This original episode achieves something so simple: a reminder that the true ending is the new beginning. Now I understand why KyoAni decided to skip the National performance last episode, because we’re having the last performance this week, with all the memories from the past flooding in as the underclassmen play the piece as a farewell to the senpais, and I honestly couldn’t wish for anything more. Now that the third year students had retired, the second year is going to take over the club and the music band basically has to start again from scratch. Not really from scratch to be exact because the remainders of the music band are already National-qualified players. Yuuko, for her great development this season, totally is deserved to be the band president next year. For Natsuki though, it’s a bit weird to nominate a member who was cutout from the audition to be a vice-president, but Yuuko and Natsuki make a perfect pair so I’m done complaining.
Sound Eupho keeps defining the very notion of romance, huh? I never would have thought we ain’t done with confession. I originally brush Kumiko’s confession off as just “friendship’s affection” but no matter how you look at it, it’s a romantic confession. Which of course crush Shuichi’s love down the toilet’s sink, and eventually give an answer to an always-teasing-and-baiting relationship of Kumiko and Reina as just friends. Best friends. Over my dead body! At the same time though, I can see where Kumiko’s affection for Asuka come from: Asuka’s the one that Kumiko expresses the most, she pours her heart out to confront Asuka so it’s very understandable that when that someone is gone, she feels empty inside and realizes that she misses her. Now I kind of understand as well why the show pushed Reina’s crush to Taki to such extend. I am honestly not sure what to think about this new development. Asuka’s leaving now meaning that if there ever be a third season, Kumiko and Reina’s relationship still take a central stage and we’d never through with this baiting, ever. But judging that Ayano Takeda hasn’t written the sequence, instead focus on Kumiko’s childhood friend Azusa in Rikka High School in her next spin-off novel, I think the show is ended for good. At least Kumiko has a chance to talk out what really matters to her. She has grown quite tremendously since the beginning of this season. I am glad.
The band playing farewell song- a song we’re now all familiar with- is a nice wrap up to many past moments the band (and us) have spent together. I love the moment when Reina started playing solo, we have a next quick shot of Kaori’s smile. There had been much drama about deciding who played the solo part, and Kaori’s reaction here is as best as she could: facing it with a smile. Those other moments keep reminding us what a ride all this had been and the band grow and act like members of a big family. Speaking of family now Kumiko and Mamiko exchanging mails to each other (how cool that is! Even they all have mobile phones).
Sound Eupho has been a very solid drive and this episode perfectly closed everything up nicely. I left the series with a satisfied feeling of the warm sound of Sound! Euphonium piece. Judging this season alone, personally I think it’s not as strong as the first, just a slightly down because it focuses too much on band member’s drama, while at the same time kind of neglecting our mains, but it sure is a very welcoming follow-up to the first. Judging the show as a whole, it will be up there as one of KyoAni’s best works, both demonstrating their detailed superhuman production values that the studio is famous for, and at the same time this show feels like the studio’s most natural brainchild: a slice of life series that set on their very hometown, Kyoto. Full review will come probably next week, before the next season begins, so stay tuned until then. Overall I have a great time covering it, and frankly a bit sad to see it gone. But life moves on, so should we and here’s a toast for a job well done, Kyoto Animation.
