Chihayafuru – 24

by psgels, posted in Chihayafuru

Shock! Gasp! Surprise! A major character actually put on weight!? In anime where characters always need to look perfect!?

I mean, once in a while we get overweight side characters here and there, like Nishida in this series. But the main antagonist? It’s really been a while since we had one of those, let alone characters whose physique changes so drastically. Of course it’s a bit exaggerated here, but this was nevertheless a really interesting twist.

Heck, I’m really baffled here. Ever since the show was announced, I’ve been dreading this moment: the ending, knowing that there was no way for this show to end well. And here, this show actually pulls off a stunning penultimate episode.

I don’t care about wrapping things up, but for me an ending needs to take the series, its themes, characters and push them even further. So yeah, the actual king and queen match are a great way for this show to close off. This really goes against all conventions. I really was expecting this show ending with Chihaya playing some random match, as is the norm with all other sports shows. And instead, this episode was completely different, yet completely in line with the rest of the series. It shows the level that Chihaya has yet to reach: a match between two players of actual Queen material. She played them both, but actually watching the two of them play taught her how much she still needs to grow. Shinobu blew her away in the first match, but in this episode she really became human. And again we’ve got another top player who becomes a bit weaker (yet much more intriguing) due to some imperfection or laziness.

I really admire the guts of the creators to not have this episode revolve around Chihaya (like the entire rest of the series), but instead put two side-characters into the spotlights. These kinds of creative twists are some that I can really appreciate, especially when the characters in question are so damn good. Chihaya herself also had a great place in this episode so she still is the main character here.

Now, I have a message to the next episode: end with an ACTUAL ending. I don’t want to see a sequel hook, or the feeling that there still is going to be some sort of next episode or something. It’s obvious that this show isn’t going to get a sequel, now make use of that! What I want is “here is an awesome and creative climax that pushes the characters to new levels!” not “thanks for watching and let’s hope that someday we can tell the rest of this story…” This show deserves it!
Rating: *** (Awesome)

Some Quick First Impressions: Ozuma and Hiiro no Kakera

by psgels, posted in Some Quick First Impressions

Gakkatsu

Short Synopsis: Our lead character is a badly animated teacher
Well, at the very least the utterly horrid flash shows are getting better. Don’t get me wrong, this was still far from good, but it does spend much more time into actually animating its characters and make things move, rather than High Score or Haiyoru Nyaruani which just were a bunch of still frames with moving mouths. These five minutes actually had some decent direction and camera work. The soundtrack actually was energetic, the dialogue was delivered with some actual energy, rather than trying to be as annoying as possible. But yeah, what’s this series about? An overly enthusiastic teacher with strange ideas like trying to rename that bump that some people have on their wrists. There was some nice dialogue in this episode that makes it a good gimmick for one episode, but it’s still got no chance to actually be worthwhile in the long run. Don’t get me wrong, I’m glad that these shows are actually getting better, but they still have a long way to go.
OP: Surprisingly catchy…
Potential: 10%

Ozuma

Short Synopsis: Our lead character runs into a cute girl.
Clumsy, is how I’d describe this first episode of Ozuma. It definitely doesn’t win points in the build-up or execution. It feels like the characters all read their lines a little too fast, and this show doesn’t seem familiar of the concept of pauses between lines. The animation also is quite poor and I really expected more of Ryousuke Takahashi. On the other hand though, we’ve got a very strong contender for the best character designs of the season (which probably can only be contested by Saint Seiya and Lupin; yes, I know they’re all remakes of past character designs. I can’t help it that most characters look the same nowadays), along with an interesting setting focused on all sorts of desert vehicles. This really is meant as an homage to the Matsumoto Leiji series. This unfortunately means that if you’re not familiar with him, you’ll probably miss a lot here. Despite the flaws though, the end of this episode did give me that vibe I’ve had with some of his other stories. Let’s see whether this one can develop into something interesting in just six episodes, however it really has to fix the poor acting for that. It’s not like every character here is badly acted, but there is some pretty bad stuff among them.
OP: Dull J-Rock
ED: The singing isn’t bad, but the song is a bit boring and it’s just another dull slideshow mostly comprising of only the females in the series. Show some of the guys for god’s sake.
Potential: 60%

Hiiro no Kakera

Short Synopsis: Our lead character is a princess who needs to be protected by hot bishies.
Studio Deen has always been the most prominent producer of shoujo series. So yeah, when they decline, it’s no wonder that the entire genre takes a nose-dive. With Hiiro no Kakera they’re basically making the same show yet again. This pretty much is another Hakuouki or Brave 10, only this time things take place in modern times. The bishies here are the same bishies that you see in all those other series. The execution is the same as ever and does very little to entertain. I have to give the series this: it does know how to build up an atmosphere, and at least the writing is better than usual with these series. The animation however…was really bad here. There is movement, but that movement is incredibly awkward. The worst was when one of the characters tried to do a somersault and instead randomly slowly floats into the air for three seconds. That’s also a case of bad direction here: there are no attempts made to make things look better or more interesting than they actually are. The only thing that the graphics have going for them is that the backgrount artists are really good, but that too seems wasted here with this lackluster execution. When was the last time we had a good reverse harem anyway? Yumeiro Patissiere?
Potential: 15%

Another – 11

by psgels, posted in Another

This episode… just went all out. Now that everyone knows that the dead student needs to die, this show just descends into one giant string of murders, with the ghost helping a little bit here and there. Holy crap, this was intense.

While the series has its problems, with this I do have to say that aside from perhaps Milky Holmes and Natsume Yuujinchou (both sequels), Another stands as my favorite Winter Season so far, because of how interesting it made its own plot. The progression so far was very creative, it knows how to use mystery really well, and now that things are spiraling out of control it’s really turning into very good horror here.

Problems in this episode were the abundance of overblown facial expressions, along with that fire in the kitchen. I’m no physics major, but I’m very sure that fire doesn’t work that way. Of course, it’s possible to build up an explosion and all, but that’s only assuming that the pressure can’t escape. While this is plausible in a new building, the hotel they were in seemed rather old. Plus, with a giant fire burning everywhere I’m not sure why there weren’t any holes burnt into the walls at some point. Or why nobody could hear an entire dinner room on freaking fire.

But yeah, the gore was good, but what really made this episode was the psychological horror of everyone just going crazy. This entire episode made use of that by using the entire class for that. One point of criticism would be that the series should have focused more on each of these people, because it’s pretty obvious who the ghost is right now by the logic of that 1) it has to be a named character and 2) it has to be someone who stays into the background, but for that you’d need a 24 episode series.
Rating: *** (Awesome)

Natsume Yuujin-Chou – 51

by psgels, posted in Natsume Yuujin-Chou

This will be the first three-episode arc of Natsume, if I’m not mistaken, right? And what a topic they picked out to do it. Next episode will be amazing. This episode meanwhile dealt with another episode in Natsume’s past.

With this, I understand why the earlier episode focused on that girl Natsume met, because this episode showed another girl he left an impression on, only in a completely different way. Where the first girl really started to sympathize with him, this time it’s about a girl who felt jealous of him, as he took away the attention of her parents, on top of being strange. Again, this is why these episodes belong in the fourth season, and not in the third. The third was all about Natsume’s development, while the fourth is about everyone around Natsume, and it develops these characters instead, with as climax Natsume’s parents.

I especially loved the part where Nyanko-sensei shrugged off that it’d still take a few years for the youkai to start getting hungry for more than just insects. Natsume really didn’t want to go back into that house again, but hearing that, you knew exactly what he was going to do.

Overall, Brains Base has really dominated the past year. I mean, out of all their releases, Kamisama Dolls was the least impressive. They delivered an awesome remake of a classic show, they came back with Kunihiko Ikuhara, and Natsume has really delivered some amazing episodes. Unfortunately it looks like this awesome streak will end next season. I’m sorry, but people need to stop re-imagining classic historical people into moe stereotypes.
Rating: **+ (Excellent+)

Aquarion Evol – 12

by psgels, posted in Aquarion Evol

Finally, ti’s time for the developments to start hitting. This episode was full of twists to spice up this series, and it’s about time because the series was starting to stagnate a bit. Especially when Andy started this episode by organizing a slumber party. What could have been a dull filler instead really got the characters moving. In particular the invisible girl and the spy guy.

This show did stagnate a bit when trying to get these two to catch up to the rest of the cast, but having these two elope, of all people, can prove to be quite interesting. There was some good tension between the two of them in this episode, and seeing as they’re both shy, the potential for character development on the both of them looks really good.

I however, do fear the direction in which the love polygon involving Mikono and Amato is heading. I mean, this episode pulled a lot of twists on them, but these twists include the abandoned child and pulling sudden yandere hints around Zessica. I mean, this had it coming and all, but I really wish that the creators would use Zessica for something more than just a pointless love triangle. And looking for porn the minute she enters a guy’s dormitory…

Here is the thing: Mikono, you’d better not turn into a damsel in distress in the second half of this show… I know that this is a Mari Okada series, but this also is a Shoji Kawamori series…
Rating: *+ (Great)

Rinne no Lagrange – 11

by psgels, posted in Rinne no Lagrange

Talk about an interesting wake-up call here. For a while this episode played out like you’d think it would, with Madoka eventually heading into the battle again (I like however, how she actually waited until she was given permission to take off, and how she actually received careful instructions of the upgrades in her new machine), but I really like the darker twist at the end of this episode.

Before we’ve seen Madoka try and try to keep the damages that were caused by the fighting to a minimum. I thought that this would be just a good way to keep continuity in the series, but this episode really starts playing with it. The thing is that before, Madoka only had to fight a small amount of enemies. Now that they’re actually bringing in entire armies, it’s much more difficult to prevent stray bullets from hitting anything. The results was that people indeed got hurt as a defeated mecha fell into a field full of people.

The question is why these people weren’t evacuated. This episode showed some huge overconfidence issues in the good guys, as they probably didn’t expect the enemy to bring in an army like this. Either that, or they lack the authority to actually pull out a mass evacuation, these are the only reasons I can think of why they didn’t do that.
Rating: ** (Excellent)

Phi Brain – 24

by psgels, posted in Phi Brain

The reason why I was so baffled when this got a second season still stands: this show is really heading into a great ending here. Really, the series will end next week and I really would not have minded things to end this way. The only thing left now is for Rook’s final battle, and the only thing that will be left unresolved is Gammon’s storyline, who could have been easily written into this finale.

This episode really was a calm before the storm episode. And for a minute I totally forgot that this was supposed to be a shounen series. With Sato Junichi at the helm this was inevitable, but this series definitely has a ton of shoujo elements amidst the puzzle battles, and I have to say that these work really well.

Calm before the storm episodes are often boring. But really: Rook trying to have one relaxed afternoon with Kaitou just hanging out added a lot to his character. It’s a great way to flesh him out a bit right before the finale, at which he suddenly revealed that the whole “Puzzle of God” was just one huge red herring, and that it had actually already been achieved when Jin challenged Professor Pythagoras two years ago.
Rating: ** (Excellent)

Hunter X Hunter – 23

by psgels, posted in Hunter X Hunter

Okay, so the good thing about the fast pacing here is that we’ll get through the building up parts more easily. The bad thing is that with this, the scenes don’t have time to play themselves out. And because of that this episode didn’t really work. Good lord, the cheese!

I am glad that the training arc was very short. Gon, Killua and Leorio had to train to get stronger, and a training montage later which shows the three of them building up their strength later, and they’re strong enough to pass through the door. It was quick and concise and didn’t drag out like the 1999 series did. I liked that. Then however, they got to the black servant, and that’s where they really blew my suspense of disbelief. The same fast pacing now made the following scene really cheesy.

It’s the same syndrome where this show just refuses to spend any effort into anyone who isn’t a main character. It spends so much time with shading Gon, Killua and Leorio, and yet it puts in no effort whatsoever at the portrayal of this servant, making he big change moment look silly more than anything else.

With the shading, I also think that madhouse is putting the emphasis on the wrong things. Either shade, or don’t shade at all. Right now, it just looks weird and really forced whenever these shaded scenes appear. It’s like the producers scream “this scene is important! Pay attention to it!”, while all it does is limit the actual animation because it makes actually animating these shaded shots so much harder. It’s a shame, because the director actually used this technique well when he was dealing with adapting Rainbow. There the shaded scenes were at the end of each schene, rather than in the middle. In these scenes it’s much more effective to focus on some extra detail here and there.

On top of that, he also really doesn’t seem to know how to use Hirano Yoshihisa’s soundtrack. That guy’s soundtracks aren’t just something that you can randomly play everywhere. What really baffles me is how at the end, when the black servant gets shot, he immediately decided to play out the choirs. In a show with so many nonchalant deaths, that one deaths suddenly brings in the really cheesy choirs from out of nowhere without any account in timing whatsoever.

The thing with Hirano Yoshihisa’s soundtracks is that you need to use them to build up an atmosphere. Here though, the creators use them to enhance the dramatic scenes. That difference is subtle, but if you blindly use the over the top scenes at the most dramatic scenes you miss the entire point of build-up. Compare that to Himitsu: the best track there was that clapping tune (and what a great track it was!), and instead of waiting until the last possible moment each episode, the creators used it when the characters were investigating each murder. And after that, they could complement the actual climaxes with a wide variety of other tracks, instead of being way too limited by the obvious choice.
Rating: – (Disappointing)

Nisemonogatari Review – 80/100

by psgels, posted in Anime Reviews, Monogatari Series



To start this review, here is where I was coming from when starting Nisemonogatari: I really did not like its predecessor, Bakemonogatari. I had a ton of problems with how Shaft executed that series; it was trying too hard, the tons of still frames, far-away shots and blank frames made it look more like a slide-show than an actual anime, the characters bored me, the subject material didn’t feel interesting. It was a chore to sit through. In the meantime though, Shaft changed a lot. It’s not like they stopped making boring shows (Arakawa’s second season was a pain to sit through…), but their successes have allowed them to get a budget to actually animate their series really well. Enter Nisemonogatari.

To my surprise, I actually liked this series. I have a ton of problems with it, don’t get me wrong. But they actually get less in the way compared to Bakemnonogatari, and I was actually able to enjoy the good stuff inbetween these flaws.

Now, by far the biggest improvement and the biggest reason to watch this series is the visual presentation. Unlike Shaft’s early work, the characters in this series are actually animated, and they’re animated really well. Heck, Nisemonogatari was by far the best animated series of this Winter Season, and that is with a season that has a Shoji Kawamori series and a Brains Base series. There is a ton of creativity in the images without looking like it’s trying too hard with pretentious references or unnecessary convoluted detail. This show is a visual feast.

Bakemonogatari also really got on my nerves with its really poor storytelling. It had a ton of dialogue and all, but in the end its arcs never really seemed to amount to anything. To my surprise however, I actually really liked the way in which the both arcs that comprises this series resolved themselves. The dialogue was actually used well, and the growth tat the different characters go through is much more interesting. So yeah, I liked this show. but it really made it hard at times.

You might notice that Bakemonogatari had 15 episodes which combined to five different arcs, and even then it was dragged out. Nisemonogatari has 11 episodes… and consists out of only two arcs. It takes forever to get anywhere, and especially its first half drags on horribly. And ti does so with an ungodly amount of fanservice.

Seriously, this show randomly brings in characters, giving them a rather shallow reason to appear again and then proceeds to have them walk around naked, bathe with the male lead and all kinds of other stuff. At best it’s creative and clever, but at worst it’s realy distasteful. You’d think that at least the dialogue would make up for it, but even that grinds to a halt when the characters end up talking about nothing else but fanservice, over and over and over again.

This really ends up eating away at the majority of the series. The entire female cast needs to have had a long dragged out fanservice scene with the male lead that doesn’t go anywhere. It’s just way too much. Just as you think you’re done with one girl, the male lead moves on to the next and it starts all over again. The important lines that are tacked onto it that actually develop the characters and add more to them feel tacked more than anything. This show even jumps the implied incest bandwagon without really contributing anything to it. I don’t mind fanservice if it’s used well and all, but this was just way too much.

Thankfully, the points where it gets down to business, it really becomes good, and this series does really give some good insights into its lead cast. The dialogue whenever the fanservice isn’t involved is actually dedicated to fleshing out the characters and the wordplay is more put to the side-lines. Watch this if you want to see an arthouse flick, because it definitely is a well directed visual feast.

Storytelling: 7/10 – Great dialogue, way TOO MUCH fanservice.
Characters: 8/10 – Good development, interesting cast, well fleshed out characters for once.
Production-Values: 9/10 – Gorgeous and fluid animation with very creative shots and images. The music is nothing special, though.
Setting: 8/10 – Even though nobody seems to live in the world of Nisemonogatari outside of the main characters, the underlying themes make up for itwith some neat ideas and backstories.

Suggestions:
– Dororon Enma-Kun Meerameera
– High School of the Dead
– Michiko e Hatchin

Mouretsu Pirates – 11

by psgels, posted in Mouretsu Pirates

The Bentenmaru has an actual crew? I mean beyond the people usually sitting in the bridge? That’s kindof like Seikai no Senki, isn’t it? The focus is entirely on the main bridge, while it’s assumed that the people who are working to keep the ship running are doing their jobs.

In any case, with this episode we’re introduced to the ghost ship. And so far, this has been some excellent mystery and the creators are very skillfully building up its secrets as the characters get closer and closer to it. It really piqued my interest of what the heck is up with that ship.

I also liked the process of getting there. this series was really in danger of turning into a lot of techno-babble, but they did q pretty good job here in explaining what went on and making things believable. The programmer in me also rejoiced when they suddenly showed the Serendipity’s identification code. I’ve had to struggle with these quite a few times myself.

There is one thing I missed. I might have looked over this in a few previous episodes, though, but why was Gruier trying to reach the ghost ship outside of her family’s influence again? There is so much going on in each episode that it’s easy to miss stuff and in my case I probably missed something very important.
Rating: ** (Excellent)