is all for show and has no edge at all. The sword that Shang Bu Huan is wielding, as it turns out; is not a dull blade after all. Well, to call it a sword would be an exaggeration. He just takes a piece of wood and paints it over, because apparently if he uses a sword with sharp edge he would cut the mountain in half (just from seeing how he cuts a person in half with this piece of wood). The trick is that he’s a master of using energy flow (Qi) to form force, so even a piece of wood (or his more extreme examples: a cloth or hair) can split flesh if using the right force into it. If we put it that way it feels much more like a martials art than a swordfight, but nevertheless it remains awesome.

After this episode, I’m more convinced that Shang Bu Huan might actually been in the demon realm already. He’s already in doubts that the demon Yao Tu Li was in the demon realm, which pretty much set up nicely to the last half’s development. If the demon Yao Tu Li isn’t in the demon realm, and it has disappeared from the human realm for nearly 200 years; where has it been then? The answer is he has been sleeping under the seal of Tiang Xing Jian sword. The nature of that sacred sword is become much clearer in this episode, that sword is never meant to kill the demon god (because the demon gods can’t be killed, when it’s destroyed it’ll transform to other forms), or send them back to demon realm (because then they will cause havoc again the minutes they come back to human realm), but to put the demon to ‘eternity’ sleep. I can understand that rationale, but I doubt this is the only function that sacred sword Tiang Xing Jian can perform. I’s amused to see how this most powerful sword be handled by Shang Bu Huan (famously known as the man who doesn’t need sword). That moment will come my friends.

Now we head to the clash between demon and human, which I admit that I had never thought it would turn out that way. Xing Hai once again steals the episode’s best moments (or is it just me? I simply can’t get enough of her) as it is revealed that she goes along the plan of stealing the guard back, just so that they can release the demon Yao Tu Li. She even singlehanded strangled her partner Shou Yun Xiao to death, disrupting his plan to seal the monster back again. The most similar comparison I get about those characters are those of Baccano. In Baccano, the writer Ryougo Narita once mentioned that his characters write the plot. He thinks about how those characters would act in that specific situations, and then manage the plot accordingly. As a result, there are many characters who are more active than others, but they would never betray their set of standard. In addition, there’s always a room for those characters to breathe. I have this exact same feeling about this set of characters. They have their own over-the-top way of acting, their worldview, their philosophy and they stick to those principles till their last breath. Sha Wu Sheng the Screaming Phoenix Killer never forgets that he’s an assassin, or Xing Hai always reminds us that she’s a demon through and through.

Finally, to our master thief Lin Xue Ya, I’m amazed that even at this point (when the most fearsome demon is about to wake up), he only thinks of the way to steal from Mie Tian Hai. It comes as rather childish to me. He eventually figures out that the legendary sword Tiang Xing Jian is NOT what Mie Tian Hai treasure the most, but it is his own swordplay. He’s too proud of his skills that he thinks only the scared sword would be worthy for he to wield. As a result, Gui Niao intends to fight him, if he wins the duel then it would prove that Mie Tian Hai’s swordplay is not that extraordinary… you know, that kind of logic. But how well Gui Niao is at wielding sword? Especially that pipe-sword? Thunderbolt Fantasy is getting to an end, but there’s still plenty of tricks up its sleeve and I can’t wait to see how it all wraps up.

orange – 12

For the first time orange manages to do something different narratively. The first half of this week’s episode tells the original timeline in Kakeru’s point of view, and with that we can understand more clearly about his emotional progress, at the same time gives us much more details about his Mom. In the original timeline, Kakeru hides those negative feelings from his friends, because he both doesn’t want them to be bothered so much about his own personal affairs, and moreover he doesn’t want to get hurt again. After all, what happen if after he tells them about his suicide thoughts, they just laugh it off? Or they just avoid being friend with him like a plague? So he decides to keep everything for himself and unbeknown to him creating a wall between him and his friends. When his emotions become unstable, others (Naho especially) just can’t break down that wall because frankly they have no clue to help him. That wall becomes too thick to break that he’s getting many conflicted ideas going on simultaneously: on the one hand he just wants to embrace Naho, talks to her and tells her that he needs her; but on the other hand; he acts obliviously, cutting off Naho and basically behaves like he has nothing to do with her. It’s getting painful (in both good and bad ways) to watch from time to time.

Prior to this episode, no matter how you think about it, it’s just plain cruel the way his Mom commits suicide to make Kakeru feel bad for ditching her. No one in her right mind would do that; well except Mother Gothel that is. This week brings her whole actions into light and it was much more poignant, consider how things would end up badly in the end. Although whatever she did (getting divorce, moving house, ditching his soccer bag and cleat) seems selfish at first, she actually did all that to protect Kakeru from getting hurt again. Her final message to Kakeru before she commits suicide indicates that she believed herself had become a burden to Kakeru, thus she ends her life so that she doesn’t get in his way ever again. Her thoughts of committing suicide are of course very flawed, but there’s no denying that those thoughts come from a relatable sentiment.

But as far as this Kakeru’s perspective has to offer, one thing that keeps bugging me is the lack of Ueda’s appearance. I know she’s never an important character but I get the feeling that orange itself doesn’t have high opinion of her. I was always curious to see how the relationship between Kakeru and Ueda would end up in the original timeline, but they just conveniently shrug that relationship off like nothing ever happened. At least now we know that Kakeru doesn’t technically commit suicide (he just ride a bike while his gaze was up the sky), but still his very thought that “living another day is a struggle” pretty much qualified that action as suicide attempt anyway.

While I really like the adult’s segment of orange, this time though when they discuss about the technicality of time travel again they completely lost me. I never really care about how these letters go back through time because it was right there in the premise. My logic had already been suspended upon reading that premise, so why bring it up again? To make it worse, the adult actually “figure out” how they going to send those letters back: by sending them to the sea (with the 16-year old address and hope that these letters will find their respective receivers at their precise time in their precise house, dry and clean. How did you guys even find the black holes anyway? This is just laughable underwritten, which makes me wonder why they bother to include it at all.

Our poor Naho after being dished by Kakeru last new year eve event, continues to take a role a normal guy would do; which mean to apologize even though she did nothing wrong, tries to talk to him again but the guy just basically plays hard to get at this time. She even expresses herself to walk home with him and he just walks away? Be a man, Kakeru. Behaving like a man. Now you really get on my nerve Kakeru. Now, she even confesses to him to wait until Valentine, so the long-awaited Valentine might happen after all. Now with only one episode left, how will Kakeru, Naho and the group end up after the Valentine Day? Can they really save Kakeru this time? I really hope orange can manage to pull a satisfied ending here.