Tag: analysis

Berserk(2016) – 08 [Reunion in the Den of Evil]

by Bam, posted in Berserk(2016), Currently Watching:

Episode 8 starts with a cold opening that retreads the fateful rendezvous of Guts and Casca. I actually thought that this was a good move, as this is a very big moment in the overall story of the last few arcs. After the Golden Age section we get very few deep character moments, and a lot of the pathos of the story has been replaced by mere action. I’ll take the time to reiterate my opinion that the Golden Age Arc is quite honestly the very best part of the story. The focus on the characters and their relations, combined with the world building which masterfully portrays a dark fantasy realm that borders close to our own, yet at the same time concealing an inundation of supernatural evil slithering under the surface, are what have made Berserk the masterpiece that it is. After the events of the Eclipse a lot of that imperative was washed away, and replaced by a revenge story which is heavy on plot, yet slim on thought-provoking ideas with deep emotional impact. This little scene of reunion hearkens back to those glory days, even if ever slightly so.

All that said, after the opening we are thrown right back into the action. The fight choreography is taken directly from the manga, but turned up a few notches. As intricate and detailed as Miura’s drawings are, it’s still sometimes hard to follow his action panels. Compared to Tezuka, or the more contemporary mangaka such as Naoki Urasawa and Takehiko Inoue, Miura’s panels seem to be displaying the key frames, and leaving out the dynamics of the action to the readers’ imagination. So at least here we get a more direct interpretation of the fight scene, which while completely sufficient, fails to really enhance on its source, as say a studio like Ufotable would’ve managed to do. We even get the near miss of Guts almost losing his only functioning eye, but he manages to use a little bit of strategy to neutralize the Goat before resorting back to brute force and finishing the job.

We next get to see Farnese using the situation to try and kill two birds with one stone, and coercing the troops of taking care of Guts along with the rest of the ghouls.  Azan tries to be the voice of reason, but is soon shut down, and being well aware of his rank, simply continues to follow the orders. Azan reminds me of a certain knight in Final Fantasy IX named Steiner, who while taking himself seriously, is still relegated to comic relief; although both characters aren’t exactly push-overs.

It’s brought to Farnese’s attention that Serpico is missing. This leads in to our next action set-piece, which proves to be a bit more personal. This duel has been long in the making, since although Serpico has no qualms with Guts, his devotion to Farnese compels him to remove the threat that has been plaguing her mind. There also seems to be a bit of a clash of egos at work here. Serpico is a pragmatist, using the best tactic to set up the match to his advantage, with no apparent regard for honor. He has always somewhat reminded me of Griffith, and I think the parallels are too striking to be completely coincidental. The fast fighting style, the cunning calculation, the pride, all point to a resemblance in their world-view and personality.

The narrow landing prevents Guts from drawing his sizeable weapon, but he isn’t particularly new to being in the corner either, and starts the face-off with a flurry of arrows and explosives. Serpico manages to regain his footing and then precedes to send a wave of rapid thrusts. Guts catching the rapier’s blade with his hand is again reminiscent to the surprising way he caught Griffith off-guard by biting the edge of his sword. Looking at the hilt of Serpico’s rapier, it resembles a German Pappenheimer, which means contrary to common belief the blade is not only pointed for thrust attacks, but also edged for slashing. It’s also somewhat historically accurate that such fine rapiers were often quite brittle; making the shattering of it not much beyond the realm of possibility.

Down in the valley we have Farnsese going off on her men. The prospect of Guts surviving is taking a toll on her, and we see her scabbard-smashing her men in front of a concerned crowd of knights. On the other side we see that Guts nearly pushed to the same limits over Isidro losing Casca, but he manages to subside his rage. I feel that this is in part due to what took place at Godo’s house, and how this situation was quite similar to his unwarranted outburst against poor Rickert.

At the end, the gang heads towards the Tower of Conviction, as the Skull Knight vague ramblings foretell an ominous encounter. Inside we get a glimpse of Nina and Casca, and a small window into Uncle Mozguz’ House of Terror.  The stage is set, and the pieces are assembled. The next Episode is titled Blood Flow of the Dead, so I’m guessing that it will be the first part to a double, or perhaps triple, episode, that will be covering the main part of the chapter we’ve been waiting for. These recent episodes have been following the manga extremely closely, and all the while moving at quite a rapid pace. My only issue is still the execution, and how the show has yet to go beyond what they are directly drawing from. One could only hope that there is some budget being set aside for a more memorable finale, and at least now we can anticipate the trajectory of the rest of this cour. Until next Friday and more Berserk, stay tuned my friends.

~Bam~

Berserk(2016) – 07 [The Black Witch]

by Bam, posted in Berserk(2016), Currently Watching:

I apologize for this very late review, but due to circumstances I didn’t have the means of watching the episode, and hence the week-long delay. I’ll try to at least leave a notification in case of such issues in the future, but otherwise will try to keep the posts steady. So let’s get right to it, shall we?

We get a recap of the ending scene of last episode, with the Demon Child warding off the spirits, and in turn making Casca the hailed princess of the cult. It appears that in these times of desperation, the cult members cling to anything that they can praise as a deity. The noteworthy thing here is that Casca shows a maternal instinct for the Child, as she tries to reach for it before it disappears. This stands as a stark contrast to Guts, who sees the child as a curse and an ugly reminder of his past.

Next we have a scene at the camp, with Luca being brave and assertive as ever. I always disliked Nina’s characterization, but she appears to be even more annoying in this series. Her selfish ways are highlighted here in an attempt to create some sort of a character arc for her in the future. The duo’s discussions are interrupted, as they are notified of an impending trial of another one of their compatriots.

Looks like we have ourselves a classic witch hunt here. Not unlike such similar occurrences in reality, these hunts are more about silencing unrest and class warfare than anything else. There are few tools more effective in oppression of a population, than an appeal to divine authority. Thankfully the masquerade is cut short by the sudden appearance of a certain Black Swordsman.  Guts has well established himself as the king of entrances, and this instance is not any different. I really do enjoy his no-nonsense approach to information gathering, and when pushed he proceeds to lay down the authority very swiftly. Fans often forget that Guts is truly an antihero, with his mercenary background defining his sense of morality. He is single-minded in his approach, and not afraid of taking any necessary measures to achieve his goals. I like to note that the digital blood splatters were bearable in this scene, and did little to distract from the action.

Next we have a rush back to the campsite in order to fetch Casca. There is a quick overview of the state of constant fear that has enveloped the camp, as people are quick to sell each other out in order to avoid punishment. The knights’ preoccupation with the situation in Albion can only mean that the news of the full-scale Kushan invasion has not reached their ranks yet. This is exacerbated by the show jumping the gun, and expediting the assault on Windham as early as four episodes ago.

Nina proceeds to panic when Luca doesn’t make it back to the campsite, and makes another stupid decision to seek refuge in the cave of the cultists. I guess this can be excused, since from her perspective the chance of Luca being caught by the knights is actually very high, and this decision is made out of pure desperation. I never liked the “princess is in another castle” shtick, but here it serves to move the plot towards the eventual encounter.

I never fully understood the mechanics of Puck’s visibility to mortals. It was implied that those of closemind and narrow worldview would find it harder to see him, but here we are told that larger crowds further hide his presence. I guess things are more easily concealed when there is more commotion. There is also a shallow attempt at explaining Isidro’s backstory, but given the rapid pacing of the episode this can be excused, as it would’ve bogged down the flow if it was given too much focus. He might be a silly kid, but at least he’s honest and to the point. From his view it definitely seems as if he’s found himself quite a master in Guts, and there’s safety in being under his wing. Little does he know how much of a magnet Guts truly is to danger, and considering that he learned his skills firsthand in a mercenary camp, Gut’s utility as a sword instructor is at the very least highly questionable. Nevertheless, he pursues Nina and Casca towards the cave.

Next there is the reappearance of Joachim, as he spills the bean about the location and activities of the cultists. A soldier also breaks the news of Guts to a visibly shocked Farnese, as the main thing she was trying to avoid has finally come to find her. Her reluctance in facing Guts definitely plays a part in their decision to give priority to hunting the cultists. There is some irony in the fact that the gravitation of the common people to these cults is directly related to their struggles under the Holy See’s oppression. The tighter the grip, the heavier the backlash against it.

We’re welcomed back to the cave, and it seems that this episode has given it a livelier look, as a bright magenta color palette prevails the tone of the scene. There also appears to be some improvements to the textures, with the ground and the cave walls having a more detailed look to them. I personally always enjoyed the symbolism of the crown of thorns that they place on Casca, although I admit that it is more for show than pertaining to anything deep. Nina is being prepared to be sacrificed for the union of the Great Goat and Casca, who as we remember is being worshiped as an idol of the cult. The world of Berserk heavily revolves around the concept of sacrifice. The cave seems to be located within a certain interstice, as a place where the barrier between the physical world and the astral realm is particularly weak. This is further intensified by the presence of Casca, which yet again summons the ghosts of those who were sacrificed to possess the cultists.

Next we get a full-on zombie brawl, as the Iron Chain Knights converge on the location of the cave. Well, in reality it’s more of a slaughter than an actual battle. I like to take the time to say that I really enjoy the design of the visor on Farnese’s helmet, here portrayed with an even more exaggerated length than the manga. Isidro proves his worth, as he buys some time until Puck can fly and get Guts. It is revealed that the Great Goat is not really of any supernatural essence, but just a man donning a ceremonial goat head. This quickly changes as the Egg Apostle sires the Great Goat, and makes him a true apostle-spawn. I’ll be getting into the Egg Apostle’s story in later reviews.

I seriously thought that what ensues will be toned down, but lo and behold, we are greeted to yet another demonic rape attempt. I guess after the infamous Rape Horse I should be expecting the series to stick close to these specific elements of the source material. Here we have some familiar workaround female nudity, as well as a peculiar censorship of some violence. I think this is a good place to delve a little bit into the strange censorship laws placed on the Japanese media. The regulations regarding anime censorship are strangely specific, with varying levels of rationalizations. There is much leeway in the graphic portrayal of violence when the subject is considered “otherworldly”. This means that a zombie, monster, or any evil creature can be shown to be straight ripped apart, while human victims need to be toned down to either simple stabbing or details being subject to black bars and omissions. There are similar laws regarding nudity, and more specifically the male reproductive organ. As Toshio Maeda of Urotsukidōji fame came to realize back in the 80’s, a regular human penis can under no circumstance be portrayed in media, while any phallic or “penis-like appendage” is completely acceptable under article 175 of the Criminal Code of Japan. And hence, the inclusion of the snake penis.

As things seem to be reaching a critical level, we are greeted to another badass Guts entrance, this time in the form of what can only be called a ‘Batman moment’. He emerges from the shadows, swiftly maneuvering down to the pit, and making mince-meat out of the possessed cultists. The Dragonslayer dances with little resistance, as the cavelight gives a Sword of Moonlight blue hue to its blade. As we get passed the nasty goat circumcision, we are thrilled by a much-awaited reunion of our two estranged lovers, as their meeting gaze speaks much more than anything that could be uttered here.

Overall this one was a faster, denser, and dare I say better episode than the last few that we’ve had in Albion. There are many confrontations in store, and the stage is nearly set for one of the most iconic moments in the history of Berserk. I have my work cut out for me, as I’m jumping right into the next review as soon as this one is posted. Stay tuned for more, as I rush to make up for lost time.

~Bam~

91 Days – 06

by AidanAK47, posted in 91 Days, Currently Watching:

I would say this is the strongest episode so far of 91 Days as it essentially revolves around what makes Mafia drama at it’s best. Betrayals, scheming and deceit are what fuels organised crime and what a scheme this was. When looking at the three family leaders I suppose it’s no surprise that Orco is the first to be knocked off. After all the Galassias still hold the reign of the Vanettis and the Vanettis can’t go down until Avilio has his revenge. They used the fact that they have something that Orco wants and I particularly liked how they kept presenting him with risky handouts that turned out to not be genuine. This really caused him to relax his guard and when it came time to drink the real drugged drink he downed it without hesitation. Not to mention Avilio revealing himself to Orco in order to gain his trust. Thus the full plan comes into play.

To lure Orco to the distillery, fool him into thinking Avilio betrayed Nero and drug him with a congratulatory drink. How this was presented is really how any anime should handle a good plan. No inner monologues before or after the act to perfectly spell out what Avilio was thinking and only slight clues alluding to what he intended. One small line about gathering Chickens was enough to figure out where they got the blood to fake Neros death and because we didn’t know the full particulars of the plan we were as in the dark as Orco was. It gave a chance for the audience to be fooled along with him while giving a reward to those who paid close enough attention. Now if only Shounen battle anime could take this to heart and realise that maybe we don’t need someone mentally choreographing an enemy’s moves to understand what’s going on. Maybe in a manga that’s necessary but in a show it’s just a pacing killer.

This may be the first time Fango’s craziness has actually benefited the show as he takes notes from Shakespeare’s Titus Andronicus and feeds the remains of the Orco Head to the family members. Now I see why previous episodes put such focus on how the Orco leader had a obsession with perfecting Lasagna. This does show just how putting this guy in the top position is a really bad idea though as Fango is far too impulsive to be trusted. The test he gave Nero before accepting his deal is evidence enough that he’s far too unpredictable to keep a stable partnership. He’s playing along for now because it benefits him but the moment it suits him to have Nero killed or even if for a moment he just feels like killing him, he will not hesitate.

Plus as Avilio pointed out, Fangos enemies are now their enemies. Knowing Fango, he’s bound to have made a lot of enemies. As far as I am concerned I think Fango  is a ticking time bomb ready to self destruct so it’s really a matter of whether this is part of Avilios plan or merely a temporary deal to give him time to plan. Maybe he intends to get Nero involved with someone ready to run the family into the ground and abandon him when things get truly dire. A question I ask when I finish the episode is whether the lasagna Avilio and Nero were eating is the same as the one fed to the family members. Knowing Fango, he would be twisted enough to present them with it without them knowing.

orange – 07

by SuperMario, posted in Currently Watching:, Orange

This episode is a winner. It hits all the right notes on what make orange so appealing. Upon knowing that Kakeru will attempt his first suicide after talking to his Tokyo friends over the weekend, Suwa and Naho confront him and tell him not to go. Kakeru is an insecure kid, he’s deeply troubled by the death of his mom, blames himself for what happened and is unable to talk about his problems to his friends. But as Suwa points out correctly, close friends are supposed to share pain together, and his mistake was not his fault. I once had a real friend who told me that she had thought about attempt suicide and it was nasty. The real ugliness of it is once you had it, the thought of suicide never leaves you away and there’s always an urge that push you to do it whenever you feel depressing. Kakeru can only get better if he can be able to talk about it and let his regrets all out. The last sequence is a very nice moment, and I tip my hat off to the direction of that sequence. When Suwa confronts Kakeru, there’s no music cue between those exchanges and it’s the silence that makes us feel the tension and weight behind each conversations. Talking about these things is never easy but at least all three can be able to speak out what they really want.

Suwa steps up to become a big bro for the group. I mentioned last week that I had my concern about feeling cheated if all Suwa did was just followed what were written in the letters. Well, he did follow the letters but thank god the show never sells him short. The thing is that Suwa is not a selfless kid who pull back his feeling to see Naho and Kakeru happy. He did it for the sake of them, yes, but he also did it for his sake as well. It’s a hard role for him but he can pull it off because he’s the most mature and most emotionally honest of the group. There’s still unclear if the rest of the cast also receives the letters like Suwa and Naho did, but they fulfill their supporting roles very well this week. Scenes when they asking Kakeru what he wants for his birthday, or when they stand up to protect Naho from Ueda (Ueda sadly remains the only sore thumb in this episode) are all genuine that showcase their great care towards the leads. And I love the way the two girls stand behind the door, overhearing the sincere conversations from the leads. That small moment speaks more than thousand words, and suddenly they become much more layered in that single moment than they were for the last 6 episodes. Yes, those friends might not be the ones who could change things significantly, but they will always be there whenever you need them.

You might have notice that in previous posts I didn’t discuss much about the romance between Naho and Kakeru, mostly because I found it the most ordinary aspect of orange. Although they share great chemistry together, there’s no denying that “boy gets girl” part is the most cliché part of them all. But even so, this week’s moments between them are goddamn effective. The reason why Naho and Kakeru in the original timeline couldn’t get together was because they were unable to express their feeling to each other. Kakeru always hides his feeling deep down, and Naho is too nervous to say what she really thinks. In this timeline, however, with the help of Suwa and all these friends, Kakeru has a chance to confess to her and she replies him back. Call me cheesy but I found the flowers scenes are heartfelt. They were used twice but each sequence conveys different feeling. When the adult Naho receives the flowers from Suwa, it feels deeply poignant, but when the young Naho accepts the flowers from Kakeru and his confession to her, it feels sweet and genuine. On other notes, there are many nice visual motifs in this episode: the flowers, butterfly (butterfly effect?) and the fluid-est scene transition that fit to the opening credit (go see it!). Based only from this episode, things are about to get better after Kakeru confesses his deepest regrets, but I’m not sold. The theme and the tone of orange always firmly head towards the melodrama territory, so things going to be sad. I’m for once keen to see how they pull this off but at least this episode is a solid example of what orange can do best.

Re:Zero -Starting Life in Another World – 20

by AidanAK47, posted in Currently Watching:, Re:Zero -Starting Life in Another World

“For a rat, Poison. For a White Whale, a harpoon. To our Honorable Dragon we are, Shitbags”

The above was actually the first time the white whale was mentioned in this series, way back in the second part of episode one. This was the password Felt said to gain entry to Roms shack. The first line makes me wonder if there is a rat mabeast giving the kingdom an equal amount of trouble. This was a pretty great episode. So much so that I will even forgive the music at the start of the episode blatantly robbing part of the Melody of the Chrono Trigger Theme. Todays episode focused on the battle against the White Whale and on the past of Wilhelm who was likely channeling the spirit of King Bradley from Fullmetal Alchemist Brotherhood. I wasn’t quite sure what to expect from Wilhelm when it came to fighting but I certainly wasn’t expecting him to jump on the thing and slice it up in what could be considered completely ridiculous yet strangely awesome at the same time. Goes to show that in this universe everyone is truly ten times more powerful than Subaru.

Even an old man, or more specifically an old man’s wife make Subaru seem like average Villager A. The flashback to Wilhelms younger days honestly would make for an interesting story on it’s own and there is a extra novel detailing how he and his wife meet and fell in love. Still the small scenes give us a decent idea of what exactly happened and I quite regret that Theresia is dead seeing as she is quite likeable. I wonder if it’s going to be a thing from now on for Re:Zero to make every side female character deeper and more interesting than the main Heroine? Emilia, you are going to need some serious development to catch up here.

We have the reveal of not only Wilhelm’s wife but Satella the jealous witch makes a brief but long awaited first appearance. When Subaru tries to tell someone about his power in order to draw the White Whales attention, Sattella appears over his shoulder with only her lips visible. She mouths the words “I love you” before disappearing. Seems she’s quite taken with Subaru but that’s likely not a good thing. It’s been pointed out previously in the series that if the Jealous witch takes an interest in you then it will only lead to bad things. In this case she isn’t just interested in Subaru, she’s outright enamored with him much to Betelgeuse’s dismay. White Fox have taken the costly move of not resorting to CGI to animate the white whale and I certainly thank them for it. CGI is still recognised as such no matter how well it is done and will truly never quite match the level of a 2D animated object.

The animation of this episode was quite brilliant and the fight was exhilarating with a nice exchange of blows between both parties. At first I was worried that the White whale would go down without much of a fight considering how much of a beating the army were giving it. But they managed to show just why this thing is so dangerous once it summoned its fog. It was similar to a raid fight in an MMO as all members of the army jumped into to attack in waves. The more damage they inflicted on this thing, the more dangerous it gets. Summoning the fog to hide, blasting people out of existence, making people go insane with it’s roars and pulling out it’s final and most dangerous card by episodes end. This thing knows how to put up a fight and I certainly would love to give it a fight in Monster Hunter if they ever made a tribute to it.

The beginning of this battle started off with such hope and perhaps I should have seen that this being Re:Zero, things were going far too well. At episode’s end it makes me wonder if this is a dead end for Subaru and he may need to come back to this battle with new reinforcements. Perhaps he needs Priscilla to give him a hand and maybe Felt can manage to get Reinhart to join the faye. Fairly certain he could make short work of this beast but as Wilhelm pointed out, his wife shouldn’t have been killed by this creature if it was only this strong. He’s right in that regard as based on how much Wilhelm was ripping it apart, his wife would have made short work of it. But then the answer comes with the episode’s cliffhanger. That there is not a White Whale but instead White Whales.

Considering that the army threw everything they had and couldn’t even kill one this truly doesn’t bode well for Subaru. Even Wilhelm is out of the running now but something tells me he isn’t dead quite yet. That whale swallowed him whole and I think he would be able to cut his way out. So once again this series leaves me thirsting for more as we get a new ending sequence that likely won’t be put to much use in the last few episodes. In fact we managed to get an opening and ending in an episode for once which is good yet somewhat disappointing. The next episode likely will end the battle with the white whale but one must wonder how much trouble the Witches cult after this will give Subaru seeing as the White Whale most likely wouldn’t leave anyone ready to help take them down.

Neon Genesis Evangelion – 03

by SuperMario, posted in Currently Watching:, Neon Genesis Evangelion

Let me just start by apologizing for the delay of this post. I guess the only privilege of covering a retrospective show is you can cover it any time you want. I kid, I kid. The truth is I just binge-watched many series so I don’t have time to do this review. While I’m enjoy writing reviews, it’s no secret that it has eaten most of my free time and sometimes I miss a good old time when I still have time to watch everything and not to worry about review. Anyways, my ranting ends now and I hope I will review this piece more frequently. Now, moving on.

This episode shows us another facet of being a hero. It’s not all shine and glory, and Shinji proves to be as atypical a hero as you could imagine. Told through the point of view of new Shinji’s new classmates Toji and Kensuke, Shinji at first appears as a thorn to their eyes. His sudden spotlight for being the one who save the city strikes a wrong note to those guys, and to make it worse Toji’s sister was injured from that fight, something which he blames for the fault of the hero. To add salt to the wound, Shinji himself confesses that he did not choose to protect the city. Seriously if I were Toji, I would not stop with just one punch. Shinji’s submissive seriously gets on my nerve! But when the Angel attacks again, Toji and Kensuke has a real chance to witness what it really means to be a hero and save the world. It’s all messy. Eiji got suffered, both physically and mentally. It’s a life and death matter where you could end up death with just one wrong move. Shinji pushes himself to the limit that it borders on insanity. Kudos Gainax for creating a battle that gripping, on-the-edge and terrified, instead of going over the top like most mecha action sequences tend to do.

The original Japanese title really nails another theme of this episode. “The Phone that Never Rings” best described about Shinji’s character. The more I think about it the more I see him not really fitted for this type of job. He’s a loner, he’s submissive (look at the way he talks to himself “aim in the middle”) and worse he sees no point for himself to fight. Even in his normal school life, he has no friend. As I mentioned above the battle was gripping because we witness Shinji nearly breaks down, but the worst thing of them all is the whole mess is still working. As we learn in consequential theory, if one still produce a desired result then nothing is needed to worry about, right? In this case not in a long shot. If Shinji keeps pushing himself like that, eventually he’ll break. Everyone breaks, it’s biology; as they say in the (in)famous torture scene in Zero Dark Thirty. Seriously I think saving the world is too much a burden for our Shinji. Not that I blame him really since it’s already a very obscure idea to rely on 14-year-old kids to fight the alien. Well, we still have plenty to go but as far as 3 episodes, EVA has already established its strong grasp on the ruined and shattered theme. This time I will try to get the next episode review quicker so stay tune. Until then!

Thunderbolt Fantasy – 06

by SuperMario, posted in Currently Watching:, Thunderbolt Fantasy

I imagine those of you who expect Thunderbolt Fantasy a full-blown action series, the first half of this week would prove to be a disappointment. There’s too much talking and the plot just floats upon a river, slowly crawls into its destination. But really Thunderbolt Fantasy never intend to be a true-ish action show, the staffs go for it knowing full well it’s a campy B-genre show. They really understand that the band of misfits is a real stars of the show (as oppose to the attention-catching premise which is a puppetry wuxia show written by Gen Urobuchi) and as a result the show spends a considerable amount of time just for the characters interacting with each other. I’m fairly content with it because if the show just relies on its gimmick, it will wear off very quickly. Thankfully again, when the actions indeed kick in, it’s a feast to the eyes. There’s way too much explosions and gores actions (in a puppetry form to boost) that you would never see in anything else, anime-wise.

Our main character Shang Bu Huan, having the same state of mind as myself, has doubt about Gui Niao’s true intention in this whole affair (frankly, offer his head to secure the magic flute shows how desperate he is) and literally spends a good first half talking to everyone in the group. By the end of those talks he never gets the answer he wants to know, but instead learns two most valuable lessons: that his comrades have different sets of personality and they surely don’t look eye-to-eye in almost everything, and that everyone never trust each other, especially against our main character. The only things those people have in common are they’re going to retrieve the sacred sword, and Gui Niao. He’s a tape that stick everyone together and making them perform their roles. Whatever his intention will be, I’m really amazed the way he pulls all the strings behind the scene. Now, I have a theory about the intention of Gui Niao, and that has something to do with the information we gathered this week. It’s about the divided countries of Xi You and Dong Li. From the information we gained there was a sorcery of the demons that formed the Wasteland of Spirits, that split the two countries for almost 200 years. I come to believe that gaining the sacred sword, plus the fact that Shang Bu Huan come from Xi You, there is a fair chance of them to undo the effect of black magic, get rid of that Wasteland, and unite the two nations.

But to give more attention to our group also means that the enemy side gets undeveloped. We hardly see any of them long enough to have any impression, nor do we care much about them. For now, they are just too bland. It’s interesting to note about the character designs of the villains. Besides their black clothes, they don’t look as “evil” as some members of our groups. And I didn’t expect the main boss Mie Tian Hai appears to soon to fight off the group, so his appearance either will limit to talk to our allied group in the next episode (get right to the show’s comfort zone), or he is not the boss at all. From the way the show keeps delving on the nature of all the “archetype” characters (like the demon lady is not quite evil, but actually a bit elegant; or the “sheltered young lady” is the one who sees positive things most characters tend to overlook), I expect a bit of deconstruction on the main boss. Hopefully we will know more about him next week. Overall, Thunderbolt Fantasy’s still going strong. I really enjoy all the gestures and mannerisms each of the possess and hilarious lines like “let’s put aside a cultural difference for now” (when the characters talking about demon and human) are always welcome in any show.

Mob Psycho 100 – 05

by AidanAK47, posted in Currently Watching:, Mob Psycho 100

We had a pretty great episode of Mob Psycho this week as Mob faces off against another esper in the form of Teruki. Animation was in top form throughout the episode as the two demolished the school with a psychic battle. Well calling it a battle is a bit of a stretch as the only one fighting was Teruki. Comedy was alright but what really shone about this episode was the actual drama and meat behind it. Namely Mob putting forward his belief of wanting to develop a talent without relying in his natural psychic powers. This belief directly opposes Teruki, whom believes that his powers elevate him above everyone else. Mob’s very existence calls Teruki’s philosophy of life into question as Mob equates having psychic powers to a natural talent. Funny enough this very idea came from Seigan who once again, despite being a horrible person, proves that he just may be the perfect mentor for Mob.

Though his teaching does hit a flat note when he he attempts to make a metaphor about knives. Even Dimple remarks that it all sounds very impressive until you realise that Seigan is the one saying it. Still there is sound logic in what he says, a esper can lift a boulder with his mind but that doesn’t make him any more useful than an ordinary person if you asked him to help program a mobile application. When you take it truly into consideration, just how useful are superpowers in a modern society? The obvious end result is to become a superhero and stop crime but for those looking for a more average job, superpowers are surprisingly not that useful.

What’s the point of having telekinesis if you work in IT? Or having super strength if you are a cook? Or having the ability to fly if it rains a lot?  It’s true in certain circumstances these things could have a use but in regards to daily life I think it would be surprising just how little a difference it would make. Superpowers are cool but they don’t make you a perfect human being and what’s more important is that relying on something that was given to you at birth makes your actual character hollow. As Mob put it, he wants to earn something by his own effort than rely on a power he was blessed with. Otherwise if his power was taken away from him, all that would be left is a empty being. Teruki doesn’t take this well, in fact Mob practically emotionally breaks him that it makes him determined to prove Mob a hypocritic and force him to rely on his power.

This is a rather interesting concept as Teruki is forced to face that rather than being the center of the universe, he is just an average person. If you are to contrast him to a standard shounen protagonist it make for some food for thought. After all a lot of shounen protagonists are driven by a need to prove themselves and grow stronger. Mob says that the reason for this is because they have crippling low self confidence which makes sense. For a famous example, Naruto was ostracized and belittled at the beginning of the series. As a Ninja he was failure and it’s possible that even as he reached the heights of power, he still holds a inferiority complex that pushes him to be cocky and strive for more power.

At the end we see that Mob has a level of power beyond that of his 100% mode and upon seeing that Teruki finally comes to terms that he is indeed a average person. But perhaps seeing the friends Mob has made in the body improvement club might help him mend his ways. Who knows, maybe even his hair might grow back. Dimple apparently died in the fight but I highly doubt it’s the last we see of him. It was pretty interesting to see Mobs emotional meter not rise a bit despite DImple being exorcised and even the montage showing that Dimple wasn’t exactly a pleasant being was pretty amusing. What looks to be important here is Mob’s brother and his jealousy over Mobs powers which looks to play a role in the next episode. There’s also the matter of how all this affected Mob himself as this was a high test of his character and in his eyes he broke one of his principles.

I think what has become the big drawing points of the series is the character of Mob himself as he continues to prove to be not quite as emotionless as he appears. He originally came across as psychic Saitama but now he may have more to him than Saitama ever did. Still despite this Mob Psycho doesn’t seem to be that popular this season from what I have seen. Perhaps due to a lack of resonance with the art style or simply disappointment for those expecting another One Punch Man. While I doubt Mob Psycho 100 will reach the level of popularity of One Punch Man, I think that if it continues to bring episodes like this then it may outclass it in other areas. Though that all depends on what is to come.

~AidanAK47~

91 Days – 05

by AidanAK47, posted in 91 Days, Currently Watching:

I think by now many of you have noticed that my 91 days reviews take significantly longer than the others and I will admit that part of the reason for that is that this show is hard to write about. Not that any of this has been bad, on the contrary the writing and direction has been very solid. Rather I find myself with surprisingly little to say about each episode. 91 Days is a slow burn and in that way it holds a different kind of interest for me. It doesn’t have me waiting on the edge of my seat like a new Re:Zero episode but still has high value in the season.This series seems to me to be a kind that can only be fully appreciated once it’s story has hit its conclusion. Then instead of seeing bits and pieces of it’s plot we can look at it as a whole and come to appreciate it’s value. Of course what value that may be all comes down to how this all plays out and I hope that it manages to end on a good note. I can hardly say that the animation in this episode was great as Shuka does have rather shaky production values, however a good story can make up for lacking visuals.

After the Orco’s attempted to kill Fango, a truce has been signed between the Orco’s and the Vanettis which means that Avilio’s and Nero’s road trip has come to an end. Unbeknownst to Nero, Frate neglected to inform the family that a term of this truce was the death of Nero. The Galassias are also pushing for Neros death and have stepped in to put Frate into being the leader of the Vanettis family. Likely because Frate happens to be sucking up to the Galassias and they would prefer a easily controlled lapdog in the seat of power. However I happen to notice that Frate has gained some dark circles under his eyes. Is that because he ordered a hit on his own brother or is there something else going on behind the scenes?

Do the Galassias have something to keep Frate in line? I have a small theory over who the last persons is that Avilio wants to get revenge on and I think that it is his friend, Corteo. He did nod to the gangsters in the first episode when they were going to Avilios house and it’s possible he was being used as a scout. I highly doubt he knew what would happen and chances are he regrets it deeply if I happen to be correct. However considering Avilio’s mindset, I doubt he will let him live even if his part in the murder of his parents was small. It’s possible that Corteo knows this too and that’s why he is trying to get Avilio to give up on his revenge.

One of Nero’s men has been shot in the failed assassination attempt which puts him in trouble. Avilio, after being warned otherwise, has gone to an unlikely person for help. That’s right, Fango returns in all his loony toon glory. I will at least say this, it looks like Fango has a fetish for heavy women which is quite rare in anime characters. Either way he’s broken off from Orco and formed his own gang with the intent of overthrowing Orco. Avilio seems to have latched onto this and agreed to help Fango in this endeavor. I am not sure if this is part of his revenge plan by getting Nero to team up with someone likely to kill him or if Avilio is truly trying to save his subordinate in order to curry more favor with him.

Considering that Nero is now being hunted by his own family makes it seem like a wiser choice would be to lead him into a trap and use that to get him close to his final target. Or his second final target. Perhaps Avilio thinks Fango could be useful in carrying out his revenge? Fango does seem to be up for something as long as it’s interesting. However his loose cannon nature is what caused him to split off from the Orco’s in the first place. The show doesn’t give us privy to Avilio’s thoughts so I can only speculate as to what he is thinking with this move. Maybe it’s a plan just to get through the current predicament. Maybe it’s a calculated move to further his revenge. Or maybe he is actually interested in some kinky play with Fango’s lady? Who knows. Guess I just need to wait as see how this all works out.

~AidanAK47~

orange – 06

by SuperMario, posted in Currently Watching:, Orange

What a development! It turns out that Sowa’s also receiving letters from the future as well, presumably his future self (there’s no way the future Naho would send him letters, right?). From the look of it I think the entire cast receives letters from their future self too, the way they act very supportive lately. Does this development work? I don’t know, it all depends on the direction it goes from now. Personally I would prefer that Naho asks for their help, and then tell them herself about the letters. That twist makes me questions every actions from the group back then, and if those actions are ‘genuine’ genuine (like Suwa’s selfless actions last week). If it turns out those kids behave the way they did just because of someone telling them already what would happen, then I feel a bit manipulated. But there must be some good reasons to make that twist, right? For now, I will reserve my comment to see how all this play out. I guess after all we just finished the first phase (Naho and Kokeru dating together) and proceed to the second phase now (the group try to help Kokeru out of his attempt suicide). Naho also points out in this episode that there are two things that she couldn’t follow the advice from the letters, and those lead to unchanged consequences. The first being the group asked Kokeru out on the ceremony day, which directly lead to the suicide of the mother. The second time she couldn’t talk to him how she felt face-to-face, and Kokeru decided to date Ueda. Although the letters become less and less relevant, it seems that the outcome of those important events doesn’t always change, which makes me wonder if they can really save Kokeru from committing suicide. But I have a feeling they gain too much information from the letters which give them somewhat unfair advantage, like how Naho already know the time and place of his dead. Whatever you do orange, just remember that relying too much on those letters to progress a story is a dead wrong decision. Those letters can’t solve everything; it needs to be from the characters themselves.

This episode further highlights the insecurity of Kokeru. Several times in this episode, he asks Sowa if it’s really okay for him to date Naho, not because he fears that would hurt Sowa (maybe a little), but because he fears that dating Naho would turn out to be a disaster and he will bounce for more regret. Moreover, he always feels guilty about his mother’s death. But really, he should understand that moving forward is way better than don’t do anything at all, and he shouldn’t blame himself on the death of his mother. It is really a good call from Naho to ask him about the mother, because this guy needs to share it to his friends. Keeping it to yourself and the pain will never go away. The two lead’s chemistry is engaging and intimate so far, kudos to the fireworks scene, which for me is a bit cheesy but overall effective.

This episode is also a return-to-form quality in terms of production values. As mention above, the firework sequence is animated very well, and I love the shot’s choices of many scenes. Many of the shots focus on the pair with their backs on us, either when them watching the fireworks, or later when they sitting in a park, it creates their very own atmosphere: just the two of them witnessing things together, but perhaps never really see things eye-to-eye. I also like the shot when Kokeru needs sometimes alone and sits in a different chair. The shot (included in the screenshot above) really establish the distance between them and moreover the isolation of Kokeru. To conclude, this episode marks the end of the first half and wheels forward to the latter stage in which the group attempt to save Kakeru from committing suicide. I’m overall happy with the first half and hope it continues to be a rewarding ride. But seriously Naho, get rid of that hairpin. It brings you no luck at all.

~SuperMario~