Dragon Crisis Review – 55/100

by psgels, posted in Anime Reviews, Dragon Crisis




The past Winter Season was a dark season… for Studio Deen in any case. They came out with more series than any other series, and all of them were disappointing even despite my low expectations. I mean, I am a fan of them and all, but the reason for that is most definitely not their consistency!

I originally wanted to be a bit more generous with my rating for this series, but the more I thought about this show, the more I realized that it just doesn’t have anything redeemable. There’s no reason to watch this thing; everything it does has been done better a thousand times already. Dragon Crisis at heart is a boring cliche-fest that lacks any sort of ambition.

The structure of this series consists out of six two-episode arcs. This show somehow manages to do the impossible and become progressively worse with every successive arc. Seriously, just when you think that this show couldn’t get any worse, it manages to finds some way to prove you wrong until at the end, the creators just outright give up. Every arc is pretty much focused on adding someone to the lead guy’s harem. Yeah, that loses its charm really quickly.

Beyond that the writing is just outright stupid. This is the kind of show that was written by people who think that teenagers (its target audience) have the mental capacities of a lobotomized squirrel. Characters act solely on what’s convenient to the plot and make the most bizarre leaps in logic at times. Any attempts of this show to become genuine is overshadowed by their complete stupidity. Add that to a plot that is just chockful of plot evices, deus ex machinas and inconsequential techno-babble that too make no sense whatsoever. All of that really is not helped by a really annoying cast of cliches and stereotypes that are supposed to be characters in which hardly anyonee stands out.

One of the big eslling points of Dragon Crisis looked to be its animation, with Masashi Ishihama (the guy behind the gorgeously animated Read or Die and Welcome to the Space Show) as its animation director. But even factoring in the lower budget that this series received, the animation is surprisingly bland: it’s not used well, the characters are all carbon copies of each other with just different hairstyles and despite a relatively high framerate for Studio Deen’s standards, none of the visuals stand out as particularly impressive.

The reason why I still consider a series like Fractale to be good, despite the way in which it too has a lot of flaws, is because it still is a very enjoyable adventure. There is absolutely nothing enjoyable about Dragon Crisis. None of the drama works, its stories are completely void of any creativity, its characters are just there to get in the lead guy’s pants and it just had no intention of trying to do anything even remotely interesting.

Thats the big problem with Studio Deen: they’ve been losing their talent left and right and just aren’t trying hard enough most of the time. They need some incentive: something to really get them to produce the really good stuff again, because this… this just is a complete waste.

Storytelling: 4/10 – Completely unambitious, doesn’t know what it wants to do and therefore is full of deus ex machina and plot induced stupidity.
Characters: 5/10 – None stands out. It’s just one big harem with all the cliches in place.
Production-Values: 8/10 – Not as good as you’d expect, but doesn’t cause this show to get any worse than what it already is.
Setting: 5/10 – This show looks like it adctually has a complex background with its dragons and rare artifacts, but in the end it’s nothing but mere cliches and techno-babble.

Suggestions:
– Dragonaut The Resonance (Yes, I’m actually recommending Dragonaut over this one. At least that one had some ambition!)
– Fractale
– Ichiban Ushiro no Daimaou

Supernatural The Animation – 12

by psgels, posted in Supernatural The Animation



Now this is more like it! Episode 12 was definitely the best episode of the second batch of Supernatural episodes. It not only showed a completely different perspective from usual, it also gave a lot of new depth to the overall story and on top of that, it was a terrific standalone story as well.

It really was a great idea to have an entire episode focused around Sam and Dean’s father: this episode was entirely devoid of those two, safe for one photograph. Their father (John) also makes for an excellent central character: he knows when to remain in the shadows and when to be useful and do something. This allowed the story of this episode to really shine.

I really liked the story of Grey and Lilly Baker. It’s also what really established the demons as a real threat here. They’ve got a tragic father-daughter relationship, but this episode was really genuine. For once the acting did not get in the way, and was amongst the best this series has shown so far.
Rating: *** (Awesome)

Supernatural The Animation – 11

by psgels, posted in Supernatural The Animation



Another Sam episode, but thankfully this one made up for the previous episode. It’s a much better premise that actually knows that it should take Sam’s character somewhere. This episode developed his part in the storyline along with his memories of his mother and girlfriend, instead of just repeating things we already knew, like in the previous episode.

The case in this episode was a bit extreme, but still a pretty good story about domestic abuse. The victim in this case was given telekinetic powers for some reason and things completely escalate from that point. Unlike the other episodes though, the ending of the episode didn’t provide any extra twist that made that kid’s story deeper than imagined. The suicide did not make the story of this episode better than it already was. Instead though, we got Sam and Dean in priest outfits and this strange blond woman who at the end turned out to be that strange eyed demon.

I do have to say though that this second batch of Supernatural episodes has been weaker than the first six episodes. Obviously the previous episode had a lot to do with that and all, but even then I have yet to see an episode here that comes close to the best episodes (02 and 06) of the first batch. There have been plenty of series that also had this syndrome, though. We’ve reached the halfway point right now and let’s see whether or not the creators can use the first half in order to make the second half into something amazing.
Rating: ** (Excellent)

Supernatural The Animation – 10

by psgels, posted in Supernatural The Animation



Dean has always been the best character of this series. It’s probably because this episode was entirely focused on Sam who got a crush on a woman he only barely met that this really caught my attention and all… but what the heck is up with the moon in this series?

It’s not even the “Nya-nya-nya”-song that got to me the most here. This is just one of those stories that… just doesn’t make any sense. First of all there’s that thing of a full moon multiple days in a row. I first thought that the creators were sneakily skipping around months at a time without telling us, until that last part of the episode. I mean, how else could that wound that Dean inflicted on her arm have healed so quickly?

A few of these things that don’t make any sense are of course fine, but in this episode they just kept piling up. This also was full of those strange coincidences: when you look outside the window you suddenly see her stalker. When you knock on her door you’re just in time to prevent her from killing herself.

Furthermore, a werewolf is a vicious creature. How did it manage to sneak past Sam in the first place? I mean, I know that Sam is troubled by his hormones and all, but he should have noticed a werewolf sneaking past him, going back to bed and changing back like nothing’s happened. Do werewolves usually do that? Bending around the rules of folklore is of course okay, but this shouldn’t be done with the purpose to fill up plotholes.

I also have no idea what Dean meant when he was trying to explain why the girl didn’t change into a werewolf when they were keeping an eye on her. His first explanation makes sense: block the moon from her and she’s not going to do anything (leaving aside that most people close their curtains when they go to sleep), but why did he suddenly bring up that puddle of water? What did that have to do with anything?

On a final note, Sam took his obsession over Jessica a tad too far in this episode. I know he’s sad and all, but it’s a good thing that this episode portrayed a crazy stalker, because otherwise I would have definitely made him out for one. He was just creepy here in his devotion.
Rating: – (Disappointing)

Star Driver – 24

by psgels, posted in Star Driver



An d so the creators used even less time for the climax than I imagined. Seriously, it only started at the end of this episode. It was really well done, don’t get me wrong here: the build-up was terrific. It’s just that I have no idea how the creators are planning to make everything come together in that final episode.

This episode was really quiet, but that was exactly what allowed it to push a lot of characters forward. A lot of the drama here was genuine, and even though none of the major questions were answered, it did add a lot of details to the cast and especially Wako and Keito got a lot out of this episode.

Star Driver has three main arcs, all corresponding to a Shrine Maiden. That just begs the question of why Wako wasn’t given an arc like that. I mean, this episode felt more like the climax of Keito’s arc than the climax of the entire series.

I smell a movie. Just think about the other series that premiered in the Sunday Afternoon timeslot: Gundam 00? Movie. Full Metal Alchemist? Movie. Sengoku Basara? Movie. Only Code Geass didn’t get a movie, but that has Bokuko no Akito. A movie would be the perfect explanation of what the heck is going on here.
Rating: ** (Excellent)

Wolverine Review – 80/100

by psgels, posted in Wolverine




Let me start this review with a message to everyone who didn’t give Wolverine a chance because of Iron Man: it’s really not bad!

Wolverine and Iron Man are completely different series. They were written by different people, directed with different people and have completely different purposes. Iron Man was just crap in nearly every single way. Wolverine however was a simple but very effective action series that knew exactly what it was and what it wanted to be.

It’s a series that doesn’t have the biggest budget, but still manages to create consistently good action throughout its airtime. Nearly every episode delivers plenty of action to keep you busy, while avoiding the Dragonball Z syndrome of dragging out by changing set-ups and locations often enough to keep things dynamic. This certainly is no show that shows people just standing at the same place and talking to each other. Wolverine is a very simple character: don’t think; just do. This allows the series to be constantly moving, preventing it from getting stale.

In comparison to Iron Man, Wolverine actually has a continuous story instead of an incoherent mess that will turn off just about everyone. It’s a simple one: it basically revolves around saving a damsel in distress and all, but the creators throw in just enough extra spices to make it interesting and keep the action going. Some of the characters have a bigger story than others, but together they actually make a pretty enjoyable cast that is hot blooded, but perfect for a simple action series.

That simplicity is obviously also the biggest flaw of this series, because you really don’t want to watch this series for its depth. Wolverine is action and more action, and it only has its story and characters in order to support this action, and not the other way around. And don’t worry, it’s not like it has a cast of idiots like with Iron Man, but everyone remains pretty simple and doesn’t break many barriers. The characters in Wolverine are likable because they’re cool and charismatic, not because they’re particularly easy to identify with or anything. Like I said, the main plot of the show revolves around a damsel in distress.

Madhouse has a unique visual style, but lately I’ve noticed that they have trouble with making their characters act. The acting in Wolverine is quite stiff at times, which has a lot to do with the animators being unable to create dynamic facial expressions for the characters. The screenplay is excellent, though: it does exactly what a simple action series needs to do.

There is only one point where Wolverine was really better than any other series this season: its soundtrack and the use of it. Bold, versatile and excellent at making the action even better.

Storytelling: 8/10 – Lots of action, and does this well, knowing how to balance it out with its plot.
Characters: 8/10 – Simple, but effective and likable.
Production-Values: 8/10 – Awesome soundtrack. Animation has a lot of weaknesses, but still remains pretty solid for an action series.
Setting: 8/10 – The backstory actually does what it needs to do to make this series interesting for a full 12 episodes.

Suggestions:
– Ultraviolet: Code 044
– Bakumatsu Kikansetsu Irohanihoheto
– High School of the Dead

Wolverine – 12

by psgels, posted in Wolverine



The only bad part of this episode was the point where Hideki set off the self destruct mechanism of the building he was in. I mean, hello? You’ll be the one to inherit that thing; why the heck are you destroying it? And heck: if you’re going to destroy a building, do it properly and burn it to the ground. You hardly accomplished anything here.

Apart from that though, in terms of screenplay this was an excellent example of how you should close off a simple action series. The deaths of both Shingen and Hideki were excellent. Especially Shingen’s fight did justice to his character, and the way in which Wolverine beat him was exceptionally well done: he really was caught by surprise here.

I also like how the creators knew very well who in this series had super hearling powers, and who didn’t: Yukio died after a fatal stab-wound, Mariko also got shot in her heart after doing something heroic but very reckless. The death of them really feel like part of the larger picture instead of the way in which Iron Man just killed off its characters for the heck of it.

Madhouse, you redeemed yourself here. This ending gave a great closure. Wolverine was nothing deep, but what it did it did well. As for the acting, it actually managed to make something out of the characters because it knew that the acting was stiff, and instead just tried to make this superhero worthy. Well, mission accomplished.

the X-men will be airing next week (in fact, it’ll be the first series to premiere of the Spring Season). Wolverine really showed that they’re all intending this to be different series that stand apart from each other. With the director of Afro Samurai, it can really go anywhere. The question is of course whether they can do justice to the X-Men themselves. Unlike Wolverine, they had a deep story about prejudice and discrimination.Let’s see whether or not that can return there.
Rating: ** (Excellent)

Letter Bee Reverse Review – 85/100

by psgels, posted in Anime Reviews, Letter Bee




Letter Bee as a series that’s difficult to recommend. I mean, the heights it can reach is amazing, but its quality does tend to fluctuate and it tends to waste time, the fillers of the first season being the biggest example of this. The second season of Letter Bee is a huge improvement over the first, though, let there be no mistake about that. The amount of amazing episodes has pretty much doubled and the cast of characters grows into an amazing one that plays off each other wonderfully. It’s just not as good as what it could have been, but more on that below.

First of all, the first Letter Bee Left with an absolutely amazing cliff-hanger. It was tedious to sit through that series at times, but everything just came together in those final ten minutes. The second season immediately builds further upon that, and does so wonderfully. The creators just come with episode after episode of character-building that makes the main cast a delight to watch, with some of the most gorgeous artwork and very imaginative episodic stories that are just full of charms. The first half of the second season shows Letter Bee at its utter best.

And then… the creators found out that they only had 50 episodes to work with. With a manga that’s still ongoing, they had to make the choice to continue adapting the manga that this show is based on, only to cut off somewhere in the middle of the story, or make up their own finale. They chose the latter.

Now, I know that anime original endings are notorious, but Letter Bee actually does a very good job of wrapping up its story: a breath of fresh air after all those countless series that just refuse to end because the manga or light novels that they’re adapting doesn’t fit into 13, 26 or 52 episodes. Most of the storylines that needed to be wrapped up are wrapped up pretty decently while at the same time most of the characters also get a good closure.

This really could have gone wrong terribly, but the end result is a cohesive and enjoyable series. But the fact remains that the creators of the anime just aren’t as good storytellers as the writer of the manga. The adventure parts feel a bit sloppy and lack detail, and the emotional turmoil dies down a lot in the anime original parts. The tension becomes just less dynamic and interesting and overall it just never really manages to reach the height it once got to. It’s not bad at all, it’s just… less good. That’s one disappointment that you do need to take into account when watching this series.

Overall, today it’s very rare for series to have 50 episodes. Letter Bee’s biggest fault was that it didn’t use them well. Make no mistake, though: when this series is at its best, it really is amazing and this last for more than a dozen episodes. The big difference between the first and second season is that even when the second season is disappointing a bit, it’s not like it becomes too annoying, boring or unwatchable: there’s definitely enough interesting stuff happening, it’s just not as interesting or well executed as it once was.

Storytelling: 9/10 – Excellent at building up and closing off its story. Especially the first half is wonderfully told with a lot of creativity.
Characters: 9/10 – The main selling point of this series: at this point in the series the characters have received some excellent development that is used wonderfully.
Production-Values: 8/10 – Gorgeous at times, but unremarkable at others. The soundtrack still is very good.
Setting: 8/10 – Dulls in a bit after a while, but still good and full of moral dilemmas.

Suggestions:
– Popolocrois Story 1998
– Argento Soma
– Natsume Yuujinchou

Letter Bee – 50

by psgels, posted in Letter Bee



Nowhere near a great ending, but this also wasn’t a complete disaster. Really: this ending had both its good and bad parts.

Let’s start with the bad points: the climax of the series looking much more like an anti-climax. This is one thing that the creators of the anime just got wrong and it was a flimsy way to end the series. I can imagine what they wanted to do: bad guy sacrifices himself, the person that the lead character looks up to gets mortally wounded and so the lead character summons his inner powers in order to get rid of it. This was told very sloppily, though. It just doesn’t fit in the story. What really would have fitted much better was to exit this series with an exciting chase scene that involved all of the important characters.

At the same time though: that short climax did allow the aftermath to be very good. I mean, this series did not magically bring back Gauche’s heart, but explicitly stated that Lag gave him a new purpose in life. I mean, that pretty neatly wraps up his story here and I applaud the creators for that. Sunni meanwhile has the chance to recover (probably because she only got half-eaten by the cabernet), but again I like how the creators didn’t magically make her better, and instead made her recovery something that could happen over time, if it even would have happened at all.

Overall this series left some questions behind, but with most of them I actually don’t mind that they were unanswered. Lag’s mother for example had no business being inside this climax: there just wasn’t enough time to really focus on her character in detail, and instead this series gave enough hints to who she was and why Lag ended up the way he did. The rest of the details, we can fill in for ourselves. This episode has this “life goes on”-theme that I appreciate a lo. I’ve certainly seen much worse endings than this.

In the end, the big mistake that the creators made is that some of their key ideas just backfired on them. Of course the climax of this episode was one I’m referring to, but the biggest of them all was how they decided to put Gauche’s return at the end of the first season. I can definitely understand why they did it: the finale of the first season was one of the best hooks to a second season I’ve seen in a long, long while. At the same time, though they had to waste a lot of time in order to accomplish that, and because of that they ran out of time near the end when it became clear that they only could get 50 episodes.

If the creators would have chosen to continue with the story of the manga, I do think that I would have whined a lot more at this series, simply because there is no way that it could have been wrapped up in time. What the creators did here is commendable. It’s just a shame that they just aren’t the best storytellers.
Rating: * (Good)

Bakuman – 24

by psgels, posted in Bakuman



Aah, it’s like Kimi ni Todoke all over again!

Leaving that aside though, I liked what this episode did with its pacing: it went fast, then slow, then fast, then slow again, alternating between the developing the romance and the manga publishing. This show has always had its fast paced and slow-paced moments, but I don’t think that they ever meshed together as well as this episode, especially its first half. This kind of balance was especially missing in the first half of this series.

The worst part of this episode was the way in which the creators tried to introduce this new characters. “Oh no, I’m not conspicuous at all. I’m just reading a magazine here”. I mean, I can understand hiding the face of your villain for building up tension, but in a manga writing anime it just has no purpose and just ends up looking silly, especially when they try to play it straight like that.

Overall, if I had to congratulate the creators of the anime for one thing, it’d be making me think that the pacing of the anime went up during the past episodes, while in fact they animated even less of the manga for each episode. To me, someone who hasn’t read the manga, it did not feel out of place, unlike the first half that was in retrospective rather boring to sit through. At this point, I don’t think that I’d recommend this series, but that mostly is because of the reason that this series doesn’t feel complete at this point. With that, the first half just isn’t worth it. It’ll be up to the second season to change that.
Rating: ** (Excellent)