orange – 13 (end)

We come to an end of orange’s ride. After teasing us for a whole season whether or not history repeats itself, they decide to go with a happy ending route. While I’m not entirely happy with orange as a whole, this double-length final episode succeeds on closing the story in high note. At the very least I’m glad these kids turn out to be alright.

But first let me lay out some issues I have with orange. First, orange decides to jump from the new year eve events to the valentine day, and it doesn’t ring well for me. Orange has always been about progression, be it how far Naho and the group would go to save Kakeru, or about Kakeru’s fight for his inner struggles. Making that time jump kind of defeat that purpose. You could argue that it will end up being the same: Naho struggles, Kakeru ignores the rest, the group tries best to help; but I want to see those conflicts. Another problem I see is the double-length, and for that I blame the series composition staff. The story stretches out too thin in the middle part (we spend an entire episode on Naho’s hangover after Kakeru dated Ueda for example; or the sport events that eat up nearly 2 episodes), and now they have to rush things over for the final episode. I feel no time was wasted on this week’s episode, but the first half could easily be in last week, so we’d have more time for the final climax.

Ueda reappears for the last time, but the show still frames her in a very bias, negative light. It’s hard to care for a character when the creators clearly don’t give a damn about her. That is for me orange at its worst. Ueda is a throwaway role, she will always be a pretty stuck-up bitch that everyone in orange hates, and thus the creators persuade us to hate her too. For a show that relies heavily on characters and their interactions, she ultimately becomes a sore thumb in an otherwise endearing cast.

On Valentine day, Naho desperately wants to give him her chocolate, but finds herself to be consistently pushed away by Kakeru. At long last, she finally confronts him and he tells her what he truly feels. It’s good to see Naho finally cracks the wall Kakeru created all by her sincere efforts. But there’s one thing that I don’t take it very well. She thought that it was her own fault for being insensitive in New Year Eve that things become awkward between the two. When she blames herself for something she clearly isn’t responsible for, it makes me really think if this relationship is healthy. Imagine when they really being together; she’d constantly blame herself or struggles to make Kakeru happy. I’m not sure if Kakeru could make her happy, but I know for a fact that if he keeps his attitude like that he’d never make her happy. Setting up romance when he’s clearly not ready for it is not a good move by a long shot.

Which lead us to the final climax, when the group literally try to save Kakeru the day after the Valentine. This time I pretty much appreciate the sequence through Kakeru’s point of view last week, because we already know how his mom’s unsent message could potentially affect him, thus we understand what are at stake here. The main different in action between Kakeru in his previous timeline and Kakeru now is how important those friends are with him now (well, that and the broken bike). That thought “What would they feel if I die” pretty much sums up the change in Kakeru’s character arc. At least now he has something to live for.

Moreover, he receives the letters from their friends’ older self and I personally think this is the most effective payoff orange pull off narratively. This story is all about regrets, and the only people who still having regrets are their adult counterpart. In their world Kakeru had long gone and there is nothing they could do to change that. That is why their letters to the living Kakeru bring out the most emotional honest orange could ever have achieved. All those heartwarming moments of course is conveyed through a sensitive direction and on-par production values. I agree with most of this episode artistic choice (from using random passerby to highlight the distance between Kakeru and Naho in the beginning, or the only windy sounds during the ‘car crash’) and the production actually gives orange the quality it deserves to have. Everything looks just gorgeous here. If only they could deliver every episode like that.

Now to those who don’t know, there was an announcement that orange will have a theatrical film that will come out at the end of this year. It is a retelling of sort from a perspective of Suwa. While I’m not really that excited to check out the film, I think the sequel could potentially be better than the series. Both because Suwa’s role in this whole affair is more complex than others, but also he’s the most mature and the most observant out of the group. Naho and Kakeru always stuck in their own thoughts that they rarely look around and notice those around them. Suwa aware of all that, and that quality makes him a rather interesting protagonist. Well, I will save my thoughts on orange’s overall quality in the final review, but at least we have this last episode: one of the most effective ending we could ever hope for in orange.

Thunderbolt Fantasy – 12

Now, we just have one episode left, but things get even more intense and crazy by the minute, to the point I don’t really know how they would wrap it up neatly. At the beginning Shang Bu Shuan was mocked by Juan Can Yun that he should be titled “Edgeless Blade”, because his sword-style is all for show and has no edge at all. The sword that Shang Bu Huan is wielding, as it turns out; is not a dull blade after all. Well, to call it a sword would be an exaggeration. He just takes a piece of wood and paints it over, because apparently if he uses a sword with sharp edge he would cut the mountain in half (just from seeing how he cuts a person in half with this piece of wood). The trick is that he’s a master of using energy flow (Qi) to form force, so even a piece of wood (or his more extreme examples: a cloth or hair) can split flesh if using the right force into it. If we put it that way it feels much more like a martials art than a swordfight, but nevertheless it remains awesome.

After this episode, I’m more convinced that Shang Bu Huan might actually been in the demon realm already. He’s already in doubts that the demon Yao Tu Li was in the demon realm, which pretty much set up nicely to the last half’s development. If the demon Yao Tu Li isn’t in the demon realm, and it has disappeared from the human realm for nearly 200 years; where has it been then? The answer is he has been sleeping under the seal of Tiang Xing Jian sword. The nature of that sacred sword is become much clearer in this episode, that sword is never meant to kill the demon god (because the demon gods can’t be killed, when it’s destroyed it’ll transform to other forms), or send them back to demon realm (because then they will cause havoc again the minutes they come back to human realm), but to put the demon to ‘eternity’ sleep. I can understand that rationale, but I doubt this is the only function that sacred sword Tiang Xing Jian can perform. I’s amused to see how this most powerful sword be handled by Shang Bu Huan (famously known as the man who doesn’t need sword). That moment will come my friends.

Now we head to the clash between demon and human, which I admit that I had never thought it would turn out that way. Xing Hai once again steals the episode’s best moments (or is it just me? I simply can’t get enough of her) as it is revealed that she goes along the plan of stealing the guard back, just so that they can release the demon Yao Tu Li. She even singlehanded strangled her partner Shou Yun Xiao to death, disrupting his plan to seal the monster back again. The most similar comparison I get about those characters are those of Baccano. In Baccano, the writer Ryougo Narita once mentioned that his characters write the plot. He thinks about how those characters would act in that specific situations, and then manage the plot accordingly. As a result, there are many characters who are more active than others, but they would never betray their set of standard. In addition, there’s always a room for those characters to breathe. I have this exact same feeling about this set of characters. They have their own over-the-top way of acting, their worldview, their philosophy and they stick to those principles till their last breath. Sha Wu Sheng the Screaming Phoenix Killer never forgets that he’s an assassin, or Xing Hai always reminds us that she’s a demon through and through.

Finally, to our master thief Lin Xue Ya, I’m amazed that even at this point (when the most fearsome demon is about to wake up), he only thinks of the way to steal from Mie Tian Hai. It comes as rather childish to me. He eventually figures out that the legendary sword Tiang Xing Jian is NOT what Mie Tian Hai treasure the most, but it is his own swordplay. He’s too proud of his skills that he thinks only the scared sword would be worthy for he to wield. As a result, Gui Niao intends to fight him, if he wins the duel then it would prove that Mie Tian Hai’s swordplay is not that extraordinary… you know, that kind of logic. But how well Gui Niao is at wielding sword? Especially that pipe-sword? Thunderbolt Fantasy is getting to an end, but there’s still plenty of tricks up its sleeve and I can’t wait to see how it all wraps up.

91 Days – 10

As we near the end of 91 Days I have taken this time to really think over what this show has presented so far and I admit to be somewhat disappointed. Ultimately the ride has been solid and Studio Shuka have delivered on their promise of making a Mafia drama. However I cannot help but feel shortchanged by how this has played out so far. Things have certainly happened and yet despite this I think that more should have happened. Where are those mobster shootouts shown in the opening? But what I think may be the main factor for this show feeling standard is that despite this show taking it’s time I really don’t know these characters. The guy I found the most interesting died way back in episode two and since then no one left has matched his caliber. Nero is fun but since taking the mantle of the Don he has lost the playful side of his character. Avilio is an enigma from beginning to end never letting the audience into his thoughts. If this is supposed to be his journey then shouldn’t we see him change as he integrates himself into the mafia? But he’s almost always stoic, never really expressing his emotions.

This episode acted as a sendoff to Corteo who despite Avilio’s efforts to keep him alive is eventually ended by Avilio’s hand. Corteo willingly dies for Avilio’s sake and I am left to wonder. Just what did I know about this person? I understand that in a one cour series than character development is sparse and therefore spread thinly. That said I have come to realize that I really don’t know all that much about these characters. In Corteo’s case I know he’s Avilio’s childhood friend and seems generally uncomfortable with his role in the Mafia. Other than that I struggle to really say much about him. As 91 Days continues to kill off the more dynamic of the cast it’s up to the rest to pick up the slack which I don’t really feel they are capable of it. Ganzo at least is acting as a go conversation partner for Avilio to voice his opinions to but I say his time is now limited thanks to getting Corteo killed. I am betting that he’s next on the chopping block and I wonder just how he thought Avilio would react to him setting up Corteo to die. There truly is nothing standing in Avilio’s way for getting revenge so I would think he should stop messing around and start killing. I really cannot be that hard to come up with a plan to take out Nero and Vincent now. Then after getting Ganzo should be an easy feat as Avilio can blackmail him with the letter. Avilio, if you start the next episode moping around and doing nothing then I say to hell with you.

As for what happens after Corteos death is really a matter of Avilio rocking the boat. Things have calmed down and Nero isn’t planning to make any drastic moves. On top of this Avilio has earned the level of respect that Nero takes his word over the word of his right hand man who is beginning to get worried that Avilio might be stealing his position. He may be the next thing Avilio makes use of in his plans but I doubt he really needs something elaborate to take out his three targets. Please take heed that I am most certainly not calling this a bad show. But rather the premise doesn’t seem to be getting used to it’s full potential. The intent is admirable but we have plenty of build up and need some climax. Otherwise if this show goes out like a wet firework then it’s going to look lacking in hindsight. We still have to learn exactly what the 91 Days the title refers to actually is. For it doesn’t seem to me like Avilio has been with Nero for 91 Days. Perhaps the real reason Avilio was stalling his revenge was so he could meet the quota of 91 Days and not make the title rather meaningless?

orange – 12

For the first time orange manages to do something different narratively. The first half of this week’s episode tells the original timeline in Kakeru’s point of view, and with that we can understand more clearly about his emotional progress, at the same time gives us much more details about his Mom. In the original timeline, Kakeru hides those negative feelings from his friends, because he both doesn’t want them to be bothered so much about his own personal affairs, and moreover he doesn’t want to get hurt again. After all, what happen if after he tells them about his suicide thoughts, they just laugh it off? Or they just avoid being friend with him like a plague? So he decides to keep everything for himself and unbeknown to him creating a wall between him and his friends. When his emotions become unstable, others (Naho especially) just can’t break down that wall because frankly they have no clue to help him. That wall becomes too thick to break that he’s getting many conflicted ideas going on simultaneously: on the one hand he just wants to embrace Naho, talks to her and tells her that he needs her; but on the other hand; he acts obliviously, cutting off Naho and basically behaves like he has nothing to do with her. It’s getting painful (in both good and bad ways) to watch from time to time.

Prior to this episode, no matter how you think about it, it’s just plain cruel the way his Mom commits suicide to make Kakeru feel bad for ditching her. No one in her right mind would do that; well except Mother Gothel that is. This week brings her whole actions into light and it was much more poignant, consider how things would end up badly in the end. Although whatever she did (getting divorce, moving house, ditching his soccer bag and cleat) seems selfish at first, she actually did all that to protect Kakeru from getting hurt again. Her final message to Kakeru before she commits suicide indicates that she believed herself had become a burden to Kakeru, thus she ends her life so that she doesn’t get in his way ever again. Her thoughts of committing suicide are of course very flawed, but there’s no denying that those thoughts come from a relatable sentiment.

But as far as this Kakeru’s perspective has to offer, one thing that keeps bugging me is the lack of Ueda’s appearance. I know she’s never an important character but I get the feeling that orange itself doesn’t have high opinion of her. I was always curious to see how the relationship between Kakeru and Ueda would end up in the original timeline, but they just conveniently shrug that relationship off like nothing ever happened. At least now we know that Kakeru doesn’t technically commit suicide (he just ride a bike while his gaze was up the sky), but still his very thought that “living another day is a struggle” pretty much qualified that action as suicide attempt anyway.

While I really like the adult’s segment of orange, this time though when they discuss about the technicality of time travel again they completely lost me. I never really care about how these letters go back through time because it was right there in the premise. My logic had already been suspended upon reading that premise, so why bring it up again? To make it worse, the adult actually “figure out” how they going to send those letters back: by sending them to the sea (with the 16-year old address and hope that these letters will find their respective receivers at their precise time in their precise house, dry and clean. How did you guys even find the black holes anyway? This is just laughable underwritten, which makes me wonder why they bother to include it at all.

Our poor Naho after being dished by Kakeru last new year eve event, continues to take a role a normal guy would do; which mean to apologize even though she did nothing wrong, tries to talk to him again but the guy just basically plays hard to get at this time. She even expresses herself to walk home with him and he just walks away? Be a man, Kakeru. Behaving like a man. Now you really get on my nerve Kakeru. Now, she even confesses to him to wait until Valentine, so the long-awaited Valentine might happen after all. Now with only one episode left, how will Kakeru, Naho and the group end up after the Valentine Day? Can they really save Kakeru this time? I really hope orange can manage to pull a satisfied ending here.

Re:Zero -Starting Life in Another World Review – 91/100

I will be the first to admit that this is very much a biased review as I have come to love this series very dearly and will now proceed to devour every piece of entertainment related to it that I can find until the day a second season is confirmed. The story involves a boy who is suddenly transported to a fantasy world while shopping and follows his adventure to save a girl from a gruesome fate. However what makes this different for the usual fare is that our protagonist has no magic superpowers or special abilities besides one. When he dies he returns to a point back in time and can use his new knowledge to guide things to a better outcome. With this the story follows the Subaru’s tale as he goes through time loops till the point when he can make things right. All the while dealing with the heavy psychological scars of suffering death time and time again. As you can tell Subaru is the one with the most focus and also gets the bulk of the character development for the show.

His transformation is a fascinating one which makes him one of the more interesting protagonists to come out of anime in a while. Subaru is flawed selfish character which differentiates him from the heroic white knight he wishes people to see him as. It makes him remarkably refreshing when compared to the heroes of these kinds of stories as he is unmistakably human. Subaru usually doesn’t truly fight the villains he faces but instead helps and guides those who can defeat them. The story can get quite dark as Subaru deals with some pretty heavy PTSD and a world that is outright cruel and unforgiving to a normal human being.

White Fox did a great job in bringing this story to life though the art style could be better and when compared to the animation powerhouses of Ufotable or madhouse it does fall short. But it gives the fights of the series the dynamic movement and focus to make action exhilarating. Presentation overall is marvelous and adaption of the source isn’t perfect but is pretty good nonetheless.  The music deserves special mention as the staff aimed for a more cinematic feel to the sound and it really shows. The thing that really makes the best moments of this series hit hardest is the music playing at that time. Though equal praise can go to the voice actors who just did a great job throughout.

One particular standout choice when adapting this was to on several occasions cut out the opening and ending to put in more content. As a result the opening and ending of the show is not often used but in exchange we get over an extra episodes worth of content from the series. As sparingly used as they are, the opening and ending do a decent job of showing what the show is about and the songs are serviceable. Animation remains fairly consistent throughout the run with the director compensating for what drops in quality there are with atmosphere and suitable use of still frames.

Despite my praises for this show I will admit that there are a number of things here which could not to be to anothers liking. I do adore this show but it is far from perfect and if some cannot find enjoyment in it I can at least see why. For a few examples, the main heroine of the show remains a fairly bland one dimensional character for this season and for the most part is completely overshadowed by the female cast of the series second half. As the series continues she seems to assume a role of a plot device to keep the story moving forward. Subaru’s meta jokes can be rather annoying and can grate on a viewer’s nerves. As well as Subaru’s general attitude which can border on obnoxious at times. The villains of each arc while serviceable and likeable to extent lack any real character depth and have motivations that range from gleeful sadism to just performing a job.

When a story arc of the series ends the series feels rather directionless up until the point that Subaru starts looping again. Despite the series going to great lengths to show Subaru as an average human being with no superpowers, the story still cheats and has him perform some clearly superhuman feats such as welding a club his own size with one hand and performing some ridiculous midair acrobatics. This is also the question that the story tends to veer away from is the matter of Subaru’s past and more importantly the family he left behind in his old world which is never addressed or elaborated on.

Due to the adaption cutting out material it can seem at times that Subaru is pulling solutions out of nowhere. The level of sadism the plot pushes on our protagonist can get a bit too much, particularly during the middle part of the series. This sadism is offset by the times when Subaru gets his act together and suddenly everyone is praising him which can feel disingenuous on the author’s part. Moreover even if the story does aim to go against the trends of standard Light Novel storytelling, it still does rely on standard tropes for the fountain of the cast. Therefore the cast that doesn’t get developed can be a bit run of the mill, a primary example being Beatrix who by all accounts is a pretty standard tsundere loli. Subaru also appears to be gathering a harem of girls by series end. Lastly the entirely of this 2 cour series feels only to be a prologue of a much grander story to come which at this point in time may not be animated. Yes if you dislike this series I can at least get as to why that may be but even if the reasons above are not contributing factors, the story is of a kind of love it or hate it quality.

That said if you do take a liking to it then it will have you hooked from start to finish. Re:Zero uses a lot of cliffhangers leaving you scrambling for the next episode and has a very addictive quality about it that can make episodes breeze by in what feels like minutes to the viewer. Characters may start out stereotypical but quite a number of them become absolutely lovable by the shows end. The battles in the show feel high stakes as with the nature of Subaru’s power allows the possibility that everyone can die at any given moment, giving battles a tension not seen often in stories. The cinematic feel can lead to some truly outstanding moments with the end of episode 15 being a massive high point. Re:Zero is a story that starts good, becomes very good ten episodes in and by episode fifteen it becomes great. I do think that this will be an anime to be remember and one still recommended years from now.

It ends with a fairly decent conclusion but it is true that this really needs a sequel to truly make use of the plot points brought in it’s last episodes. Even if you hate it, you must admit there is a reason this show is as popular as it is and when it comes to over excited new anime fans, which would prefer they be throwing at there friends claiming it’s is the pinnacle of anime? This? Or Sword Art Online? An anime where you have to work and suffer to earn your happy ending? Or an anime where everything is handed to you, you are praised for being super special and important for no reason? I know which of the two I prefer and I say instead of a new SAO movie we just pump out two more seasons(Or more) of this. I don’t care what needs to be done to accomplish that, get on it White Fox. Good work, keep it up, I look forward to buying the Blu-Rays and Rem is best girl. I will accept no debate on that last matter. Good day.

Re:Zero -Starting Life in Another World – 25

Well it’s over and what a ride it was. Betelgeuse is defeated, everyone is saved and Subaru gets to confess his love to Emilia to leave the series off on a hopeful note. Only thing that would have made it better is more Rem but let us be frank, there is never enough Rem. I did wonder just how Subaru was going to stop Betelgeuse from possessing his body but the way he did it was the ultimate way to take him own. By bringing Sattella out while Betelgeuse was possessing him, he gives Betelgeuse a chance to meet the witch he so desperately loves only to have Sattella herself reject him. He’s crushed, the person he has adored and worked for all this time bashes him out of Subaru like batting away a cockroach. What little sanity Betelgeuse had left is surely gone now but what I find most interesting is the words he shouts to Subaru as he chases him in his new demonic form.

“I haven’t forgotten a single moment of all the things you did for me. Even if you have forgotten.” This words sound oh so very familiar. In fact they sound exactly like that of what Subaru said to Emilia. To a strange degree, Betelgeuse’s and Subaru’s objectives may indeed be the same. Though Subaru wishes to save and repay Emilia. While Betelgeuse wishes to save and repay Sattella. Perhaps Betelgeuse is also someone who was taken from his world and thrown into this one. He may have even had return by Death at one point as he speaks of Sattella not remembering him. Perhaps what Subaru is going through right now is some sort of rite of passage for an Archbishop of sin. Perhaps he is pride after all.

While Subaru’s intentions are for the best, I feel he is being somewhat rude to Emilia in how he planned to keep her out of this as much as possible. It goes to show that he has not got over his issues yet but it is surprising that Emilia took being deliberately removed from the equation so well. Even setting her up with the kids to insure that she didn’t do anything reckless. I seen it a bit in the last episode as well where Emilia seems disappointed in the fact that everything had already been worked out without her involvement. But it seems that any misgivings will not be addressed in this finale. As finales go this was somewhat predictable but not unwelcome as Subaru is given a last minute mission to reach emilia before the bomb he forgot about in the last run explodes. With Betelgeuse chasing after it gives Subaru a moment to shine before the end.

Particularly like that Otto redeemed himself for his actions before and even the oil he bought is put to use as Subaru uses it to set Betelgeuse on fire. Still it was interesting that Subaru kept sidestepping telling Otto what exactly was chasing them as he likely remembers what Otto did before to save his own hide. Subaru save Emilia and confesses his love to her with admittedly some words he outright stole from Rem’s confession. Got to admit that was a really scumbag move to use the words of the girl you rejected to snag the girl you wanted. But C’est la vie. They went overboard on the brightness at the end that it was near blinding but still it’s a good note to go out on.

Overall I see this a very solid ending though I do see there is those lamenting that White fox left out the full ending of Arc 3. Having spoiled myself on what exactly that is I wholeheartedly disagree as if they did go with that ending I would have had to buy a plane ticket to japan, visit White Fox and hold them at gunpoint till they made a second season. This ending at least gives Subaru a happy finale for now and while there are loose story threads at least if this turned out to be the only season of this show we get then this makes for a fitting end. Plus it’s not a filler ending so I believe White Fox can pick up right where this left off with no trouble. So we get a satisfying ending that leaves room to make a sequel so all and all I believe this to be a perfect end point for now. A second season is pretty much guaranteed considering the popularity of the series but when we get it might take a while. After all Attack on Titan is still waiting on it’s second season. For now I would like White Fox to confirm that a second season is planned. It’s highly likely but just having the confirmation would put my mind at ease. Though one thing we can take into account is just what Re:Zero’s success could mean for the industry as a whole.

Chances are that more web novel adaptations are coming our way and there’s even one about to be announced for a Knight’s & Magic web novel series.(Not confirmed but they said they have an important announcement and whenever something has an important announcement, it’s an anime.) Considering that web novel is pretty much trash that doesn’t make me too happy and this does have me concerned that an abundance of utterly terrible web novel adaptations are coming. I mean I wouldn’t turn away a Rising of the Shield Hero or Mushoku Tensei adaption but let me say if you think light novels are horribly written self indulgent power fantasies then web novels are going to be so much worse for you. I hate that a good show like this could lead to a worsening effect on the industry as a whole and thus garner unjust hatred towards this series. Let us hope that is merely pessimism speaking on my part and that doesn’t happen.

Thunderbolt Fantasy – 11

This week things escalated pretty quickly. Our helpless MC Shang Bu Huan shots himself in the foot pretty quickly. I already suspected it’s a matter of time before his scam will be exploited by Mie Tian Hai, but I surely never would have guessed it’s that early. Shang Bu Huan, hilariously, is just plain terrible in whatever he’s acting; and curiosity got the better of him that he actually discusses with Mie Tian Hai (already a bad move, but then again these characters in Thunderbolt Fantasy love to chit-chat) on his motive of acquiring the legendary Tian Xing Jian sword. The sword, apparently, is the only sword that can actually destroy monsters, while other “low-ranking” swords can only send monsters back to the death realm, which the only exception is Yao Tu Li. That monster, unsurprisingly, is the most fearsome monster that somehow still got stuck in this world; therefore, Mie Tian Hai wants to attain Tian Xing Jian sword to slay the monster. It’s actual very noble of him when you think about it. But due to the very late nature of this reveal, plus the fact that Gen Urobuchi love to toy with our expectation, I suspect that the monster Yao Tu Li was already slayed by Shang Bu Huan. It’s not based solely on assumption though, judging the way Shang Bu Huan actually understands exactly what Mie Tian Hai implied about the death realm.

For once, the always-sneaky Gui Niao is actually behind everything happening and he spends this episode to get all the clues and try to catch up with everyone. For all the little details that he managed to get, it’s awesome that he actually figures out all the players in play and now plans to getting ahead (he’s no Shang Bu Huan after all). When he realized that the safe was empty, he understands that the main boss has something up his sleeve, the way he confidently carries out the piece with him. Along the way, Gui Niao gave one of the most ridiculous (thus, the best) speech about opening the keyhole is even more delicate and temperamental than a fine lady (whatever that means). When he saw two addition plates on Mie Tian Hai’s dinner table, he immediately figures out that his comrades the Archer and the Necromancer had sale him out. Finally, when he recognized that the lock in Dan Fei’s cell is unlocked from the outside, he understands that Juan Can Yun has helped the girl to get back the real guard. Upon figuring out all that, he decides to head to the temple that hold that blade to set out his traps. Well, getting the legendary sword sure is complicated.

Meanwhile, in a Limitless Temple, it turns out that Dan Fei and Juan Can Yun have been followed by the Archer and the Demon Lady all along. And they appear to be who they truly are, a villain. After all, getting the Tiang Xing Jian sword is what they’re after, so it doesn’t matter who they tag along with to achieve that goal. It’s still a very cool way to know about the Giant Spirit tree and its Spirit Veins that lead to the temple (also I feel kind of glad that we finally head back to the sunlight after spending too many episodes in the dark. At least now I can get much better screenshots). I’m also a fan of the elegance of Xing Hai, the way she dances around and proudly announces that her student would have noticed they’ve been followed at least 5 TIMES. The two pairs fight, but it comes to no surprise that the wiser team is a much better team. Still, poor Juan Can Yun gets shot in the eye by his ex-mentor and lose the guard; thus Dan Fei has to retreat. This very action marks the grow in Dan Fei’s character. She used to be the one who fight to death for her honor, but now because she doesn’t want anyone else to get hurt, she’s willing to step back. It’s nice to see her grow more trust to other people, and they really make a good pair if you ask me.

Next week we will witness the fight between our Shang Bu Shuan and Diao Ming, one of the subordinate of Mie Tang Hai. Although we pretty much know the outcome, it’s still interesting to see our MC get into a real battle the first time after the first episode. I’m also eager to see what kind of traps Gui Niao will prepare this time? Are they all going to fall for it? Until then, mi amigos.

orange – 11

Well, this episode is one the most emotionally wrenching orange has put up so far and for me at least this dramatic turn of event is what this show does best. Kakeru’s issue is a fundamental one. So far, the group succeeds in helping him to open up more and enjoying himself bit by bit, but they don’t actually change his very perceive that he’s responsible for his mother’s death. That and the thought that he might lose another person closed to him depresses the hell out of him and he comes full circle after the whole series of trying to get better. When he eventually gets into that self-loathing mood, everything just snap. That of course is frustrated. It doesn’t help either that Naho is incapable of sharing the feeling with him. She has known that they eventually got into arguments that day, but when it happened, his problem proves to be too big for her to handle and she just froze at that crucial moments. After that, she chose the worst possible way when dealing with someone’s outburst: chasing right after them. It’s much wiser to just give them some time alone to calm themselves (at least Kakeru would save his phone that way). But really, what would you expect from a 16-year-old girl to do? I can completely understand his outburst, but still that is not how you treat a girl, Kakeru. Ever. This guy needs a professional help and clearly he isn’t ready to have a healthy relationship with anyone anyway. Which come to a shortcoming from the group’s effort to save Kakeru: Does the group putting Kakeru and Naho together really is the best way to save Kakeru?

I know I said it before but I don’t really like the way the show’s main focus on the second half squarely on “saving Kakeru”. That aspect just overwhelms others relationship between the cast, since most of the time the topic they talk to each other is how to make Kakeru happy. This week proves to be a nice change as we see more perspective from the rest of the group towards Suwa’s feeling for Naho. Moreover, when the rest of the group calls Suwa, they all actually raise some valid points to the table. Yes, saving Kakeru doesn’t mean that Kakeru and Naho need to be together. Well, at least they like each other, but still it doesn’t mean that Suwa would just sacrifice himself for the sake of those two. At least give yourself a chance. Hagita in turns points out (accurately, but at the same time somehow inappropriately) that changing Kakeru’s future will eventually indirectly changing the future of those around him, and it might not be a good idea to change things so much in this timeline. Azusa argument is the most direct response; she wants him to express his feeling to Naho because she knows that he could make her happy; something I’m starting to doubt that Kakeru could offer Naho. Well, knowing all that, in addition that he knows how his old-self in original timeline would end up (he’s the only one out of the group who seen the pictures of his kid and the old group, talking about “overpowered”), he still decides to support Naho and Kakeru till the end. He might eventually become the awesome dude that no one deserves to have.

Last episode I predicted that the story might end on a Valentine Day, but given that this episode still wanders around Christmas and New Year (one of the saddest New Year Eve in anime I would say), we might have a Valentine that will never come. Instead, I think the story could pretty much end in another event that was hinted many times before: the day the group writes their notes to their 10-year-older self. Judging from that, things might not end as melodramatic as one would think. At least, this episode restores my hope that orange might actually pull off a satisfy ending.

Thunderbolt Fantasy – 10

This week is a calm before the storms episode, as this episode is all about scheming and no actual action. But things slowly progress to an epic final.

Shang Bu Huan again gets the short straw by letting Gui Niao manipulates him into his plan. With the help of the magical hood that transforms anyone wearing it into… wait for it…. Gui Naio himself, he makes the laughable impossible scenario become possible. Shang Bu Huan, in Gui Niao disguise, will travel with Mie Tian Hai to retrieve the real guard (I thought it was a handle last episode); while the real Gui Niao will stay at the tower to steal the handle. Sound like they could pull it off, right? Until you realize that the plan only needs one Lin Xue Ya in play: the best option would be him to go with Mie Tian Hai, and TELL Shang Bu Huan about the whereabout of the handle and how to open the safe. Our poor MC not only could be easily exposed by the big boss (remember by just a glance he could tell that the guard is fake), he also has nowhere to run, and worst of all he doesn’t even know where the guard actually is. How did you agree on such a lame deal like that Shang Bu Huan? All odds are against him indeed.

One thing that I didn’t pick up last week was that Shang Bu Huan carries a dull blade. That explains a lot on his not-too-sharp attacking style a while back. Now either his dull blade functions like Kenshin’s reverse blade sword that reduce the damage to the opponents (because he’s too awesome to carry a real sword), or this is a legendary ridiculous long-lost sword style that no one but him could master. From the reaction of Gui Niao though I think it’s more of a latter, as he himself called it a dreadful weapon. It happens too often with the wuxia/ martial arts universe, sometimes those ridiculous fighting styles just pop up from nowhere and become an ultimate martial-arts moves that make absolutely no sense in real life whatsoever. My favorite has to be a drunken boxing style (which actually based on a REAL martial art, Zui Quan), where you have to be… ahem… drunk to triggers all the secret moves; and of course the only one who could master it was the only person who allergic with alcohol.

The ridiculous humor in this show still bright shines, as I can’t help but laugh with the claims Gui Niao made on his schemes that help putting the villains to live out their days quietly (Sha Wu Sheng, for example, had been quietly killed off everyone that might have a connection with The Enigmatic Gale); or Juan Can Yun after 5-minutes of extreme cautious when rescue a damsel-in-distress Dan Fei, suddenly came to realize that Shang Bu Huan, along with his actual prison-cage, were vanished. Keep that humor up Thunderbolt Fantasy.

It seems like the final battle will be at the Limitless Temple (remember that place? Yes, the place with offensive smell that is). Looking through a preview next week, there will be a big stand-off there. There are Shang Bu Huan and Mie Tian Hai group, Juan Can Yun and Dan Fei also make their way to the temple, and most surprisingly, Shou Yun Xiao the archer and Xing Hai the necromancer will be there as well. Gui Niao has mentioned to our MC that the main reason to he included Shang Bu Huan in the first place is to serve as a distraction for those two, so that they don’t have time to scheme anything against him. Well, it still doesn’t justify how Gui Niao so desperately to keep the man that he offers his own head to Sha Wu Sheng, but I let this pass for now. For now, what I’m interested the most is the intrigue role of the Archer and the Necromancer. Are they going to be comrades and help the gang to get back the sword safely; or are they going to be every man for himself, Tarantino-villain mode where every heads will roll? Right at this moment I would say the latter, but really the story could go anywhere depending on how high Gen Urobuchi was when he wrote it; and that thrill is precisely the reason why I’m still waiting for more Thunderbolt Fantasy week after week.

2016 Fall Anime Season Preview

There are times when I think that time hates me. After all my work hours go by so slowly that one would think time has stopped. Yet my spare time flies by that I look at a clock and one minute later look again to see an hour has gone by. I barely feel this season even started and yet it’s already ending and we got a whole new lineup to see. I previously said the current season looked to be a rather weak one but it has brought a number of surprises. The question is whether that will happen again as this season is looking potentially weaker. The large amount of original shows certainly increases the chances of a number of hidden gems so you never really know until it’s over.

My usual method of checking out every bit of source material I could find didn’t fair too well this time due to the large amount of anime original and untranslated works. But if I could get my hands on it, I checked it out. This season we are doing something a bit different. My usual way of doing this has become a bit outdated not that we have a number of authors on the blog. So instead of the poll below being used to decide one of the shows I will cover, we will use the poll as a means of figuring out just what you want us to cover. Basically it will be more or less the same but the top pick may not be covered by yours truly. Feel free to vote for as many shows as you would like.

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What will you be watching this winter?

Once again thanks to Mario for gathering the images and the others for inputting their two cents on certain shows. Let us get started.

 

The sequels/prequels I don’t care about

12-Sai. Chiccha na Mune no Tokimeki 2

AJIN 2

Bubuki Buranki: Hoshi no Kyojin

BUNGOU STRAY DOGS 2

Cardfight!! Vanguard G Next

Digimon Universe: App Monsters

Haikyuu!!: Karasuno Koukou VS Shiratorizawa Gakuen Koukou

Hibike! Euphonium 2

Kaitou Joker 4

SHOW BY ROCK!! 2

Kidou Senshi Gundam: Tekketsu no Orphans 2

Uta no☆Prince-sama♪ Maji Love Legend Star

ViVid Strike!

 

Series I don’t look forward to

 

Bloodivores


 

60 years ago, a strange case of insomnia struck the population, forcing them to stay awake for more than a full week. The victims, completely sleep deprived, all went mad. To cure this illness, a new medicine was produced, but the side effects turned the patients into vampires. Humanity went to war against this new species and triumphed, but some of the vampires managed to survive. Born from a Human and a Vampire, the main character Mi Liu, “The Child of Hope”, is to represent the new hope that will connect the two species. Ringleader of a bank robbery, Mi Liu is arrested and transferred to a special prison of the National Defense Agency that monitors Vampires. Trying to break free with Anji, Mi Liu is attacked by strange monsters and he finds out that the prison location corresponds to the birthplace of Vampires, the old capital “Blue Town.” Why are Vampires trapped in Blue Town? What are those strange monsters attacking them? Our heroes must fight to solve those mysteries.

Studio: Creators in Pack TOKYO

What happens in the backstory of this show sounds much more interesting than the show itself. A world driven made by insomnia? That is actually a pretty interesting concept. But nope, it’s just backstory to justify vampires. Really gotta hand it to the scientists that somehow managed to turn people into vampires when trying to cure insomnia. Anyway we have no staff information and it might surprise some that this is an adaption of a Chinese web comic originally called Space-TIme Prisoner. Based on what little I read it’s really nothing to write home about. Fairly mediocre, much like The Outcast series airing in the summer season. I quite like that anime is being created of non-japanese works but I really wish they could pick something a little more worth it.
Continue reading “2016 Fall Anime Season Preview”