Gambling Apocalypse Kaiji – 20

by psgels, posted in Gambling Apocalypse Kaiji


Oh my god… I’m speechless. I know I have been whining against this series, but that doesn’t matter for this episode. All I know that these were 20 of the most disturbing minutes of anime I’ve seen. Let me warn you: do not watch this episode if you can’t stand gore. I still can’t call this series great, but damn… this episode was so worth it.

I’m going to keep this entry short, because even though it was an awesome episode, it’s also one that I’d like to forget as soon as possible. In this sense, the gore is even worse than in Shigurui because there, you can see it coming. I didn’t expect for Kaiji to be this screwed in the mind to just cut off his ENTIRE EAR.

Top Movies and OVAs

by psgels, posted in Special Articles

This is sort-of a compilation-post of all the movies I’ve watched up till now. They’re basically my opinions on the best movies that I’ve checked out. The format is the same as my end-of-the-year summary. I’ve tried to include screenshots, but for a few entries this didn’t work out (tip: never go with an image-host you don’t know). Also, feel free to share your own top-10 of movies and OVAs. 😉

Biggest Disappointment:

Aachi wa Ssipak

One failed comedy, in my opinion. I went in, expecting to see some brilliant jokes, but it went way too far in being absurd, and in the end the most worthwhile aspect of this movie were a couple of very impressive action-scenes.

Most Pleasant Surprise

Blue Submarine No.6

Metropolis too was a gem that I didn’t see coming, but what surprised me even more was that Gonzo’s first real production actually turned out pretty decent. Sure, it may have had its flaws, but I saw no traces at all of the questionable reputation that the studio would build up in the years afterwards.

Funniest Movie

Eternal Family

One thing that surprised me was that there were very few good comedy-movies. Okay, I may not have looked carefully enough, but still. In any case, the biggest sources of laughs for me were Satoshi Kon and Studio 4C, and one particular part of Robot Carnival. Still, I don’t think anything can beat a sadistic baby with a pair of scissors, so Eternal Family wins for this award.

Best Graphics

Ghost in the Shell II: Innocence

Well, I don’t think there’s hardly any contest here. Everything about this movie looks absolutely stunning. An honourable mention goes to Metropolis, though. Yet another visual feast.

Best Action

Adolescence of Utena

Of course, it’s a given that you need to have seen the original series to fully enjoy the movie, but if it’s action you want, then you should give this one a shot. Good action in my eyes isn’t flashy, but creative, and that perfectly describes the scenes you’ll see here.

Best Mystery

Twillight Q

Unfortunately, there aren’t that many mystery-movies and OVAs, though the three movies/OVAs with the best mystery in my eyes are Twillight Q, the xxxHolic-movie and They Were 11. All movies have a great mystery-oriented plot and a definite recommendation for any mystery-fan.

Best Science-Fiction

Jin Roh – The Wolf Brigade

Science Fiction doesn’t need to take place in the future, it can also play in an alternate universe. In addition to Jin Roh, Metropolis, Alien Nine and Hyper Future Vision Gunm also feature some very interesting ideas and settings.

Best Short Movie

Comedy

For those who want to waste ten minutes, Comedy by Studio 4C is my top-recommendation. She and Her Cat was great too.

Best Romance

Millennium Actress

Millennium Actress took romance to a whole new level, with terrific results. Other gems include Jin Roh, Porco Rosso and Mahou Tsukai Tai.

Most Thought-provoking Movie

Patlabor II

Unsurprisingly, a production by Mamoru Oshii. The plot is so complex and the storytelling is so captivating that it’ll definitely keep your mind busy as it goes on. Other and OVAs with interesting themes are Hitsuji no Uta, the second Kino no Tabi-movie, Eternal Family and Tokyo Godfathers.

Best Story

Arete Hime

Arete Hime was very slow, but it also had a memorable story. This was quite hard award to decide, as the stories of Tokyo Godfathers, Millennium Actress and They Were 11 all sparkle with creativity as well.

Best Character-Development

The Dog of Flanders

The characters for the Dog of Flanders were just amazing, and it’s an award well-deserved. I do want to hand out a honorable mention for Oseam and Hitsuji no Uta, though. I’m still impressed at the huge depth of its characters.

Top 10 Movies and OVAs

#10: Hitsuji no Uta

I know that I’ve given it a relatively low rating, when compared to the others on this list. But looking back, I can see what an amazing character-study it has been.

#9: Jin Roh

Mamoru Oshii’s best work. Everything seems to fit in this movie, nothing feels rushed at all.

#8: Arete Hime

It’s a bit strange for a movie about boredom to appear on a top-10 list, but I really enjoyed this little Studio 4C-production. This is everything a fantasy-movie should be.

#7: Rurouni Kenshin – Tsuiokuhen

Of course, this one can’t be omitted in a list like this one. The original series may be to large of a commitment with its 90 episodes, but its four-episode OVA is a must-watch.

#6: Millennium Actress

The movie about movies. Satoshi Kon shows the viewer here an imaginative story with an absolutely lovable cast.

#5: Eternal Family

Eternal Family has a bunch of terrific themes, it’s hilarious and it also has a great cast. With thirty minutes, it also has the perfect length so that its jokes won’t be milked out, and it’s among the best movies that Studio 4C has created.

#4: Metropolis

Osamu Tezuka’s own productions may have been flawed, but when it’s another director who was tasked to bring his old creations back to live, then the results become amazing. Metropolis has really been a terrific movie, despite its standard storyline and concept.

#3: Tokyo Godfathers

In my opinion, Satoshi Kon’s best work. It has managed to mix a great sense of humour with a terrific storyline and quite an original setting.

#2: Tales of Phantasia

What can I say? Tales of Phantasia was one of the reasons why I started blogging in the first place, and although I feel I’m a bit biased, it’s been my most favourite OVA ever since.

#1: The Dog of Flanders

I’m so glad that I gave the Dog of Flanders a chance, as it’s without a doubt the best movie I’ve seen. The story is just so gut-wrenchingly sad, and another example of why Nippon Animation is one of my favourite animation-studios, along with Studio 4C and Production IG.

Millennium Actress Review – 91/100

by psgels, posted in Anime Reviews


Back in August, I made a rather large list of all kinds of worthwhile movies and OVAs, as a way to systematically catch up them, just like I did before with 13-episode series. I became an anime-fan relatively late, so I missed out on a lot of good stuff and this was the prefect chance to get my hands on a number of true anime classics. And with Millennium Actress, I finally finished this list. I’ll try to come up with some kind of compilation-post with my highlights tomorrow or the day after that.

In any case, Millennium Actress by Satoshi Kon was the perfect movie to save for last. Not only is it an excellent movie, but it also pays homage to all kinds of historical movie-genres. While I can’t say that it’s been the definite best movie ever, it does have the most imaginative storyline that I’ve ever seen in one. It even leaves the various Ghibli-productions miles behind it!

You can also recognize elements of other productions of Satoshi Kon. Suddenly, the RPG-episode of Paranoia Agent makes perfect sense and I can understand a bit where Paprika went wrong with its constant repeats of the same shots: Satoshi there tried to relive one particular scene of this movie, but he went much too far in that. Also, like all of his movies, the main characters stand miles apart from the sort of cast you usually see in anime, and their average age is probably the highest of any anime I’ve seen.

And this yet again shows that older characters can be just as fun to watch as the teenage ones. All members of the main cast are absolutely lovable, both the males and the females. I just couldn’t help but root for them throughout the entire movie. What also absolutely shines is the story. This is much more than just a simple love story, and Satoshi Kon goes way beyond the usual clichés and formulas. Unfortunately, the movie is not perfect. One thing I really missed in the second half was the hilarious sense of humour of the first half. It’s of course inevitable to become more serious as the movie progresses, but Tokyo Godfathers demonstrated that the jokes in the second half can really work in the movie’s advantage if they’re delivered well.

Looking back, it’s a shame that Satoshi’s record got spoiled with Paprika. That movie just feels outright mediocre when compared to all his stellar works, and it’s much, much worse than all of his other directing-jobs. Seriously, Perfect Blue, Tokyo Godfathers, Millennium Actress and Paranoia Agent all are excellent recommendations. All four are unique, all four have an excellent and realistic modern art-style, and all of them have an absolutely stellar soundtrack, with the background music from Millennium Actress probably being the best of them all.

Rurouni Kenshin – Tsuiokuhen Review – 90/100

by psgels, posted in Anime Reviews


Tsuiokuhen, or Trust and Betrayal, is the prequel (although it was produced later) to the series Rurouni Kenshin. Don’t worry; you don’t need to have seen the series to enjoy this four-episode OVA. I haven’t seen it myself, nor am I planning to (my to-watch-list is already large enough without the addition of a ninety-episode series), but I was perfectly able to follow what was going on without feeling left out, unlike the two Patlabor-movies. The original series may be too large of a commitment, but this four-episode OVA is a must-watch.

Seriously, I’ve never seen anyone who didn’t like this after watching it. The story itself may have been done before, but the storytelling and characters more than make up for it. This is one anime that perfectly knows how to use its time with a great balance of building up and intense scenes. Sure, there are some very nice fights, but the two main characters really steal the show. The side-characters are also well-defined, and have their own clear roles to play and at the end, the storylines are all very neatly wrapped up.

Still, in terms of sword-fighting this series delivers as well. There may be fewer fights than you would expect, but right now I can’t remember having seen any other anime with more detail in its choreography than what I’ve seen in this OVA, even considering the epics of Shigurui and Seirei no Moribito. In addition to that, the background music is also stellar. The only thing I can name that gets close to a bad point is the fact that the main character may have been a bit too young to be such a masterful and unbeatable swordsman.

Still, after watching it, I totally understand why Tsuiokuhen is so popular and well-loved. If you’re into period-anime, this just has to sit on your watch-list, and this is another top-notch OVA. The people from Studio Deen have proven once again that even though they screw up at times, they can churn out a classic just as easily.

Shion no Ou – 18

by psgels, posted in Shion no Ou


Well, it’s four episodes left, and we finally get a question that has been asked through the entire series confirmed. It wasn’t the most exciting episode that this series had to offer, but it was a perfect build-up to the grand finale of this anime. The next line is going to be a spoiler, so this line is there to prevent it to appear on the blog-aggregators like animeblogger antenna.

So, yes: Satoru was just one big red herring; he never killed Shion’s parents in the first place. The real killer also has to be Hani-meijin, all signs point to him:
– He will be playing against Shion for the finale
– He recruited Ayumi to be his student.
– He entered a world so dangerous that he had to abandon his brother.

In the end, all Satoru was, was another one of the guy’s victims. Satoru looked up to his brother, and he was deserted because of Shougi. In addition to that, Satoru lost his mother, father and lover, and it turns out that he was just clinging to get back to the only one of his loved ones who is still alive. His sadistic actions were just mere pranks, in order to get noticed. I think that the reason why he revealed Ayumi’s identity to Saori just was a subtle cry for attention. I must say that now that I love his character, and the depth of it, and it makes me hate Hani-meijin even more.

Throughout the first two thirds of the series, we were all made to hate Satoru, while the real bastard is actually Hani-meijin. I remember how I didn’t like the guy, but this hatred disappeared when the even worse Satoru appeared. Still, it now turns out that the guy loves to play with other people as if they were toys. Saori, another person that’s been dying for his attention just got shamelessly put aside during this episode, in favour of the “stronger” Ayumi, just because she didn’t make it to the finals because she had the bad luck to face an old shougi-master!

And really, what’s he planning with Shion? I think it’s clear now that he’s after strong players and has no need for the weak ones. Was the reason he committed the murder a twisted experiment to get Shion entirely devoted to Shougi, so that he could harvest her once her talents developed? Is the fact that Kaminozo accepted him really the only reason why he took on Ayumi as his new student? Or was this yet another part of his plans with Shion. The guy definitely had a bad history with Shion’s parents, but what exactly is it?

It’s really been a while since I watched such an episode, but this is one of the rare ones that gets better and better after you finish watching it. It wasn’t the most exciting of the shougi-matches, but it’s been ages since one episode made me think so much as this one. It’s series like this one that remind me why I fell in love with anime in the first place.

Porfy no Nagai Tabi – 08

by psgels, posted in Porfy no Nagai Tabi


Yet again a flawless episode for this series, and this one has a good chance of being the best episode of Porfy no Nagai Tabi yet. World Masterpiece Theatre seriously rocks!

The episode starts with Porfy, watching the cars drive past, and recognizing them instantly. The fact that his father gets very few customers is still very much on his mind, as Christopher turns down yet another customer who hopes to get some gasoline. Zaimis then arrives with great news: he’s going to have a little brother or sister. Zaimis is thrilled now that he know this, and its clear that he’s always been jealous of Porfy because he has Mina. He also asks Porfy what it takes to be a good brother. After all, Mina follows him everywhere. Porfy’s reply? Keep looking important, because if you look important then your sibling will follow you everywhere.

Mina, meanwhile, is still thinking about the movie, and actually replays the biggest scenes when she things she’s alone. At one point, Porfy catches her doing it, and she starts yelling at him. Porfy later complains about this to Aneke, and she just assures him that Mina hasn’t changed at all, her mind is just occupied with a wonderful meeting (aka, the movie). That evening, Zaimis tries to take Porfy’s words a bit too literally, and starts to patronize his mother’s belly. That was too cute.

Porfy meanwhile tells his parents about how Zaimis is about to get a new sibling. In response, Mina asks Aneke for a new sister as well, as she’d love to have one too. Porfy then changes the subject by asking how many customers came to the station that day, and it turns out that only one of them showed up, and in Porfy’s mind, this is just way too little.

The next day, Zaimis’s father and Christopher talk a bit about their son’s antics, while Porfy is still thinking of a way to increase the amount of customers for the station along with Zaimis. Zaimis doesn’t understand why Porfy wants to change, because things are running fine as they are. Porfy then gets an idea and leaves. He goes home and looks for some money. He hardly has any so he asks Mina for her savings, with the excuse that it’s for the well-being of the car repair shop.

It turns out that he uses this money to buy a bag of nails. In other words: his plan is to destroy the tires of random cars, so that they’ll be forced to come to Christopher. When he tells his plan to Zaimis, he really thinks high of himself, like he’s some kind of genius. Zaimis of course disagrees, so Porfy leaves, though he tells Zaimis not to say anything about it.

Later that afternoon, Zaimis is clearly struggling not to say anything about Porfy’s plan. After all, with such a dangerous stunt, Porfy is bound to get punished a lot when this is found out. Then, Mina arrives with the souvenir she bought last episode, after which Zaimis tells her about Porfy’s intentions. Mina then rushes home and discovers the bag of nails. She then begs her brother to stop. What if an accident happens? Porfy however replies that he’s doing it for his mother and father, and how he wants to help her after seeing the reaction on that old friend of hers. He also mentions how Mina has been distracted lately (because of the movie and all), and Mina suddenly apologizes for this, and starts crying.

That evening, it’s very silent at the table during dinner. Christopher tries to lighten the mood by proposing another car-trip, but Porfy and Mina are still mad at each other. Late at night, when the others are all asleep, Porfy leaves the house and finds a good road to drop the nails on. Apollo goes along with him. He doesn’t really try to stop him directly, but it’s clear that the doubts Porfy already had only get amplified more and more. He sees a shooting star, and wishes for lots of customers to come to the repair station.

He then drops the nails at a road and returns home, thinking how tomorrow will be a busy day, and how he’s going to have to help his father too. However, when he returns home, he’s too scared to enter it, and spends a little while, sitting on the doorstep. It’s there when e regrets his decision, and runs back to where he dropped the nails, and goes to pick them up. Meanwhile, Mina wakes up as well, and notices how Porfy is missing. As Porfy is nearly done, a car comes from out of nowhere into his direction, hits the breaks, and the episode ends.

I don’t think that there’s much else to say about this episode. It was a wonderful one, and we’ve hardly even scratched the surface of the real potential of this series.

Shigofumi – Stories of the Last Letter – 08

by psgels, posted in Shigofumi ~ Stories of the Last Letter


Haha, this was the best episode of Shigofumi yet. The creators did an excellent job for the episode on Fumika’s past. It was really over-the-top, but at the end you can really understand why Fumika shot her father. I’m glad to see that Shigofumi has found its own style, and kept with it, and it’s a great example of combining calm storytelling with extreme themes.

So, we already knew that Fumika’s father was insane, but there’s more to this story than just that. Her mother immediately divorced the guy as soon as she gave birth to Fumika, and now she’s remarried to another guy and lives in another country. Ever since then, she spent her childhood just with her father. In the beginning, he was really nice to her, though at one point, he started drawing on her, just like what he did in the last episode, but much more extreme. It was his way of getting inspiration for his books, but he was never content with it, and released all his anger about this on Fumika.

It was at this point where Fumika started developing an alternative personality: Mika, while she herself became Fumi. By talking to herself, she found peace between the horrible tortures of her father, and this continued until Fumika went to middle school, and she finally met other people, including Kaname and Kasumi. Meanwhile, though, the abuse continued, and at one point, it was Mika who couldn’t take it anymore to see Fumi being abused like that, and shot her father.

What’s interesting is how Fumi continued to love her father, no matter what he did to her. After her father was shot, I believe that the shock of seeing her father shot caused her to go into coma, and ever since, Mika became unable to contact her.

The question will now be: what do the creators have in mind for the final third of this series? There are four episodes left, and Fumika’s back-story seems to be resolved now. If I had to guess, then the final episode ends with Fumi, waking up again, though I’m interested to see how the creators are planning to do this.

True Tears – 08

by psgels, posted in True Tears


A relative quiet episode, but you can see where it builds up to. Shinichiro and Noe are now properly dating, and Hiromi and Noe’s brother also get a bit closer together this episode. Both Shinichiro and Hiromi hide with their partner, to forget about each other, but it’s apparent that this can’t go on forever.

Still, it’s been eight episodes, and I’m still not sure what Aiko is doing in this series. What can she offer, besides the role of a red herring that keeps popping up once in a while? Right now, if both she and Miyokichi were left out of this series, it wouldn’t have made any difference at all to how the rest of the main cast would have developed, and I’m missing a bit of interaction of Aiko with Noe and Hiromi. It would be interesting if in any of the following episodes, she actually met one or both of them.

In any case, this episode served its purpose well. The creators did a really good job to show how much Noe likes Shinichiro, and I liked how Shinichiro finally became happy again by hanging out with Noe, after all his worries of the past few episodes. What I’m hoping for the final episodes is that each of the three couples will get closer together, while sorting out their own feelings. I’m not really sure whether it’ll be good for this series to become some kind of love-variant of musical chairs.

Arusu the Adventure – 03

by psgels, posted in Arusu The Adventure, Mahou Shoujotai


Ah, now I understand. Just like Mahou Shoujotai, the episodes of Arusu the Adventure are directed by different people. Now everything makes sense: the major difference between Mahou Shoujotai and Arusu the Adventure is that there seems to be hardly any communication or cooperation between them. The bad point for this is that there’s now way to get a good continuous storyline out of it. The good point is that now, every director can go for something that he or she finds important. Episode 1 went for humour, while forsaking any storyline. Episode 2 went for flashy graphics and symbolism with rushed storytelling, and for the third episode, the storytelling and direction rocks, but the art style is all over the place.

It’s interesting: when you paste all these good points together, you get what I loved so much about Mahou Shoujotai, and I suspect that the final three episodes will only confirm this. It’s quite interesting how each episode had felt so incredibly different, and yet similar somehow, because of this. While the previous episode felt rushed, this episode knew exactly how to use its time. The two highly ranked witches run into a new kind of sprite that just hatched, though they can’t yet deliver it to the sprites-tower because it’s too young and it couldn’t be used for magical ingredients yet.

The sprite is a very delicate one, and needs careful attention if it needs to grow up, so the two witches decide to take care of it until it’s fully grown. This proved to be a more difficult task than they imagined, as they can’t get it to eat. They then heard of some rumours that Sheila once took care of the same sprite, and with that they get enough pointers to take care of it well. In the process, they get really attached to it.

As it turns out, when Sheila took care of her version of the sprite, it turned into a huge disaster. It turns out that she did transfer it to the sprites’ tower, and after that it became incredibly angry at her when they took away its horn, and went on a rampage. Because of this, Sheila’s superiors ordered her to take the sprite away as soon as it developed its horn.

Overall, this was a lovely episode, and you can really see that the director of this one really liked to experiment with his shots. There were some really creative shots there, and they’d even make the art direction in Hakaba Kitarou and Mononoke look uninspired. Seriously, I’d wish that more other series would adopt such a daring style of direction that’s all over the place. It’s another reason why I fell in love with the original series. Still, I think that the director took a few too many liberties with his messy art-style, as Arusu, Sheila and Eva look a tad too disproportionate at times. I now understand that it takes a while to see the real charm of this OVA, and after the disappointment of the previous episode, I’m hungry for more!

Saiunkoku Monogatari – 76

by psgels, posted in Saiunkoku Monogatari


Now this is what I’ve been hoping for! This episode was terrific in terms of storyline. So many things happened at once, and finally the building-up of the previous half year is paying ff. But still, it’s so sad to see that the budget-problems become more and more apparent. Such a major episode should be paired with terrific animation, like what we saw around the climax of the first half of the second season. Instead, the creators treated us to lots of distance-shots, thick lines and still frames. I really don’t like the trend that MadHouse has been setting to screw up their adaptations as they draw near their end! I mean, they’ve got excellent staff, but I’m getting more and more the feeling that it’s their producers who are incredibly lazy.

Well, putting that aside, another reason why I loved this episode was because it again was quite easy to understand. The ship with Ensei, Suou, Shurei and Ryuuren crashes off a waterfall. As everyone becomes conscious again, Ryuuren goes off to find some springs for water, after which Shun comes to pick up Shuurei, by the orders of his master. His orders were to take just Shuurei away, so Ensei and Suou stay behind and collect supplies for the way back.

As Shuurei and Shun walk up the mountain to the castle, Shuurei asks whether he’s heard about Shiba Jin, though Shun says that she had the wrong person. The two then enter the castle, and Shun brings Shurei to the prison cell where Ryuuki lies. Shuurei is really glad to see that he’s fine, though before she has the time to call out to him, Shusui appears, using the same spell that failed, twenty episodes ago. Shuurei then falls unconscious and gets taken away.

We then switch to Ryuuki, who’s finally woken up. Right next to him stands a Shusui, who claims that she’s possessed by a member of the Hyou-clan, which is why she’s acting so weird. I guess she was an easy target for them, because she already lost herself before. In any case, Shusui begins to taunt Ryuuki at how he’s incompetent at his job, and how he should just give up. After this, Ryuki begins to develop even more. That night on the mountains has really convinced him what an idiot he’s been, and he’s determined to now become a real king.

Then, Ran appears. It indeed seems that he’s been following Ryuuki all along, and after hearingt his confession, he decides to step in and save Ryuuki from Shushui. After this, the Hyou-member orders Shun to take care of Ryuuki, leaving the body afterwards. Shusui then turns into her fighter-mode again and starts chasing after Shuuei. Juusanhime also arrives to stop her, after which quite a funny conversation follows, where Shuuei ends up using a dirty trick to remind Shusui of Shouka. After a few slaps from Shuuei, Shusui returns to normal.

Juusanhime then stays to fight Shun, while Shuuei, Ryuuki and Shusui escape. When they are out of the castle, Shusui goes back in to save Shuurei. Shuuei then brings Ryuuki back to Suou, and goes back along with Ryuren to save Shuurei. Ensei went ahead of them, as he seemed to have the same idea. As Ryuuki wakes up, he wants to go back to save Shuurei, though Suou stops him. After all, he’s the king and everyone just went through the trouble of saving him. After hearing this, he finally understands a new part of his responsibilities.

Meanwhile, back in the castle Shuurei is still unconscious. The member of the Ryou-clan seems to be called Ruka, and it was basically her plan to use Ryuuki to lure the Bara-hime in Shuurei towards her. It’s here where Shouka in scary-mode appears again, and breaks some kind of mirror that’s important for Ruka. Strangely enough, Ruka doesn’t seem to be shocked by this, so at least something must have gone according to her plan. In another part of the Castle, Juusanhime now gets the chance to finally say goodbye to Shiba Jin, as it really seems that he works for the enemy and he’s out to kill Ryuuki. That scene seriously rocked.

There’s one thing I don’t understand, though: what’s the real relationship between Shun and Shusui? Where did they meet each other? Is Shun the reason Shusui gets possessed? Which Shusui went along with Shun to the castle? Did she come on her own accord, or was she already possessed by Ruka back then?

In any case, let’s hope that the final two episodes end the second season with a bang, so that the creators can return in a year or two to finish this story. With such a fan-base, there’s a good chance that it’ll happen some day. But then again, Claymore was even more popular, needed a second season even more badly and there are still no signs of any continuation… which leaves me kind-of worried.