orange – 10

Orange has a much better episode this week compare to the shipwreck last week, mainly because it has a much more solid material to dance around with this time, and the animation is actually good enough to carry the emotion abroad. I have mentioned last week that I’m no fond of the way the group forced Kakeru to feel happy. Even if those actions come from good intention, it doesn’t mean that he himself feels happy, because he doesn’t actually do any damn thing to earn it. Indeed, in this first half Kakeru is rather melancholy, because his mother just passed away and he thinks that he’s here having fun is an irresponsible act to his mother. In a sense, this is a valid thought. Kakeru is an insecure kid, he has always feel responsible for his mother’s death, blames himself for what happened and is unable to talk about his problems to his friends. Kakeru can only get better if he can be able to talk about it with his friends and let his regrets all out…

Well, if you have followed my orange’s weekly posts, you’d realize the last sentence was originally from my previous episode 7 post, which brings me to my main point: While that scene itself is satisfying, they basically repeat the same notes over again. We have already seen the group pushing Kakeru to lay bare about his inner feeling before with a greater emotional impact, in a sequence when Suwan and Naho directly confronted him about his suicide thoughts. In addition, it doesn’t help either that the metaphor they try to convey becomes as obvious as it gets. Here in the middle of the festival run, Kakeru and Naho have to do an errand by carrying the mattress. As they themselves realize that it’s a hard task for just two people, the group appear to help them carrying the burden, both literally and figuratively. This is as in your face as you can get, thus making the final result much less impactful.

Finally, the moment we had been waiting for the last few episodes arrives: the relay, which not-so-coincidently the final, decisive game in the festival. I originally worried about the relay, considering how the animation quality dropped drastically for the last few episodes. But I’m happy to say that the sequence is very solid. Kudos again to the director’s decision of focusing on the emotional impact of the group rather than the race itself. The relay is a perfect set-up for the group to explore their chemistry because they have to reach to each other, again both literally and figuratively. The metaphor again is too on-the-nose, as each member of the group tries to send their heartbeat message to Kakeru: “Don’t lose. Promise me. We’ll always be together. Even ten years from now. We’ll be waiting”. This is a whole other level of subtlety! Again, I don’t hate the relay sequence and I think it does its job, but I will put it simply: the more obvious the feeling they try to convey, the lesser the impact.

The sports event seems to be the end of this middle arc and we head off to the final chapter with its 3 remaining episodes. It is clear from those 10 episodes we have seen that the story has stretched a bit too thin for a full cour season. We spend nearly 2 episodes for the sports festival for example and I could easily cut 2-episode material to make the story tighter. Yet 3 episodes remain and we still have the Valentine day, and the day after that when Kakeru in the original timeline has committed suicide to cover. As for the theme I can see that Kakeru has gotten much better than himself of the original timeline, so I don’t know how he’s going to end up in this timeline. At the same time, I feel that the current development is too good and light-hearted to be true. Well, at least that is something I’m still looking forward to see in next couple of weeks. Surprise me orange!

Re:Zero -Starting Life in Another World – 23

With another week gone I get my fix of Re:Zero and yet again I have to wait a week to sate my need. The cliffhangers really kill me on this matter as I am leave hanging till the buzz from the last episode runs out and then it gets me again. To future anime viewers, know that you did not have to suffer as an ongoing watcher of this series has and the joy of being able to marathon a show without the wait in between weeks. Quite honestly I don’t know what I will do when this show ends two episodes from now as I cannot binge on the source material and it appears the anime has finally caught up with the light novels. Looks like production of the light novel has sped up with volumes coming out monthly but to gain the amount of material needed for a second second would take a year at the least. I am concerned over just how this series will conclude if there’s another volume of material but I think White Fox won’t trip up at the finish line.

Anyway it appeared the cliffhanger of the previous episode has been defused pretty fast as Ram mistakenly though Subaru betrayed them only to be convinced otherwise within a minute. The letter Subaru sent them which was supposed to explain the situation was just a blank piece of paper which makes me question if Subaru made the boneheaded mistake of misplacing the letter or if someone in the mansion intercepted it. Both scenarios are equally plausible though it is an unfortunate coincidence that a blank letter in this country is a symbol of the messenger deciding to cut off communications. This tradition seems like it could give rise to a lot of misunderstandings as I see it but well the mistake of sending a blank message is rather rare. The village looks to be pointing the finger of blame directly at Emilia for the witches cult coming to attack and what makes this interesting is that despite it being blatant racism, they are not wrong. Emilia really is the reason that the village is going to be attacked by the witches cult. It’s not her fault, that is for certain but it’s hard to deny that if she wasn’t there then no one would be in danger at all. As a matter of fact, the main cause of all of these events that have lead to everyone dying is Emilia herself. The mabeast incident of the village is a matter for debate but Emilia really is the one drawing these events. Which points the direct origin of all of Subaru’s suffering being Emilia herself and perhaps the very reason Sattella has brought Subaru here is to keep Emilia alive till the time she can serve Sattella’s purpose

Ferris and Julius got a bulk of the screentime this episode which is reasonable considering how the episode ends. Ferris is still leaving people in doubt about whether his claims to be a boy is really true but I like that they made it that there is more to him than his trap gimmick. For you information I will let you know that when the merchant witch’s cult member blows up his cart, he did technically kill Ferris with the blast. However Ferris’s healing magic is so overpowered that he can reconstruct his body even if it’s destroyed. Yep, in Re:Zero even the white mage is twenty times more powerful than our protagonist. Still to give Subaru due credit, it was very smart of him to use the Mabeast’s of the forest to take out one of the fingers. At times I really can’t tell if Subaru is smart or stupid but maybe he works better in the moment. It’s nice to see him almost make old mistakes only to have someone give him a push in the right direction. That was a problem with Rem in general. She stood by Subaru’s side but she always went along with whatever he did, rather than provide the kind of support Wilhelm and Ferris have been giving him. But it’s likely the Subaru of those episodes wouldn’t have taken the hint like he does now. Julius also reveals that he is the one who saved Subaru twice by putting him under the protection of one of his spirits and does point out that Subaru does seem to have a high affinity with them. Despite his introduction being typical of the kind of villain in a Light novel, he proves that he is actually a good guy. I applaud that as I find those one shot weak villains to be a poor excuse of empowering the protagonist.

My theory from last episode looks all but confirmed as a number of Betelgeuse’s pop up to attack Subaru and co. I really have to give credit to the number of voice actresses who act out his mannerisms to a great degree. I may not know Japanese but there does seem to be a lot of talent in this series. The end of the episode was brutal in that just when you think everything is fine and maybe this week won’t have a cliffhanger, we have the series throw a gut punch. I was well on my way to believing this was Subaru’s successful run and then this comes out of nowhere to prove that no matter how much Subaru accomplishes, he can still have it all undone at any moment. Well I do think that the remaining episodes are not enough to do a run through of the White Whale again and I think two possibilities exist here. One is that Ferris will find some way of reviving Subaru without Betelgeuse coming with him and the other is Subaru’s save point being moved up to after the White Whale is defeated. Number two seems the most likely as undoing the events of the White Whale and Rem’s confession would be a bad move.

There is just far too much character development there to just do away with. Likely the save point will be before the first attack on the witches cult as that is the point Subaru could make the most use of his knowledge. Still this does put him in a bad spot as simply killing Betelgeuse isn’t going to stop him from possessing his body again. There could be other factors that allow Betelgeuse to take control of someone, with the gospel being a big factor. However if what allows Betelgeuse to take control of Subaru is just the smell of the witch then I don’t see how Subaru can beat him without getting possessed. There are likely more conditions for Betelgeuse to meet before he can possess someone as it is odd that he didn’t choose to take over Subaru on his first death. Perhaps the choice of who he can take over is not up to him and he simply goes into a random person who happens to have the smell of the witch. Though one thing that seems apparent here is that the witches cult is not operating under Satella’s instructions and seem to be acting in what they believe to be what she desires of them in order to earn her love. What is in store for the climax of this series is still a mystery to me but while I doubt it will be completely conclusive, I at least hope it ties up the particulars of this arc and doesn’t leave a cliffhanger for a next season. A week is something I can put up with but making me wait over a year for a continuation of the story would truly be slothful.

Thunderbolt Fantasy – 09

“Three to test, five to press, and the final ninth strike”

That’s the number of moves Mie Tian Hai will put Sha Wu Sheng to eternal rest. Sha Wu Sheng, never loses his cool, attacks him anyway despite knowing full well the outcomes. I suspect that this fight is some kind of self-fulfilling prophecy in play, the way he still leaves his back exposed after that eighth move. Or I think he would be sensible enough to kill Gui Niao BEFORE propose to fight with Mie Tian Hai. He tags along all the way just for the sake of Gui Niao’s head, and now he misses the chance and vows to wait for the guy in the afterlife. Oh well. I can sense the master thief’s chuckle there.

But before all that happens, the trio of legendary anti-foes (that would be Xing Hai the necromancer, Shou Yun Xiao the archer, Sha Wu Sheng the Screaming Phoenix Killer) reveal the initial plan of Gui Niao: the letters he sent to them explicitly said that he requires assistance to swindle the legendary sword from a helpless girl. They then proceed to actually LEAVE the two good-heart comrades behind to pursue for their shares. At the same time inside the tower, Gui Niao is trading with Mie Tian Hai. The sword handle turns out to be fake (with his “10-second look, 5-second touch” technique), and Gui Niao intends to sale the real thing with big golds. But for me this isn’t a simple trade-off. As he said so himself he always aims for more challenging goals, so this trade could simply be his front for something more ambiguous. And I know that I might so boring here but things might go EXACTLY like what he had planned, yes including the Phoenix Killer sudden appearing and Shang Bu Shuan’s jailbreak (literally!). In the next episode I’m pretty sure we will get to know Gui Niao true intention on keeping our main guy and his main goal from all of this.

If there is any specific theme this episode is going for, it is how they explore the ego of many characters. Juan Can Yun the spear wielder learns a hard truth for his mentor Shou Yun Xiao, as being a hero means you have to sacrifice and moreover hide the mistake/ dirty stuffs that you made. I understand that it’s mind-blowing, dear Mister Spear Wielder. I feel for ya. The Screaming Phoenix Killer still tries to push forward despite knowing that the duel will end up in defeat, he still does it because his ego won’t allow him to back down. Even the big boss’s hobby of collecting swords makes him feel invincible whenever he’s taking hold of the power of destruction itself. As I mentioned above, Gui Niao admits that he enjoys stealing because of “ethos of a champion” – the feeling of superior when you steal something considered invaluable. Also, our poor Dan Fei’s ego is shattered when she learned the truth about the identity of Gui Niao, as well as feeling guilty for dragging Shang Bu Shuan into the whole mess. That emphasis on ego furthers demonstrate the rationale and the way of thinking from each characters, and I say this is a successful approach to this story, especially when the characters in Thunderbolt Fantasy are already too over-the-top and often act like they’re performing a play. Letting them stick to their ego and their roles till the very end is of course the most appropriate course of action.

orange – 09

Unfortunately for us, this is not a good orange episode. Hell, I could say this is one of its worst episode. orange has always relied on the regrets of the main cast, and the foreshadowing suicide of Kakeru as their main emotional impacts. When they steer away from those, this episode just loose its punch. While the character’s interactions are still there and those moments are one of the only high points of this week’s viewing, there is an issue with it as well. You see, there is no damn fun when everything goes entirely according to plan, when all the moments are just too perfect. I have no problem if this was about making Kakeru talk honestly about his suicide thoughts couple of weeks ago, but creating every moment with Kakeru too flawlessly (like the umbrella incidents this week, the “good morning” exchanges) make the whole situation feels rather forced, and to make it worse I feel Kakeru was manipulated by the group here, even if the intention comes from a good place.

But my biggest problems with this episode lie in its pacing. Last week we dedicated half of its episode for joining up team for the upcoming relay events, and this week the episode strangely drops any of the preparation phase, instead focuses on the revelation that all the cast has their own letters, worries about Azusa’s birthday, cares so much about the weather, and concerns about whether or not Naho and Kakeru should hold hands. Then they jump STRAIGHT to the events. The inconsistency of plotline occurred before in one of the episode when Naho pushed Kakeru to talk about his mother for the first time. After that Kakeru and Naho had a rather uneasy tension until it was revealed that Suwa had received the letters himself, then suddenly Naho and Kakeru again talked to each other normally like nothing happened. Well, I understand that they have to jam in many plot details to both heighten the relationship and carry the emotional weight, but I am not quite fond of letting the story just moving on its own like that.

As I mentioned in my last episode, orange is a weird shoujo production, and I will say in more details this time. For a shoujo romance-drama anime such as orange, they have an unusually high quality director and an equally unusual below-the-standard budget. So what we have here is a show that stands out in its artistic merits, as many of the director’s choices shine through this week. For example, the sequence from Asuza’s point of view is nicely displayed, as the characters are more colorful, childlike and whimsical than Naho’s point of view. In another case, the director displays Kakeru’s feeling of detachment from the rest of the events by showing him standing awkwardly among a disappearing crowd, with the wash-out color background and a slightly disorientated sound designs. Those are great moments because we really know more about these characters just by experiencing the same thing they do. The art designs of other background characters though, are just too rough and inconsistent. As a result, what we have in the end is the episode that glorious at certain important scenes, but meh and below quality in general. The sport events haven’t concluded yet, as we still have that relay to look for. Here’s hoping for a rewarding relay (and episode) ahead.

Thunderbolt Fantasy – 08

This is yet another typical Thunderbolt Fantasy episode, in which our MC Shang Bu Shuan just had enough with these guys and headed to the evil tower alone, but somehow still find himself tricked by Gui Niao and then gets captured near the end of the episode. Maybe the main reason Gui Niao needs him to stay so desperately is just for the sake of bullying the poor guy. There’s one interesting bit about Shang Bu Shuan that other members of the group figure out and that is while he’s a skilled swordsman, he’s not really confident with his skills; in a way he’s more natural with defensive skills than attacking. Still, leaving our main character literally to fight those monsters alone just to test him out is way too hilariously cruel; and I can see his frustration towards the group that he just heads off by himself. But as fate would have it, Dan Fei and Gui Niao just won’t leave him alone, and the three immediate find a shortcut to get through the tower without passing the magical labyrinth, just to find themselves heading directly to a trap.

Gui Niao’s true identity has finally been revealed to be a master thief. It’s about a goddamn time if you ask me. Master thief is also a common character’s trope in wuxia, but as far as I see he’s no Saito Kid or Robin Hood. Gui Niao is sneaky as hell and he’s also a master of manipulation. In order to advance his plan, he tricked the emotional outburst Dan Fei into having a fight with Shang Bu Shuan (by using hallucination smoke or whatever it’s called) and thus single-handed assist the enemy to put them in cage. At first, I find myself hard to believe that Mie Tian Hai would be stupid enough to trust this guy, but upon a closer look, it’s apparent that Gui Niao already gets a hold of the legendary sword’s handle and it’s a matter of time for him to negotiate with Mie Tian Hai. But there is a plot hole regarding all this ‘masterplan’ though as I find it hard to believe Mie Tian Hai actually forgets about the other members and keeps his guard down like that.

For next week, we will have two main developments: on the one hand there will be a negotiation between Gui Niao and the big boss and until then we can find Gui Niao’s true motive and whatever relation between those two guys. The 200-year history is a good starting point to keep delving into and I believe the main development for its last arc will be around the sacred sword, the War of the Fading Dust, and that cursed wasteland that split the two countries. It will be no surprise for me if Shang Bu Shuan might be ‘the one’ who can control the legendary sword. On the other hand, our main character and the rest of the group will keep heading to the main tower to catch up with whatever results that caused by Gui Niao. It still remains a big question regarding Gui Niao’s true intention: Is he friend or foe? Or is he just a league of his own? Time will tell, my friends.

orange – 08

This week, Naho and Suwa face a dilemma of whether or not they should follow what written in the letters. The relay is coming and Kakeru is appointed to be an anchor. They have been followed the letters very closely, but the original reality becomes too different from this reality that the content is not really relevant anymore. Should they follow the letters because clearly the older-selves have all the answers, or should they rely on themselves to act according to Kakeru’s happiness? Naho and Suwa at first decided to ask him not to join the relay team, since the relay could affect badly to Kakeru. But Kakeru, being himself, feels insecure that he might let the team down so he’s agree to pull out, but he’s clearly not too happy about either decision. Kakeru has been afraid to make a choice. He doesn’t want to repeat the same problems and have more regrets, even to the point where he confesses his feeling towards Naho, but too afraid to date her. Naho and Suwa realize they have been way over-protective to Kakeru, because really without taking a step forward, how could Kakeru move on to his next stage? The rest of the group pick up on that as well, and they together make an awesome decision: let the group run for the relay, so that Kakeru can run and moreover they can run together. Now I understand the running part in the Opening Credit. Yes, it has its purpose and this is not some cliché opening credit where everyone runs for no reason from all over directions, right? RIGHT?

But as I mentioned in previous posts, some of the incidents can’t change and those lead directly to the sad outcomes. Because the group invited Kakeru on the first day, his mother commit suicide. Because Naho couldn’t bring herself to talk directly to Kakeru, he dated Ueda. This time they ignore the letters, but could it be the reason the letters don’t want Kakeru to join the relay is because of his health? Earlier in the episode he passes out and with the stress he’s currently building up, his physical gotten weaker and weaker. I’m not imply he’s in some kind of terminal disease and I really hope the show won’t go that way, but it’s possible that they might not be able to ‘save’ Kakeru the way they want to.

This is now confirmed that the rest of the cast also receive the letters from their 26-year-old selves. All they want is to support Naho and Suwa to save Kakeru, and all Naho and Suwa have to do is to share it with them. Now this lead to a fundamental issue of the show: all the developments emphasis on the same united purpose: saving Kakeru. For that I say they’re trying a bit too hard for the sake of Kakeru (really? 5 adult people sent letters to their younger selves so that they can do their best effort to save him?), and other aspects of friendship will be ignored. Now, every time Suwa and Naho talking to each other, it’ll be about Kakeru. They grow through their interaction with Kakeru, not wuth themselves. I kind of miss the interaction between the group in the first episode where I can see more angle about their friendships, see how they bound off each other in a natural way.

But really, the more I see orange the more I think this is a kind of weird production. The director Hiroshi Hamasaki is not well-verse in shoujo drama, the budget is tight and that hurts. The rough quality and still-frames are more prominent now than ever. It’s a shame because orange works best if the production values can express those emotions, but the level shown in orange simply couldn’t match it.

Thunderbolt Fantasy – 07

This week our band heads up to the evil mountain and needless to say they possess absolutely no teamwork spirit whatsoever. It’s as you would expect from a group of seven egocentric members. Our main character Shang Bu Shuan repeatedly gets teased by their comrades, as he finds himself fighting the enemies alone without the help of others. But I have to note that it all comes from his carelessness to begin with, and all the ignorant from others towards him play more as a comic relief than anything else. Still it’s hilarious to see Sha Wu Sheng the Screaming Phoenix Killer just sits down, relax in his conform zone without helping our main guy out, or that the band continues to praise Shou Yun Xiao the one-eyed archer like nothing happen after he misses the target deliberately and only manages to save Shang Bu Shuan when he fell off. But really to no surprise of no one, our MC passes the obstacles with flying colors. It’s all child’s play for the group it seems.

In terms of plot, there is nothing special in this episode as we know how it head several episodes before. Like I mentioned last week, the main boss Mie Tian Hai appears in front of the group truly for a little chit-chat (everyone sure loves to chit chat in Thunderbolt Fantasy), even feels so generous that he ‘allows’ the group to proceed. The person who has the most development this week is Dan Fei, after she was directly ridiculed by Mie Tian Hai. She fires up and practices too hard, but Juan Can Yu sees through it and even figures out the defect in her technique. Now, this is an interesting bit. Usually from your typical wuxia show, it’s either the swordsman is already skilled or he tries his best to master the skills. There’s never a situation where a swordsman was pointed out that his techniques are ineffective, moreover because the techniques are not suitable for girl. This is something you don’t see so often. It’s much more in the same vein of learning sports’ skills and I have to applause for Gen Urobuchi for actually gives it a thought and makes it interesting.

There is another refreshing nonsense little details in this episode that I find myself enjoy it tremendously. It is the condition of a lullaby to put the undead to sleep. Apparently you have to know which era the undead comes from, and “There’s a subtle pitch shift in the song that depends on when they died” as Xing Hai the necromancer puts it. Talking about perfection in art! I mean this bit of details come from nowhere, but makes totally sense the way they explain it. Even more ridiculously, Gui Niao steps up to be a lullaby conductor (or lullaby composer, depend on how you look at it). It feels like the creators must be on some sort of drugs when they think about the script.

So how things going to happen from now on? From the pacing of this episode, I’m guessing next week they’ll pass the third obstacle and then on their way to face off the main antagonist. This week we learn that the zombies were created 200 years ago, the same time of the War of Fading Dust, and the divide between the two countries. I know it’s absurd but the one who actually feels or those undead is none other than the heartless Sha Wu Sheng. This guy really cares much more about the dead than the living. I guess that the great event has something to do with the powerful sorcerer who used to own the Seven Sin Towers. My take is that mysterious sorcerer is someone we already know, but at the moment only Gui Niao seems like a good fit. Mie Tian Hai, on the other hand, doesn’t even acknowledge Gui Niao so I’m not really sure if he knows much about his true identity. We will, however, have a much better idea about his identity next week, as the title is “The Enigmatic Gale” – one of Gui Niao’s alias. Anyway, we still have 5 episodes to go and with that much refreshing in terms of ideas and its campy sense of humor, I am sure that this Thunderbolt Fantasy train won’t stray off its track anytime soon.

orange – 07

This episode is a winner. It hits all the right notes on what make orange so appealing. Upon knowing that Kakeru will attempt his first suicide after talking to his Tokyo friends over the weekend, Suwa and Naho confront him and tell him not to go. Kakeru is an insecure kid, he’s deeply troubled by the death of his mom, blames himself for what happened and is unable to talk about his problems to his friends. But as Suwa points out correctly, close friends are supposed to share pain together, and his mistake was not his fault. I once had a real friend who told me that she had thought about attempt suicide and it was nasty. The real ugliness of it is once you had it, the thought of suicide never leaves you away and there’s always an urge that push you to do it whenever you feel depressing. Kakeru can only get better if he can be able to talk about it and let his regrets all out. The last sequence is a very nice moment, and I tip my hat off to the direction of that sequence. When Suwa confronts Kakeru, there’s no music cue between those exchanges and it’s the silence that makes us feel the tension and weight behind each conversations. Talking about these things is never easy but at least all three can be able to speak out what they really want.

Suwa steps up to become a big bro for the group. I mentioned last week that I had my concern about feeling cheated if all Suwa did was just followed what were written in the letters. Well, he did follow the letters but thank god the show never sells him short. The thing is that Suwa is not a selfless kid who pull back his feeling to see Naho and Kakeru happy. He did it for the sake of them, yes, but he also did it for his sake as well. It’s a hard role for him but he can pull it off because he’s the most mature and most emotionally honest of the group. There’s still unclear if the rest of the cast also receives the letters like Suwa and Naho did, but they fulfill their supporting roles very well this week. Scenes when they asking Kakeru what he wants for his birthday, or when they stand up to protect Naho from Ueda (Ueda sadly remains the only sore thumb in this episode) are all genuine that showcase their great care towards the leads. And I love the way the two girls stand behind the door, overhearing the sincere conversations from the leads. That small moment speaks more than thousand words, and suddenly they become much more layered in that single moment than they were for the last 6 episodes. Yes, those friends might not be the ones who could change things significantly, but they will always be there whenever you need them.

You might have notice that in previous posts I didn’t discuss much about the romance between Naho and Kakeru, mostly because I found it the most ordinary aspect of orange. Although they share great chemistry together, there’s no denying that “boy gets girl” part is the most cliché part of them all. But even so, this week’s moments between them are goddamn effective. The reason why Naho and Kakeru in the original timeline couldn’t get together was because they were unable to express their feeling to each other. Kakeru always hides his feeling deep down, and Naho is too nervous to say what she really thinks. In this timeline, however, with the help of Suwa and all these friends, Kakeru has a chance to confess to her and she replies him back. Call me cheesy but I found the flowers scenes are heartfelt. They were used twice but each sequence conveys different feeling. When the adult Naho receives the flowers from Suwa, it feels deeply poignant, but when the young Naho accepts the flowers from Kakeru and his confession to her, it feels sweet and genuine. On other notes, there are many nice visual motifs in this episode: the flowers, butterfly (butterfly effect?) and the fluid-est scene transition that fit to the opening credit (go see it!). Based only from this episode, things are about to get better after Kakeru confesses his deepest regrets, but I’m not sold. The theme and the tone of orange always firmly head towards the melodrama territory, so things going to be sad. I’m for once keen to see how they pull this off but at least this episode is a solid example of what orange can do best.

Thunderbolt Fantasy – 06

I imagine those of you who expect Thunderbolt Fantasy a full-blown action series, the first half of this week would prove to be a disappointment. There’s too much talking and the plot just floats upon a river, slowly crawls into its destination. But really Thunderbolt Fantasy never intend to be a true-ish action show, the staffs go for it knowing full well it’s a campy B-genre show. They really understand that the band of misfits is a real stars of the show (as oppose to the attention-catching premise which is a puppetry wuxia show written by Gen Urobuchi) and as a result the show spends a considerable amount of time just for the characters interacting with each other. I’m fairly content with it because if the show just relies on its gimmick, it will wear off very quickly. Thankfully again, when the actions indeed kick in, it’s a feast to the eyes. There’s way too much explosions and gores actions (in a puppetry form to boost) that you would never see in anything else, anime-wise.

Our main character Shang Bu Huan, having the same state of mind as myself, has doubt about Gui Niao’s true intention in this whole affair (frankly, offer his head to secure the magic flute shows how desperate he is) and literally spends a good first half talking to everyone in the group. By the end of those talks he never gets the answer he wants to know, but instead learns two most valuable lessons: that his comrades have different sets of personality and they surely don’t look eye-to-eye in almost everything, and that everyone never trust each other, especially against our main character. The only things those people have in common are they’re going to retrieve the sacred sword, and Gui Niao. He’s a tape that stick everyone together and making them perform their roles. Whatever his intention will be, I’m really amazed the way he pulls all the strings behind the scene. Now, I have a theory about the intention of Gui Niao, and that has something to do with the information we gathered this week. It’s about the divided countries of Xi You and Dong Li. From the information we gained there was a sorcery of the demons that formed the Wasteland of Spirits, that split the two countries for almost 200 years. I come to believe that gaining the sacred sword, plus the fact that Shang Bu Huan come from Xi You, there is a fair chance of them to undo the effect of black magic, get rid of that Wasteland, and unite the two nations.

But to give more attention to our group also means that the enemy side gets undeveloped. We hardly see any of them long enough to have any impression, nor do we care much about them. For now, they are just too bland. It’s interesting to note about the character designs of the villains. Besides their black clothes, they don’t look as “evil” as some members of our groups. And I didn’t expect the main boss Mie Tian Hai appears to soon to fight off the group, so his appearance either will limit to talk to our allied group in the next episode (get right to the show’s comfort zone), or he is not the boss at all. From the way the show keeps delving on the nature of all the “archetype” characters (like the demon lady is not quite evil, but actually a bit elegant; or the “sheltered young lady” is the one who sees positive things most characters tend to overlook), I expect a bit of deconstruction on the main boss. Hopefully we will know more about him next week. Overall, Thunderbolt Fantasy’s still going strong. I really enjoy all the gestures and mannerisms each of the possess and hilarious lines like “let’s put aside a cultural difference for now” (when the characters talking about demon and human) are always welcome in any show.

Mob Psycho 100 – 05

We had a pretty great episode of Mob Psycho this week as Mob faces off against another esper in the form of Teruki. Animation was in top form throughout the episode as the two demolished the school with a psychic battle. Well calling it a battle is a bit of a stretch as the only one fighting was Teruki. Comedy was alright but what really shone about this episode was the actual drama and meat behind it. Namely Mob putting forward his belief of wanting to develop a talent without relying in his natural psychic powers. This belief directly opposes Teruki, whom believes that his powers elevate him above everyone else. Mob’s very existence calls Teruki’s philosophy of life into question as Mob equates having psychic powers to a natural talent. Funny enough this very idea came from Seigan who once again, despite being a horrible person, proves that he just may be the perfect mentor for Mob.

Though his teaching does hit a flat note when he he attempts to make a metaphor about knives. Even Dimple remarks that it all sounds very impressive until you realise that Seigan is the one saying it. Still there is sound logic in what he says, a esper can lift a boulder with his mind but that doesn’t make him any more useful than an ordinary person if you asked him to help program a mobile application. When you take it truly into consideration, just how useful are superpowers in a modern society? The obvious end result is to become a superhero and stop crime but for those looking for a more average job, superpowers are surprisingly not that useful.

What’s the point of having telekinesis if you work in IT? Or having super strength if you are a cook? Or having the ability to fly if it rains a lot?  It’s true in certain circumstances these things could have a use but in regards to daily life I think it would be surprising just how little a difference it would make. Superpowers are cool but they don’t make you a perfect human being and what’s more important is that relying on something that was given to you at birth makes your actual character hollow. As Mob put it, he wants to earn something by his own effort than rely on a power he was blessed with. Otherwise if his power was taken away from him, all that would be left is a empty being. Teruki doesn’t take this well, in fact Mob practically emotionally breaks him that it makes him determined to prove Mob a hypocritic and force him to rely on his power.

This is a rather interesting concept as Teruki is forced to face that rather than being the center of the universe, he is just an average person. If you are to contrast him to a standard shounen protagonist it make for some food for thought. After all a lot of shounen protagonists are driven by a need to prove themselves and grow stronger. Mob says that the reason for this is because they have crippling low self confidence which makes sense. For a famous example, Naruto was ostracized and belittled at the beginning of the series. As a Ninja he was failure and it’s possible that even as he reached the heights of power, he still holds a inferiority complex that pushes him to be cocky and strive for more power.

At the end we see that Mob has a level of power beyond that of his 100% mode and upon seeing that Teruki finally comes to terms that he is indeed a average person. But perhaps seeing the friends Mob has made in the body improvement club might help him mend his ways. Who knows, maybe even his hair might grow back. Dimple apparently died in the fight but I highly doubt it’s the last we see of him. It was pretty interesting to see Mobs emotional meter not rise a bit despite DImple being exorcised and even the montage showing that Dimple wasn’t exactly a pleasant being was pretty amusing. What looks to be important here is Mob’s brother and his jealousy over Mobs powers which looks to play a role in the next episode. There’s also the matter of how all this affected Mob himself as this was a high test of his character and in his eyes he broke one of his principles.

I think what has become the big drawing points of the series is the character of Mob himself as he continues to prove to be not quite as emotionless as he appears. He originally came across as psychic Saitama but now he may have more to him than Saitama ever did. Still despite this Mob Psycho doesn’t seem to be that popular this season from what I have seen. Perhaps due to a lack of resonance with the art style or simply disappointment for those expecting another One Punch Man. While I doubt Mob Psycho 100 will reach the level of popularity of One Punch Man, I think that if it continues to bring episodes like this then it may outclass it in other areas. Though that all depends on what is to come.

~AidanAK47~