Scum’s Wish – 11 [A Kind God]

It’s strange, for a show that almost certainly make viewers furious one way or another, be it totally love it or hate it; I remain indifferent for last couple of episode. The thing is, I can’t ship this Akane – Narumi relationship, because I’ve witnessed this kind of relationship in real life before and it just didn’t work out. Contrasting personalities can attract each other, sure, but they still have to share the same basic fundamental of mutual understanding. I’m sure Akane and that robotic sensei have different sets of value about commitment, and until they can sort out that gap, marriage proposal is out of question. Furthermore, to what extent should we love and accept a person the way they are? The only one-sided, unconditional love that work is the love of the parents towards their child (I love a line in Xavier Dolan’s movie“Mommy”, in which a Mom talks to her son- “The only thing that’s gonna happen… is I’ll love you more and more. And you’ll be the one loving me less and less, but… Life works that way.”). Love as a couple means you love and expect the other to love you and have a moral obligation to behave correctly towards each other as well. How will he react if Akane is going to stay true to herself and f* anything that moves? Accept it means he assists her to her own destruction but reject it means he doesn’t accept her they way she is.

Therefore, it’s important to know what Akane’s feel about this relationship, and I actually can see why Akane attracts to Harumi. For all her love life, she has been a man’s sexual desire. She’s in the centerstage, demand all the men’s attention and enjoying their possessiveness and their jealousy over her. For Akane, it’s the proof of her worthiness. But Harumi cares none of that so that order is thrown out of the window and she suddenly feels confused and wants his approval. His very perspective of love- he’s fine if she screws around because she likes it- eventually reaches to Akane, shattered all the gallery of previous relationships (great visual metaphor here, although I still don’t understand why the young Akame again?), and makes her feel connected. As I said above, I don’t think this love will last and marriage proposal is way too fast for this relationship.

I’m glad the show doesn’t tackle this, instead just hints very slightly this episode; but at one time I thought they made Harumi lose his glasses so that he sees Akane reminds him again of his lost mother. Because if it is then I really question if Harumi really love/care/know Akane enough to live with her for the rest of his life. Akane herself doesn’t sure if it works out either, but the mere fact that she wanted to change is good enough. Also, credit where credit is due, although you know I believe he’s the worst-written character out of this show, I need to praise Takuya’s appearance in this episode (yep, he was in this episode, sobbing when he found out that Akane was cheating on him), because seeing the brief moments of him hurting by that love, I can feel the way his pure love is broken and a glimpse on how he becomes the way he is now. That is a sensitive storytelling.

Akane accepting Harumi also means the rejection for our boy Mugi. For the first time since forever, they have a date but it’s just purely a date, you know, no love hotel. Akane enjoys herself and then firmly rejects Mugi. When you think about it, it’s actually very thoughtful of her (I guess because she actually cares for Mugi) that she cuts that relationship clear and clean so Mugi can be able to move on. Like a protagonist in 500 Days of Summer (gosh, what’s with all the movies’ references today Mario!!!), he learned that people can actually change, but it’s always someone other than him; he has no real influence on her decision. Now, it’s important that he remembers this so that he can grow after this pain. “If it’s a special kind of pain, they’ll be able to become stronger”. Indeed. If there’s a central message to all of our tainted love threads, it’s that line. Now, it’s only Hanabi and Mugi left on stage for the finale (it feels so long without Hanabi), the real question is if they mature enough now to actually be together? I don’t really mind how the result might turn out, but I do think they deserve some happiness after all the troubles they have been through.

ACCA: 13-Territory Inspection Dept. – 11 [Furawau’s Flowers Smell of Malice]

Really ACCA? Only one episode left and you’re still in set-up stage, with the coup is lingering in the air, but never comes in real form. In fact, ACCA is a series about setting up. Its deliberate pacing can really test the viewer’s’ patience, and I totally understand if most of you have fallen out with it; but really, ACCA’s getting better by each passing episode. Many plot threads start to come together, and this week we have a major plot development: Jean decided to go along with the Lilium’s plan, which is the worst decision ever. Lilium, in a very definition of true villain archetype, already behaves in a victory-mode for a successful coup, although there isn’t any coup yet (sorry honey, I have to see it first to know if it exists) and starts mapping out his evil plan OUT LOUD for the one person who is capable of changing the situation. I guess this is more of overconfident issue but boy, when you do that I know immediately that the plan is going to fail, hard. And does he really think he can control and manipulate Jean, of all people? Bull. I don’t even think Jean will take the reign. Heck, I don’t even think the coup is going to happen at all. But I do think he plans to put certain someone to the spot instead of himself. He raises that argument when he meets up with Lilium, saying that as long as the next throne isn’t the Prince, he doesn’t really interested to take control the kingdom. So logically, who is the person that Jean would place his bet on knowing that the person can take good care for both ACCA, the people and the kingdom? Of course, it’s Grossular.

But Grossular still has some issues with Lilium. I still wonder why Lilium holds much control over Grossular. I still think Lilium holds a certain secret that Grossular doesn’t want to spread out, but what secret would that be? How is this centenary going to play out next week? I originally thought Qualms the Privy Council President is involved, but based on how limited time he had (if at all), I think the main players for this centenary is going to be Jean, Lilium and the Prince. But then, how’s about Abend? Will he has any role at all in the end? Damn ACCA, you better tie up all loose ends next week.

Nino is finally back and is immediately got shot down, literally. But this is where I find the plot pretty much implausible, for you see it would be much easier (and less dramatic) to just follow those assassins and knock them down before they were going to shoot. Why following them and then run all the way to Jean to shield the bullets? And really, the way the show handles the thriller part is very uneven. Apart from that, I really enjoyed the chemistry between Jean and Nino and I could feel Jean’s emotion stirring up when he talks about Nino’s objective in life. He deeply cares for his friend Nino. Another interesting fact is that Nino’s supervisor doesn’t allow Nino to come to Furawau, and for now my guess is that the supervisor doesn’t want Nino to pry into Lilium’s family, maybe for the sake of Jean and Lotte’s safety. (or just simply because he doesn’t want Nino to catch hay fever. A nasty sickness).

It’s otherwise great to see all the ACC representatives from each district come all over in one place. We saw all of them but many of them don’t have much screentime or that memorable before, but you can sense a very natural easy-going chemistry between them (they obviously know each other well before) and how they can still carry the characteristics of the district they’re currently in. I don’t get why the show spend so much time for Eider’s romance but it’s certainly fun to watch. One thing I find the most interesting was the two ACCA representatives from 2 poorest districts, Warbler and Rocksterra (from Suitsu and Pranetta, respectively) are the ones who actually sense something wrong about following up the coup. They come from the poorest and hardest districts, meaning that they, of all people, should be happy for a wind of change. But quite the contrary, they know that each district has their own voices, and they see far greater benefits under the Dowa Kingdom; even the Prince will be unlikely to break much rules, and those are all valid arguments but they must be very dissatisfied with the Prince (or current Royal system) to the extent that all the 13 districts vote for Jean. Jean did mention that everything need a final push now, what would that be? With only a finale of 20 minutes left and plenty of possibilities next week, I really hope the show can wrap things up in a most satisfying way. You won’t disappoint me, will you, ACCA?

3-gatsu no Lion – 11 [The Old Year – The New Year]

Christmas and New Year are on its way so it is very appropriate that we have a warm, sweet episode from 3-gatsu no Lion. After missing in action for the last few weeks, the Kawamoto sisters are back and they truly are a breath of fresh air from the heaviness of last week. While last week was about negative feelings Rei had to embrace and let it all out, this week was about positive feelings that Rei has to realize and share with those he loved. Being bed-ridden for few days without any food, medicine and cut off from the outside world, Rei absorbs on his own sickness that he doesn’t realize that there are still people around who care about his wellbeing. Akari brushes him off on “living on my own” feel so true that it makes him understand about his own thoughtlessness. As much as he always sees the line that separate him and his adoptive father, the father treats him like his own child and genuinely cares about him. The same goes with the Kawamoto sisters and that last scene of the new year eve is so heartfelt and emotional that I can’t help but feel truly sad for those characters. Trying to cope with your pain and loneliness takes a lifetime, so sharing those happy little moments together with the ones you care for is a step forward that both the sisters and Rei ultimately need to embrace. There’s sadness linger in every corner of this show.

This is the first time that the Kawamoto’s father is mentioned, albeit very briefly. Exactly what happened to him is rather vague right now, but judging from the way the sisters avoided to talk about him, I’d assume he runaways from home. Elope with another woman maybe. Also in this episode Rei has 2 dreams which are actually relevant to his mind state right now. The first dream of him going up in long escalator without a way back signifies the shogi path, and in larger extend, the life he’s taking right now. As of now he’s considering shogi as his life (the only life he has actually), and as the dream further reveals, it’s a long, lonely way up top and when he gets to the top, there is no turning back. The second dream is about his memory way back from his youth, as his sister and him got scolded by their Mom for putting up stickers on her table. As he soon realizes, he feels this Kawamoto sister’s house like his home, even though he just knew them for a short period of time. Finding the place where you belong is never easy, finding a place where you could call home is much harder. It’s still a progression from Rei as he recognizes the warm feeling he has and bit by bit he can consider the sisters as his family.

This episode also addresses quite sensitively about Akira’s own life. What is better  for her? Taking care of the house, doing house works all day; day by day the same process until she’s worn out? Is this occasionally dressing up to work on a bar to assist her aunt’s pub good for herself? As the fella who really care about woman’s life and issues, this surely piqued my interest. Akira has always been a responsible type so it’s no question that she will commit herself to fulfill mother’s role, at least at this stage. Personally I’d argue that this is not the best for her life, sometimes you should be a little selfish and do what you want to do, but leaving those kids and an old man behind is ruthless as well. She’s in a situation where she has no other choice but to commit to it, but the way she gives it her full without even have time to consider her own feeling or her own dream made me want to hug her so bad. This is again a very subtle character’s writing from Umino Chica. This work feels like a heart and soul of her. Halfway marks and I would say two of the show’s best strengths are the sharp and sensitive in its character’s writing, and the creative, thoughtful visual that really dig deep inside Rei’s depression by Shaft that we witnessed last week. That’s a great combination if you ask me and I personally don’t mind to follow Rei’s depressing mindscape for another season. Merry Christmas everyone!

Occultic:Nine – 11[We Want the Airwaves]

My mind is made of mush when watching this episode. I think there should be some rule forbidding such excessive exposition in one episode because I started zoning out five minutes in. Had to pause the episode four times just to let the information sink in. The good news is that watching this didn’t make me want to throw up. The bad news is that the more this plot tries to wrap itself up, the more utterly moronic it becomes. If you are a poor unfortunate soul like myself still watching this show then allow me to break down this jibber jabber into something meant to be understood. The first three minutes essentially are just Gamotan explaining to the others about information Ryo-tas/Aveline told him. A smart show would just skip over the explanation and show only the characters reactions. For the viewers already know all this and going over it again is just useless padding. Something this show definitely does not need seeing how you have to fast forward the exposition so much. What follows is a giant explanation over the nature of ghosts and the spirit realm. Now to the normal watcher they would just take the explanation as is and not think too much about it.

The show certainly wants you to do that because while the explanations are overtly complex, the conclusions are simple and really stupid. You see what this whole thing is, is that this shows logic makes a giant leap and to obscure that it hides it under a large amount of gobbledygook. It’s like this for example: physics have yet to explain how a bee flies, therefore humans can fly without propulsion. Disregarding that the bee thing is a complete myth, the writing puts immense effort into explaining the former so that you don’t take the time to question the latter. I am working with bare minimum science education here so don’t take my word on matters of that but this show is essentially stating that the human world and the spirit world are like separate radio frequencies. Basically while alive you are attuned to the living frequency and when you die it is adjusted to the dead frequency. Now I originally thought this was just a metaphor but it seems the story of Occultic;Nine takes this quite literally as apparently radio towers were used to adjust the individuals dead’s frequency to the living frequency. So essentially it’s saying that human souls are basically sound waves which can be attuned to both living and dead worlds.

That is quite dumb as sound is essentially vibrations in the air and I believe radio waves are essentially electromagnetic radiation. Claiming that human souls are somehow contained in this is like claiming that air is sentient or that water can feel. It’s ridiculous. After this we have the manager enter and reveal that he was the weird masked man going around disappearing spirits. Also he’s the leader of the cult and the murderer of both Gamotans father and the professor. We have foreshadowing for only one of those things Occultic;Nine, not the other two. Hell that foreshadowing was only last episode so in the span of one paragraph of exposition this man turned from being a small background character to one of the main antagonists. He works for the villains, he killed Gamotans father and he killed and scalped the professor…and delivered the scalp to the curse girl. Wait, why did you do that last part again? Actually why did you open up a store that was closed for two years and get Gamotan to come to it and did nothing but feed him crap drinks and why is he the sole person in charge of getting rid of ghosts when he’s in charge of a whole cult and….(BANG!)…Sorry I was overcome with the urge to hit my head off the desk. What was I on about again?

So manager now turned into antagonist is defeated by Gamotan because he has some special power of some sort which boosts his synchronistic with the human world allowing him to been seen and touch…wait can’t all the ghosts interact with the human world?! They have been doing it the entire series and not just Gamotan, the reporter girl opened the moai statue, they pulled out books so why is it being put down that Gamotan can only interact with the world after being shot with the raygun? Also based on the next line of exposition are you really telling me that Gamotan just so happened to coincidentally have this special absorption of electromagnetic energy and coincidentally Nikola Telsa’s descendant was giving the task of monitoring him who coincidentally is taken over by the ghost of Telsa’s daughter who planned for him to coincidentally come across the professor’s murder and take the key to the gun and then using a combination of her raygun and a special power Gamotan can use because his father coincidentally modified his transistor radio with a tesla coil and…(BANG! BANG!)…sorry got that urge again. This show isn’t good for my head.

Lets just wrap this up before a split my skull open. So I mentioned that the direction wasn’t bad as last episode but that doesn’t mean it isn’t still bad. For one, there was a part of this episode where Ryo-tas/Aveline was explaining how it was totally logical that Tesla went to Japan and had a half Japanese daughter that was never mentioned in history. At the point when she mentions Japan it just flashes up the Japanese flag for a second. You know just in case you didn’t know what Japan was while watching a Japanese animation, with a story set in a Japanese city which is currently broadcast in the nation of Japan. We have a conclusion to the curse girl and her demon fellows arc as it turned out he’s not her brother but inherited his memories from a transplant…it’s was pretty stupid when Grisaia did that thing and yep, it’s still stupid. But we have verified that both these characters have no worth to the plot whatsoever making them completely pointless and all their screen time for naught. Must…resist…urge…well I supposed brother demon dearest did give the detective and writer the get out of jail free card by stating that time in out of body experiences moves faster than real time. Meaning that this story is likely going to end with the characters awakening before drowning in the lake and hereby negating the entire plot. Which is just going to be…real super. So we got a villain headquarters and our bunch of misfits are going to assault it despite none of them having any real combat experience. Have fun storming the castle!

Flip Flappers – 11 [Pure Storage]

What a gripping episode! With this we almost clear about Mimi, Papikana and Salt’s past and the show sets things up nicely for a final showdown. For a show that have always been light on plot progression, this episode took me by surprise how neat every single variable develops, from what happened in the past that lead up to the characters as they are now, the twists and turns of this Mimi/Papika villain and the ultimate approach on the identity and individuality theme again. In a nutshell, Flip Flappers is a show about adolescent and self-doubting when growing up, and it’s only fitting now that Cocona’s identity is again swapped by her mother Mimi, even Mimi herself seems to be possessed by her darker side. Even the show goes all-out with the theme, as at one time Mimi makes it clearly: “People have several faces, and they’re all true” and that optical illusions we see in the screenshot there.

This episode sure is a stunner. The visual again is wild and crazy and stand out but at the same time it actually elevates the theme and the development of our characters. I mean, how impressive is that to witness Mimi killed off the guards by planting flowers all over their body; and that flowers were the ones we seen on the first time Papika recalled Mimi? Flip Flappers always has that dreamy side of them, and even in the episode that doesn’t feature any Pure Illusion world like this one, that quality still sticks out a mile. This episode jumps freely between the present and the past, between what happen in real “life” to inside the consciousness and then mix them all up together, but we never feel any sense of lost because the themes are progress gradually and the emotions are all there. This episode is also an emotionally charged one as we here to see every single one of them proceed to losing their minds. Cocona losing herself is nothing anew, but even Mimi’s losing it and Papika is starting to (Well, technically, she did lose her mind before but this is another kind of screwing her mind).

But I’m also happy that heaps of things have been clarified after this episode. Now we know that Papika is indeed reverted back to her kid form with her memories “sealed” away (I prefer her kid version much better than her adult counterpart). In one of the Pure Illusion world, they “accidentally” modified something inside Dr.Salt’s father subconsciousness, as a result he became even more overly obsessed to the possibilities of Pure Illusion. The show doesn’t confirm though on how Cocona was born, so at least for now I ain’t buying it that Salt were her father. I love that the cult organization turn out to be completely useless and easily disposable (a true red herring) because I always feel their roles in the story to be very vague and weak, so it’s better not to give them any significant role in the climax at all. Most importantly it is now confirmed that the Pure Illusion is linked to each individual’s consciousness (We all guessed it but it’s always nice to get a confirmation), but that also means the last Pure Illusion world they gathered (episode 9) was Yayaka’s? Hard to tell but consider she got a major development that week, it’s safe to assume it was hers.

But what really wow me over is how this episode a natural progression of everything that come before. Many of those elements had been hinted well in previous episodes and now they take a massive payback. We saw Cocona as a villain way before in episode 3, brainwashed by the insecurity of herself (also, did everyone see the masks the scientists put on the girls a resemblance of Cocona’s evil mask?). We see that thing wrapped up Papika’s ankle before but now we know what its main purpose is. We witness how Cocona and Papika could change a person’s mind through their trip to the Pure Illusion, so the reveal that Mimi and Papika did the same to Salt’s dad feel like an appropriate step. We see the garden of Mimi and the gang hang out and enjoyed their times before, so when Mimi uses that lethal floral as her weapon, it’s again a nice development. We get a sense that the first Pure Illusion world was the representation of Cocona, so it feels only right that she feels at home with that world. We also know that only Yayaka and Papika see Cocona as who she truly is, so it makes a lot of sense that they are the one who will bring the real Cocona out. Flip Flappers is the show that knows how to use its creative visuals right, as those motifs not only hinder the characteristics of our characters, but also a way to signal the character’s progression as well.

Frankly this episode exceeded my already impossibly high expectation as it consistently topped itself week after week. I heard this show isn’t sell well at all, which is a real crying shame because sometimes anime need shows like this: creative, inventive and willing to let itself loose to bring something fresh instead of sticking to the well-worn formula but also never forgets to be fun. Count me in as one of its fan now.

Magical Girl Raising Project – 11[Server Down for Maintenance]

I will give Mahou keikaku credit in that I knew that after getting a flashback of Cranberry’s past that she was up on the chopping block. But how she died still took me by surprise. It was a pleasant surprise though as there is just something so satisfying about the smug ever so confident Cranberry being one hit killed by Tama. Essentially someone who was considered weak and incompetent moments before by Cranberry. So it is that Cranberry joined this battle to fight strong magical girls and is promptly killed by someone she considered weak. I have a certain love for such poetic justice and it isn’t the only example in this episode. It is also rather funny how both Cranberry and Fav set up this Battle Royale to get strong magical girls and yet Snow White is on the verge of coming out the victor. Despite being not only the weakest but also the only one who didn’t fight or participate. All things considered, Snow Whites beliefs managed to keep her alive the longest albit with some sacrifices on her behalf. While thematically it does have value, it doesn’t really fix that she is still a rather bland character that did pretty much nothing the entire series. It’s clear that this is supposed to be the beginning of her character arc, but I doubt we will be around long enough to see her develop into someone more interesting.

So at this point Swim Swim is the only character left that I actually care about and she killed the last character I started caring about. I still think Swim is a great antagonist and as the final enemy of the battle royale she’s a better option than the rather one dimensional Cranberry. I am a little annoyed that right after Tama’s big moment she killed her over an arbitrary rule. However it does fall in line with her mindset as she follows a rulebook she doesn’t quite understand. Not to mention Ruler likely changed that rulebook based on her emotional state though speaking of Ruler this episode went and showed that she did care on some level about her underlings. Going so far to write a rulebook and then teach Tama when she admitted she didn’t know some of the kanji she used showed that while she was stuck up about herself, she at least cared about them. Other than that though, showing Tama’s backstory after she had been decapitated by Swim only served to develop a character you just killed off. I also happen to notice that this show relies a bit too heavily on flashbacks to develop its characters. All things considered Tama’s flashback didn’t really give much insight into her character that we didn’t already know. Unlike the attack against Cranberry which showed that if Tama had been more merciless than she could have been one of the strongest magical girls in the running. After all her digging holes ability is essentially a one hit kill move and with some training she could be one hell of a powerhouse. Hardgore might have even had trouble with her but well now she’s gone and I am rather annoyed about that.

So that leaves Swim, Ripple and Snow White. Ripple is out for revenge against Swim so Fav has essentially let the game continue so she can get it. But it’s clear that Fav has another agenda as now that Swim is his master he finds her rather uncooperative. I would like to think that Swim actually recognises Fav as completely evil and that’s the reason she refuses to work with him. There are also moments where she regrets killing Tama. One detail is that the kanji she is practicing stands for “Friend”. So seeing as Swim isn’t playing along he has pushed her into accepting meeting RIpple and thrown some hints to Ripple on how to defeat her. It’s a pity but I don’t think that Swim Swim is going to make it out of this arc and it’s possible that these two will kill each other leaving Snow White as the victor. A strange detail is that on going to fight Swim Swim after renouncing her identity as a magical girl, RIpple gets a transformation sequence. This could be the shows way of saying that Ripple is the magical girl this show needs and the kind that Snow White needs to grow into.  Next episode is the finale of the series so I wonder just how this whole thing will wrap up. I can’t say it’s the most memorable show but it did try at least to do something different.

Thunderbolt Fantasy – 11

This week things escalated pretty quickly. Our helpless MC Shang Bu Huan shots himself in the foot pretty quickly. I already suspected it’s a matter of time before his scam will be exploited by Mie Tian Hai, but I surely never would have guessed it’s that early. Shang Bu Huan, hilariously, is just plain terrible in whatever he’s acting; and curiosity got the better of him that he actually discusses with Mie Tian Hai (already a bad move, but then again these characters in Thunderbolt Fantasy love to chit-chat) on his motive of acquiring the legendary Tian Xing Jian sword. The sword, apparently, is the only sword that can actually destroy monsters, while other “low-ranking” swords can only send monsters back to the death realm, which the only exception is Yao Tu Li. That monster, unsurprisingly, is the most fearsome monster that somehow still got stuck in this world; therefore, Mie Tian Hai wants to attain Tian Xing Jian sword to slay the monster. It’s actual very noble of him when you think about it. But due to the very late nature of this reveal, plus the fact that Gen Urobuchi love to toy with our expectation, I suspect that the monster Yao Tu Li was already slayed by Shang Bu Huan. It’s not based solely on assumption though, judging the way Shang Bu Huan actually understands exactly what Mie Tian Hai implied about the death realm.

For once, the always-sneaky Gui Niao is actually behind everything happening and he spends this episode to get all the clues and try to catch up with everyone. For all the little details that he managed to get, it’s awesome that he actually figures out all the players in play and now plans to getting ahead (he’s no Shang Bu Huan after all). When he realized that the safe was empty, he understands that the main boss has something up his sleeve, the way he confidently carries out the piece with him. Along the way, Gui Niao gave one of the most ridiculous (thus, the best) speech about opening the keyhole is even more delicate and temperamental than a fine lady (whatever that means). When he saw two addition plates on Mie Tian Hai’s dinner table, he immediately figures out that his comrades the Archer and the Necromancer had sale him out. Finally, when he recognized that the lock in Dan Fei’s cell is unlocked from the outside, he understands that Juan Can Yun has helped the girl to get back the real guard. Upon figuring out all that, he decides to head to the temple that hold that blade to set out his traps. Well, getting the legendary sword sure is complicated.

Meanwhile, in a Limitless Temple, it turns out that Dan Fei and Juan Can Yun have been followed by the Archer and the Demon Lady all along. And they appear to be who they truly are, a villain. After all, getting the Tiang Xing Jian sword is what they’re after, so it doesn’t matter who they tag along with to achieve that goal. It’s still a very cool way to know about the Giant Spirit tree and its Spirit Veins that lead to the temple (also I feel kind of glad that we finally head back to the sunlight after spending too many episodes in the dark. At least now I can get much better screenshots). I’m also a fan of the elegance of Xing Hai, the way she dances around and proudly announces that her student would have noticed they’ve been followed at least 5 TIMES. The two pairs fight, but it comes to no surprise that the wiser team is a much better team. Still, poor Juan Can Yun gets shot in the eye by his ex-mentor and lose the guard; thus Dan Fei has to retreat. This very action marks the grow in Dan Fei’s character. She used to be the one who fight to death for her honor, but now because she doesn’t want anyone else to get hurt, she’s willing to step back. It’s nice to see her grow more trust to other people, and they really make a good pair if you ask me.

Next week we will witness the fight between our Shang Bu Shuan and Diao Ming, one of the subordinate of Mie Tang Hai. Although we pretty much know the outcome, it’s still interesting to see our MC get into a real battle the first time after the first episode. I’m also eager to see what kind of traps Gui Niao will prepare this time? Are they all going to fall for it? Until then, mi amigos.

orange – 11

Well, this episode is one the most emotionally wrenching orange has put up so far and for me at least this dramatic turn of event is what this show does best. Kakeru’s issue is a fundamental one. So far, the group succeeds in helping him to open up more and enjoying himself bit by bit, but they don’t actually change his very perceive that he’s responsible for his mother’s death. That and the thought that he might lose another person closed to him depresses the hell out of him and he comes full circle after the whole series of trying to get better. When he eventually gets into that self-loathing mood, everything just snap. That of course is frustrated. It doesn’t help either that Naho is incapable of sharing the feeling with him. She has known that they eventually got into arguments that day, but when it happened, his problem proves to be too big for her to handle and she just froze at that crucial moments. After that, she chose the worst possible way when dealing with someone’s outburst: chasing right after them. It’s much wiser to just give them some time alone to calm themselves (at least Kakeru would save his phone that way). But really, what would you expect from a 16-year-old girl to do? I can completely understand his outburst, but still that is not how you treat a girl, Kakeru. Ever. This guy needs a professional help and clearly he isn’t ready to have a healthy relationship with anyone anyway. Which come to a shortcoming from the group’s effort to save Kakeru: Does the group putting Kakeru and Naho together really is the best way to save Kakeru?

I know I said it before but I don’t really like the way the show’s main focus on the second half squarely on “saving Kakeru”. That aspect just overwhelms others relationship between the cast, since most of the time the topic they talk to each other is how to make Kakeru happy. This week proves to be a nice change as we see more perspective from the rest of the group towards Suwa’s feeling for Naho. Moreover, when the rest of the group calls Suwa, they all actually raise some valid points to the table. Yes, saving Kakeru doesn’t mean that Kakeru and Naho need to be together. Well, at least they like each other, but still it doesn’t mean that Suwa would just sacrifice himself for the sake of those two. At least give yourself a chance. Hagita in turns points out (accurately, but at the same time somehow inappropriately) that changing Kakeru’s future will eventually indirectly changing the future of those around him, and it might not be a good idea to change things so much in this timeline. Azusa argument is the most direct response; she wants him to express his feeling to Naho because she knows that he could make her happy; something I’m starting to doubt that Kakeru could offer Naho. Well, knowing all that, in addition that he knows how his old-self in original timeline would end up (he’s the only one out of the group who seen the pictures of his kid and the old group, talking about “overpowered”), he still decides to support Naho and Kakeru till the end. He might eventually become the awesome dude that no one deserves to have.

Last episode I predicted that the story might end on a Valentine Day, but given that this episode still wanders around Christmas and New Year (one of the saddest New Year Eve in anime I would say), we might have a Valentine that will never come. Instead, I think the story could pretty much end in another event that was hinted many times before: the day the group writes their notes to their 10-year-older self. Judging from that, things might not end as melodramatic as one would think. At least, this episode restores my hope that orange might actually pull off a satisfy ending.

Berserk(2016) – 11 [Shadows of Ideas]

The cold opening retreads the ending of the previous episode, with Casca being set on the pyre. In the spirit of the last few ones, this episode is also quite a fast-paced and action heavy. We have a very brief reintroduction of Zod, which serves more as a cameo than anything of substance. After the opening the series has officially moved unto volume 21 of the manga, covering the final stretch of the Incarnation Ceremony.

We see the Egg Apostle climbing the Tower of Conviction in preparation for becoming the Egg of the Perfect World. It stumbles upon the Demon Child, and resumes to take it in itself out of pity. This chapter delves a lot into the topic of social outcasts, and the alienation that sets in them due to the ostracization. We see this with Mozgus’ elite torturers, Luca’s gang of mistresses, The Egg Apostle, and to some extent the Demon Child itself.  Suffering is a recurring motif in the Berserk saga, and the aforementioned subject is one that comes up quite often. It was a central theme in the Lost Children chapter, which much to fans’ dismay was omitted from this adaptation, as well as the steward of the mansion featured in episode 3 of the tv series.

Isidro proves himself as one of the less useless characters of his stature, actually managing to save Casca from the lynch mob. Diving down that height with a non-elastic rope will realistically result in his spine being snapped in half, but given some of Guts antics this comes off as a really minor gripe. There are a lot of characters featured here that do nothing but stand around and gawk, and with the exception of Jerome and Puck to some extent, Isidro at least manages to be active in the proceedings.

Guts cuts through the soul phantasm and makes his way to the tower, and the effects here are again of especially low quality. The bigger the soulmass gets, the uglier the CG looks. We also see Mozgus transform to his true apostle spawn form, which similar to his regular model is quite unremarkable. The Dragonslayer CLANG! does make sense here, but they really should’ve recorded some more sword sound effects. The entirety of the sound mixing of the series is very sub-par, and only the voice acting is of adequate quality. We hear the Skull Knight’s voice-over during the first part of Guts and Mozgus’ battle, and this also comes off as unnecessary since it’s just a reiteration of the same thing he was telling Guts in their earlier encounter.

We see the masses praising Mozgus as an angel who will deliver their salvation, and throughout this whole episode their sheepish nature is highlighted over and over again. I was never a big fan of this trope, and it just happens to be a quite reoccurring theme in anime. Speaking of tropes, Mozgus is saved by his bible, but the somewhat interesting point here is that he is not evil for evil’s sake, but a very misguided true believer. What is absurd however, is that Mozgus is not only adept at using his brand new apostle form and its abilities, but has also somehow managed to name his moves in the little time that he’s had. Guts finishes Mozgus off in a resourceful way, and it was good to see that they included the little detail of him guarding against the explosion the very last second.

Nina continues to be annoying, and I was glad that she was quickly written out of the episode. Guts and Luca are the only characters who remain reasonable throughout this chapter, and their dialogue is pretty much the only interesting ones. This is a problem with the manga as well, and another sad reminder of the superiority of characters and writing during the Golden Age Arc. On that front, there is a sad tender embrace between Guts and a reluctant Casca, which manages to be a brief but poignant moment, although admittedly not by virtue of execution, but rather relying on the backstory of the characters.

Down by the bottom of the tower Azan is engaged in a brave but foolish struggle, and after Mozgus’ demise the ceremony is now well underway. We see that the gang equip themselves with torches, and Farnese finally moves to reassure us that she hasn’t turned into a complete CGI statue. This part is just developing her disillusionment with her faith, and the payoff doesn’t arrive until after the ceremony. There is a quick mention of Serpico not being too fond of fire, which is a nice little nod to later in the story.

This was a fast but utterly unremarkable episode, since the action sequences in the series are not at all handled proficiently. The next episode is “Those Who Cling, Those Who Struggle” and appears to be the final episode of this cour. It is not clear if they are going for a continuous 24 episode season or two separate cours, but I am guessing that there will be a break after the next episode. Well at least things will be a bit clearer by next week, so we’ll have to wait and see where we are headed.

~Bam~