3-gatsu no Lion – 21 [When the Cherry Blossoms Bloom – Small Murmur]

I have a serious recall on the first episode while watching this episode. Like that premiere, this episode is divided sharply into two half, one focuses on Rei with his shogi life, the other pays attention to three sisters and Rei; and also like that premiere, each half is compelling on its own and brings out the feels that make the whole episode so rewarding. I could go so far to say that this episode IS the warmest episode of 3-gatsu we have encountered yet, to the point that this episode’s warm-heartedness might be the best way to end this season (but then again, we still have 1 more episode). Almost every character has a happy, joyful times. Well, they pretty much deserve to have a rose-color moments once in awhile, especially after weeks after weeks of depressions from Rei and then Shimada.

Coming back to Shimada’s hometown for a shogi festival, which many fun events like Human Shogi or 100 Move events, Shimada can’t help but feeling that he let people in his town down. He expects the old folks would cheer him up, tell him it’s alright despite him losing straight matches, and that make him feel even more guilty. What he doesn’t expect is that the old people in the town don’t even really mind about that title match. They love him and support him in different ways, not by the mere win – loss that Shimada always pushes himself to. The last part when the old men tell him to not rush forward make him realize that he has been pushing himself a little too much. The support from his hometown is always meant to give him strength, not as a pressure that he needs to achieve. It’s great if he can succeed on the road he choose, but either way they will always love him all the same, because simply he means much more to them than the shogi master title. And it’s so warming to hear the extend he goes to provide his old folks a community that they can share time together, playing shogi, eating food and getting daily necessities back home.

Seeing Shimada have a moment of relaxation and smiling with his folks are rewarding on its own, but Rei again is pretty in sync with the place as well. “I felt connected to it”, this might be one of those rare times that Rei really feels like he belong to somewhere, and it’s great to see him passionately talk about Shimada in front of the reporter. Although threatened by the “unexpected” rain, the Shogi festival turns out to be a lot of fun. Harunobu fits this festival so well and you can really see the pride of all people emerge themselves to this events. Every Human Shogi player has their face high up, every person in the 100 Move event waits excitingly, yet patiently to play with the professionals. This might be strictly my own preference but this kind of events I prefer much better than the professional shogi tournaments. This is the kind of events where fun is FUNdamental, where everyone just need to enjoy themselves to the fullest and worry about nothing else.

And I’m glad the Kawamoto sisters are back. I missed them so much to the point that I wouldn’t really mind if the entire second half just focus on them and their own little cute problems, be it their struggle over the new sweet creation, or their bigger struggle of staying away from sweet cake; but then it ties with Rei in the end so well that it brings the most heartfelt moments in this already-solid episode. In this episode, they recalled the sisters’ mom again with such achingly fond memory, and that tender moment really tugs my heartstring. The comedy in the second half mostly works well, Momo again steals the scene and Hina still shines with her directness persona, and I swear if they selling that Puffy Daruma I will be the first in line to try it. In the end, I get out of this episode feeling wholly satisfied and warm, something that I never expect the show could achieve so flawlessly. Now if only the last episode could give me that satisfaction. And a conclusive ending point (with the next chapter named “The New Semester” though, I do have my worry).

Scum’s Wish – 09 [Butterfly Swimmer]

Wah, a clean cut breakup of a messy relationship, somethings I didn’t expect Scum’s Wish could ever address, let alone pulled it off. At this point, the show starts to untie its knots, one at a time (actually this episode does that with 2 relationships. Killing 2 birds in one stone as they say). Following the rejection last week from her crush Narumi, and that Mugi never showed up to the meeting place like he promised (is there any feeling that worse than being rejected? Hell yeah, it’s the feeling of being cheated on), so it’s very natural of Hanabi to escape from her terrible emotional state for a little trip with Ecchan alone, except they AREN’T alone. Ecchan’s cousin Atsuya shows up out of nowhere to keep an eye on Ecchan, which of course pissed Ecchan off. She wants to take this opportunity to make Hanabi her and her alone.

The most interesting aspect of this relationship is the yuri sex how both of them feeling guilty about using the other party for their own benefits, which in a way they’re both right. Ecchan loves Hanabi but understands deep down that the girl doesn’t love her back, so she uses every means necessary to grasp as much as she could. Hanabi, on the other hand, feels that she’s using her best friend to escape from her own pains, using someone’s love and attention for her gains. Both of them know it won’t end well. Both of them don’t want it to end though because they still need each other. Their first days on the trip, especially their night spent together and the next day’s shopping together, are their relationship in its most flourish. We could see all the brightest aspects of their bonding: honestly clinging to each other without being afraid of others, sharing physical intimacy together (which, on a serious note I think it’s important for every love relationship), and most of all having fun together (Hanabi even noticed it’s one of the rare times she sees Ecchan enjoying herself).

But all *good* things come to an end, naturally. Atsuya is the man of reason both for Ecchan and for Hanabi (no, still think his role is way too forceful). He questions Hanabi on what she truly feels about Ecchan, in which she hesitates to answer. That is the core issues of why this relationship will never work out: Hanabi still sees Ecchan as a dear friend, and Ecchan clearly doesn’t want to be back as friend again with her. There’s a line you mustn’t cross as friends because once you did, it’s extremely hard to revert back and it’s all pain in the process. Ecchan now ascertains that Hanabi would never love her back, so she decides to make one hell of a decision: to cut Hanabi loose by herself. The show handles their biggest emotional standoff with steady execution, splitting it up into two emotionally-heavy back-to-back sequences: Ecchan letting Hanabi go in a house and they letting their emotions all out in the rain. Hanabi tells her exactly how she feels (which is important, the cast of Scum’s Wish have a great sense of self-awareness but never be able to say it aloud) and wish that they could become friends again, be it as long as it takes. That’s hardly ideal for Ecchan, but she settles for it because it’s the most optimistic outcome they could ever reached.

While I did say that Scum’s Wish handled those two sequences quite emotionally honest and effectively, judging those sequences as a whole, it doesn’t work out well. The abrupted transition between two scenes is jarring, and because they don’t carry the same pace (quiet from the first to outburst from the second), it takes you right out of the scene. Moreover, from what I understand about those characters and the messy situations they’re currently in, the end of this relationship still seems very easy for me. Yup, they know they’re in a destructive relationship already, but with this kind of relationship, it would take a huge catalyst in order to break them off. This trip just isn’t big enough to actually change their current status, and as I said earlier Atsuya is very awkward in this whole situation, making not only Hanabi and Ecchan, but us feeling awkward as well. Ecchan told him she might try trusting him, but remember he’s also an one-side dreamy lover who just wish to obtain the love that he can’t possibly have? I honestly don’t know how to feel about this guy and I have my doubts that the creator knows exactly how to feel about him either.

Lastly, Moca surprisingly steals her scene in a little time she got this episode. Putting off her princess persona that she had always carried, we see Moca literally woofing down the bread (and her expression is awesome) and be much more expressive and honest than her past self. She meets Hanabi again but this time, it’s Moca who brushes the other girl off and walks confidently ahead. After all, she’s the least involved in this mess, hence she’s the quickest to actually learn her lesson and move on. Moca, unlike Atsuya, is a well-written character for this show. Now, as Hanabi’s love thread is over, it’s time for us to move on to the other love affair next week, starting with the teacher home visit – without the parents of course, what show do you think we get in for?

ACCA: 13-Territory Inspection Dept. – 09 [A Graceful Black Adder Bears It’s Fangs]

We have another solid slow-burning episode this week, which is… Goddamnit ACCA, you just can’t do that at this late in the game, especially when the last two episodes had raised the stakes extremely well. This is the stage where the climax starts to kick in, but instead we still stuck in the building-up stage of Jean continuing to audit other districts and the coming coup is… well, still coming. It feels like you’re having a second course dish and then revert back to have an entree again. No, I’m not settled for only this. The main development of this episode is of course the (near) assassination of Lotta, which actually pull lots of supporting characters into the motion now, and all of them shine in their own ways. First, Prince Schwan proves everyone (including us) that he’s far more ruthless and calculated than us credit him for. He actually manipulated the first princess to send assassins to kill the siblings without touching his hands in any of this. Quite impressive I must say. But Magie, in even more-awesome move, decides to seek help from his sandwich bread buddy (further demonstrate that friends who share the same enthusiasm will go a long way, in this case, bread and blonde girl).

Rail, takes this rare chance to be with Lotta and acts like her bodyguard, which failed miserably. But never mind. Not only he’s able to share many heart-throbbing moments with Lotta (those moments to die for), but also now they share a secret together. Lotta, in the meantime, being wide eyes from the entirety of the chase and still wondering what the hell is going on (what big eyes she got), but when she hears the secret, she takes the news surprisingly well just like her brother (must run in their blood, huh?). I am completely taken aback by how incompetent bunch the assassins are, not only they spilled cheap “exposition”, which they have no right to know to begin with; they made the chase as obvious to the public eyes as ever; and moreover couldn’t do their goddamn job right. But this strange turn of events of Chief Owl suddenly appear to save Lotta a day further reaffirm my suspicion of him being Abend (like hell he just happened to run into that car). Put aside the practical fact that his age suited Abend’s actual age the most, his position as chief of ACCA allow him to be close enough to watch over Jean and Lotta, and his conditions that make him just stay in one place is so convenient for both him to stay within the shadow, and for Jean to go by himself to the districts for auditing. Now, he’s gotten more active roles into this story so it’s interesting to see if he’s truly the one pulling Nino from behind the scene.

And talking about pulling behind the scene, we got a twist that none of us see coming, which change the tides of the situation considerably. Yep, I’m talking about Grossular is being manipulated Lilium, which my guess for now it has to do with the train wreck that killed Jean’s parents. Before that though, Grossular put his cards on the table in his 5 ACCA chiefs meeting- he created the rumors, put Jean into the middle of it to see the reactions of each district towards the creating the coup and now deciding that it’s time for the freaking coup. Now we have an idea of the significance of the cigarettes Jean received from each district, it’s the unofficial “vote” to support Jean as the coup leader. But how much of what he said is true? The direction Lilium and Grossular want the others to head in is the battle between ACCA and the coming royal authority (after all the Prince make himself crystal clear to destroy ACCA as soon as he’s in charge). Those conflicts really put Jean into an interesting position now. He knows exactly the situation he’s currently in; but which ship will he be on and what decision will he make remain a fascinating question. Will he be a leader of the expected coup and take the reign? Will he put behind all the nonsense to do his own thing? Where will Mauve fit in in this big picture? One thing we know for sure though, no matter which road he make, it will be a game-changer.

On last notes, the two districts Jean visited this time are again brimming with personalities and unique details. The port district Peshi was also responsible for the train accidents along with Rokkosu, and it was the place where Jean’s mother “supposedly” drowned here. Looking at the second princess statue that look over the port, I can really feel the sadness from Jean now that he knows the story behind it all. Yakkara, the most healthy district, is Las Vegas-inspired with casino in sight and neon-lighting and night life. I still wish the show have some time to explore more about each district. But to rub salt into the wound, the show temporarily abandoned many of its better variations in service for the plot. I mean, where the hell are the hot breads and desserts this week? Where the heck is Nino? I know he goes hiding from Jean but that doesn’t mean he needs to go hiding from us too. All the events move up quite steady and the big picture starts to form now, but I am still a bit disappointed, especially after the extravaganza from the last two weeks I won’t settle for this slow burn anymore.

Little Witch Academia – 09[Brightonberry’s Undead Travel Log]

This is a tale of a man whose wife died during childbirth. The man decided to enroll his daughter in a magic school she that she could become one of the witches who brought such happiness to the world. But the man was called off to war and gave his daughter a bell ringer as a charm to help him get home safely. Alas the man was shot during the war and died cursing himself for leaving his daughter all alone in the world. Years later than man comes back from the grave when three witches accidentally bring him back to life and searches for his daughter so he can apologize for dying on her. Only to find that the daughter never resented him and grew up to be a witch just as he wished. The man then spends his last moments on earth with his daughter before joining his wife in the afterlife. It’s a very touching tale…or at least it would have been if the man wasn’t aggravating during every minute of screentime.

Well, this is the first episode of Little Witch Academia that I truly didn’t enjoy and I think the prime reason is that bang of bones. This could have been a really good episode if approached differently but instead it was this zombie running around causing trouble until he remembered what it was he wanted to do. Essentially the same gag over and over. Zombie runs off and causes trouble, Akko and crew try to stop him, once stopped he runs off again to cause trouble, Akko and crew try to stop him, wash, rinse, repeat.

We at least got some worldbuilding as we learned about the golden age of magic in which before technology, witches helped with everything. Again the big question of “If magic is so useful then why is it considered outdated?” looms over the series but we haven’t got an answer for that yet. I am a little disappointed in Akko trying to once again solve her mistakes with magic as it feels a bit like a regression after her character grown before. I think it’s safe to say that the episodic nature of the series has become a little worn out and i am not the only one craving a little more progression. It’s nice to learn more about the headmistress and it’s a interesting touch that when heading out to town each girl must leave behind an object they care for. As it mirrors the very thing the headmistresses father did with the bell wand.

But if we were going to do this episode I would have preferred that the zombie wasn’t trying so hard to be funny. When you introduce a character and said character does nothing but constantly unapologetically cause trouble for the cast then it’s difficult to find them endearing. If they changed his personality and maybe went for a less manic persona this tale could have hit right in the heart. As it is now I am glad I won’t be seeing this character again. Animation seemed on the lower quality today but after last episode I am not too surprised. I have heard word that this was outsourced a bit and I suppose if we are going to do that it’s better done with one of the weakest episodes of the series.

Shouwa Genroku Rakugo Shinjuu – 22

Now I really do feel like Rakugo is dragging it’s feet as we have an episode focused on Yakumo which by all accounts feels like a retread of the last episode. But I admit that I am rather irritated more with how the episode ended rather than how the episode was. For you see dear readers, I hate fake deaths. It is one storytelling device which I utterly despise for its artificiality and how it renders drama worthless. A death in a show is a game changer, it can change the very nature of a show. A single character death can affect the characters and push the show in new directions. It takes a lot to build the personality of a character over a show’s runtime and decide that they shall never more feature in the tale.

I respect that even if it means my favorite character will be no more and nothing is greater than them getting the end that paid respect to the legacy of that character. This episode did that for Yakumo, it set up his death in a manner that was downright perfect. The passing of the fan to Yotaro, the last performance at the prison and finally performing his signature Shinigami in an empty theatre. There was no better way for the Rakugo master to die than that, it was beautifully poetic and it just infuriates me to no end that it was all a fake out.

This is why fake deaths are such a pain, why it spits in the face of the viewer. For having saved Yakumo’s life, that build up to his death means absolutely nothing. A fake death is akin to deciding to go bungee jumping and once you have the rope around you and you are ready to jump, you just decide to go home instead. All that build up for an anti-climax. After that there is no longer any tension for if you try to build up for a death once again it won’t have the same tension. Because we have been through this same song and dance before. This is why I came to hate Key works, for they want all the drama that comes with foreshadowing death but don’t have the guts to actually go through with the consequences.

So what did this episode accomplish? Well Yakumo attempted to kill himself again, only to be stopped yet again. Am I supposed to be believe that he had a change of heart? I thought he had a change of heart last episode but he switched right back to suicide watch. Who’s to say he won’t try again? And when he does die it won’t ever match this. I feel like I watched a Romeo and Juliet play that ended with the two coming back from the death and getting married. It’s just so..so very annoying. Otherwise I don’t have much to add, up until the last minute or so I was ready to call this a great episode but now more than ever it seems that Rakugo doesn’t have enough story left to fill the remainder of it’s runtime.

Saga of Tanya the Evil – 08[Trial by Fire]

Like I have said before in previous posts on this series, I’m growing rather tired of Tanya’s lack of real opposition and non-stop victories. Given the events of this episode, I should be annoyed as this episode was yet another victory for Tanya and her battalion but a little change of perspective can make all the difference as she essentially commits a war crime. Let me tangent for a moment and talk about World War 1. You see it’s not often you hear about WWI in comparison to how often WWII comes up. It’s no surprise as WWII was the more appealing one with the Nazi’s acting as the perfect supervillains for the world to fight off. World War 2 was about triumphing over adversity, odds and great injustice. World War one of the other hand was about something else entirely. You see before WW1 there was still belief in the glory of war, in distinguishing yourself in battle. War is where heroes are born and boys are made men. At least that was the sentiment. but WWI changed that. There was no glory in WWI, only people dying pointlessly in trenches, misery, disease, chemical warfare and in the end nothing was truly accomplished other than a severe loss of life. It taught the world a simple truth, that war is hell. Now in Tanya’s world these people are learning that lesson for this is their first World War.

What I find most amusing is that this is very much the same situation as the attack on the Dakia Capital. The tactic is essentially the same, announce an evacuation and use that as grounds to justify attack. Seeing as this plan was conceived from a report that Tanya drew up I wouldn’t be surprised it the Dakia attack served as inspiration for it. In purely practical terms the plan makes sense as with the empire fighting a war on two fronts, they cannot spare the resources to quell internal conflict. Rather than spend weeks negotiating and fighting off republic mages, just shelling the town with artillery is a faster solution. This is likely the logic Tanya is using to justify this attack and I appreciate that she doesn’t quite take joy in the act itself. She did seem gleeful on the plans introduction to her but I take that as her being satisfied that command tooking her report into heart. In purely logical terms this plan makes sense, but morally it’s absolutely monstrous. Tanya may be able to rationalise it but members of her battalion are showing hesitation. Weiss followed orders but he was so distracted that he didn’t notice that he got shot. But the one to take it the hardest was a solider by the name of Grantz who really didn’t take kindly to firing on civilians. But as Tanya so aptly put it, a soldier does what they are ordered and today’s survivor is tomorrow’s enemy. I half expected Grantz to fire on Tanya but perhaps he is so terrified of her that opposition isn’t even an option. Tanya’s Battlian has been shown so far to be an invincible force so it’s nice to see so cracks forming in their ranks. I wouldn’t be surprised if a few suffer from Post Traumatic Stress Disorder now.

The after credits scene shows something I didn’t quite expect. The return of Anson Sue. I find the reveal to be rather cheap and from what I hear this isn’t what happens in the light novels. Apparently Anson’s death went like the previous episode in that Tanya just killed him offhand and that was that. So it seems that he’s being brought back to give the series an antagonist for Tanya to face in the season finale. While I have misgiving about this I do see it as a good choice. Anson is the closest thing this series has to a human antagonist and with some god power he could prove to make the finale more exciting. However I am worried the series may attempt to make an anime original ending which in my experience rarely turn out well. I still believe that Mary Sue is coming into this story and I would like to see a second season where that could happen. So far all anime original aspects that Studio Nut have added have worked out great for the series. in particular the portrayal of God is leagues better than the source material. So in that regard I hope they manage to pull off Anson as a good antagonist, or perhaps as this episode has shown, maybe he’s the protagonist?

3-gatsu no Lion – 20 [Kyoto part 2 – part 3]

With this episode we come to an end of Shimada’s title challenge matches against Souya, and somewhat close his arc down. Shimada time has been very effective and touching time and he proves to be a very worthy addition to the cast. In this episode we get to see his dream: the dream sequence depicted the life Shimada could have been had he given up on shogi. In that dream, he lives a normal, happy life in his village with all the smiling and warmness from his hometown people. While this sequence sure is bittersweet, I can’t help but feel it was a tad heavy-handed. Now, “heavy-handed” is a term that I don’t normally use for 3-gatsu, even I don’t mind those sequences about Rei’s depression, as it lays bare the emotions Rei has been struggling to live his life. But the reason I find this dream a bit forceful is because when you make a career out of something, anything really the feeling of burden and “just stay on your feet and keep walking slowly ahead” are bound to happen. Not just shogi. Here the show tried to paint us that it was the life he sacrificed for his shogi professional path. Well, it’s not like his girlfriend left him because he chose shogi for one thing; moving to the big city to make ends meet and trying to survive is the very struggle of majority of people out there, and shogi career isn’t that bad. It could’ve been much worse. My point is that his dream feels like a wishful dream, and maybe that is the show’s point. Just like any sweet dream, it’s just too bright and too perfect to be real. In this life though, the stomach pain he got represent the responsibility he been carry through from the people from his village. He has to carry that weight and that pain for the rest of his life; but like he acknowledges later on, he embraces that pain because the pain makes him feel alive.

The match between him and Souya ends up in another straight loss for Shimada. Boy, here I thought with all that build-up, the show would just make him win this match so that he could play in his hometown; guess I was underestimated the show’s writing. One interesting thing (and how true) I noticed is that doesn’t matter how Shimada tried his best to climb his way up slowly and steady; in public eyes, at least for now he will be remembered as “the challenger who loss straight matches”, “a loser whose skills ain’t that great to be in the title match”. It’s a shame though the way publicity works, sometimes you just see the ice tips on the surface and ignore the rest of the iceberg. And he comes this close to win that match without even realizing it. The same thing. “Almost winning” still doesn’t mean anything to others but maybe himself, Souya and Rei. All his efforts weren’t rewarded this time, but now he knows that he still has a potential to actually beat the master.

Rei, on the other hand, has become really active lately and I believe he has matured a lot in this trip. It’s great to see him actively feel concern for someone he cares, and moreover express his feeling towards Shimada in the final moments of the match, something that the timid Rei in the beginning of the series wouldn’t dare to do. Witnessing Shimada struggling through matches, his will to play, and finally that “last move” have given him a lot of valuable lessons as well. After he sees the weathered Shimada sleeping soundly on the train back home, he learns that what lies on the other side of the storm is just more furious and non-stop storms. Pretty deep stuff here. At the same time, it reaffirms that our Rei is, in fact, special (surprise surprise! He’s our protagonist after all) to find the final move that only Souya could see afterwards. Kidding aside, it draws the parallel between Souya and Rei, as in term of shogi, they pretty have the same style and the same instinct. The real difference is that while Souya is always portrayed as a perfect inhuman being (time stop around him, snow falls, he doesn’t age), it comes with a price too: he’s so far removed from the rest of the world. With Rei thought, he’s human, he’s imperfect and although he feels lonely at times he has others who actually care for him. They’re not the same in the least. With only 2 episodes left (meaning 4 more chapters), all I can really hope is for 3-gatsu to have a proper ending point. But I really doubt that, since like in real life; we, and life itself, just keep moving on.

Scum’s Wish – 08 [Sweet Refrain]

Leave it up to Scum’s Wish to break some more taboos about love. I’m not gonna beat around the bush here, this episode was magnificent, the way it grabs you in closely and never lets go. I felt emotionally wasted after the episode ended, but for good reasons. We finally have some major developments in the main plot- the premise that was promised in the beginning by our main characters, not tangled by any supporting, third love this time. Mugi confessed to Akane, and Hanabi confessed to Narumi – pretty straightforward. But things won’t end here, mind you, it’s spinning out of control just as messy as everything came before it. Scum’s Wish understands that making characters miserable all the time don’t produce massive impact. After all, if we’re keep going down to the bottom, the only way when we reach there is up. Instead, they give us some moments of genuine feelings between Hanabi and Mugi, before crushing our hope down to pieces. Dang it, Mugi has to f*ck it all up! The fireworks finally appear (for those of you who don’t aware, her name Hanabi literally means fireworks) to signal the storm about to come so I know we’re about to have a thunderous final act of the show.

Let’s start with the newest taboo this show tries to tackle on, relative member’s crush. Now mind you, it’s debatable when it comes to perception on cousin love relationship, even today around the world people still arguing if cousin marriage is legally acceptable or not. I know in Japan this is not uncommon for cousin to love each other, though it’s becoming less and less prevalent now. From where I come from, in contrast, that same topic is strictly perceived as a taboo for example. But let’s move on now since I know that topic isn’t what you come here for. Well, introducing Atsuya- Ecchan’s cousin, that late in a game doesn’t really bode well with me, because I think the show is offering Ecchan a safe way out and a bit unnecessary conflicts on his yet-another unrequired one-side crush. We’re all know that Ecchan tried everything she can to take all she can take from Hanabi physically and emotionally; so that guy is a voice of reason, the guy who would step back and say to Ecchan “You’re trying too hard”. That’s good, mind you, it’s mean some more character development for Ecchan, and I truly think Atsuya inclusion here helps Ecchan to realize the stopping point on her own relationship to Hanabi. From the preview next week we have Hanabi and Ecchan in some random country house so (smirk) prepare for some yuri show time next week. Oh and that Ecchan’s hat!

It’s Mugi and Hanabi who actually share some intimate moments together, and for the first time since they started forming contracts, they acknowledge that they see  each other as themselves, not as a substitute for other lover. It’s a major development if you ask me. Before, their relationship was strictly business, consoled each other by way too much touching in other to hide away the pain; but now, they start to have feeling for each other, Hanabi starts to feel and enjoy the warm when they hug. Those are one of the warmest, most hopeful moments in Scum’s Wish and really, hoping for them can get through all the batshit in order to become a normal couple might be our greatest rewards. But I’m telling ya, don’t get your hope up, not because of the mess Mugi had done (I’ll get to that later), but as I keep saying for awhile now, I don’t think they can become a healthy normal couple. What they lack is sharing, especially in regards to their problems. I get that each of them have to face all these personal issues for themselves for their own maturity; but they are unable to share their problems to each other and just kinda let it pass. No. That will never work as a couple.

And Hanabi is the only unfortunate soul to get a short straw here. Both being rejected by her crush, and her partner-in-crime falling into pitfall created by Akame. Hanabi confession is as conventional as it gets, but it’s touching because she can finally let it all out, resulted in her outburst. And that four-eye teacher handles the situation surprisingly well, always stays calm and respects her every words. Kudos the show for handling the sequence with great framing and near-perfect pacing. The other confession though, is as unconventional and (again) taboo-breaking as it could get. Although Mugi is the one who ask her out and confess his love, it’s very clear that Akame is the commander in charge here. Mugi claimed that he knows everything bad about her, determines to change her but he couldn’t help but fall for those sweet words anyways. We actually did see some genuine facial expressions from Akame (or was it not? She’s the liar-master after all), but it’s bad. It’s bad because he has her way too easy, thus he will eventually become one of her prey, never get out of her spider-web. He can never have her by himself, and our Hanabi will always be alone. Forever alone. And our hearts again will be crushed along with her.

p/s: after watching this episode, I had to put on the ED of Flowers of Evil to calm my mind and arrange my feelings. Does that make me a broken deviant who like being tortured and manipulated? So be it.

ACCA: 13-Territory Inspection Dept. – 08 [The Princess Who Spread Her Wings and the Friend Who Had a Duty]

Damn this show making me feel sad and melancholic all over again. When Nino told Jean last week that this is going to be a long story, I wouldn’t dare to think that he really means it. This week, the show takes us back 33 years ago and tells the story from royal observer’s point of view, resulted in the show’s most emotional resonate episode so far. This episode is just bittersweet and beautiful. Now, there are two things about ACCA writing that set it apart from other anime. The first aspect is its attention to details and confident storytelling, which I mentioned last week and psgels pretty much nailed it in his monthly review. The second aspect is… well, remember at first we initially thought ACCA might be similar to Ghost in the Shell in nature? Turned out we were completely off the mark because ACCA never at once goes heavy-handed. There’s a lot of backstaged planning, behind-the-scenes scheming but there’s no real dark intention in that world. Everyone’s actions so far have been for the benefit of the kingdom, even the coming coup arisen from the fear of the incompetence of the expected king. No selfish reasons whatsoever, at least not yet, just conflicted ideas on protecting the kingdom’s order I guess. The “accident” 33 years ago happened in that same vein. It was the scheme organized by Qualms (the head of Council Privy), the King, his daughter and her guard in order to protect the harmony of the royal and the kingdom and give Schnee the freedom she always desired. Everyone got out of it with what they think was necessary, even if it resulted in the second princess removed her name from the Dowa family register- become a commoner. That would be a fairly same-old same-old, cliche story if not by the fact that her life was chronologized secretly by the person who give up his own life to report her life, so in a sense, her family’s life has become the man’s; and his son’s, lives, and that hold lots of weight.

Nino, in particular, has been given a lot of weight-lifting this week but he shines through. When his father decided to follow his master’s quest, meaning that he had to give up his current life and his child for an unforeseeable future; he wanted to go with him no matter what. And Schnee and then the Otus family suddenly become their lives, but the father and Nino took pride and passion to their jobs. Every picture they took, every news regarding the princess they gathered, every bread the princess took interest to; they treasured them all. For Nino’s father, at least he had his own life before taking this job, but for Nino, it’s sad to realize that the life revolving the Otus family is the only life he knows. Makes me wonder what his purpose gonna be if Jean and Lotta were all gone. He took up the job pretty nicely too, attended college (despite huge age-gap) in order to stay closer to Jean. But then that train-wreck incident happened that not only took Jean’s parents lives, but his father’s as well. He then realized that he has been set up all along to be the next royal observant reporter in line. The best moment of his character development has to be after he received the news on TV, sadden by the the death of his father, bitter by the cold decision of the master, taken up the job he knows had no exit, he was still sensitive enough to offer a shoulder for Jean to rely on. This guy totally deserved a gold medal guys, he might become my favorite character of the show now.

So the main question the episode trying to raise is whether Abend is in fact Grossular. Looking at appearances, Grossular does share a lot of similarities with Abend, most notably his long hair and the fact that he isn’t Jean and Lotte’s father who died during the train wreck. Speaking of which, there is a minor twist that Schnee and Abend weren’t lover, which actually raise a compelling relationship between those two. It’s a duty for Abend to keep track with Schnee, but is there other feeling involved from Abend to the princess? For now though, I think Grossular is a red herring; yes all the details pointed towards him being Abend, but it makes no sense for me that Nino would report to him twice with different manners of speaking, and the show actually mentioned that everyone in that Rokkosu district having the same look regardless. In fact, I suspect that the real Abend is closer to Jean and Lotta than you might think, in fact I’m thinking of a certain character that the show keeps mentioning despite not appearing that much in the series, and he does eat a lot of desserts together with Lotta lately (Yes. You know who! Oh, and the child Lotta might be the sweetest thing ever). In any case, I strongly suspect that guy Abend to be the one who set Jean up for the upcoming coup d’etat (in other words, he’s important!), so the fun remains to see who this guy is and what exactly he plans to use Jean for the coup.

Lastly, allow me to give extra recognition to the impressive color palette in this episode, as it conveys effectively the mood of each sequence. In the sequence between the King and the young princess for example, the scene is bathed with light blue of sadness and longing. The sequences involved Abend, in contrast, was all in red/brown background of calculated plan and the strong sense of duty. Move over to the scenes involving young Nino and his father and we have a slightly washed-out color of memories that feel like an old picture. And lastly, when Nino received the devastated news on TV, it was dark blue with bold strokes and dark shading. The music, likewise, is totally impressive. Head ups for the sequence of Nino meeting Jean for the first time when an actual song kicked in. Even more stunningly, all the framing, the color and the music never distract the mood of the story or stand out too much, but fit the stories very, very well. This week, as a result, is the most impressive ACCA episode both in terms of technical quality, and emotional strengths. While the main storyline might focuses on the upcoming coup, the show’s main catch has always been establishing the ambiguous relationships between the cast. This backstory episode might not progress the plot very much, but it builds a solid foundation that exploring many intriguing relationships with confident executions. I said last week I was sure the show going to get better, right? Well, it does get better, but for reasons that completely against my expectation and for that I am really grateful. And boy how the show know how to pull an emotional punch, that piece of apple pie at the end (the apple pie that marked the sharp turn in Nino’s life) seriously melt my brain and make my head spinning around in circle. Damn this show making me feel sad and melancholic all over again.

Little Witch Academia – 08[Sleeping Sucy]

After Lotte got her own episode I did think it was a matter of time before Sucy got the spotlight. However I did not expect her episode to be so…weird. Personally I consider this the weakest episode of the series so far as it didn’t really push the plot forward and was more focused on being wacky rather than charming. The end of the episode essentially pulls the “It was all a dream” twist and despite not really being so, this episode felt like filler. Enjoyable filler but well filler nonetheless. There are a considerable amount of references this week with shoutouts to Akira and Sleeping Beauty being a few of them. If there’s one thing to take out of this it’s that Sucy does genuinely care about Akko despite her pranks. The theater in her head does replay their first meeting often which does show that she cherishes that memory.

Animation got fairly creative and having the episode take place inside Sucy’s head allowed Trigger to get more silly that they usually does with Little Witch Academia. This is purely speculation on my part but I think that Hiroyuki Imaishi was more involved with the creation of this episode than You Yoshinari. Mainly because the tone was kinda similar to the likes of Hiroyuki’s Kill La Kill or Luluco. Now I am all for having fun but from what I seen of Trigger’s animation studio online, those people need some sleep and having this much effort go into an episode which is essentially fluff has me worried about burning the animators out. Passion is beautiful but for the love of god guys don’t kill yourselves with overwork. But what else can I say about this episode? I don’t really know as I don’t think I really learned anything new about Sucy despite being in her head for an entire episode. The most telling thing was the movie theater and a lot of that could be surmised by her normal behavior. She does have parts of herself like her mild interest in reading nightfall but really everyone has whims such as those.

Other than that I don’t have much to add here, this episode was madness from start to finish and while I liked it I felt it missed the distinct qualities that make Little Witch Academia so different from their other original works. There is a wackiness to the show but it’s the heart and charm that truly make it memorable. We saw a glimpse of that here with the movie theater but the rest was more or less comedy chaos with little rhyme or reason. Seeing as we have a two cour season I don’t see any real harm in spending an episode in manic oddness and cultural references. As long as Little Witch Academia doesn’t forget whats important it will remain high on my watchlist.