Noein Review – 96/100



Noein is an outstanding anime. Heck, at the moment, Mahou Shoujotai is the only anime I can think off which has made a bigger impact on me. This anime is that incredible. It’s a science-fiction series, but it cleverly stays away from all of the clichés that the other science-fiction shows are so often plagued by.

Noein has so many good qualities, I don’t know where to start. The story, for one, is something very simple, it contains some often used elements, though it’s extremely creative in what it does. So many interesting plot twists happen during the course of the anime. It really always leaves you guessing. The characters are also amazing. Noein features a huge range of characters, and for some reason it manages to fully develop, explore and give the player the chance to know them in only twenty-four episodes. The result is that you can’t help but care about them during the entire course of the anime.

The pacing also is another very interesting issue in Noein. During some episodes, mostly the intermezzo’s, the pacing is slow. Perhaps a bit too slow, but their contents made up for everything. At other times, the pacing is incredible. So many episodes feature events which succeed each other in an extremely rapid pacing. Surprisingly enough, nothing felt rushed at all.

The moment I saw this anime for the first time, I knew I was looking at something special. The first episode really contained something unique, and as the episodes progressed, the scenes began to get more amazing by the minute. Then, around episode ten, the episodes started to become incredibly good. episode 15 continued with the normal awesomeness, only for the last three episodes to whack me down with scenes which actually managed to be even better than the anime has ever been. The way it ended definately belongs in the category of amazing endings. Even though some issues were left unexplained (PHONE!!??).

And I haven’t even started talking about the graphics and music yet! Seriously, both of these departments are outstandingly done. The entire anime is done in a very experimental art style. Characters and animation look extremely messy, but somehow the effect this has is incredible. Especially if you combine this with the OST. It really is one of the best OSTs ever, and the creators really knew exactly when they had to use it. The battle scenes also are a huge joy to watch. This anime features some amazing looking battle choreography. This works especially good with the character art, as it becomes even more messy during these action scenes. Needless to say that the result is awesome.

Okay, so the anime has a few flaws when you look at the detail. Some of the technobabble may work confusing at times. Especially when you don’t know anything about physics. At times, Haruka may look a bit too much like a damsel in distress. And there are more things like these. But believe me, the good parts totally make up for these.

Overall, I seriously recommend you to check Noein out, if you haven’t already. It may be a science-fiction series, but most of the airtime is actually spent in a normal timezone, instead of the futuristic one. The art is awesome, the characters are awesome, and the antagonist is one of the freakiest one of his kind, able to play his role very well. Watching this anime was amazing. Really amazing.

Noein – 24 – Ending, OMG!!!!!!! and Look Below For Information About Aquiring The Subbed Version



Thanks A LOT to Cos, for mentioning the fact that Noein 24 had actually been released for a couple of weeks now. The fact is like this: at July 9th, the French fansub group BFT released the final episode on Tokyo Toshokan. They told in their description that they translated the final episode from Chikyuji’s fansub (who released a French fansub two days earlier) because Shinsen Subs was so slow. Unfortunately, they wrote this in French, so the only ones able to understand these words were french people, who didn’t even need to know this as they already had their final episode subbed. When I saw this at first, I only noticed the word vostfr, which stands for the french fansubs. And I have a suspicion that I’m not the only one who reached the same conclusion. I can understand a bit of french, but most of the time I’m not motivated enough to spend effort in trying to figure out what it says. A huge mistake. Thanks again to Cos, for making me realize this.

Long story short: if you want to see Noein 24 with english subs: download BFT’s version. It is indeed in english.

Anyway, about the episode. It was utterly, utterly INCREDIBLE!! This episode SO belongs into my list of best endings EVER! The entire episode was so incredibly touching, the pacing was extremely exciting and not to mention the fact that the graphical and musical department worked overtime this episode. And both of these departments already were amazing!

Like I said before, I don’t cry a lot during anime, and even if I do, It’s just a bit, not much. But Noein has managed to do the impossible. During the entire final part of the episode, I had to cry. I’m sortof embarrased by this. But that’s how good this episode was, folks.

I would love to do some kind of summary on this episode, but I do feel that I wouldn’t do it justice. So many things happen at once. Everything was just perfectly directed. In the end, Noein proved to be worthy of being one of the best anime ever. It’s too bad the series ended. I would have loved to see more of this. Let us hope that in the future, more anime as Noein will appear, not afraid to experiment with the boundaries animation.

Memorable Moment: The Entire Episode. If I do have to select one of them, it would be Tobi’s last scene.

Some quick first impressions: Binbou Shimai Monogatari, Innocent Venus and Project Blue Chikyuu SOS

The Summer Season continues once more with a huge load of garbage. Thank goodness Binbou Shimai Monogatari managed to change the flood of bad anime, but I’m really getting impatient now. Much of the gems of this season have yet to either air or get subbed, so I’m hoping for Kemonozume, Flag and quite probably Angelique and Night Head Genesis to arrive quite soon.

Binbou Shimai Monogatari

Binbou Shimai Monogatari is one of the better series we’ve seen this season. Okay, that doesn’t really say much, but the fact remain that this series remains entertaining. It’s indeed a slice-of-life series, about two sisters, who have lost their mother and their father has run away because of huge depts. They now have to live together. Most of the time, I’m not really into slice-of-life series, though this series managed to keep me interested. The fact is that the two girls love each other. A lot. But because of their situations, they doubt a lot, making mistakes and solving them again. It works very inspirational this way. Still, I do have to admit that there are a lot of boring scenes, but the overall picture was good enough for me to keep watching.

Innocent Venus

I’m probably one of the few persons who didn’t like this one. This anime has achieved lots of popularity since it aired, though I’m not able to see the good side of it. Basically, what this anime tries to do is provide the action scenes with as much darkness and tension as possible. It tries to for the picture of a horrible world, in which the main characters have to survive. Unfortunately, it tries too hard. The action scenes are dull, they’re not exciting at all. They only consist of a bunch of mechas killing each other and people shooting innocents in the head, while trying to spill huge gallons of blood with each shot. Like I said before, the main characters have to survive in this world. So far, they’re uberpowerful for some reason, and uberannoying as well. The only good character was the clown-like person. Some elements also don’t make any sense at all. For example, why did the military name the girl “Venus”? Venus is a yellow plannet full of sulphur, or she was a greek goddess (who wasn’t really what you’d call innocent). Huge hurricanes also have gotten the names Hyper Hurricanes, which which sounds more like a bad name for a fighting-move. A map of the current world, after it’s been flooded also gets shown, and it doesn’t make any sense at all. Right now, it seems like tectonic plates have been moving, instead of a bunch of huge hurricanes.

Project Blue Chikyuu SOS

But when you think that Innocent Venus is bad, just wait till you see Project Blue Chikyuu SOS. This anime is just horrible. For starters, the two main characters are a fourteen-year-old brat who holds the position of company president, with the massive amount of 200 billion somethings in assets and a guy who graduated for the MIT at the top of his class. To make things even duller, they’re able to beat any ordinary adult who comes their way, and they even manage to outsmart entire armies. Yeah, right. Well, then, the plot isn’t really what you’d call exciting. Aliens have been preparing for five years, in order to start an invasion. They, of course, conveniently start with just one attack, instead of going all out at once. The plot consists of convenient meetings and events that make as much sense as an igloo in the desert. Seriously, stay away from this anime.

Simoun – 18 – Very Interesting Developments Indeed



This episode felt like an intermezzo. The atmosphere wasn’t as heavy as it was before, though the episode remained incredibly worthwhile. Some new problems get introduced, older problems get brought back, and Paraietta, Aaeru, Neviriru, Mamiina, Rödoreamon, Yun and Harukonfu get a healthy dose of character development.

Firstly, regarding the plot. We begin the episode with the funeral of Angurasu. It’s being helt in the Arcus Prima. Apparently, I was wrong in my conclusion at the end of the previous episode. The enemy has managed to capture a number of Simoun from the Chor Caputo and Riboru, but it hasn’t discovered their secrets yet. What happened in the previous episode was Angurasu, along with two other priests, sneaking into the ruins, trying to steal one of the Simoun of the Ancients. There isn’t that much info about them, but I do suspect that they formed the base for the normal Simoun. The previous episode was meant to show that the enemy indeed is capable of piloting Simoun.

Later, Neviriru and Aaeru speculate about what happened with Angurasu, Limone, Dominüra and Amuria. They reach an interesting conclusion. The Simoun are able to bend even time and space. Angurasu, at the moment she shot her bombs, went to some kind of special place. That explains why she didn’t die that time. Aaeru’s grandfather also suspected something like this. This episode also suggests that in his Sibylla-years, he seemed to have been quite important, or in any case famous.

He also knew quite a lot about the Simoun, as it seems that he used to tell Aaeru that the Simoun can see what’s ahead, which indeed confirms that they do have the ability to mess with time. He also reveals that the Simoun can bring you to a different world. Aaeru’s grandfather has always yearned for this other world. Aaeru and Neviriru then realize that Limone and Dominüra indeed are alive somewhere. And Amuria as well.

The interesting question, of course, remains: is there just one other world, or are there more? Were Dominüra and Limone sent to the same place as Amuria? And how about Angurasu? Was she also sent towards the other world, or did she just teleport to a random place in the normal world? If she didn’t, and really got sent to the other world, then how did she get back? And why haven’t Dominüra, Limone and Amuria come back? I’m suspecting that Onashia’s playing a significant role in this one. I’m also wondering what the trigger is for being sent off. So far, the things that both Amuria as Limone as Dominüra as Angurasu shared in common was that they felt themselves incredibly close to god, and a loud explosion followed. Aaeru and Neviriru decide to keep the things they found out a secret for each other.

Meanwhile, it seems that yet another nuisance has appeared, in the form of a bunch of highly placed government officials. They’ll be playing the role Harukonfu had in the earlier episodes. Only ten times worse. These people also don’t believe that the Simoun are god’s crafts, which results in quite some snide remarks and arrogantic behavior. Aaeru and Neviriru manage to pwn them at first, when they ask the Simoun for their strongest Ri Maajon, and they display the Dandelion Ri Maajon, otherwise known as the one who only gets performed during ceremonies due to its huge symbolism and history. But fortunately (am I getting sadistic?) these guys don’t give up that fast. They even knock Yun against the wall when she hinders them when they try to take away Angurasu’s body and they order Waporifu to dismantle a Simoun once again.

The Sky Fortress from episode twelve is still an issue, though. Ever since we saw it that episode, it has been unfindable. The officials want to find it. This all gets mentioned during a meeting with the officials, Harukonfu, Anubitufu, Guraghief and the high priests of the Arcus Prima. During the same meeting, the fact that Neviriru is piloting Aaeru gets mentioned. The high priests become a bit startled when they realize something her grandfather seems to have done. Then, the scene ends, suggesting something which happens later in the episode.

Yun, meanwhile encounters the officials carrying Angurasu’d dead body away, and gets pushed away violently, like described before. Later, the Sybilla get information about their upcoming missions. It seems that they’ll be heading back to the Messis, in order to locate the Sky Fort, as the Messis works better for these kinds of missions. Everyone also gets surprised when Mamiina is forced as Neviriru’s pair, while Aaeru and Yun don’t get to participate in the mission at all. The events preceding these scenes, combined with Harukonfu’s reaction suggest that the reason for Aaeru not being able to participate is her grandfather, while Yun can’t participate because of her behaviour against the officials. But is that all there is to it? Especially the way this episode ended made me see this.

The Sybilla head off, and Aaeru and Yun are left behind. (Just wondering: where were the Simoun heading to? Were they heading for the Messis first, in order to search for the Sky Fortress based on it, or are they just on a single mission, planning to return to the Arcus Prima later that day, or the day after? There’s quite a significant difference between these two options) Both Aaeru and Yun rush off, in order to do something. What are they planning? Are they planning the same thing? We’ll have to wait till next week in order to find these ones out.

Neviriru is starting to get more and more friendlier with Aaeru. This episode, she also made the initiative of starting a conversation with her. She also looked quite happy along with Aaeru, when they had to perform her Ri Maaju in the Maaju Pool. I don’t think I can believe her when she claimed not to trust Aaeru, and that she only faced Aaeru in order to be able to face Amuria, and so herself.

Aaeru’s reasons for refusing to choose her gender are also explained a bit more, during a flashback of her and her grandfather. In there, her grandfather uses an analogy of a river. The young Aaeru is able to cross it, though the old grandfather isn’t. He can’t go any further. He then tells Aaeru that in order to grow old, you have to make decisions to get there. That means that if you make one, you will be left out on the other options you’ve chosen not to take. This means that you lose tons of opportunities if you make a decision. (interesting note: what happened to Aaeru’s cheek in the flashback? Was it meant as a symbol, to show that Aaeru liked to run off to dangerous places, or did something specific happen to her?)

Paraietta, meanwhile, begins to get more and more doubts. Seeing Aaeru and Neviriru together doesn’t really make her feel comfortable either. Neither is the fact that they seem like the perfect team. Then there’s also the matter that she believes that she can’t make any good decisions at all. Then, during this episode, she finally loses it. She finally realizes that she has to protect Neviriru forcefully. Not quite the best idea ever, though the results were very entertaining. During the evening, when the two of them are alone, Paraietta grabs her chance, in trying to forcefully win Neviriru over her. Of course, Neviriru doesn’t agree with this.

Mamiina reveals that she enjoyed the time she had on the Messis quite a lot (unlike a certain Furoe ^^). Everyone seemed equal at that time, even eating mouse stew. Mamiina did realize, however, that everyone was different. This became clear after they got back to the Arcus Prima again. Later in the episode, when it seems that she finally gets her chance to pair with Neviriru. She then reveals to Rödoreamon that she still wants to be on the same level as the others, but this time it’s because she truly wants to be friends with everyone.

Rödoreamon also showed that she can be strong. This became clear when Mamiina showed her her weakness. The two are living towards each other more and more.

Waporifu, meanwhile, still has Dominüra’s reaction after seeing the dismantled Simoun on her mind. She seems quite against the fact that she has to dismantle a Simoun yet again. She wonders what to do, and eventually reaches the conclusion to do what she believes in. She didn’t get featured too long during this episode, though I don’t think that that was the last thing we’ve seen of this.

Yun finally begins to show signs of weaknesses and determination. We had to wait for this for a long while, but finally, she’s also beginning to break out of her shell. The first sign we see of this is when she looks at a miniature boat-like item with a very nostalgic look. Though I have no idea what this might be. It could be a cradle as well. For some reason, she also was heavily offended by the fact that Angurasu was carried away, and she attempted to stop the officials. Later in the episode, she also can’t get any sleep at all.

Harukonfu seems to have lost the spark he once had. I think that seeing the peace negotiations end up with the initiators killing themselves wasn’t good for his health. It’s like Mamiina said: he’s become an old man now. He’s not able of acting with the confidence and charisma he once had. Therefore, he loses influence. Still, he was quite sad in which he begged Neviriru not to make his job even more difficult.

I’m also wondering about Kaimu. Obviously, her role still isn’t over, as she’s still in love with Paraietta. As the latter is way too busy with getting angry over Neviriru and Aaeru, she fell in the background a bit. Still, the fact that she looked up hopefully to Paraietta when the two of them were assigned to remain in the same Pair, does suggest that she hasn’t lost any of her feelings yet. Paraietta, however, didn’t notice anything.

I’m also wondering about Aruti. For now, it seems that her only reason to be in the Chor Tempest is Kaimu, but I want to see their relationship get even more developed. For now, they act like strangers, while their case really remains interesting. Furoe has gotten some subtle changes, though she remains the most cheerful members of the Chor Tempest. I think that, because of her personality, that she’s able to handle more than the average member of the Chor Tempest. Morinasu also isn’t seen near Waporifu, this time. It seems that the two have made up, though their relationship has changed (I couldn’t help but wondering: how exactly would you define their relationship? Straight, as Morinasu is a woman, while Waporifu is a man? Yaoi, as Waporifu is a man, and Morinasu’s planning to become a man as well? Yuri, as technically, they’re both women? Or a combination of the three of them?)

Memorable Moment: Seeing Yun act differently from her usual self. I’ve been waiting for that. 🙂

Higurashi no Naku Koro ni – 17 – Warning: This Episode Will Feature Some Disturbing Material



I have one advice for the people who are planning to watch this: watch it during the afternoon. I watched it late in the evening, and I’ll probably have a hard time sleeping. The disturbing scenes took another turn for the worse during this episode. Honestly, this was the first time in anime ever in which I couldn’t bear to watch some scenes, apart from some horribly bad anime, perhaps.

In any case, I’ve spoiled myself a bit with Wikipedia, about the contents of each of the arcs. The current arc will be the second arc, but now in the perspective of Shion, which should give us the answers to the questions from the second and the third arc. The next arc will show the answers from the first arc, in which we see the same arc, but now in Rena’s perspective. I’m looking forward to that arc. Keiichi and Rena make a good combination. The seventh arc will then solve the fourth arc, and all of the questions involving the main plot as well. As in, the reason why people act weird, Rika’s death and the volcanic gas. There wasn’t any information about the eighth arc, so I’m really wondering what it’ll be about. I also don’t think it’ll appear on the anime. OVA?

In any case, this episode was nice in the fact that it provided some nice and interesting material. The fact remains, though that it focuses on three of my least favourite characters: Shion, Mion and Satoshi. I didn’t feel anything for the characters at all. Also Mion’s torture scene only disgusted me, though I didn’t feel along with the characters. Ironically, the best moment of the episode was in which Rika displayed even more of her foreseeing abilities.

We start the episode with Shion still feeling down from the previous episode. Mion then gives her a call with the message that Satoshi called her, in order to apologize to her. Mion found it better if Shion was the one to listen, so she told him that she’d call him back, and she hung up. Shion then goes to call Satoshi. Both parties apologize to each other. Satoshi claims that he’ll never forgive the people who put he and his sister in the situation they’re in now. This actually is very interesting, as he mentions that these people may be very close to her, though she isn’t one of them. This suggests that there was an external party who assigned Satoko and Satoshi to live with their aunt and uncle. You would expect the Sonozaki-famly to do such a thing, though that means that Mion was directly involved. Unless Satoshi believes that at the time that the Sonozaki-family moved, Mion had nothing to do with that decision. Still, if it isn’t someone from the Sonozaki-family, then who was it?

Satoshi then reveals that he’s quit his job, and that he’s achieved enough money for his goal. I always thought that this money was meant as money to survive for a while, after he fled from Hinamizawa after killing his aunt. Satoshi also reveals that Satoko’s on the verge of losing it. After that, we have another interesting revelation. As it’s the night before the Watanagashi, Satoshi has made his plans, though he needs Satoko out of the way. Therefore, he asks Shion to take care of her during the Watanagashi.

How did Mion know about this during the third arc? This gives us some heavy clues that Keiichi made a call to Shion, instead of Mion, back then. Otherwise, she wouldn’t have known. And so far, Shion hasn’t been crazy enough to tell Mion about it. Unless, of course, this scene was omitted later in the episode. After all, during the Watanagashi, Shion pretends to be Mion, while Mion’s nowhere to be found. Shion could have told her there. That or Mion and Shion like to swap mobile phones.

Anyway, Satoshi asks whether Shion believes in Oyashiro-sama’s curse. Oyashiro-sama is said to curse all those who leave the village and run away. At least, according to Satoshi. Satoshi also reveals that he did have plans to run away from the village, though he gets cut off by his aunt who happens to get home.

We then switch to the evening of the Watanagashi, in which a suspicious Satoshi walks in the forest with a suspiciousbat, walking towards a suspicious abandoned closet with a suspicious look on his face. If I had to summarize this scene in one word, it would be “suspicious”. He then looks at the closet, and drops the bat. Meanwhile, we see Rena, Rika, Satoko and Shion pretending to be Mion at the Watanagashi-festival. It probably is Shion, as the arc remains focused at her, not at Mion.

Then there follows a very nice dialogue between Rika and Satoko. Satoko’s feeling so down that she doesn’t feel like doing anything. Rika tries to cheer on her, though that doesn’t really work. What follows is Rika acting awesome again, by predicting the murder of Satoko’s aunt. Okay, she predicted the end of all of Satoko’s pain. If you look at it one way, this is true. Her aunt gets killed, her uncle moves away and she gets to live with Rika. Another reason for Rika to be happy. ^^ On the other hand, though, the fact that her brother left isn’t exactly happy.

Then we see the scene in which Satoshi’s aunt walks up to a certain suspicious closet. She mentions the fact that Satoshi talked about it, and that it’s quite useable for sale. Then we see the silhouette of someone who looks like Satoshi, with the same voice as Satoshi, bashing Satoshi’s head in with something that looks a lot like a certain baseball bat.

Meanwhile, a member of one of the three main families rushes to another member of the three main families, and tells them that something horrible has happened. He also tells this to Obaba, who isn’t surprised about it. Her reasoning is the fact that if it happened three times, it’ll happen a fourth time. This could suggest that another murder happened, though it can be something else as well.

The police meanwhile has found the body of Satoshi’s aunt. It wasn’t buried or anything, he just left it for anyone to see. I guess that he didn’t have the superb planning skills of Keiichi. The next day, Shion hears from Mion that Satoshi’s uncle was killed. There are no clues of the culprit. Mion also gives the real proof that she does not like Ooishi, at all, when she talks negatively about him, in a normal way. In any case, Shion immediately believes that Satoshi really did kill his aunt.

Shion then, dressed up as Mion once more, runs into Satoshi. Surprisingly, he has yet to run away. His eyes don’t look too healthy. It seems as if he hasn’t slept in ages. Satoshi is looking for something to give Satoko for her birthday. His eye has fallen on a huge stuffed toy. Shion eventually makes him put it on reserve, so that nobody else can buy it, because she finds him so indecisive. Satoshi then thanks Shion, by patting her on the head again. He then looks extremely shocked when he sees Oishi.

Oishi seems hungry for questions as usual, and he attempts to question Shion and Satoshi about their alibis. Shion then shows again that she has an incredibly impulsive personality, as she quickly makes up a couple of lies, and even goes as far as revealing that she really is Shion, instead of Mion. She really can make up lies as good as Keiichi.

Satoshi really begins to look hopeless after her story. He’s really getting spaced out. Oishi then decides to take both of them to the police station for questioning. Mion advices Satoshi to keep talking about the alibi she came up with. Still, Satoshi isn’t angry to Shion for lying to him. Anyway, back at the police station, Mion gets to leave before Satoshi does, due to individual questioning. Seh then sees that the Estate, otherwise known as the guys who freed her in the previous episode, have been waiting for her. Kasai, the guy who did the main talking in the car at the beginning of the previous episode, however, seems to be missing. The estate then takes Shion to the Sonozaki Main house, in which Mion waits for her.

Mion then reveals that Obaba is in an outrage. She’s waiting in the Underground Shrine under the Sonozaki-house. It’s obviously Shion’s first time in here, so she’s surprised by all of the torturing devices which are lying there. In the middle of the room, Obaba is sitting, looking extremely pissed at her. Still, she doesn’t say the reason. She only says that Satoshi has something to do with it, and she marks the Houjou-family as a bunch of people with filthy, traitor’s blood. Probably because of the fact that both Satoko’s parents were in favour of the Dam, because of their jobs. I guess this also solves the Second Watanagashi-murder: Obaba arranged for someone to push the both of them off a cliff. This indeed seems right with the fact that Mion was involved in all of these murders.

Shion then decides to get impulsive again, when she openly mocks the Sonozaki-family and pledges her trust into Satoshi. Obaba then mentions Satoshi’s huge mistake, though she doesn’t mention the fact that he killed his aunt. After Shion’s rant is over, Mion displays how much influence Obaba has had on her, when she’s even willing to torture her own sister, with a straight face. Mion then says to Shion that both Kasai as the owner of the restaurant where she works are in the room next to theirs. As Shion has three people which she’s indebted to in the village, she has to remove three of her fingernails in order to repent for the two of them and Satoshi, otherwise, something’ll happen to them. One interesting thing which Mion mentions is the fact that Satoshi has yet to do anything to them. This seems to clash a bit with Obaba’s opinion.

Let’s ignore the following disgusting scenes, now shall we?

What follows is Kasai and the owner of the restaurant remaining unharmed, though the message Shion gets is to forget about Satoshi Houjou. When she goes to the toy shop, the stuffed animal is gone. Satoshi did manage to buy the stuffed animal after all, after Satoko’s birthday. It makes you wonder about the date, doesn’t it. It basically means that Satoko has had to endure some horrible birthdays, a few days after the Watanagashi, and its murders.

She then runs into Irie, who also finds out that she’s Shion, and not Mion. Oishi then runs into them. He seems to know about what happened in the Underground Shrine. He then takes Shion to the police station again, for another interrogation. Not because of the death of Satoshi’s aunt, but because of the disappearance of Satoshi himself. It seems that he disappeared one day after his aunt was killed. Later, Shion hears from Kasai that the real murderer of Satoshi’s aunt has been caught. It wasn’t Satoshi, it was a psychopath, trying to copycat the bizarre deaths. Then the episode ends.

Okay, this is what I think happened to Satoshi:
– He told his aunt about the closet, and that it was in good condition to be sold.
– He then walked to the closet, carrying the baseball bat and waited for his aunt to come, in order to bash her head in.
– He was planning to do this all along, and part of the plan was to run away afterwards. In the end, he couldn’t do the last part, so he stayed, hoping that nobody would discover him.
– When Mion had to repent for the three persons she was indebted to, she had to *** for each person she was indebted to. She ***-ed the first two on her own will, though she couldn’t do the third ***. Guards had to do it, against her will. (I’m trying not to mention the disturbing stuff with too much detail)
– Because of this, the first two, Kasai and the restaurant owner were let go of, and they remained fine. But because Shion didn’t have the guts to *** the third ***, she didn’t repent for Satoshi.
– Mion then kidnapped Satoshi, in order to perform the Watanagashi on him, put him in a plastic bag and dump him somewhere in a river.
– The Sonozaki-family then found an idiot, who they manipulated into thinking that he was the one who murdered Satoshi’s aunt, in order to cover up for the things Shion did, and make their name look good.

This theory, of course has some flaws:
– Why was Obaba so angry over Satoshi?
– Why was the murder of Satoshi’s aunt not supposed to happen? After all, Rika foresaw it. It had to happen. Still, why didn’t Rika foresee Satoshi’s death? Does performing the Watanagashi on them make them immune for it? Or because it wasn’t decided?
– Why did Satoshi drop his bat?
– How come the bat is perfectly fine in the first and the third arc? You would expect Satoshi to throw it away somewhere, not store it in his locker.
– Why do the creators remain cryptic about this? It could be because of the added mystery, but they also can be trying to divert the attention from something else.

In any case, I still find this theory better than the one in which a psychopath killed Satoshi’s aunt, while Satoshi was doing something bad something elsewhere. Because if it did happen like this:
– Why did Satoshi invite his aunt to look at the closet in the middle of the forest?
– Why did Satoshi head for the closet with a baseball bat in his hand and with an angry look on his face?
– What else happened for the fourth time?
– Why was Satoshi scared when he saw Oishi?

Okay, so the events of what happened during the fourth Watanagashi-murder are clear now, I believe. I think we’ll fast forward to the next Watanagashi for the next episode, or another event worth mentioning. In any case, the first two episodes were dedicated to explaining a bit about the third arc, I think the last two episodes of the arc will explain a few things about the second arc. Mainly who did it, and why she did it.

Memorable moment: Rika in prophet-mode again.

Otogi Juushi Akazukin – 05 – Beware of Flowers. They Talk.



The episode begins with Souta waking up again, while Baru, Akazukin and Shirayukihime still are sound asleep. Ringo then comes to him extra early. Shirayukihime and Akazukin, who meanwhile have woken up wonder why Souta and Ringo have to leave this early. Shirayukihime and Akazukin immediately want to go with them when they find out that the two of them have to go to a school trip to somewhere, though Ringo forbids them. Shirayukihime then tells Souta that if something should come up, he can call for them and they’ll come.

When Souta and Ringo left, it seems that Shirayukihime and Akazukin will be following them after all. I think they used the fact that Souta and Ringo forgot to bring lunches with them as an excuse. ^^ Meanwhile, back in the dimension full of mirrors, Hansel is willing to give Gretel one more chance in order to get Erude’s Key. Meanwhile, in the bus Ringo is talking to a couple of friends, while she sees Souta reading a book as usual. He really closes himself out from others like this.

You can also see this when they have arrived in the park, or whatever it is that they were supposed to go to. Souta is alone again, talking to flowers. Surprisingly enough, they talk back. But then, a couple of classmates see him, and he’s able to explain to them what he’s doing. They’re actually quite impressed, though they don’t really understand each other. Souta can’t see the fact that his classmates just want to hang out with him, while his classmates can’t see what’s so special about flowers. Ringo scolds him for this a bit.

Ringo then suggests to look around in a huge garden full of flowers. Of course, Souta can’t refuse this. Souta then notices the third Musketeer. Meanwhile, Shirayukihime, Akazukin and Baru have arrived at the same park. Baru pretends to be an ordinary dog, which doesn’t really work to well. ^^ Akazukin meanwhile discovered a crepe-stand, though before she gets to eat, she and Shirayukihime are mistaken for a bunch of cosplayers. ^^;

Meanwhile, a surprisingly catchy background tune sounds while Souta and Ringo try to guess what’s up with the third Musketeer, who appears to be sleeping in a flower bed. She then wakes up, and begins to summon a couple of angry-looking vines. Akazukin and Shirayukihime meanwhile have won a local cosplaying contest. It was so funny when it appeared that Akazukin didn’t even know the meaning of cosplaying. ^^

Meanwhile, as the vines from the third Musketeer look quite scary, Souta decides to remember what Shirayukihime said to him at the beginning of the episode, about how he should call her whenever he’s in trouble. He attempts, and it works. But before Shirayukihime and Akazukin can get to him, Gretel arrives. The third Musketeer holds her off for a while, though she still is incredibly sleepy. And cute. ^^

Meanwhile, Gretel attempts to use a Nightmarian in disguise in order to fool Souta and Ringo, though that doesn’t really work. It therefore decides to reveal its true form. This has given Akazukin and Shirayukihime enough time to reach Souta. Then the two of them see see the third musketeer and Gretel fighting, and they reveal her name: Ibawa-hime. I so hope that I spelled that one right. A quite amusing discussion follows between the three Musketeers afterwards. Ibawa-hime was just too cute. ^^

Souta, meanwhile, returns to the flower bed he was with before. The flowers then tell him to run away, only after being crushed by the Nightmarian, appearing from underneath it. Souta manages to save one of these flowers, after it’s been ripped out of the earth. Gretel meanwhile captures him, while Shirayukihime and Akazukin fight off the Nighmarian, and another newly arrived companion of it. Ibawa-hime, only yaws and acts sleepy.

Meanwhile, Souta loses the flower he was protecting, and it blows into Gretel’s face. She was already quite pissed, so she decides to relieve her anger upon the poor flower. Apparently, Ibawa-hime has a lot of affinity with flowers. This not only makes her fit perfectly with Souta and his love for them, but she also finally slips out of her sleepy mood, and gets serious. Her personality totally changes afterwards. ^^

Ibawa-hime seems to fight with whips, made out of vines, and a shield she wears on her arm. With this, she manages to beat Gretel. The latter gets startled when the former calls her pitiful. Gretel then decides to flee, after seeing that Shirayukihime and Akazukin have beaten the Nightmarians. Meanwhile, an exccentric camera appears.

Meanwhile, in the mirror-dimension, Gretel apologizes to her brother again. The latter first acts nice, though he then says he hates something of her. Probably a scratch she recieved from Ibawa-hime. He then leaves her, and Gretel desperately tries to apologize for this. Meanwhile, Gretel hasn’t exactly been neat with her Nightmarians in the park, as she left quite a mess. Ibawa-hime then reveals that she has the power to restore everything to its former state again, including Souta’s flower.

I was fearing a bit for Ibawa-hime’s personality to be a bit bland and boring, judging on her character art. Still, I’m very pleasantly surprised with this episode. Her split personality really works. Gretel also was quite interesting. During her previous scheme, she prepared a fully fledged plan, in order to get Erude’s key, though this time, she decided to try a more direct approach, bringing lots of firepower along with her.

Overall, this episode once more was just awesome. Thumbs up for Otogi Juushi Akazukin.

Memorable Moment: Akazukin and Shirayukihime in their cosplay-contest.

Okay… this is annoying…

As you can see, the bandwidth for some of my images has run out. I’ve been using photobucket in order to display the pictures I need for each point, though the downside of this is the fact that it has a maximum amount of bandwidth it can use per month. As this month will end tomorrow, the problem isn’t that big, but it remains annoying. Thank goodness you can have more than one photobucket-account, which means that problems like this one won’t occur anymore. At least, let’s hope so. ^^;

.Hack//Roots – 17 – Building up



I’m wondering about Phyllo’s life in the real world, if he’s able to sit on that bridge for 24/7. The feeling that we’re dealing with an MMORPG here still misses.

But seriously, what’s up with Haseo? He’s been fighting monsters in emo-mode for entire episodes now. I could be wrong, but I think that the creators are building up to something. With a bit of luck, that something will be happening at the next episode. But then again, .Hack//Roots always has been deceiving when it comes to matters like this.

In any case, this episode definitely has been building up. A lot. Tabby is still feeling extremely down. This time, she meets another new character: Seisaku. The two then have an interesting discussion, and it seems like Seisaku will be helping Tabby a bit. Seisaku also introduced a nice issue. Not only newbies have problems in the world. Mid-range players probably have it worse. The newbies get beaten because of fun, though the mid-range players have rare items equipped at times. This makes them even more attractive to PK-ers. You wonder why the game doesn’t have the option to turn off the PK-ing, when it’s become this big of a problem.

In any case, you can also doubt Seisaku’s intentions. He’s probably a mid-level player as well, judging by his outfit. He could be wanting protection for himself as well. We’ll have to wait till more episodes to see whether this is true or not. Haseo, meanwhile, keeps walking through the forest of despair, looking to clear an event which might even not exist. He also gets a few flashbacks of Ovan and Shino whenever someone near him mentions something they said.

Saburou has been walking from one place to another during this episode. Even though she saw a lot, she didn’t exactly develop. She only got interested by Haseo for a second, though she abandoned him later. It’s interesting that she tries to talk some sense into both Haseo and Tabby, even though she works for Pai. Her mission is to make contact with the two of them, and discover something strange, but is that all she needs to do? Or is there more? In any case, she’s acting rather careless. Anology of the week: “I think I totally understand the meaning of ‘detour’ now”. This shows that Yata and Pai are moving into very difficult ways in order to get what they want.

Speaking of the devil, Yata and Pai also haven’t had much development either. Pai spent her time ordering Saburou around and on something mysterious which wasn’t shown. Yata spent his time watching Haseo on a screen, looking at some meaningless data and asking Phyllo a few questions. That last thing, however, revealed an interesting fact about the relationship between Ovan and Phyllo. In the past, Phyllo started to sit there on the bridge. Then there came a woman to him, attracted by him. She was the girl who brought Ovan and Phyllo together. It could’ve been Shino, though I thought that her clothing was different. Unless she likes to change clothing once in a while.

Ovan, meanwhile, continues to walk happily around in The World like nothing happened, without contacting Haseo or Tabby, and without looking sad because of the fact that Shinos’s gone. Why exactly did he say to Shino that he’d be gone for a while? I think it’s clear now that he knew that he had to endure Naobi’s treatment if he wanted to get closer to the Key of the Twilight, but why doesn’t he contact anyone? He also runs into Tri-Edge. At the entrance of the Forest of Despair, of all places. Ovan manages to fend him off as well, with a smile on his face. He managed to do this by unleashing the thing on his arm, which gave a couple of black bubbles free. In the end, these didn’t really work and he got beaten up, though Tri-Edge left.

It’s very interesting if you look at the list of people who have been attacked: Shino, Phyllo and Ovan. What is the connection between the three of them and Tri-Edge? Did something happen in the past which they kept silent about?

Then we also have the matter of the old-looking guy (did his name actually get revealed?) He seems quite important, and he seems to have no problem with the strong monsters, which makes him one of the three persons who managed so survive the Forest of Despair so far. Why are the three of them so special? Because they’re main characters? In any case, his purposes are still as foggy as a pile of dry ice. Why did he come to the Forest of Despair, and why is he so confident that he’ll reach the deepest part? And why did Ovan contact him in the previous episode?

Still, now that I think more about the episode while writing this post, I realize something. It’s entirely wrong to say that Haseo didn’t change. In fact, he developed a lot, it just went very subtle. He’s becoming more and more fragile. When, at the end of the episode, he runs into the big monster, the fact remains that he gets a hopeless look, before it changes back towards his battle-hungry self. His mental self is at the verge of breaking down. He tries to be strong right now, in order to save Shino. This has consumed his mind, preventing him from thinking normally. Eventually, his mind and body won’t be able to take this. Still, what’s up with the very high-pitched scream which echoed out of the forest? Was that Haseo actually getting an incredible amount of adrenaline (or however you call it in an MMORPG)? Or was it something else?

Overall, now that I’m thinking about it, I’m beginning to like Haseo’s emo-mode. It may be annoying when you see it at first, though it’s being built up perfectly. Still, the fact remains that a thing like this is never possible inside a MMORPG. No matter what. Haseo isn’t data-drained or anything, so he should still be sitting behind his computer. Ever since episode 13, more and more new characters have been introduced. They’re doing pretty well, so far. Nobody’s been able to replace Tawaraya or Sakisaka, but ah well, maybe someone will.

7 New OVA To Be Released on August 1st Preview

I was fairly surprised when I ran into these ones while preparing for the July-Summary. Another surprising fact is that nobody seems to be talking about them. Well, time to change this, I just had to post it. Every single one of these OVA has a unique art style, and every one of them will probably have a very dark mood.

Maihime OVA

No, it’s not what you think. It’s not Mai HiME, it’s Maihime, or Dancer Girl. It’ll probably focus on the love of a dancer girl, judging by the art and the fact that AnimeNfo labeled it as a love-romance. Here you can see some teaser screenshots, and I have to say that I like them.

Neko Machi

There’s absolutely no information about this one, except for some japanese writing I don’t understand. Still, this looks to be one creepy OVA about cats. If you take a look at the teaser screenshots here you can also see that the art will be rather dark, strange, and probably unique. I like that. AnimeNfo labeled it as a fantasy-horror.

Zakuro Yashiki La Grenadiere

A french novelist called Balzac wrote the story for this one in the book “La Grenadiere”. It’s about a woman and a child who live in a small cottage in 19th century france. Supposedly, the woman was labeled as a mystery, as she didn’t get out of the house too often. AnimeNfo labeled this as a novel, which doesn’t really give much information about the genre, though I think it’ll be some dark slice-of-life story. Here are some teaser screenshots, and they look gorgeous.

Yo Shomei Bijutsukan LINE

This’ll be a rather unique anime. It’s about art. It’s art style is extremely simple, like an old picture-book. AnimeNfo didn’t assign any genres to it, though the teaser-screenshots, which can be found here give us more clues about the nature of this OVA. It’ll be simple, it’ll be art. Will it be good?

Gendai Kibunroku Kaii Monogatari

This’ll be a definate horror OVA. It consists of six parts.
1. At a dry river bed a refrigerator associated with a terrible anecdote, “Refrigerator.”
2.A one room western-style house, above a carved table an objects stands out like a sore thumb. It was an accidental discovery to a College of Arts student’s terror. “Daruma.”
3. On a long bridge while boys are traveling, they encounter a ghost personally, “Bridge of Evening.”
4.I n a free shopping market a sarcastic man is guided to the otherside, “U.S. Military Sale.”
5. The railway crossing; continual mortal accidents are a puzzle being persued, “Railroad Crossing.”
6. Summer vacation at a tranquil countryside, boys personally experiance a miraculous event, “I want a friend.”

These descriptions don’t really sound that scary, but who knows. Here are the teaser-screenshots, and I´m wondering how these descriptions and these screenshots are linked.

Fantascope Tylostoma

This is a strange one. We have this man, who appears every 700 years. Because of this, he’s able to see once flourishing villages decay into oblivion. Then he meets a woman, a prostitute, from this period, the passion begins. Most likely, this will be a love story. Though the most remarkable feature of this OVA is the art. Everything is in sketchbook-style. Here are some teaser screenshots.

Joseito

This anime will be making use of 3D-animation techniques, though not the standard way. Here are some teaser screenshots which show this. The show is going to be a school-life anime. Fairly unique among the other OVA’s listed here. It’s about a painter, painting a schoolgirl, and giving this schoolgirl her own story.