Catching up with Kageki Shoujo!! – [Thoughts on Episodes 7-13]

Blood doesn’t really taste like you imagine it would. It’s red, sure. But it doesn’t taste red.

It’s not sweet like the syrup mom gives you two teaspoons of, to help ease the cough you get sick with after paying no heed to her constant warnings against sleeping with the air-conditioner on with your hair still damp as you felt too lazy to sit by the vanity and use a hair dryer for ten minutes.

It’s not tart like the tomato juice you sometimes swoop out of the mixer and taste a spoonful of, while helping mom cook for your father when he’s about be back from work any moment, and would give her an earful if she takes too long in serving his lunch.

It’s not luscious like the cheapest port wine your friends smuggle into school and strong-arm you into taking a swig of during recess. Or maybe it is. You would’ve known for sure if you’d have taken up their offer.

What you do know for sure is that it tastes cold. Metallic. Which is strange because you’ve been nothing but hot-blooded all throughout your teens; getting into fights with your sister for petty reasons, getting annoyed by everything and everyone. That last bit still hasn’t changed that much, just that now you know how to disguise it behind a veil of likeability. People change, the places you call home change, blood tastes the same.
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Sonny Boy – 10/11 [Summer and the Demon/11]

Welcome back everyone to another week of me missing my deadline and merging two Sonny Boy posts together! I have no excuse this week I’m afraid. Sonny Boy has simply fallen apart and I had no desire to write. However I refuse to go two weeks without doing anything so here we are. Now how about we jump into it!

This week I came to a conclusion about Sonny Boy: It’s not good. It’s not that the show has fallen off though. That would imply that it had built something up from which it could fall off of. I watched Sonny Boy with the hope that it would all come together! That all of the disparate plot threads such as Rajhidani going out to sea, Hoshi leading the other students away or Asakaze and co effectively joining the military, would all connect back into a singular statement about how we raise the next generation and the choices that lay before them. Instead what we got was Natsume rambling philosophical for 11 episodes. He clearly has something he wants to say, a lot of somethings. Yet he has no idea how he wants to say them and no one was around to tell him no.

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Heike Monogatari – 1-2

The Tale of the Heike is a classical Japanese epic detailing a war fought for control of the country near the end of the 12th century. It has received dozens of translations, is taught in schools across Japan, and is so foundational to the nation’s literary canon that it draws frequent comparisons to Homer’s Iliad. I am woefully unequipped to write about an adaptation of such a vital work, but Heike Monogatari deserves to be covered nonetheless, because it’s had one of the strongest starts I can imagine an anime having in 2021. My posts on the series will be brief and (assuming it continues to operate at this level) largely appreciative of its excellence, not essential companions for those seeking a fuller understanding of its adaptational choices. I’m just a guy with a cinematography boner and a few Wikipedia articles about the Heian period under his belt – if you’re okay with that, hit the jump and let’s talk about what makes this show so special.

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Haibane Renmei – 8 [The Bird] – Throwback Thursday

Welcome everyone to another episode of Haibane Renmei! This week’s episode is one of the more unique ones, though the solo title alone probably gives that away. Is this a good thing? Bad? Lets dive in and find out!

First up, what do I mean by unique? What makes this episode different from the rest and how does the title factor in? Doing my best to explain it, I think it has to do with the episodes focus. Previous episodes of Haibane Renmei seemed structured in three acts, acts that corresponded to the three titles. And each of these acts felt like the progressed the episodes story in some way. A clear beginning, middle and end so to speak. Yet this episode, with only one title, feels almost… stagnant. Like it’s one long act. One where the last episode introduced us to Rakka’s depression, this episode carried it through and fully explored it by giving it the time it needed, and next episode will begin to resolve it. Or maybe I’m just letting the singular title get to me and seeing differences where none exist. I liked it regardless.

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Summer 2021 – Weekly Summary Week 12

Amun: Note: This is the second to last week of this season’s weekly summary, with several shows wrapping up. I’m going to have to take a break next season due to IRL, but hopefully this continues in some format (may go to a bi-weekly post, we’ll see). Until then, enjoy (we have unofficial ratings this week)!

Vanitas – 12 [FINAL]

Amun: Our favorite vampire bois have ended their run with…a whimper. These final two episodes feel like backdoor pilots (which I HATE) rather than a meaningful arc conclusion. The good news is that a second season is already confirmed, and apparently it’s quite a good arc. Overall, I liked the execution of Vanitas far more than the premise – I’m still a little confused as to what all the world’s mechanics are (there’s a mirror Paris, history’s been rewritten so that vampires exist, and despite all that, we STILL don’t know if Jeanne is a curse bearer…). Speaking of Jeanne, I think she’s a wonderful waifu, but she had far too much screentime (I’d prefer to see more of Noe’s cat). I hope that’s remedied in the upcoming season, but really that was my main complaint. Vanitas is infuriating, but he’s supposed to be; Noe isn’t a wallflower and surprisingly nuanced – quite a refreshing duo. One of this season’s best. Amun’s unofficial rating: 7.5/10 (with a 5/10 being average – if you use a 7/10 as average, then this is 8.5/10).

Heion Sedai no Idaten-tachi – 8-9

Wooper: It’s fitting that a show starring gods that can break the sound barrier would outpace its audience in the move from one arc to another. Episode 8 detailed the success of the coup d’etat in Zoble – or more accurately, it spent 10 minutes on fight scenes with its Emperor and Empress, 10 minutes on major developments for Gil and Rin’s characters, and one minute on a list of bullet points detailing the success of the coup. I enjoyed getting to witness Gil’s rebirth as an Idaten (it was a smart way of repurposing the show’s least valuable player), but the series has been all about the conflict in Zoble for weeks now, and it flaked on the strategic aspects of the protagonists’ mission at the very end. Idaten-tachi didn’t slow down for even a second in the coup’s aftermath, either, shifting its focus to the villains in episode 9. The subplot about Brandy’s children resurfaced in a big way here, since her offspring will clearly play a major role in rebuilding Earth’s demon population, but they’re so ineffectual without the Demon Lord’s support that it’ll take another timeskip to make them truly relevant. Can Idaten-tachi’s plot support another jump forward when it’s already running a million miles an hour? Probably not, but this show has already demonstrated a tendency to do whatever the hell it wants – more power to it, I guess.

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Fall 2021 Season Preview

Wooper: Summer’s barrage of trend-chasing fantasies and midseason disappointments has nearly reached its end, which means it’s time to look ahead to Fall 2021! This is one of the longer previews we’ve written in recent years, owing to some much-needed diversity among this season’s offerings. We’ve got fewer isekai adaptations airing than usual, and more original series (including a cluster of mecha titles that feels like a limited time revival). There are a handful of tentpole shows to ensure mainstream engagement, including new seasons of Kimetsu no Yaiba, 86, and Lupin III, with JoJo Part 6 beginning this December. Vampire fans will be eating (or should I say drinking?) good this fall, with three bloodsucking series to choose from. And there’s potential for an all-time classic in an adaptation of feudal Japanese literature, the first episode of which has already aired. If you’re intrigued by any of the above, read on to see what the upcoming season has in store (and drop your watchlist in the poll below!).

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What will you be watching this fall?

Middling Expectations

Deji Meets Girl

Studio: LIDENFILMS
Director: Ushio Tazawa
Series composition: Akane Marubeni
Source: Original

Short synopsis: An Okinawan hotel receptionist witnesses supernatural happenings after meeting a handsome tourist from Tokyo.

Wooper: I ended up overhyping last season’s “Ore, Tsushima” before learning it was a series of one minute shorts, and I’m not going to make the same mistake twice; I made sure to confirm that Deji Meets Girl had super small episodes before including it in the Fall Preview. There’s something pure about watching a director’s vision boiled down to such short runtimes – less anime bullshit to deal with, probably (unless you’re watching Teekyuu). This new show comes from occasional Makoto Shinkai collaborator Ushio Tazawa, who’s clearly taken some inspiration from his boss if the concept is anything to go by. Girl meets boy and starts to witness supernatural happenings? Sure, I’m down for some light romance paired with weird phenomena. I like the approachable solidity of the character designs (also provided by Tazawa) and the lifelike animation given to ordinary tasks like mopping and using an air pump in the PV. Deji Meets Girl is highly unlikely to imprint itself on the memories of more than a couple hundred people, but it does have a lot more promise than the average anime short, so I’ll happily give it a whirl.

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Haibane Renmei – 7 [Scar/Illness/Arrival of Winter] – Throwback Thursday

Welcome back everyone to another episode of Haibane Renmei! This post accidentally got deleted so I had to rewrite it, so apologies for being slightly late. Last week was good but this one is even better. Rakka is figuring out her emotions, Reki is dropping lore and my emotions are being tugged all around. So without further ado lets dive in!

Right out of the gate I want to say that Haibane Renmei was really good this week. I was invested from beginning to end, hitting all the right spots. This was exactly what I was looking for. I loved how the episode didn’t try to speed-through anything. Rather, it kept the same slow pacing Haibane Renmei has always had but filled it with the material I’m really interested in. The episode focused on the aftermath of Kuu’s disappearance, not in a technical sense like I feared but an emotional sense. Giving us, and by extension the characters, time to process everything that happened and react while still moving everything forward. Using that time to show how they are different from each other and then explain those differences in ways that don’t just feel like info dumps. Which is great because Rakka had a lot going on this week.

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Sonny Boy – 8/9 [Laughing Dog/This Salmon Chazuke Is Missing Its Salmon Nya]

Welcome all to a very late post about Sonny Boy! I haven’t been very good at my job recently, this internet one not my real job, and for that I apologize. We have a lot to talk about this week though so enough about me, lets jump into it!

Right off the bat I want to talk about my feelings about Sonny Boy as a whole. I went into this show with high hopes. It looked visually interesting and Natsume has worked on some pretty great stuff in the past. But 9 episodes in I can comfortably say that Sonny Boy isn’t for me. Visually I still love it! Sonny Boy is doing things no other anime has in a good while, leading to some very memorable scenes. But this visual diversity has led to the show becoming narratively obtuse. Like there’s no structure, no set idea, behind what is happening. This leads to the visuals and the story feeling at odds with each other to the point of, often, incomprehensibility. And 9 episodes in, it feels like Sonny Boy doesn’t care enough to fix that.

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Summer 2021 Weekly Summary – Week 11

Kaizoku Oujo – 5-6

Wooper: Pirate Princess Fena may not be the most pleasant surprise of the year (that’d be Odd Taxi), but it has to rank pretty highly on that list. Taken together, these installments served as a major turning point for the adventure series, and I’d say it handled the transition with aplomb. Things got real starting in episode 5, where the previously cartoonish band of female pirates from several weeks back revealed themselves to be major players in the show’s universe. Their alluring Captain Grace led an operation that landed Fena back in captivity, and her crew pulled far fewer punches in the process. The Indiana Jones-ish descent of the episode dovetailed quite nicely with our heroes’ sudden imprisonment in an undersea cavern; they escaped near the start of episode 6, of course, but that was far from a copout. Rather than throw Yukimaru & Co. back into the fray, the series hunkered down for some good old-fashioned exposition regarding its larger plot – emphasis on “good.” I can’t remember the last time an anime dumped so many mythical countries, legendary swords, and ancestral warrior clans into my lap while keeping my full attention. Abel was a positively magnetic antagonist here, fully earning the wonder of his new prisoner and the hatred of his former lover in the process of explaining all these concepts to us. Add to that Yukimaru’s surprisingly emotional decision to undertake a solo rescue mission, and you’ve got a recipe for a killer second half of an already-engaging anime. More please!

Re-Main – 8-9

Wooper: Re-Main just jumped the shark in a major way, but the question of how it’ll cross the finish line still interests me. After Minato’s memories were restored thanks to a five minute lecture from Chinu, he hit his head AGAIN in episode 8, this time maintaining his recollection of junior high but losing his cheery high school demeanor. Now he’s an overconfident asshole with the sort of anger issues that lead him to trash his room, and his seiyuu has been forced into mimicking Yuki Kaji’s babyrage voice in an effort to keep pace. The growl-off between Minato’s old self (which is new for those of us in the audience) and a surly former teammate made me embarrassed for everyone involved in the making of the scene, from the writers who had to play along with their boss’s Double Amnesia vision to the actors who had to pretend that it made any sense. Episode 9 did a decent job of bringing Minato back to Yamanami High and humbling him a bit in the process, but that hardly puts a dent in the whiplash created by this plot development. At this point, my curiosity about how the show plans to recover is morbid in nature, but hey, at least I’m curious.


Amun: Honestly, nothing really stood out to me this week – although I am a little behind on Fena.  MHA was slightly better, and Iruma-kun ended the season on a high note.  We’ll try again next week!

Kobayashi-san Chi no Maidragon S – 9-10

This is it – this is the Maidragon I’ve been missing. These two episodes were a potpourri of workplace comedy, dragon combat, intergenerational bonding, and concentrated optimism that left me grinning after each of their miniature stories. I won’t touch on all of them in this post, but each one was a worthy addition to the show’s already-stacked collection of vignettes. If you’ve fallen behind on this season, or simply found yourself too busy to start it up, this doubleheader is the perfect reason to hop aboard the Kobayashi-san Express once again.

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