Koi to Yobu ni wa Kimochi Warui
Short Synopsis: A womanizing salaryman harasses a high school girl after she saves him from falling down the stairs.
Wooper: Spring 2021 is setting the bar very low with Koikimo as its first premiere (not counting a HeroAca filler episode). Its adult male protagonist isn’t just a pervert – he’s a straight-up psycho. After one of his past sexual partners embarrassed him in front of his underage crush, he shoved a napkin in her face and smeared her makeup, then threatened to pluck out her eyelashes. How anyone could find him tolerable after that display is beyond me – not that he was charming beforehand. The little moans he made after getting a phone call from Ichika (the high schooler) were fucking weird, and his indifference toward her discomfort gave off major predator vibes. Ichika got in a few good jabs as she rejected his advances, but she also called him and left a record of her cell number at one point, so defense clearly isn’t her strong suit. I’d want this show scrubbed from my memory even if it were lavishly produced, but it isn’t – the animation is a notch below competence, and the backgrounds are so poorly conceived that they violate basic architectural principles. Stay clear of this one unless you have a May-December fetish.
Potential: 0%
Mario: In order to make an engaging romance story, the leads need to be likeable enough and you need to sell the chemistry between them. Sadly, based on this first episode Koi to Yobu fails on establishing these factors. While I’m not as salty as Wooper, the male lead is unlikable. Even if you look past the age gap, the fact remains that he has absolutely zero regard for the girl’s feelings, which gives off an off-putting vibe. Real life has taught me that when a person can’t take “no” for an answer, they are the most dangerous. On top of that, his sister and Ichika’s parents have no reservations about their relationship, so it looks like an easy route for her coming to “accept him”. The plot so far doesn’t elevate the romance, sadly – the first episode relies too much on “coincidences” to put these two together. It’s not offensively bad (when it comes to romance anime I’ve seen much worse), but if you, like me, are turned off by this “psycho” boy, or by the alpha-male-eccentric perspective, then it’s best to steer clear of this.
Potential: 20%
Godzilla SP
Short Synopsis: A pair of scientists investigate a string of unnatural occurrences that have something to do with Godzilla… probably.
Mario: Such an intriguing mess this first episode was. If it didn’t say it in the title, I wouldn’t have known that it is from the Godzilla canon, and in this instance that ambiguity works for the show’s benefit. This premiere takes its time building suspense by following our leads investigating strange phenomena, as it’s usually the case that monsters lurk beneath abandoned military buildings like the ones here. The characters sound too smart for their own good but for now the expressive character designs are keeping me engaged. Moreover, I am genuinely impressed by the background art, which looks very textured and detailed. So production-wise, this new version of Godzilla looks pretty good. The story is intriguing but feels uneven at times and I have doubts that it can stick the landing safely. As far as the first episode goes, though, you can bet that I am interested.
Potential: 50%
Lenlo: Mario calls this a mess and he’s right, but it’s not one I take kindly to. Not only did we go an entire 23 minute episode of a show named Godzilla without hide nor hair of the titular monster but instead we got saddled with a bunch of technobabble vomiting pieces of cardboard. That might be a bit of hyperbole however I honestly wasn’t engaged by anything they said or did nor any of the mystery-like premise. Maybe it’s my fault for expecting something else but it really feels like Godzilla has found a way to make giant robots fighting monsters boring. I figured that would be Dynazenon’s territory but someone beat it to the punch. Still, Mario is right that character designs are good and the backgrounds are detailed. Maybe Godzilla will stop feeling like a B-movie monster flick now that the monsters are actually arriving.
Potential: 30%
Mars Red
Short Synopsis: It is the 12th year of the Taisho era and vampires stalk Tokyo, both foreign and domestic. Only Code Zero, Japan’s first vampiric task force, can protect the country and find out where these vampires are coming from.
Lenlo: Mars Red started off much stronger than I expected. The animation is choppy and the whole show being made for ultra wide screen, meaning those bars are coming back, are a concern. But the direction was on point. It’s like Director Kouhei Hatano has taken the words “show don’t tell” and tattooed them on his chest. Whether it be clever recurring use of the plays poster, snappy cuts such as on the bridge implying violence without showing it, or a well placed timelapse. For a show where the animation itself can best be described as “rough” I thought Mars Red looked pretty good. Add on to that some stellar VA work, that “Jokanaan” was chilling, and you have a recipe for something good. My major concern at this point is that this was not in the manga, this entire first episode was anime original and so I don’t think it’s going to be indicative of the final product. If they can keep this tone, this directorial style, as Mars Red shifts to a more stereotypical narrative then I will be happy. I’m just not sure it can.
Potential: 60%
Amun: Mars Red is a show I’m cautiously optimistic about – I mean, Violet Evergarden Vampire Edition sounds pretty good, right? Well….there are some problems. For starters, this first episode was a wee-bit contrived; I’m happy to suspend my disbelief a bit, but come on now. I’m also not entirely sure who the main cast is – probably the blonde dude is the vampire, the journalist girl might be the replacement love interest, but it’s unclear yet if the colonel is going to be the lead or if he was just an introductory vehicle. We might see these characters the rest of the season or one more time in passing. Hard to say – wouldn’t be surprised either way. The animation is overly ambitious for the resources available – there were some particularly rough panning shots. I know what they were going for, but they just don’t have the animators for it. If that’s apparent in episode one, I don’t feel great about the prospects for episodes 7-13. That said, the world looks amazing and the episode’s direction and pacing were spot on (plot holes aside). Unfortunately, too many shows start strong only to fall apart halfway (Wonder Egg Priority, anyone?) – and I smell blood in Mars Red’s waters already.
Potential: 40%
