Saga of Tanya the Evil – 05 [My First Battalion]

The only one thing I dislike about this episode was that we didn’t get into Tanya’s thoughts very much. I really wish I could have heard what she was thinking while training the troops because it would have been undoubtedly hilarious. It is clear by her reaction that she didn’t expect any of them to continue and was just waiting for them to drop out. From what I hear, we actually got the abridged version of her training as in the LN and manga, as she shot even more artillery shells at them after the original thirty-six hour time limit just to mess with them and then went through the list of the world’s most hellish training regiments. Of course, her efforts backfired as the harsh treatment of the troops gave the impression that she would kill anyone who dared tries to quit. It’s a common theme for Tanya to see things in terms of loss and gain as her previous life as a salaryman made her highly logical but apathetic.

Tanya only sees things from her perspective without taking into account the time or the mindset of others. In truth, Tanya’s mistakes are normal due to her misunderstanding of other people. To truly defeat God, she needs to stop focusing on her own goal and expand her worldview and the utter glorious tragedy of it all, is that Tanya is the kind of person so caught up in her own ideals to ever truly consider it. Despite being a clever individual, Tanya is quite childish and short sighted. After all, the main reason she is in this mess is because she prattled on to God without thinking. Tanya, to me, is how a villain should be written, not some unfazeable egoist mastermind sitting atop a tower saying everything is according to plan. Instead, she’s just a capable individual with a flawed personality and ideology, essentially making her human.

Thus, with the battalion formed, the group receives their first mission fending off an invasion by the kingdom of Diakon. I don’t know who this nation is supposed to represent but they seem to have not updated their war tactics from the 19th century. The lack of air support and rudimentary defense against mages makes Tanya sigh at their incompetence and the ensuing battle couldn’t really be called one but rather, it was a wholesale massacre and devastating defeat for the kingdom of Dakia. It seemed all too easy and I thought that God might throw a wrench into the works, but this battle does truly highlight just how ruthless Tanya really is. Her assistant Viktoriya has been acting somewhat of a moral counterpart, but even she doesn’t chastise Tanya for her level of ruthlessness.

Out of everyone in the world, she seems to is the one that knows Tanya the best as when battalion was given an explanation by their commanding officer about shelling them with artillery, Viktoriya had already begun digging a hole to avoid the bombardment. I certainly wasn’t expecting Tanya to pull out that little girl voice to announce the attack on the capital but that was certainly underhanded and remarkably clever. No doubt, this victory will push her reputation even higher which may have slipped her mind during this mission. After all, Tanya is thinking of war in terms of the modern world, so the massive numbers of Dakia troops doesn’t impress her. However, to the various militaries of this world, the news that she defeated an army with a single battalion, will no doubt have her superiors pushing her into much more dire straits.  Finally, we can see that Tanya is making use of her previous life’s knowledge as the speech she gave her battalion is almost a word for word quote from Full Metal Jacket.

Little Witch Academia – 04[Night Fall]

No legendary items or Shiny rod antics this time as we have an episode focusing on Lotte and her particular fascination with a book series called Night Fall. A series spanning 365 volumes(Oh my god, this thing must be as worn out and tired as The Simpsons.) which seems to be a Twilight like story that somehow evolved into Jojo’s Bizarre Adventure levels of ridiculousness. Just hearing fans talk about it makes the story sound completely insane, so much so that I actually would be interested in reading it. After all there’s a chapter where the main heroine catches a nuke with her bare hands and after hearing that all I can say is where do I start reading? Out of the episodes so far I would call this the weakest but still a fairly enjoyable episode. For one I noticed that Diana’s two cronies are called Hanna and Barbera which is clearly a reference to the Hanna Barbera cartoons. Pretty amusing how one of them was a closet Night Fall fan getting the other girl to check out the event to “see how stupid it is”. Yet at the first Night Fall question her hand to shot up right away. I think it’s the little touches like that which makes this series so charming.

Lotte’s admiration for her idol did bring an interesting contrast to Ako’s admiration for Shiny Chariot. In Ako’s case she really wants to be Chariot and perform great feats of magic in front of an audience. Lotte on the other hand doesn’t want to write Night Fall like Annabel and instead wants to enjoy the books she writes while cheering her on. It reminds me of a time when I was trying to get a career in the Video Game industry as I love video games and couldn’t think of anywhere else I wanted to be. However after getting a taste of what making games is actually like from college I realised that I didn’t really want to make games, I just wanted to play them. If video games were my job then could I really enjoy them as a hobby? Lotte hit the same conclusion when given the opportunity to become the new writer of Night Fall. I find it funny that she spent so much time encouraging Annabel when later it’s revealed that her main reason for doing that was that if she wrote Night Fall then she would know what happened and thus couldn’t enjoy reading it anymore. I feel a bit for Annabels dilemma in that she was tired of being bashed by the internet. As they say, Haters will broadcast your failures, but whisper your success. Or to put it another way, people only have a reason to speak up when you stop doing your job right. Lotte brings up a good point that the most vocal on the internet don’t really represent the opinions of the majority and that’s pretty well evidenced here as Night Fall has fans from new to old who are still passionate about it at the unveiling of Volume 265.

Otherwise this entire episode is likely what happens when ordinary people listen to anime fans. We know absolutely nothing about Night Fall and yet what little bits we hear of it just sounds outright insane or nonsensical. Really goes to show how fans can have their own internal logic which can only be understood by other fans. After all if I talked to anyone who did not watch anime about tsunderes, yanderes and likewise then chances are they wouldn’t have any idea what I was talking about. Regardless neither Ako nor Sucy attempt to badmouth Lottes hobby despite finding it impenetrable and just respect her passion for the series. Lotte did good here as well by not attempting to force the series on Sucy or Ako like your more stereotypical fan would. Ursula can’t seem to catch a break and it’s a little sad that Lotte recognised her idol immediately when Ako has no idea when Chariot is standing right in front of her. Considering this episode it’s possible we will be getting character centered episodes from now on so Sucy is likely next up followed by the girls from Enchanted Parade like Amanda. Or we shall be returning to Ako and her antics with Shiny Rod. Finally the only thing they eat at Witch Academia is potatoes? Guess there’s no house elves in this dimension.

Shouwa Genroku Rakugo Shinjuu – 17

Another time skip? That caught me off guard but it does seem like Yotaro has not quite gotten over the problem of not being able to find his own Rakugo but has gotten popular enough to be featured on TV and expand his fandom. As a fan put it, it’s not so much that Yotaro being consistently good but having moments of brilliance. So in that regard, I am glad Yotaro didn’t solve his problems offscreen. Konastu’s son, Shin, has grown up a bit and knows how to use his cuteness to his advantage. He gains a love of Rakugo just like his parents and even Yakumo can’t help but fawn over the kid. This was more or less Konatsu’s episode, and the biggest smile came across my face upon seeing her reaction to Shin performing Rakugo. Yotaro still hasn’t pushed their relationship further from what I can tell but the two have gotten more lax around each other. They understand each other so well and despite not really lusting after each other I would honestly vote them as couple of the year.

Konatsu’s Rakugo for the children really warmed my heart in just how much she enjoyed it. This seems to suggest that Kontasu would be entering the profession of Rakugo and Yotaro wholeheartedly wants her to do it. I somewhat agree with Konatsu’s assessment that she would be rattling the cage so to speak. Rakugo is something mired in tradition and any change, be it for better or worse, will be met with hostility and I even think that Yotaru creating new Rakugo is bound to stir up some anger. Throwing Konatsu on a stage just seems like a bad idea no matter how you see it and could be devastating for her as a performer.  If she really wants to become a Rakugo performer then it would be better to start with smaller gigs and then slowly gain a fanbase. Of course, before any of this can happen, she would need Yakumo to remove the ban on female performers so that she can become accredited and considering the character of Yakumo, it would be a monumental task indeed. He’s already getting crabby about people having fun in the green room so getting him to agree to this will take some far more convincing. Assuming that Konatsu wishes to go through with it. Which I honestly think she should, she would really light up the stage when performing Rakugo.

It’s nice to see that Yakumo isn’t cold to Shin but he’s certainly cold to the writer and his attempts to write new Rakugo. These two seem in direct opposition as the writer sees Yakumo his enemy in regards to keeping Rakugo alive. It’s possible that he holds a grudge over him rejecting him as an apprentice in the past. Or how he considers Yakumo one the of the main reasons for the decline of the art. Personally I see it as Yakumo keeping to his promise to Sukeroku. As Sukeroku said in the previous seasonj, it would be Yakumo’s job to keep old traditional Rakugo from dying out and Sukuroku’s job to reinvent Rakugo for the new age. This I believe is Yakumo’s main reason for tearing up the writers Rakugo stories. Yakumo is not the one to ask when it comes to developing Rakugo for the modern era. That job should be left to the man who inherited Sukeroku’s title. I admit however that this really could just be Yakumo being difficult and stubborn. However I find it hard to see Yakumo being purposefully spiteful as it’s more likely just his awkwardness with interacting with people. Which is something he never truly got rid off throughout his life.

Saga of Tanya the Evil – 04 [Campus Life]

What happened in this episode was essentially a joke with the majority of the time dedicated to   the setup and final few scenes being the punchline. It doesn’t necessarily mean that this was a bad episode as this show is still burning strong. However, in terms of plot progression, this was a rather slow paced episode but all things considered, it is nice to take a break from the battlefield and have Tanya playing mind games to enhance her position. That makes the beautifully cathartic moment all the more satisfying when these mind games ends up working against her. She manages to make use of her knowledge of World War I to predict how the war would develop and due to her efforts to impress her superior, she accidently suggests the formation of a mage battalion whom could turn the tide of the war. Essentially, she unknowingly recommended herself to be at the forefront of the entire world war and handle the most dangerous missions. The brilliant thing about this is that God may have set things up a little by having Zeller see her resume but, in the end, it was Tanya herself, that ultimately dug her own grave. I actually think that if Tanya appealed to take the safer positions offered to her, then Zeller would allow her to refuse as he does seem hesitant to send her out. Unfortunately, Tanya’s mind works against her and ultimately assumes that she has no choice in the matter.

It’s great that the war college isn’t used as an excuse to pad out the story or introduce a classroom full of wacky new characters. Instead it resemble more like an actual college, which I certainly appreciate.  There aren’t any silly sports festivals here and instead, we have Tanya convincing a man to abandon his position in the military in order to be there for his newly born daughter. That was quite a good scene as it really did seem like Tanya was being genuinely heartfelt, only to have that psycho smile flare up as it was just a ploy to convince the man to give up his post so she would steal it for herself. Giving someone a good heart to contrast evil actions can lead to nice moral dichotomy but in the case of our salaryman here, I think she’s at her best at being a bastard. Yet, despite the audience knowing her real thoughts, she may be giving the impression of being a good person to those around her. The only one cautious of her true nature is the Vice Director of Strategy and Operation although he doesn’t know her full backstory. Otherwise, he would know that all he needs to do to keep her from taking over is to give her a safe cushy job in the rear.

Now that I think of it, I haven’t commented on the opening and ending credits of this show yet. The opening is something I appreciate for being different, but I find the song to be too robotic with its vocals. The visuals are far too obscured and the majority of the opening just throws too many scenes, which makes it too cluttered. I do like the part with Tanya shooting the Nutcracker as a way of showing her conflict with god. Actually, that Nutcracker is a rather amusing choice for the representative of God. After all, God is the one that threw him into this grim reality and generally comes in to give him a kick in the nuts now and again. One has to wonder if it’s an intentional joke. While the opening doesn’t catch me, I found myself loving the ending. The song has a certain militaristic theme which I have a certain fondness for and the chorus just sounds great to me. In terms of visuals, I can’t decide if it was resourceful or lazy to make it a slideshow of the art featured in the light novels. The amount of effort required to make this ending is minimal, and if any other light novel adaption tried to do this then it would make for a weak ending for each episode.

However, the artwork of the novels is quite frankly, outstanding. It has a level of detail and beauty that will likely make people lament the downgrade that Tanya got in character design in the anime. If there is a negative to this ending, it is that ignorance is bliss so that by pointing out how good Tanya looks in the novel, people might be resenting her animated character design. I don’t quite dislike her design as when it comes to animation and character art as I prefer my characters feeling alive over being highly decorative cardboard stills. Her design may be a downgrade but it does allow for the animation to give her a wider berth of emotional  response. It’s sort of like how the anime version of Pokemon Sun and Moon handled their character redesign, which made a lot of people angry. Ultimately, it was done for better animation and in all honestly, it is a reasonable tradeoff. That said, Tanya’s female subordinate still looks bad, and if she’s going to be in this show a lot more then they need to do something with that off putting design.

 

Little Witch Academia – 03[Don’t Stop Me Now]

What’s a witch without a broomstick? Today’s episode deals with Akko’s troubles with flying and considering how terrible she is at nearly all facets of magic I am really beginning to wonder just how she got into this school in the first place. For the most part it’s not her fault as other witches at the school have clearly been trained in magic from a young age. Meanwhile Akko is just being introduced to it. I appreciate that this episode didn’t feature the shiny rod solving Akko’s problems and was instead about her troubles getting to grips with flying and trying to win a broom relay race. They almost did win the race through the magic of cheating so in this regard I am rather glad Akko didn’t get an unjust victory. Instead we have a excellent episode about a legendary broom and Akko’s hilarious training to fly a broom. I laughed pretty hard when she tried to intimidate her broom by snapping a twig in front of it.

It wouldn’t feel right for Akko to win after Sucy was sabotaging the other racers. Not even accounting that Akko wasn’t so much as flying a broom but instead trying to wrestle the legendary Shooting Star broom into submission. With that broom I now count three legendary artifacts at the school. The shooting star broom, the shiny rod and the philosopher’s stone which powers the Academy’s magic. This is merely an inkling at the moment but I think these items will play a part in the finale of Little Witch Academia. I certainly believe that we haven’t seen the last of the Shooting Star broom. Animation continues to be perfectly executed with flair and fun. So far the story has a episodic structure with events being brought up and resolved in the same episode. There doesn’t seem to be an overarcing plot so far and personally I am fine with that. As long as the series continues to be a barrel of fun there’s no real need to force in an overarcing plot. Otherwise it could make the same mistake as Death Parade and forget just what makes it’s concept work so well.

We have an introduction to many of the characters from the second OVA. Also are a number of cameo’s in this episode with a urn referencing Nonons hat from Kill la Kill, Inferno cop on the television of the room Akko flew past and even a very strange cameo of a man referred to as Chumlee from an American reality tv show called Pawn Stars. I don’t think it’s a spoiler to point out that Ursula is probably Shiny Chariot as the series has given several hints to that effect. It’s clear that something happened which pushed her to adopt her current persona and she seems jaded when Akko repeats her catchphrase back to her. She obviously lost her power, perhaps because the rod requires the childlike wonder that Akko has. Over time Ursula and Diana look to have gotten disillusioned by the technical workings of magic but both seem to yearn for the view of magic they had in their younger days. If this is true then it really is a matter of time before Akko can no longer use the shiny rod which may be the main conflict of this series. Though the opening does show some sort of antagonist who could act as a triggering factor for Akko to mature and potentially lose Shiny Rods power. Purely from a personal standpoint I think the best person to play antagonist for this series would be Shiny Chariot herself. Who better to crush Akko’s faith in magic and dreams? So on to episode four and I hope it isn’t effected by an old trigger curse, that being that episode four is where there is a huge animation quality drop.

Shouwa Genroku Rakugo Shinjuu – 16

 

After the last episode, I expected that this would be the episode where Yotaro digs his own grave. I thought he would have an outburst or just mope over his problems but surprisingly, Yotaro doesn’t do any of that. Instead he takes a course of action that is nearly suicidal and yet, a great step forward. The beginning of this episode touched on what exactly is the problem with Yotaro’s Rakugo with his conversation with his future Rakugo writer. Yotaro revealed that he doesn’t truly think about the meaning of the stories. That he tells and merely copies the mannerisms and tone when telling them. In that regard, he is like a parrot repeating only what he has been told with little thought beyond that. It is understandable as to why his Rakugo feels empty, because he can’t really empathize with the characters in the story.

The father of Konatsu’s baby is revealed to be the boss of the Yakuza which does explain as to why Konatsu wasn’t too eager to share that information. I was a little concerned that perhaps he forced himself on her but it looks like Konatsu may have some of her mother in her after all. For what I can tell from the exchange, Konatsu was in love with the man but it was clear he was never going to leave his wife for her. Thus like her mother she harbored feelings for someone who never returned them. Though I like how the Yakuza boss got angry at Yotaro for dragging Konatsu in and trying to push her into confronting him as it does show that he at least cares for her on some level. The main conflict of this episode was Yotaro essentially telling a Yakuza boss off for getting Konastu pregnant and telling him to not come back for the kid because he was going to raise him as his own. All the while being as polite as possible to avoid getting killed for angering him. Ultimately Yotaro uses Rakugo to vent his frustrations at the boss and I believe that’s the first time his Rakugo feels genuine as he is in a situation similar to the character within the story.

Overall it was a great episode and if I didn’t already like Yotaro before I certainly do now. He’s a happy go lucky idiot but the kind that has the right agenda at heart. He showed that his rant to the boss wasn’t for his own sake but instead for Konatsu. As he stated that he didn’t hold a grudge at the boss for being forced to spend jail time for someone else. In that regard I think he’s absolutely perfect fit for Konatsu and their relationship just warms my heart. Konatsu is a woman who keeps her feelings closed in while Yotaro shouts them from the heavens. To see Yotaro break down Konatsu’s standoffish nature and actually get her to begin to genuinely fall in love with him is the kind of love story I like to see. The kind with real chemistry and two characters who play off each others personalities instead of the usual bland male lead triggers anime character trope number 573. Yakumo looks to be pushing Yotaro towards understanding of the stories by giving him one of Sokuroku’s works and i think Konatsu is going to be a vital factor for Yotaro to discover his own Rakugo.

Shouwa Genroku Rakugo Shinjuu – 15

It was inevitable that Yotaro’s past with the Yakuza would come back to haunt him but boy did it really bite him in the ass. I was wondering as to how the show would work with Yotaro and give him conflict but then this episode comes along and gives him plenty to worry about. He’s having trouble finding his old style and is mimicking his masters and acting as a surrogate father for Konatsu’s child when the father appears to have returned at episodes end. Yotaro’s performance in this episode was hard to watch but I really love how Rakugo never has someone on the sidelines to inform us that the performance wasn’t going well. Just by watching and listening, even though I don’t know Japanese, made it clear how well it was going. Helped by showing the audience’s reaction and Yotaro’s own panicking nervousness. Rakugo seems like a temperamental art, much like comedy.

The mood of the audience can kill a performance and in Rakugo’s case, bore them to death. You can tell Yotaro is really trying with his performance but as the audience loses interest his moves grow all the more desperate. Even changing the voice of the housewife character mid performance as Yakumo complained about it earlier. When Yotaro unwittingly reveals his Yakuza tattoo in front of the audience he knows right away that he made a bad move. Still as painful as this is I certainly remember a fair share of Yakumo’s terrible performances. Though what certainly isn’t terrible is the new opening and boy if it isn’t a unique way to start this show. I am a little on the fence over the song but the visuals are fantastic. I love the imagery of Sukoroku opening his shirt to reveal a ribcage. I originally thought this season was going to be primarily about Yotaro but the opening puts Yakumo in the spotlight and shows his worries and the things that haunt him well. It worries me though as the opening is not very happy and could foreshadow this season being quite depressing. All things considered I would prefer a more heartwarming end to this story and more moments like Yakumo consoling Yotaro over his past.

Speaking of which Yakumo is not doing so well either. He’s not doing much to help out Konatsu with the child and it’s clear that he has long grown tired of his life. His cold attitude towards Konatsu and disinterest in the child is somewhat understandable. As I doubt Konatsu wants him anywhere near him. Konatsu is still just as hostile to him which is sad as Yakumo at least tries to throw some kindness her way. The scene with him reciting one of Sukoroku’s old bits that put her to sleep. I almost believed that this could be the start of them at least growing closer together as a family. Though Konatsu burns that bridge fast by reminding him that he lead her parents to their death. All things considered I think Konatsu isn’t really being fair. After all if anyone is to blame for what happened it would be her mother. Yakumo then reveals his desire to die and to take Rakugo with him. So in that regard Yotaro may have saved Yakumo’s life when he declared to be taking up Sukoroku’s name. So in one episode we have essentially declared the problems the protagonists will be dealing with for likely the majority of the season. And here I thought that the end of season one only signaled a rise for Rakugo in the future. Life truly is never that simple.

Little Witch Academia – 02[Pappiliodya]

I may regret choosing to cover this series as what makes it great is a quality that cannot really be held up to professional scrutiny. Much like Triggers other works, it’s not what’s being presented that matter but rather how it’s presented. You can make the argument that Trigger doesn’t necessarily innovative but rather take old tried methods of storytelling and polish it with great animation. Though one has to wonder if that might be actually enough as to capture the feeling of the old and perfect it is no easy task. It’s difficult to call their works original but there’s no denying that they are fun. I like to see them as the Nintendo of the anime industry in that they stick close to old sensibilities and in doing so keep the simple enjoyment and wonder that seems so rare nowadays. Little Witch Academia so far still has the magic and with hope they can keep it for it’s full 25 episode run. The opening of this series was mixed for me as it is a much more mellow tune when compared to Triggers other works. However it’s growing on me and I happen to like the starting buildup and imagery. For a series like this it is rather suitable that the opening is more easygoing.

I often see Little witch compared to Harry Potter which does seem like a flimsy comparison. Sort of like that joke where you say it’s like Skyrim with witches. Harry Potter is the obvious popular example for comparison but the two actually hold not much in common. Really both have a wizard school and if you ignore actual personality and gender you could compare Diana to Malfoy. This is more a feel good magical adventure when Harry Potter was more written like a mystery with the three often trying to figure out some incident going on at Hogwarts. If we want to play the comparison game then Little Witch Academia holds much more in common with a book series called The Worst Witch. Admittedly I primarily know it from the TV series that aired in 1998 but it certainly is surprising the parallels the two have. Also before you go saying the Worst Witch is a knockoff of Harry Potter it’s important to note that the first book was published in 1973 so if anything Rowling took inspiration from them. This may be a moot point but I wanted to point out that just because Rowling popularised the idea of a wizarding school does not mean she invented the idea. I seem to remember before Little Witch that people referred to Familiar of Zero as anime Harry Potter too.

Based on these past two episodes it does seem like there will be a certain formula which I hope doesn’t become stale. My biggest fear for this series is that it’s predictability could water down it’s charm. The big issue would be the deus ex machina stick, Chariots wand, which can do pretty much whatever the plot requires it to. It does seem to have conditions for its activation which look to involve being charged with magic but I say that later episodes shouldn’t rely on it’ too much. Though it might not be a detriment as Gurren Lagann essentially solved all its battles with fighting spirit and yet didn’t become stale. Diana so far has been made a lot more reasonable as in the OVA she was a lot more confrontational but here she was a lot more reasonable. Still prideful and standoffish but not obnoxious. Her lackeys took to be filling in that role. I particularly like how she noticed Akko’s hair that Susy cursed with a potion and while showing off with the bringing the statue to life she uses it to dispel the magic on her hair. As well as trying to admit that she wasn’t the one who saved the tree. Akko and Diana’s relationship in this show could have a lot more to it here and really could become quite interesting. After all I believe Diana is still a closet Chariot fan and I wouldn’t be surprised if she has the last card Akko was missing from her collection.

Saga of Tanya the Evil – 02[Prologue]

As I initially thought, this series becomes a whole lot better when you can see the disparity between the main protagonists thoughts and how those around her view them. The first episode jumped ahead in the story to where Tanya had established herself somewhat and I believe the intent was to mislead the audience with her character. This episode takes it back to the beginning and truthfully would have made for a much more engaging start to the series. We see now that Tanya was a Japanese salaryman who managed to annoy god enough for him to throw out some cruel and unusual punishment. The animation studio seem to have taken liberties with the meeting god scene as both the manga and light novel frame it in more comedic light. There god is represented by his standard look of an old man with a bread in a white gown.

God in that seems more exasperated and annoyed with the salaryman’s outright dismissal of him. Admittedly there is some value in that version but I find the version in the anime to be far more compelling and interesting. There time stops and the god that questions the salaryman feels more mysterious and authoritarian. It even doesn’t outright admit itself to being god and in some ways makes it seem like he was purposefully pushing the protagonist to give him a reason to punish him or prove his own theory on why people no longer need faith. It’s one hell of a way to start a series which makes it all the more questionable as to why they didn’t just go with this instead of the actual first episode.

Not that the last episode was bad at all. But I think this series really benefits from the dry tone of Tanya’s inner voice when contrasted with her psychotic tendencies. It goes to show that the truly evil do not think of themselves as evil. In Tanya’s case she’s just doing what she can to get a cosy desk job in order to spite god. A smile just comes to my face seeing her lying in the hospital bed putting up a front with everyone who’s impressed with her while in her mind she’s saying “Oh crap, I impressed them too much.” For Studio Nut’s first work this is a remarkably well animated show so far which could put them on the map.

Though reason for this may be due to the staff being made up of former Gainax/Madhouse employees, though that does need confirmation. At least that’s what I heard. The female character designs take some getting used too though I have grown accustomed to Tanya and her delightful crazy smiles.  Her subordinate on the other hand I don’t think I will ever get used to. The soundtrack isn’t quite to my tastes either but it is suitable for the show. If it can manage to keep things interesting this could well be another great show in what looking to be a strong season.

Drifters – 12[Staring at Shinsengumi ~The Song of the Fervid Kyushu Man~]

I know I am late with this and I am sure I disappointed those of you still reading though I doubt my Drifters reviews have been all that interesting. It is nice that Drifters managed to get a climatic battle in before the finale though what really saved it was the announcement of a second season. This series is far from an end goal and perhaps a second season can give it the time it needs to bring an endgame. This episode did manage to make the Drifters sweat a bit which was a good thing as we really need these guys to work for a victory for once. But Hannibal made that small moment of tension disappear by once again giving Oda an idea through his eccentric mannerisms.

I think Hannibal is really just putting on this senile act as the man seems to always intervene when he is needed. The battle between Toyohisa and Toshizou was clearly the highlight of the episode but was somewhat undercut by my not really knowing the history of these two. Drifters doesn’t really make an effort to explain the background of the characters which is fine for those whom have a decent mainstream recognition. But for the more obscure characters I could really use a blurb giving a brief rundown and save me looking up a wikipedia article. Even the Fate series makes the effort to acquaint the audience with the history of the characters.

Overall Drifters set out to capture the same ridiculous nature and badassery of Hellsing Ultimate  and I think it succeeded at that sometimes. The series never did stop getting hampered by Kouta’s rather jarring sense of comedic timing but it had it’s fair share of good moments. I do wish the animation could have been as impressive as the opening episodes as later down the line I noticed that the camera ratherly moved back to let you soak in the action. Often pulling out a large amount of close ups and still frames to save on the budget. On a show like this you really need to go all out on the action as it is the main selling point.

Having the character all be famous historical figures was novel but there is a problem that a lot of this are far too similar personality wise. The majority of the series so far has been a one sided match between the Drifters and the Orte so with little to make the Drifters sweat it’s been a consequence free slaughter fest. Now the Drifters have a standing with a worthy opponent to face. One of the most important things the next season can do is up the stakes, make the Drifters work for victory and get enough of a budget to make those action scenes really shine.