Last Exile – Ginyoku no Fam – 19

There are many challenges about series that place children at the center of adult struggles. One of the big ones is making their roles in the grand scheme of things believable. Ginyoku no Fam is struggling with this, clearly. And yet here it barely managed to make things work.

A lot of stuff in this episode challenged my suspense of disbelief, but on the other hand it was exactly what the previous episodes had been building Fam’s character up to. The big problem with that evil empire is that it’s got this very young empress who has been hi-jacked by a revenge-crazed psycho. All it would take is someone who would make her a bit more proactive, and that’s where Fam comes in. This episode had her play the role as a delivery girl, and to be honest, it’s there where she really belongs.

Having said that, though…

Something went wrong with the world building here. It’s been bugging me for quite a while now, but this episode convinced me: the world of Ginyoku no Fam feels empty. This is a very serious issue for a show whose biggest asset is exactly the world it created. My point is: how on earth was Fam the first to suggest to that princess to make them stop fighting? What happened to the to her subordinates here? Aside from the main characters, in the end the world here feels lifeless.

There also was one point in this episode that couldn’t be excused with the budget troubles that Gonzo has been having. It’s the point where the Sylvius appears, and immediately starts shooting down every single warship in its vicinity. And that after all of the previous episodes were building up how hard it is to actually control such a thing: the sylvius spins a bit and suddenly everything is gone and we cut to a new scene. That was just plain laziness.

And with this, the major conflict is over. And the only thing that remains is that bad guy. I mean, he wasn’t involved in this episode for a reason: there’s that doomsday weapon of an exile that’s going to threaten the entire planet, yadda yadda yadda, we know the story by now. I really wonder whether the creators will be able to make that kind of an ending interesting.
Rating: (Enjoyable)

Tantei Opera Milky Holmes – 20

Oh boy. The writers this week were in for a challenge: the entire premise of this episode was everyone coping with Henrietta’s betrayal last episode. That’s it. No more. This probably was the lest impressive episode so far, although it still had its hilarious parts. And considering the content humping, the creators still did their best to give such an uneventful episode energy.

What hurt this episode the most was the repetition of jokes. I mean, there’s not much you can do with a premise like this. We’ve got seven characters who each in turn turned everything that even remotely resembled a pair of giant boobs into Henrietta. The highlight of that was when they brought that camel in, but the other attempts were rather uninspired. Of course, until Cordelia went psycho and started to turn everyone into camel-humping zombies. That part was without a doubt the funniest part of this episode.

Apart from that, Kokoro was hilarious too. And then there is the cheese. Oh, the cheese. It’s been a while since I watched so overly forced cheese. Of course it was played entirely for laughs, and that at least made the second half of this episode quite entertaining.

This really is the thing about writing a good comedy: writing a good story for it. It’s a great way to prevent things from getting stale, but it is very hard to write one that actually goes somewhere, while both allowing the comedy to remain hilarious. This episode clearly chose building up over being funny, though it still tried to be funny by using its standard over the top chemistry. The big question now is: will this actually pay off? We’re still relatively far from the finale, so one boring episode doesn’t really matter… as long as it’s used well. If in the end there are even more episodes like this, then they should just have cut this episode in half and made this a 11-episode sequel. Heck, that would cost even less to make and it would actually make this show better.
Rating: * (Good)

OVA Impressions: Gyo

So, I just watched Gyo, the OVA. By far the weirdest out of the Ufo Table trilogy that appeared about a week ago. It’s an OVA of more than an hour long, and it’s pretty much like a zombie flick, only much more bizarre. Go for this series if you like the disgusting type of horror stories. Because that what this was: not scary and atmospheric, but completely disgusting.

It’s hard to really review a thing like this. I mean, on one hand it’s the standard zombie flick, but on the other hand the bizarre content manages to save it and makes it worth watching. The creativity, direction and the music were what made this the most entertaining. This is the first thing I’ve read of Junji Ito, and I can immediately tell that he is one messed up sunovabitch. The legged fish were one thing, but as soon as people started transforming into these green giant gas factories I was glad that I didn’t eat right before watching this.

The characters were a mixed bag: the lead female is typical, but good (her relationship with her fiance really saved her, because that was actually very interesting to watch). The crackpot researcher also was fun, taking this series really to the surreal at times. The main character’s female friends were pretty bad, though. They were the usual misguided attempt to make things feel more realistic by having them act like complete and stereotypical assholes. The problem with that in a horror flick like this is that you can just as easily put a sign on them saying “I am going to die next”.

For the creativity in the whole premise andexecution, I’m surprised at how much cliches this OVA also has.

Chihayafuru – 20

Oh, Taichi actually lost so that he won’t be able to play in the A-Class East Qualification tournament. Oh, wait there’s another chance for him to do so. Wait, he didn’t make that one either? oh, he got offered a promotion instead. What the.. he declined? He’s not focused on making the next tier as fast as possible, but rather as someone who doesn’t run away? Very nice here, Chihayafuru.

On top of that, this episode showed the return of Arata. Finally! Again, the encounter was short, but very sweet. The best part of this episode was how much more we got to learn of Arata’s grown up version. Up till now we’ve mainly just seen flashes of him, but here he was present for an entire episode. His worries about Chihaya and Taichi having become a couple really worked well with Taichi getting more and more depressed in this episode. Chihaya herself was the icing on the cake: her emotions went wild in this episode, and the creators portrayed them really well.

Overall, out of all of the Fall series that are still airing, Chihayafuru still stands out as the best. The way it handles its characters is just unrivaled here. As the representative of its season however, when you start to compare it to other years, it unfortunately isn’t the best: Autumn 2010 is the only fall season in more than 8 years where I didn’t consider the best 2-Cour series to be better than Chihayafuru. (As a frame of reference: 2009 had Armed Librarians, 2008 had Michiko e Hatchin, Clannad and Casshern, 2007 had Shion no Ou and Ghost Hound, 2006 had Red Garden and Bakumatsu, 2005 had Noein, Mushishi and Jigoku Shoujo, 2004 had Fantastic Children and Gankutsuou.

Obviously Chihayafuru is very well made, and in that aspect it doesn’t lose to the abovementioned series. But if I had to give a reason for why it doesn’t live up to those others for me, then it’s probably a combination of its lack of ambition and variety. The abovementioned series were series who kept evolving and kept bringing new things to the table. Chihayafuru however, has all been karuta matches, karuta matches and more karuta matches. Sure, the characters are evolving, but the plot isn’t. For me, Chihayafuru is a series that does really well when you look at the short picture, but in terms of the bigger picture it’s just karuta over and over. That’s solid, but not solid enough to measure up to some of my favorites.
Rating: ** (Excellent)

Another – 07

Before, I criticized this show for not having very impressive animation for PA Works’ standards. And then that dream sequence came. Talk about fluid animation here. Overall, it’s clear that after Blood-C, Tsutomu Mizushima really saw the light. Here too the visuals just don’t shy away from the hard-to-animate gore at all, for the scenes where normally the camera would just pan away.

The mystery is also really on track here. On the background, you can really feel the evergrowing presence of that ghost student who keeps picking off dead people. The second half of this series is also going to be very different, now that Misaki is actually no longer ignored by her fellow student, with the plan having failed and all. It’s a good way for the show to evolve.

The challenge for this series was to keep its audience in its atmosphere, even during the building up scenes. For me, it succeeded. I’ve really been caught up in it and even though the start of the show tried a little too hard with the dolls and all, the quiet parts of this series didn’t feel boring at all. This time it’s due to both the interesting characters, and the very solid build-up of atmosphere.

With this, it’ll be up to this series to actually make use of the build-up, and make things come together, and it’s there where the tricky part will start. Bring in enough creative twists that will force the characters to develop themselves, and make the revelation of the real ghost have some real impact. A beach episode isn’t really the right way to do that!
Rating: ** (Excellent)

Natsume Yuujin-Chou – 47

I think that this was one of the least charming episode of the fourth season so far, but that’s like going to a four-star restaurant and ordering the cheapest dish: it’s still delicious!

Right from out of nowhere did we get a background episode on that old lady who kept accompanying Matoba. With this, we finally get to know her and who she is, by telling a story about her past. And screw this episode for teasing so much with Reiko! The start of this episode really made it seem like the two actually met each other, but instead Reiko stole the name of a youkai who happened to have left a large impression on the woman.

And again, this show used the past and present wonderfully to fold out, and the start of the episode was once again hilarious. I’m not sure why it didn’t hit me as much as the other episodes, but that probably is due to the calculating nature of the woman: It’s hard to explain, but at the very least she turned into a much more interesting character in this episode.

Also, the animators. They were very clearly inspired by Ghibli this episode. That one youkai’s animation: that was really good, even for this series’ standards.
Rating: ** (Excellent)

Mirai Nikki – 19

Plothole time: a person cannot just “act well” from out of nowhere. I don’t care if Yuno wrote a perfectly fine script. Yukiteru still had to act it out with confidence. Something that goes completely against his character.

Still, this episode was full of fun twists. Eleventh as the major of the city makes for a nice final villain, and his speech in order to close down the orphanage was a very nice introduction. I just have one message to the creators of the anime: if you show him in the midst of all sorts of telephones, instead of having Eighth, you’re pretty much spelling out that he’s going to acquire her server diary at some point. Way to create tension here!

Now, I had been spoiled about there being two Yuno’s… multiple times (thank you, manga readers…), but still the identity of the third corpse came as a surprise to me. The creators can do some nice things with this. The whole plot twist of deceiving Eighth also was very nice to pull: they know how Eighth’s diary works, and because of that it would be easier to get rid of them, while also making use of the occasion to find out what Eleventh’s diary does. Why Yuno didn’t immediately pull the trigger when she had her gun right next to Eleventh’s nose is beyond me, though.

What also surprised me is how the soundtrack has gotten better recently. The new tracks here feel much more colourful and energetic whan what this show had before, working in this series’ favor.
Rating: ** (Excellent)

Phi Brain – 20

With this, I really have no clue: what will the second season be about anyway, and how on earth will it be able to top this? All information that was given was that some new organization would rise up and challenge Kaitou. For a while I really thought that they would just take over Rook’s place and continue with the story, but this episode played out like the finale was about to begin. What the hell?

And this episode yet again was really good here. It build up Gammon even more as a villain, but as the kind of villain who still is under the main one: Rook. It also started pulling the impending world destruction, which usually isn’t really something you pull right in the middle of a series.

In any case though, the portrayal of the characters was once again just wonderful. I especially liked how Gammon pushed away even his potential love interest, but also the atmosphere during Kaitou’s flash forwards was very well done, especially considering they were about the cliche of destroying the planet. Thankfully what the creators meant to portray was that the power that everyone is trying to attain is far too big to be healthy, rather than “oh snap! we need to increase the steaks!”
Rating: ** (Excellent)

Aquarion Evol – 08

Wtf, Aquarion. Just… wtf.

I feel a bit silly for complaining about the fanservice in Rinne no Lagrange, although my point still stands there: the fanservice there was blatant, overdone and cheap. Here however…. it was used to push the sexual content of this show to the absurd. When I first started to blog this, the males versus females themes were the parts that caught my interest. I didn’t expect Shoji Kawamori and Mari Okada to carry it this far, though.

“Your senses grow sharper as you grow more naked”? Who the hell came up with that? Still, I loved how much tension there was between the sexes in this episode. It’s not just one-sided female fanservice, the males also got pushed into the defensive here; I especially loved it when Amano started stripping for once.

The thing is that usually, I’m really not a fan of series with so much romantic context. I remember immediately dropping Infinite Stratos when it aired a year ago (which by the way also was an 8-Bit series), but that’s because most of them are just so dull and lifeless, with so little ambition. This time though, the plot has just gotten crazy. The combination of Mari Okada and Shoji Kawamori dug up a whole new area of campness in both of them.

But what the hell are they doing next season with that AKB0048 show?
Rating: ** (Excellent)

Rinne no Lagrange – 07

Eh. This remains Xebec, unfortunately. I’m glad that next season they will end up animating something as manly as Yamato (it had better not be just a recap!). This episode brought back the shameless fanservice unfortunately, and overall only was interesting because of how it completed the bonding between the three main characters, something we knew was about to happen.

With those boob groping scenes, I just can’t help but think back to that parody that B Gata H Kei had in it once, where they showed what the male version of that would be like. Yeah. I would know this, but do females really randomly get naked and grope each other when there are no males around? And okay, if the fanservice was creative I would not have minded. But this was the same stuff we see everywhere.

In any case, there sure are a lot of building up episodes this week, which doesn’t make it the most interesting in terms of anime. The trick with building up is to remain interesting, and Muginami’s backstory just wasn’t interesting enough for that, unfortunately.
Rating: – (Disappointing)