Sorry, did I say I hoped Odd Taxi would “stick the landing”? I didn’t expect them to REVERSE GRAVITY’S POLARITY WITH THE MASS OF THEIR – *cough* excuse me, I got carried away. As I was saying, this is clearly the anime of the season – probably the year.
“In this world, there’s three important things you’ve gotta keep. Promises, love, and…”
Wooper: It’s just me, myself and I for the last of the season’s recap posts. I’ve gone through a bunch of shows over the past few months, and dropped a fair few of them – here are the series that still had my attention at spring’s end. (Also, I won’t be running this column over the summer, so it’ll be up to a different author to pick up the torch if they’re interested!)
Now here’s an interesting project. Yoru no Kuni is directed by ryo-timo (animator of the iconic running scene from The Girl Who Leapt Through Time) and features music from Aimer (whose songs have served as EDs for After the Rain and Vinland Saga). These are both artists whose work I enjoy, so I’d follow this ongoing web series regardless of its merits, but thankfully it’s quite good. In both episodes, a noble half-avian creature named Yoru serves as a guide for a troubled child, entering their dreams and gently prompting them to resolve their emotional issues. There’s a painterly look to Yoru’s “Night World,” as he calls it, where shooting stars, glittering hillsides and luminous butterflies have their own unique textures. Despite that brightness, watching Yoru no Kuni is a soothing experience, with visuals that don’t grab your eyes so much as they caress them. The second episode is noteworthy for maintaining a dreamlike feeling despite the questions of its older and more cynical subject, who nevertheless has a profound epiphany within her dream. Both episodes can be found at [these] [links] if you’re interested – I highly recommend them if you’re into animation with a storybook vibe.
Megalo Box first aired in the Summer season of 2018. Part of the 50 year anniversary for the legendary series Ashita no Joe it was… satisfactory. It brought anime fans back to a different time, an older time, in ways good and bad. Yet despite ostensibly being an “Original” Megalo Box was so heavily tied to Ashita no Joe that it couldn’t escape the comparisons. The story felt like a retelling of something we got 50 years ago, smashed into a 13 episode season. And while some, myself included, still enjoyed the series it felt like something was missing. In Nomad we find that something. While while watching Nomad I felt like I was watching Megalo Box for the first time. The real Megalo Box, more than just a copy of Ashita no Joe, what the series was always meant to be. And I love it.
Created by TMS Entertainment, jointly written by Katsuhiko Manabe and Kensaku Kojima, and directed by You Moriyama I give to you my Summer 2021 Anime of the Season: Megalo Box: Nomad. Let’s dive in
Be warned, this review contains minor unmarked spoilers for Megalo Box: Nomad. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents.
Welcome all to the finale of Megalo Box: Nomad! It’s been an interesting ride with ups and downs, both of which we will talk about in this weeks episode. If you’re looking for a final review just give me a few days, it’s almost done. So without further ado lets dive in!
First up lets talk about the visual aspects of the fight. By and large I would say it was… lackluster? Meh? I wouldn’t call it disappointing because the narrative beats were strongly delivered. But as far as fights go Nomad’s best action was still a sparring match. Its a really weird allocation of resources to me. Did they not want the spectacle to overrun or take away from the narrative of Mac’s fight? Or did they just decide that the simpler background and lighting of the sparring match was easier to handle? I’m not sure. Whatever the case though, this fight wasn’t a very “hype” fight and that was a little disappointing. Luckily for us that the fight wasn’t the main draw of the episode or even the show. That honor goes to the narrative.
Who would win, 2 competing gangster teams or one walrus best boi?! The rest of this post is my random thoughts and conspiracy theories, so bear with me as we hurdle towards our taxi conclusion!
Welcome all to another episode of Spice and Wolf Season 2! I’m a bit busy this week, writing a lot of reviews, but that’s no excuse. Let’s jump in!
This is an interesting week of Spice and Wolf for me. It does something completely new by having Lawrence and Holo try to completely avoid conflict, avoid trade! This is rather novel and it’s nice to see the pair interacting so much after the feud last arc. But at the same time they are avoiding conflict, avoiding trade, avoiding… action. And that leaves the arc in a strange place. It’s not boring, because Holo and Lawrence have a great back and forth, but its also not exciting or thrilling. There’s not any sort of arch or story to follow in this town. It just feels like a way point, a pit stop, onto greater things. Maybe that will change as they interact with Rigolo and Eve makes her move! But so far it’s moving just a tad to slowly for my taste.
Continue reading “Spice and Wolf S2 – 9 [Wolf and a Reckless Enterprise]”
War stories with giant robots and a dash of racism are pretty common in anime. You have everything from classics like Code Geass, Gundam and Gurenn Lagann (depending on how you define “classic”) to the more cult-hit works like Muv-Luv and uh… Gunbuster? Can you tell I don’t watch much mecha? Regardless this year sees a new show try its hand: 86: Eighty Six. A Light Novel adaptation written by Asato Asato, created by A-1 Pictures and Directed by Toshimasa Ishii, Eighty Six looks to take an existing idea and perfect it. And judging by all the press and the reactions I’ve seen in the community it appears to have done just that. But does it deserve the praise and accolades it has been receiving? Let’s find out!
Be warned, this review contains minor unmarked spoilers for Eighty Six. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents. Continue reading “86: Eighty Six Anime Review 65/100”
There isn’t a weekly summary this week and after writing about it for two months, it wouldn’t be fitting to have nothing published for the final episode of Vivy. Many times before, I would see anime that have great opening episodes before crashing and burning as it crosses the finish line. Frankly, I’m just happy if a show could manage to hold itself together the entire way. Thankfully, Vivy managed to stick the landing even if it was predictable with its excellent execution of its themes and Wit Studio’s direction.
Continue reading “Vivy: Fluorite Eye’s Song – 13 [Fluorite Eye’s Song]”
Lenlo: Spring 2021 had a lot of hopes riding on it, from sequels like My Hero Academia S5, Zombieland Saga and the final season of Fruits Basket to new adaptations like Super Cub, To Your Eternity and Shadows House. Even originals got a chance to shine with works like Odd Taxi taking everyone by surprise! Sadly Summer 2021 has none of that and might in fact be one of the emptiest seasons we’ve seen in awhile. Sequels like Higurashi are going unnoticed as the remake appears to have fallen flat, though some might be excited for another season of Slime Isekai. Meanwhile adaptations feel like they are scraping the bottom of the barrel with works like Bokutachi no Remake – the lone hope there perhaps being The Detective is Already Dead. And originals? Well originals are my sole hope for the season as Sonny Boy has me all kinds of excited.
Think I’m being pessimistic? Well read on, take a look and let us know down below what you think is worth keeping an eye out for this summer! You have no idea how much I want you to prove me wrong and point out some good anime to me. Please, I can’t have Throwback Thursday be the only good thing I watch this season.
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Studio: Asahi Production
Director: Shigeru Ueda
Series composition: Keiichirou Oochi
Source: Manga
Mario: The Peach Boy Riverside manga is written by Cool-kyou Shinja, a creator involved in two other adaptations this season: Kobayashi-san Chi no Maid Dragon and Heion Sedai no Idaten-tachi (though they only did character designs for the latter). Now, if you’re expecting Peach Boy to be in the same domestic comedy style as Maid Dragon or I Can’t Understand What My Husband is Saying, you couldn’t be more off the mark. From the little I’ve read of the manga, this is going to be a straightforward fantasy shounen show with slightly darker and more twisted characters. Asahi Production is not a big studio name, and the same goes for the director, whose first series in the big chair aired just three years ago. Series composer Oochi is more prolific, having written for comedies like Hinamatsuri and dramas like Oregairu’s recent third season. Will he be able to pull from his experience in both of those genres to elevate Peach Boy’s middle of the road source material? The odds aren’t great, but only time will tell.