Jyuu Oh Sei Review – 73/100



Jyuu Oh Sei really is a series with its ups and downs. Overall, it remains an enjoyable series. I’m glad I watched it. Though it remains flawed. The story is about a young boy, who lives in a sci-fi-like world along with his twin brother. His parents then are killed and he, along with his brother, gets sent towards a planet full of outlaws. Not only that, but the climate is extremely harsh, and full of human-eating plants. He now has to survive, to be able to get out of this planet, and find out who sent him to Chimera and more importantly: who killed his parents.

The plot progression develops in quite an interesting way. The show starts out great, but as it progresses, you keep seeing more and more flaws in the world system that the creators built. Then, as the series progresses even more, the anime changes focus from story to characters. At first, this seems dull. And it is indeed, but then the events start to slightly improve until that arc ends with a very enjoyable climax. The last two episodes then handle the conclusion, and solve all of the questions that were formed during the first episodes of the season. All of this gets closed by a very satisfying ending. Some people hated it, though I really like endings like these. Especially the combination of characters who remained alive was great and original.

Still, the governmential system in Jyuu Oh Sei is so full of questions. It doesn’t make any sense at all. This is supposed to be a world, in which people have to struggle to survive. How come people are living in such huge communities? How are they able to live and gather food? Nothing is explained on that. Then the series also decides to skip four entire years at that point. In order to show the main character, growing up from 11 to 15 years old. First of all, the way he acts is way too old for a fifteen years old. You can only see this by the fact that he keeps making impulsive decisions. Second of all: when we switch back to him, nothing really happened. It’s like he’s been sitting in a chair for the last four years. That doesn’t make any sense at all. Around the later episodes, we also have a character who keeps killing people for some kind of reason. This reason never really is explained.

The fact is, that Jyuu Oh Sei is short. In one case, it’s good, as the storytelling was quite well done. The creators really planned the episodes in, without trying to create rushed scenes, and they succeeded. Though they had to make a sacrifice for this, namely the unanswered plotholes mentioned in the above paragraph.

The music and graphics are nothing really special, though the battle choreography looked quite interesting. Especially during the early episodes you really could see that the creators spent some time into this.

Overall, it’s a short series with only eleven episodes, and I don’t regret watching it, despite the bad moments. Jyuu Oh Sei is nothing special, though if you need something to watch, and don’t have any idea what you want to, I’d certainly recomment to at least check this anime out.

Makai Senki Disgaea Review – 81/100



The spring season 2006 began with its ridiculous amount of series which aired. Of course, there had to be a couple of series which got marked by the majority of people as the “worst series of the season”. These series were immediately labeled as bad series. In this case, “High School Girls” and “Makai Senki Disgaea” got this title. I haven’t seen the former, but does the second one deserve that title?

Absolutely not. The fact that most people seem to forget is that this is a children’s show. You will find elements in this show that are meant for children, for example, a male main character who wants to be the demon king and burns people who oppose him to a crisp, and some characters who first appear for a second, only to be blown into the air in a team-rocket fashion because of this. The fact remains, that these events do give this show a character.

If you can not see that this show is a children’s show, you probably won’t be enjoying yourself during most of the episodes. Does this make it a fact that adults can’t watch it? Of course not. Anyone can watch it. All of the characters have personalities who are pretty easy to figure out by children. Though I really noticed after a while that each of the characters has his or her own very enjoyable personality trait. For example, Flonne’s incredible fangirling about love, Laharl’s disgust of it, Etna’s will to depend on Laharl while she actually wants to kill him, et cetera.

Episode 6, 9, 10 and 11 are incredible. In these episodes, all of the characters are really fleshed out, and it works PERFECTLY. The drama works really great. The characters’ intentions are shown, everything which happened before in the plot makes total sense, and at those times, you really can’t help to feel along with the characters. Not to mention the awesome comedy which was thrown in. The fact that this show is awesome is because of these four episodes.

The comedy thrown in also really works at times. At other times, however, the humor is more directed to children. Luckily, this doesn’t happen too often, which results in some very hilarious situations.

The voice-acting is just awesome. The creators managed to find the perfect voices for some of the characters. Especially Flonne. When she’s raving, you can really hear that her voice-actor is giving the best she has. Etna also sounds great, just as Laharl and the other characters. The OST is surprisingly interesting. It’s nothing special, though it does contain some breath-taking tunes, which really contribute to the scenes they’re played in.

The character-design looks great, though the animation might look a bit inconsistent at times. The background art makes totally up for this, though. Every outside scenery looks just stunning. And not to mention the CG. Where the character animation is falling, the CG is really shining in this anime. Especially near the end, it begins to look more impressive by the minute.

Overall, I’m recommending Disgaea to anyone who has a bit of patience. The first couple of episodes may seem a bit dull, though it soon becomes clear that these episodes were actually used to build up for the awesomeness which follows in the later episodes.

Makai Senki Disgaea – 12 – Ending



Spoilers up ahead. Do not read this post if you haven’t seen the ending of Makai Senki Disgaea yet! While not as good as the total awesomeness of the previous episode, this episode does managed to deliver an ending, worthy of being called enjoyable. It brings us the perfect bland of comedy and drama. Especially Vulcano was great.

The guy attempts to corner Laharl using brute force, but even then he doesn’t stand a chance at all. Seeing him and his minions flee was just hilarious. His beliefs were also very interesting to watch. He’s obviously an angel who’s gone corrupted because of his high status. He then tries to give Flonne all of the blame, though she comes back with some nice arguments that totally kick him into the ground. I know, it’s a simple concept, but it works.

Another thing I also loved was how different Lamington turned out to be from what I thought he would. He nicely broke the cliche of the hierarchy of an evil society. The conflict does not come at all because of the fact that he’s evil. It’s just that his beliefs and personality are totally Laharl’s opposite. Add that to the fact that he does believe in atoning for one’s sins, turning Flonne into the flower she loves most, and you’ve got yourself a very decent climax.

Though what was up with Mid-Boss? Was his only role to just be watching from the side-line and be astonished at Laharl’s decision? I have to admit, at that moment, it really contributed to the scene, though I was expecting some kind of bigger thing. Ah well, I guess we can blame that on the creators, not being able to fit his story in the twelve episodes. It’s the only rushed feeling that the series portrays.

I’ll say it again: SPOILER. Another fact which surprises me, when you consider that this is a childrens’ show, is the fact that Laharl actually gives up his life for Flonne, and he actually dies. Of course, he comes back as a Prinny. But remember the previous episode? At one time, he has to say goodbye to them, for a final time. That would’ve made for an awesome scene.

Overall, the ending was enjoyable, though it doesn’t fall in the category of awesome endings. Then again, there are only few anime who can manage to accomplish an awesome ending. This episode showed a good attempt, though!

Soul Link Review – 65/100



Soul Link is a very strange anime. Not in terms of story, but in terms of production. Some parts are extremely solid, while other parts are just totally horrible. It’s a science-fiction and fanservice series. The story is about a space-ship, which serves as a school for people who want to be in the military. This ship gets overtaken by terrorists. Most of the people aboard the ship manage to escape, though our main characters remain. They now have to survive, and find their way out.

Let’s start with the good part: the story. The story is extremely solid. This anime spans twelve episodes, and knows exactly how to use them. Each episode, the plot progresses a bit further, with no boring parts, no rushed feelings until it hits with a satisfying climax. Though the best part about this anime are the characters. While they’re in no way memorable, almost each one of them fits. It’s also extremely interesting that, while this may be a fanservice-show. It’s not like everyone’s falling in love with the main character. This is one of the few fanservice-show, in which we have a good number of couples, who remain faithful to each other. The anime’s also not afraid to kill off a couple of characters, which only adds to the drama. The plot twists are very nicely done and a lot of things make some sense.

Now the bad part. The anime may have a solid story and characters. That’s the only good thing about this show. For some reason, the creators wanted to focus on useless fanservice. The art looks just horrible and inconsistent. The animation is just garbage and some of the voice actors SO do NOT fit the characters they play. The music sucks, just as the sound effects. If you like fancy graphics, then stay far away from this anime, as you won’t be able to survive it.

Overall, I recommend Soul Link for its story. It’s a very decent anime, if you manage to ignore the horrible art. The first episodes start out a bit slow, but while looking back, they were nessecary to introduce all of the characters. You also might run into a couple of clichéd characters in the first few episodes, though don´t worry. They´ll soon move away from these clichés.

Final Rating: 65/100

Saiunkoku Monogatari – 12 – Shiurei at her best.



I don’t know whether it was the episode, or the fact that Shadow Dreams managed to finish the translation before I got to watch the episode, but the fact remains that I enjoyed this episode. A lot. So many interesting things happen. And so many funny things as well. ^^;

We start out with Shiurei, who recieved the message that she passed her aptitude test. This allows her to take her national exam, which will take place in about a month. A lot of people have been coming to the capital in order to take this test. Or take advantage of the people taking the test.

We then see the introduction of a new main character. In the OP, he looked like some kind of girl, though he actually is a 13-year old boy. Shiuei tells Ryuuki that he’s been notified of a disturbing rumour, though it remains a mystery what this rumour might be. It’ll probably be revealed in the next episode. Interesting note: Shiuei and Kouyuu both have the symbol of Ryuuki, the purple flower, decorated on one of their accesoiries. Which means that they’re yet a step closer in loyalty to Ryuuki.

Shiuei then informs Kouyuu that he needs to take care of some business in the red-lights district. Kouyuu doubts that that’s got anything to do with his job, though. ^^; We then flash to the red-light district, and we see Shiuei and the new main character pass each other. Furthermore, we see three suspicious characters, wearing suspicious blue cloths, smiling very suspiciously. This was a great scene, because it actually reveals quite some things about what’ll happen in the episode. Except for the fact that you, as a viewer, don’t realize it at that time.

We then switch to Shiurei, who managed to find another temporary job after working in the palace. She actually works at one of the best sites at the red-light district. As an administrator, not the other thing. ^^; In any case, she seems to know the people who run it. A boy who works there seems to be a childhood friend, and he starts out nicely by insulting Shiurei, and suggesting that she should find some kind of husband who’ll take care of her.

The owner of the place, Kochuo, scares the guy away. She also seems to know Shiurei ever since she was little. In fact, Shiurei, when she was a little child, had even begged her to let her work in the brothel. That was just so cute. At that time of poverty, Shiurei was so determined to help her father that she was even willing of joining a brothel. Her statement that she had to get home at sunset in order to prepare a meal for Shouka and Seiran only made this better. ^_^; I can understand why Shiurei doesn’t like to remember that. ^^;

Kochou then mentions that she’s got something to show Shiurei on her last day of work (apparently, Shiurei’s been going back to her living of taking lots of different jobs for a small time, just like the beginning of the show). Shiurei hestitates, though when Kochou threatens to tell Shouka and Seiran, she gives in. It’s interesting that she didn’t tell them that she was working at a brothel. Hehe.

We then switch to the new main character, or Eigetsu, as he’s called. A regular brought him to Kochou’s brothel, and paid quite a sum of money in order to let the guy sleep there. Eigetsu, meanwhile has a nightmare about his hometown. For some reason, this is sad, as he cries, while having the dream. Then he wakes up.

Eigetsu has a shy character. He knows what he’s talking about, he’s not an annoying brat who keeps acting impulsive, though he remains a child. Imagine how he reacts, waking up in a brothel. Once he settles down, he tells Shiurei and Kochou that he remembered getting into trouble with some thugs and getting dragged into a restaurand. Apart from that, his memory’s fuzzy. Then he finds out that a large sum of his money has been stolen. Shiurei then offers Eigetsu to stay at her house. After all, her house is quite big, and they already had a bear-like person staying there last year. (Ensei? Bear-like person? XD).

Eigetsu then spends the rest of Shiurei’s shift helping her with some accounting, and he appears to be quite a good calculator. Then Seiran runs into them, with the message that he organized the four of them to eat out for the night. At first, Shiurei’s not happy with this, though when she finds out it’s to celebrate her passing of the aptitude test, she thanks Seiran.

In the restaurant, we get some more background on the world of Saiunkoku Monogatari. In this case, the underworld of the capital. But not before three drunk men joke about the fact that women aren’t fit to take the national exam. This gets built up perfectly, until Shiurei almost explodes with anger. Seiran’s about to do something, but Shouka beats him, destroying the table the men sit on while nobody watches. He acts like nothing happened afterwards. If there ever was a thing such as a brilliant scene, this was it. ^^

In any case, the translation on the info about the underworld is a bit fuzzy, The Seikintou are a new bunch of thugs, who try to place themselves in the underworld. They’re pretty impulsive, and they identify themselves by wearing blue cloths. The crime bosses actually manages the downtown hoodlums, and they protect the peace of the downtown when a lot of people are coming in because of the final exam. Or at least, that’s what the translation says. I think I misunderstood a few things…

In any case, things succeed each other fastly after this is told, as Eigetsu reveals that his money was gathered by all of the village members, and he finds out that all of it has been stolen. Shiurei freaks out, and both of them start stuttering. Eigetsu then runs off and Shiurei follows him.

Eigetsu headed for the Seikintou, and for some reason, they’re accusing him of stealing from them. Eigetsu also seems to be looking for a card or some sort. What follows is Shiurei taking Eigetsu, and an extremely enjoyable chase. I especially loved it when the two of them had been running into a circle, only to end back up at the Seikintou again. Though nothing will probably beat Shiurei’s treatment to one of the thugs, when he approached to her. Shiurei Rocks! ^_^

Then, Seiran arrives and they run into a messenger, who tells them to head for Kochou’s brothel. For some reason, Seiran already knew about this, though he’ll explain his reasons later.

Then, everything which has been happening at the beginning of the episode becomes clear when we see Kouyuu, Ryuuki and Shiuei walking though the red-light district, while Kouyuu gets angry at Shiuei for dropping Eigetsu at the brothel. It seems that Ran was the one who put Eigetsu to sleep and brought him to the brothel for savekeeping. He reveals that it’s actually quite safe in there.

It was just great to see the different way these three reacted. Shiuei has been in the red light district many times before. not only because of his work (after all, everyone seemed to know him, and he was a regular of Kochou’s brothel, after all. Therefore, he acts like it’s nothing at all. Kouyuu, however, gets nervous and angry. Though Ryuuki’s reaction was just priceless. He was just so incredibly fascinated by everything which was happening around him. Like a small child in a candy store. ^_^;;

We then turn to the headquarters of the Seikintou. Their chief was quite pissed that Eigetsu managed to escape, though one of the members saw him, along with Shiurei and Seiran, head for Kougarou (which is apparently the name of Kochou’s brothel). None other than the boy from the beginning of the episode (the childhood friend, Keichou) tells the chief about it. The latter then gets the twisted idea to raid that place, and turn it into their head quarters. Keichou, meanwhile, goes to warn Shiurei about this. You’d wonder about his intentions.

The episode ends with quite an amusing scene, at which Shiurei notices Ryuuki inside Kougarou. She immediately suspects him of having a bit of fun in there, and his reply is the most destructive you can ever imagine. Shiurei wasn’t exactly pleased when she found out about this. ^^;

I’m curious about the crime bosses. Their sillouettes were shown for a couple of seconds, and each of them looks distinct. That means that all of them will be appearing at some time during this anime. I wonder what kind of role they play, as I still have no idea whether they protect the townspeople, or they steal from them.

Next episode, we also get to know the deal with Eigetsu. He’s special in some kind of way, as he appeared to have robbed the Seikintou, he comes from a village which witnessed a disaster, Shiuei finds him important enough to put to sleep and keep safe in a brothel and he’s collecting some kinds of strange cards. He also has great calculating skills, and he’s only 13 years old. So, what’s up with him?

(on a side-note: is it me, or has the backgroung music been getting better and better?)

Simoun – 05 – Getting Familiarized with the Characters



I finally realized the major flaw of Good Witch of the West: it doesn’t give enough time to let the viewer familiarize himself with the world it created. That’s the cause of all that’s bad in Good Witch, as the viewer doesn’t have the chance to live with the story if he or she hasn’t been introduced in it. That’s the toll that has to be paid when you take a series like that and try to stuff it into thirteen episodes. It would really have been better if that series lasted for two seasons, instead of one.

The fifth episode of Simoun really made me realize this. After all, both series started out with a lot of questions about the world in which the story took place. Simoun’s was even fuzzier than Good Witch of the West’s. Then, however, while Good Witch kept spurting forwards, Simoun grabbed the brakes after the first episode, and has been using episodes 2 to 5 to explain the way the world works, to let the viewer get familiarized with the characters and offer some character development. I really have to say that the system of this anime makes a lot more sense than it did when I started this system.

I also rewatched the first episode, and this also refreshed a lot of my memory. It’s like this, we have several Chors, or groups of Simoun Pilots, otherwise known as Simoun Sybulla. These Chors consist of a number of girls, who work together in order to protect the Imperial Nation (I thought that that was the name of that country, though I’m not sure, sorry). The Simoun don’t attack with bullets or missiles, they attack by drawing patterns in the sky with their Simouns, called Ri Maajons. These then take a few seconds, after which they explode, blowing every enemy away who gets too close. There are a lot of different Ri Maajon, including a huge number which hasn’t been discovered yet. The Ri Maajons range from very easy ones, to very difficult ones, depending on the pattern that has to be flown. There are Ri Maajons who can be performed alone and there are those who need more Simouns in order to perform them. When I saw this in the first episode, I didn’t really like it. Though now that I’ve seen more of it, I realize that this is a brilliant system, and I even want to see more of it.

The Chor Tempest was seen as the most elite of the Chors. It was lead by the most talented Simoun Sibulla ever, Neville. Unfortunately, the first episode changed this, when Neville’s partner was taken by god because of a very powerful Ri Maajon which went wrong, Neville has since then been refusing to patrol, two others were killed and two more went to the spring, deciding which gender they should be. This immediately put a halt to the legend that the Chor Tempest had set.

Anyway, about the episode. It was mostly focused around Limone. She’s a prodigy, and the youngest person ever to be a member of a Chor. At the previous episode, she experienced some pretty horrible things, though the problems didn’t end there. Her case is familiar to Nevilles, though slightly different. In Neville’s case, it was her partner who wanted to become stronger. In Limone’s case, it was Limone herself who wanted to try a Ri Maajon she wasn’t able to do. This resulted an accident, killing her partner, who had warned her that she’d be acting too dangerous. Ever since then, she’s been unconciously holding back while flying in a Simoun.

Then over time, she started to listen more and more to people. She only did things because people told her to do so. During this episode, a new member gets assigned to the Chor Tempest, I believe her name was Dominura. In the first episode, her entire Chor was killed off, leaving her as the sole survivor. She now gets reassigned, in order to bring the Chor Tempest back to the position it once had. She decides to do this by trying to improve the weakest link: Limone (she hasn’t been doing too well, lately, as she’s been holding back). The yellow-haired girl (Furoe) made some nasty remarks about this. Dominura looks quite like an evil character in the beginning, though her actions later in the episode made me doubt about this.

Aaeru’s personality surprised me again this episode. She’s just so incredibly to-the-point. Limone, as she’s getting pressured from all possible sides, asks Aaeru whether she’d mind it if the two of them were separated as a pair. Though Aaeru comes with the true statement that if Limone decided so, that she wouldn’t mind. Everyone has a reason to fly in the Simoun. Aaeru does it because she can’t decide whether to become male or female. Apparently, there’s a law which says that when you reach nineteen, you immediately have to go to the spring, though you’re excluded from this if you’re a Simoun Sybulla. If Limone had no reason at all to fly the Simoun, there’d be no problem is she left.

Anyway, Dominura decides to test Limone by putting her in the pilot’s seat, instead of the navigator’s seat. I’m assuming that ever since that incident in her past, Limone’s been refusing to drive as a pilot. And it shows, as her Simoun really can’t fly straight at all. In any case, there’ve been some rumours about some enemy activity, so two Simouns get sent out to check up on them. It appears to be a large number of enemy land tanks. Dominura’s plan was to use this as an opportunity to get Limone out of her depression, though her plan fails as a blizzard is coming up.

What follows are some very intense, but also very awesome scenes, in which the calm Dominura panics, Limone finds her reason why she wanted to be a Simoun Pilot and she performs, along with Aaeru in another Simoun, one of the more difficult Ri Maajon out there. The one she failed at in the past, which killed her pair. Especially seeing Dominura freak out worked extremely well, as it immediately destroyed the calm, evil image I had of her, which was created by the first half of the episode.

Still, I wonder where this anime is heading. It hasn’t even begun with dealing about all the ethical questions that might be induced. After all, the imperial nation is in a war at the moment, and clearly has the upper hand. The Simoun can instantly kill off entire armies. The Archipelago also really needs the Simoun technology in order to survive and live a better life, though the imperial nation has no intention of giving them the information they need, and keeps sending Simoun to kill off the armies from the Archipelago. What reasons do the characters use to justify this? We’re holy and you’re not, therefore we can use the technology, and you can’t. This gives so much material for the later episodes.

Overall, I liked this episode. It was nice to see Limone struggle like that, and some interesting character background never hurts. Neville still isn’t doing much, though I don’t think that this’ll last for the entire series. The episode wasn’t as good as the previous ones, though I did enjoy it. And the music really is awesome at times.

On a side-note: what exactly are those wire-speaker-thingies that connect the Simoun with each other? Are they just for communication between Simouns, or do they have another purpose?

Simoun – 04 – Another Anime I’ll be Blogging. Damn, my list is getting huge…



Heck, I may already be blogging too many anime, so why did I get the crazy idea of including another one to my bloglist? Well, because this anime deserves it. To me, this was the surprise of the season, as my predictions of the spring season seemed to be quite accurately. I never saw this one coming, though, and I have to say, it’s pretty awesome.

Okay, so what has happened so far? The story plays in a world with a unique property: all people are born genderless, though with the shapes of a female. When a person has reached the age of nineteen, she can choose to go to a special shrine, at which she can choose to be either a man or a woman, and reach adulthood. In the world, there’s one country which stands for everything that’s holy. They have holy technology in their posession, including the so called Simoun. These are flying vehicles who can have total flight control in the air, and are most probably the most powerful weapons in existance. The only problem is that only genderless persons can control it, and you need two people for it.

The other countries of the world, however, do not have things that easily. Their countries are polluted, and they are barely able to survive, forced to use technologies which poison their air. They see the Simoun as the way to get them out of their miseries, as these are made with some incredible technology. That’s why they aim for a war against the holy country, in order to capture and research one of these Simouns. So far, they’ve got not much luck, as they’re trying to capture some of the deadliest weapons ever. The story follows one of the groups of these Simoun pilots. At the moment, their group is put on standby, as their leader has just lost a number of very important friends, and needs time to process this.

The thing I like about Simoun is that even though it knows that it doesn’t make any sense, it still is able to deliver some quality drama. Both between main characters, but, as this episode showed, also between main characters and guest characters. It also is able to take some overused clichés, then gives this a huge twist, and it manages to turn these into something worthwile. The main character, for example. She’s incredibly impulsive, just like most other main characters. The difference is that she actually knows what she wants, and she’s not afraid to take actions to do this. She’s a person with a great insight, though she lacks the respect towards others. At the beginning of the anime, she didn’t take any other person’s feelings into account at all.

These first four episodes, Aaeru (the main character) changed. A lot. The other members of the Chor Tempest (the group of Simoun Pilots) made her see a bit what it’s like to be working with others. Not much, but it’s only the fourth episode.

The themes introduced in each episodes also are a major plus. This episode, for example, shows us how desperate some of the members of the other countries can be, the fact that Aaeru’s willing to make some gruesome acts and the heavy themes that this show will be featuring. Aaeru takes another member of the Chor Tempest, Limone, out for a ride on the Simoun, in order to practice (even though this is forbidden). They then notice what looks like a destroyed Simoun, so they land down in order to check things out. Then it seems that the stranded Simoun was fake, and set up by a single member of another country, desperate in an attempt to conquer a Simoun.

This plan, of course, was a huge waste. The guy (who looks very interesting, by the way. I liked it) knocks Aaeru and Limone out, though when he tries to pilot the Simoun, things go wrong, as he’s not genderless and he doesn’t have a pair. Not to mention that he seems to have troubles breathing, probably because of the polluted environment where he came from. When he finds out about the way the Simoun work, he gives up, deciding to wait for help. The three of them (Aaeru and Limone concious, but tied up) wait for a couple of hours. This gives the guy the time to reveal that in The Archipelago (one of the other countries, seems to be the major enemy), the system at which you can go to a spring and choose your gender doesn’t exist in other countries at all. People just get surgeon, the minute they are born. Aaeru also reveals that all of her older friends have gone to the spring, and became mature. She didn’t, as she couldn’t decide what to become.

It’s also interesting that the creators tried to give the viewer a bit of sympathy for this man, right before Aaeru manages to cut her ties loose, and charges for him, which drives him mental. He runs towards the Simoun, and starts shooting at everything he sees moving. Aaeru and Limone hide a bit, and decide to think of a trick to lure the guy away from the Simoun. In the meantime, he dies, while desperately clenching himself to the controls of the Simoun. This results in the fact that his hands, as they’ve become stiff, won’t come off. Aaeru then even goes as far as cutting the guy’s hands off, in order to remove him. That was one disturbing scene, but greatly executed nonetheless. Limone, as she’s much younger than Aaeru can’t take this, and decides to hide and close her eyes. Aaeru herself has great difficulty doing this, even with tears in her eyes. The result is a blood-stained Simoun. A freaky sight, especially when you see Limone’s reaction to this.

Ah well, one of the major reasons I decided to blog this is the following: this show is unique. And with this, I mean not a tiny bit, but really unique. I haven’t figured out what makes it so unique, but I hope to be able to define this later on. I’ve also seen some hints from the raw watchers that around episode 7 this anime begins to get incredible, so I’m very curious about how this will turn out. 🙂

Higurashi no Naku Koro ni – 12 – Very interesting developments indeed. :)



During the entire episode, I sat on my chair with a big smirk on my face. It was so amazingly written, so many brilliant opportunities were taken, this episode was just utterly incredible. It’s easily the best episode of Higurashi yet. Thank god the series managed to pick itself up again, after a kindof weak start.

The main reason behind the awesomeness of this episode: Keiichi getting paranoid. It was so awesome to see his reaction when he started to realize that his whole plan backfired. That’s the beauty of Higurashi: its amazing number of incredible plot twists. At some times, it manages to forget this, though this episode totally made up for it.

We start with the flachbacks from the previous episode, with Keiichi killing Satoko’s uncle, burying him and running into Takano. The OP rolls, and we start with the real episode. But not before the usual sponsor-image is shown, showing Oishi and Keiichi, in the rain. I really dislike it when the sponsors are shown in this way, as it immediately spoils a part of the episode. Why can’t they just show a bunch of fanart?

In any case, Takano mentions the fact that if the body isn’t buried properly, stray dogs may pick up their scent, and dig the body up. Keiichi then mentions that the bicycle in the back is Tomitake’s. Takano, however, tells him that it’s her own bike, which Jirou picked out for her. Once she drops Keiichi off at his house, she tells him that they hadn’t met during that evening. It takes Keiichi a while to figure out what she means. Keiichi isn’t really tactless, as it’s clear that the two of them have both killed someone, and they’re kindof in the same boat. Takano tries to remain subtle, though Keiichi’s too paranoid to notice this. This reaction ticks Takano off, and we see her annoyed for the first time in the anime.

Then Takano takes off, and Keiichi wishes her to fall under the curse of Oyashiro. He then hears a splash-like sound from behind him, though the source of this splash remains unclear. The next morning, he wakes up late, and rushes to school. To his surprise, Satoko’s come as well, instead of mourning over her uncle. When he enters the classroon, the fun really starts. Rika, Rena and Mion are talking like Keiichi actually WAS at the Watanagashi! Brilliance! Rena was also too cute when she started talking about the stuffed doll. ^^;

Seeing Keiichi react to this was just brilliant. He’s got no idea what happened, so he starts asking around for his own actions, and behaves very weird in the eyes of others. Satoko, meanwhile, is incredibly gloomy. When Keiichi talks to her, she breaks down in tears. He then gives subtle hints about what happened at the last episode, and, GUESS WHAT, her uncle didn’t disappear at all. He even gave Satoko her most horrible treatment ever. Satoko was so sad at that moment, and seeing Rika comfort her was just too cute.

Anyway, Mion and Rena are starting to wonder about the things that Keiichi said, making him only freakier and freakier. Rena then suggests a treasure hunt with him and Mion. Keiichi tells Rena, however, that he’s got a cold, so he can’t come. Rena then suggests him to go to the clinic. It then seems that Keiichi has learned, as he actually goes promises to show her the receipt. Rena then replies in disease-mode, and she walks off.

Keiichi then gets on his bike, and goes back to school. He then checks whether Satoshi’s bat is still where it was before he took it at the previous episode. Well, it isn’t. He then goes to the clinic, because he promised Rena and he then runs into Irie. Keiichi asks him what he’s been doing during the night of the Watanagashi, and of course, he thinks that Irie begins to suspect him. Irie, however, acts just calmly, though Keiichi doesn’t seem to notice it. He gets more paranoid by the minute, and ends up confessing his murder to Irie! Hehe.

Irie then thanks him for saving Satoko. A strange reply. Keiichi also tells him that Satoko told him that later, it appeared that Satoko’s uncle didn’t get killed at all. Irie then gets some coffee for Keiichi in order to calm down, though then Keiichi overheards Irie talking with another doctor about adding some isomytal and brovarin to his drink. I’ve got no idea what kind of stuff that might be, but Keiichi doesn’t really see this as a good thing. More theories on this later in this post, as it actually explains quite a few things.

In any case, Keiichi doesn’t like this, gets a freaky voice, and then he hears about Takano being found, being burned again. Nothing on Tomitake was said. Keiichi then blames himself for killing her, because he wished for her to fall under Oyashiro-sama’s curse.

That evening, rain falls, and Keiichi makes his way to the place he dug the hole in, in order to check whether the body was buried properly. While he’s in the middle of digging, Oishi and a couple of other officers run into him. This isn’t the kind Oishi, more like a sadistic Oishi. Oishi then makes Keiichi dig up whatever he was planning to dig up. When Keiichi has no more stamina for this, one of the officers took over the digging work. Oishi, meanwhile, abuses Keiichi. Then, the fun part begins, as the officers seem to have reached rock bottom. No body. >:)

Keiichi’s reaction to this was just great. There are two theories which could explain what was going on:
1: Satoshi decided to visit the Watanagashi, while pretending to be Keiichi. He then had some fun with Rena, Mion, Satoko, Shion and Tomitake and gave Rena a huge stuffed animal. Keiichi, meanwhile beat Satoko’s uncle with a bat and buried him, though he forgot to make sure whether the guy was dead. This was not the case, and he managed to get out of the hole. Satoko’s uncle then covered the hole again, and made his way to his own house again, blaming Satoko for this, and beat her up like crazy.
2: The previous episode never even took place. Keiichi did get the idea of killing Satoko’s uncle, he did grab the bat and put it in the wooden shed next to the school. He then called up Satoko’s uncle, who in his place came to school. Then, Keiichi just abandoned the plan and headed for the Watanagashi, in which he had fun with everyone like he was supposed to be. The disease then made sure that Keiichi imagined that he never even went to the Watanagashi, and committed the murder instead. Satoko’s uncle, meanwhile, was extremely pissed that he had to come for nothing, blamed Satoko for this, and beat her up like crazy.

Both of these theories have strong points and weak points, though I’m inclined to believe in the second one for now, as it also explains some things which happened later at the episode. The scene in the clinic, for example. Keiichi confessed everything to Irie, and even told him that Satoko’s uncle seemed still alive afterwards. The doctor then attempts to put certain stuff in Keiichi’s coffee (the isomytal and bovarin). Originally, I thought that the other doctor warned Irie about the fact that this stuff would cause outbursts of mistrust and derangements. Though that’s not true. It causes drowsiness. And this drowsiness causes the sudden outbursts of mistrust and derangements.

This explains quite a lot. What if the syringe from episode four also contained the isomytal and bovarin? What if isomytal and bovarin are actually the cure to the disease? It also explains that Irie indeed knew about the disease, and he was about to save Keiichi in both the first and third arc, weren’t for the fact that he ran away at both times, leaving a couple of nice souvenirs in the first arc. Still, there are still a few things wrong with this theory. For example, why did the isomytal and bovarin have to be injected in the first arc, while they could have been just swallowed in the third arc. This could, of course, have been because at the end of the first arc, the disease had hit a more severe stage than during this episode. Then, another medicine was needed because the bovarin and isomytal weren’t strong enough, though this medicine isn’t able to survive the digestive processes in the stomach of the victim before it could enter in its blood, unlike isomytal and bovarin. If this was the case, it would also totally explain the ohagi from the third episode! Remember when Mion and Rena brought Keiichi some ohagi for lunch because his parent were away? Remember that he found a needle in it, and spit the junk back out again? What if there was some isomytal and bovarin put in these ohagi, in an attempt to cure Keiichi? In that case, the disease tried to protect itself, by making Keiichi imagine that there was a needle inside of them. Still, there’s one mystery at which I can’t find an answer. If Irie knew about the disease, why didn’t he call it by its name, during his conversation with the other doctor?

I also wonder what happened with Takano during the Watanagashi. She entered the temple, along with Tomitake. It isn’t clear whether Shion was with them at that time. She was at the Watanagashi in any case, though we don’t know for how long she remained with Rena, Mion, Rika and Keiichi. In any case, afterwards they went to the riverbed, and watched the scenery a bit. Then something happened which made Tomitake strangle himself with his own nails, right in front of Takano. I think she probably made him do it. Then, she used either her own bike or Tomitake’s bike in order to do something, she stuffed Tomitake’s body in the trunk of her car, and headed somewhere. She then ran into Keiichi, and she took her along with him. When she dropped him off, she drove off again. Then, she either killed herself by drenching herself with inflammable liquid and set it to fire, or she ran into someone she’s not on good terms with, who drenced her in inflammable liquid and set her on fire. As you can see, there are a lot of questions left in this, though I think that each arc is meant to reveal a bit more about the adventures of Tomitake and Takano every time.

Another thing I’m curious about is Rena’s treasure hunt. What was she referring to? Did they plan to go to the junkyard again, or does this have something to do with the plot? And why was Oishi just hanging around at the place where Keiichi thought he buried Satoko’s uncle? Someone must’ve warned them about the way he was acting, so who could it be?

Differences with previous arcs:
– Only Tomitake’s body was found in the first arc. Both Tomitake and Takano’s bodies were found in the second arc. Only Takano’s body was found in the third arc.
– The link between the Watanagashi-murders and disappearances is never mentioned during the third arc.
– In the first arc, Mion and Rena tried to use ohagi to cure Keiichi, but it didn’t work. In the second arc, Irie tried to use coffee to cure Keiichi, but it didn’t work.
– Oishi’s a heartless bastard in the third arc. This does show a lot about his character. He treats the key witnesses with respect, in order to find out what they know. However, if he doesn’t need them, he treats them in a total different way. That may indeed be the reason why he got into a fight with Mion (see first arc).
– Did it rain during the night after the day of the Watanagashi in the first and the second arc? It did in the third.

Overall, this episode was just totally awesome. The best Higurashi-episode yet. I’m hoping for even more awesomeness in the final episode of the arc, though it might fall victim to the fake, over the top, distorted emo-faces that plagued the fourth episode of the series. Let’s hope it won’t!

Good Witch of the West – Astraea Testament – 09 – A Slow-Paced Episode?



Okay, that was interesting… almost no angst, no heavy emotions. Just Firiel, Eusis and some others travelling to the dragon. Only the final minute of the episode showed the heavy drama of Good Witch of the West. I’m surprised that the creators managed to squeeze such a slow-moving episode in the fast pacing of the plot.

By the way, I strongly advice people who want to see this at a later stage to just marathon the entire thing. Otherwise, you’ll forget important facts, which only make you more confused when they get used again. For example, I still have no idea whether the queen (Firiel’s mother) is alive or not. I also found out that she has a sister, and the sister was the mother of Leandra and Adele. That actually explains a lot. Firiel isn’t the sister of Leandra and Adale, she’s their cousin. With Leandra and Adale either being sisters, or half-sisters (you wonder why Adale got adopted in the first place). Another example is that I already forgot about the big bird’s feather because of all the events that happened. It was to slay the dragon in the name of the country of the Good Witch of the West, wasn’t it? Or some strange country?

Ah well, enough wondering. Fact remains that the episode did build up perfectly. It has two major purposes. The most obvious is, of course, following Eusis who gets to tame a unicorn in order to beat the dragon. The second goes much deeper: following Firiel who follows Eusis, in an desperate attempt because Roux left her, while trying to act naturally. This goes well, until the climax of the episode.

Still, despite the fact that this episode was nice and slow, even now, there were some rushed parts, namely the people who lost their homes because of the dragon. So many nice things could have been done with this, but the anime just spends a small moment on them. Strange. I’m not sure whether I like the new unicorn-mascot, by the way. It depends on how it’ll act in the following episodes.

The fact also remains that while Firiel and Eusis were on their little trip, nothing was shown of Leandra, Roux, Adale, Vincent or the mysterious guy from the previous episode. They probably used the entire episode to scheme their little plans in order to bring a great final, which will probably come once the dragon has been taken care of.

Overall, did this unusual episode make for a great episode? To be honest, this peaceful mood does not suit the anime. The power of Good Witch of the West is its incredible use of awesome dramatic scenes. This is one of the few anime which is just entirely drama. A slow and laid-back episode doesn’t really fit in. Still, I did enjoy watching it. The climax seemed to return the show to its usual, overdramatic self, so I’m curious about the last four episodes.

Tsubasa Chronicle – 34 – The First Long Arc of the Season



Okay, so what we have here are two worlds, somehow linked to each other. The first world is where the previous episode took place. The second world is something like the past of the first world, in which the story of Ashura and Yasha takes place. At the beginning of this episode, Mokona teleported our two parties to the second world. What happened to Kurogane and Fye remains a mystery, though Sakura, Syaoran and Mokona end up with Ashura.

Don’t ask me why, there’ll probably be no reason for this at all, but Ashura immediately takes a liking in Syaoran and Sakura, and invites them as guests of honor in her palace. Sure. I’d do that to any stranger who just came popping in from nowhere. In any case, the concept of the world is the following: up in the sky, there’s a huge floating castle. Every night, certain people get transported to that castle. There’s got to be some way of selecting people, but that isn’t really explained. In any case, Ashura’s and Yasha’s armies seem to end up inside that castle. When the moon reaches its zenith, however, all parties are kicked out again. The legend goes that whoever can conquer the castle, gets his deepest desires. Apparently, Ashura and Yasha have been fighting each other for quite a while now (Ashura talks about centuries).

If we look at the overall story for this arc, I have to say that so far, I like it. The thing with the filler arcs is that they’re just too fast. One of the great points of the first season was its mystery which was put in every arc. The Piffle arc was a bit too fast in order to fully develop this (seriously, I read somewhere that the Piffle arc was the longest chapter in the manga. Why would the creators just reserve a mere three episodes for this, only to air three filler episodes afterwards… that makes no sense at all…) though this arc seems to go into the right direction. There is enough material to make this arc last longer than just three episodes, which will really give the mystery a chance to develop.

First of all, it’s clear that Yasha and Ashura love each other. Then were there differences in their statues? Why was Yasha’s statue crying, and Ashura’s not? Why did Ashura’s statue display an eye, while Yasha’s did not? In fact, how did the two of them even fall in love when they only see each other at the castle, in the middle of people fighting? Second of all, the Kurogane and Fye-clones. If they’re really different people with the same soul, then how the heck did Kurogane get his sword? If they actually are our Kurogane and Fye, why the heck aren’t they at least recognizing Syaoran? Third of all: Mokona mentioned a number of really strong powers. That means more than one, with the strongest one being in the castle. Will this be a country with two feathers as well, or is there any other huge power existant? In any case, it’s not Ashura. After all, when Mokona told Syaoran about this, he would’ve immediately poited at Ashura if she actually was one of the strong powers. If we consider Ashura just as strong as Yasha, this means that there really is more to this world than what was actually shown during this episode.

The way the art was managed in this episode was rather strange. On global level, everything looked awesome, though when you start to look at the details, some of the eyes of the characters recieved very little attention and thus looked horribly off. Still, evil-Kurogane looked just totally awesome, Ashura looked just beautiful, and Sakura, getting embarrased looked just so extremely cute. ^^;

Some interesting details which happened at the beginning of this episode:
– Fye calling Kurogane “Kuro-sama”, and not even in his joking way, but in his serious way. That’s a new one.
– Fye smiled in an evil way when he found out that there was something horrible going on at the second world.
– The leader of the circus troupe hopes that Ashura is not the one to blame for what’s happening, otherwise, she won’t be able to see her lover again. This means that the two worlds are linked in some kind of way, other than just future-past.
– The tears of the leader of the circus troupe are the ones who caused the Ashura statue to open up her third eye, after which the portal to the other world allowed Mokona to get in trance (first time he did that, by the way) and teleport the four to the second world.

Some interesting questions which will probably be some errors on the creators’ side:
– Mokona sent the bottle to Yuuko, but doesn’t she have an eye-for-eye tooth-for-tooth-policy? I wonder what she sent back.
– Why did nobody freak out with Syaoran’s crossdressing? I mean, it isn’t that often that you’d run into a guy, dressed up as a girl, now do you? O_o