Spring 2012 Kaleidiscope – Week 17

#1: Nazo na Kanojo X – 03: What sets the soundtrack of this series on top of all of the others is hard to describe, but that one track it has that it always plays at the episode climaxes brings out a ton of emotion. – ** (Excellent)
#2: Natsuiro Kiseki – 04: That rock is very cruel: toying with the wishes of teenaged girls, and giving them a big middle finger when they try to fix it. Nevertheless though, this episode once again had some really good character development. I also really like how well this show uses the fact that some of its characters are athletic, while others aren’t. – ** (Excellent)
#3: Poyopoyo Kansatsu Nikki – 16: I love how the creators are able to take everyday situations, throw a bit of sadism into them, and make them fun. That Civet cat in particularly worked well with that in this episode. – ** (Excellent)
#4: Shirokuma Cafe – 04: You know I could complain about how Panda was annoying again and all. But they actually showed the polar bear driving a car this episode! The drive-through part in particular was awesome. It’s very hard to correctly explain why this series is so good to someone who has never seen it, though. – ** (Excellent)
#5: Kimi to Boku – 17: This episode was about the twins. Quite refreshing to see the blond kid completely gone. Quite heart-warming to see some of the conflicts between them. – *+ (Great)
#6: Jormungand: The crazy obsessive lesbian is a trope that seriously needs to die. What’s wrong with having just a regular lesbian on the cast? I did like the tension that the boy soldier created in this episode, though. – * (Good)
#7: The Legend of Korra – 03: Very good fight scenes, and the real introduction of the resistance holds potential, but the amount of cliches in the first half was a bit annoying, and this show has this “Saturday Morning Cartoon’-feel to it. – * (Good)
#8: Hunter X Hunter – 28: It’s finally time for the introduction of Nen, the single best power system of any shounen out there. And it lacks a bit of subtlety here. The creators just send waves of random CG without much variation to Gon and Killua. At the very least, comparing the old and new version with each other has given me a new appreciation for how well the 1999 version was made, regardless of how accurate it may have been to the manga. – * (Good)
#9: Medaka Box: If a character is good or bad at handwriting: SHOW this. Don’t just have random characters claim this. Don’t tell me that your animators only know how to do flashy action-scenes, Gainax. – (Enjoyable)
#10: Sankarea – 04: Very annoying episode with lots of cliches. Especially that cousin and those classmates are not interesting to watch at all, not to mention that the creators actually went for a “walking into the shower scene”. this episode was saved by Rea’s changes and development.
#11: Saint Seiya Omega – 04: Rather boring training episode with generic RPG element explanation. – (Enjoyable)

Introducing this season’s Kaleidoscope. I like to experiment with these things, as it’s the perfect format to try out different stuff. This time, because there are so many series that stand out, I’m going to do a ranking: from best to worst, the episodes that caught my attention the most each week of all of the series that I’m not fully blogging, followed by a small blurb for each series (blurbs can also just be “unimpressive”, otherwise it would just take up too much time for some shows). This way I can also share my thoughts of Hunter X Hunter, without having to dedicate an entire entry to it (although I will remove it from this list as soon as the Hunter X Hunter fanbase arrives again and starts telling me how I should enjoy my series…).

Every week on Sunday I will post a new entry for this Kaleidoscope, with weeks beginning on Sunday and ending on Saturday this time. I usually try to have weeks start on Monday, but this is much more convenient because nothing airs on Friday and Saturday, allowing me time to catch up (not to mention the ungodly amounts of series that air all at the same time on Sunday, on top of me being very busy on most Sundays with this thing called real life), and I’ll update this entry as the week goes along.

Also, as for the series that didn’t make the cut (meaning the series that I’m not going to watch this season):
Arashi no Yoru ni ultimately isn’t worth it. It’s overacted and I’ve already seen the story before.
Accel World has some potential, but it doesn’t have any interesting characters whatsoever, not to mention that it’s got a pretty dull and annoying male lead.
Tasogare Otome Amnesia has really bad acting. Plus, the girl turns round and the guy immediately goes for her boob. Now that’s bad fanservice that needs to die.
Kuroko no Basuke, I don’t think that it can really improve beyond what it has shown here. It’s still a jump series full of shounen powers, and it will probably follow a very constraining format. It in any case doesn’t live up to the standard that sports series have set in the past.
– I actually enjoyed the first two episodes of Saki. However, that got me thinking: the reason I enjoyed them so much, and why I actually managed to finish the first Saki, is because there were no Mahjong battles. I’m bailing out while I still can, because those mahjong matches in the first season were just an insult.
Shining Hearts needs more ambition. The characterization isn’t good enough to make this a good slice of life series, and for an adventure it just goes nowhere with an entire episode being dedicated to… a nasty storm.
Acchi Kocchi fails for me as a slice of life due to its annoying characters.
Kuromajo-San ga Tooru also lacks ambition and is just too dull.
– And then there are comedies like Gon, Haiyore, Zombie and Jewel Pet, which just aren’t funny enough to warrant a watch.

Eureka Seven Ao – 03

The setting of Eureka7 Ao is completely different now that Eureka somehow traveled through time, but I like that: it shows that the creators really attempt to go for something different here, rather than to dwell on what worked. The big challenge with this approach will be: what can they do in order to make up for it?

In any case, I like how not nationalistic this series is. After so many series that are about Japan being in danger,this series actually split up the country and made Okinawa declare independence. Of course having this set in a country beside Japan would have been even better, but at least this is a step into the right direction.

This episode also dedicated a lot of time to the islanders and i must say that I like how this series already has many different parties with their different interests. what’s more, the way they are portrayed makes them all feel alive. The best example of this was the scene where Ao arrives back at his grandfather’s house, and saw his grandfather busy salvaging his stuff from his burning house: it shows that even when the camera isn’t focused on them, they’re busy with their own agenda. It’s been a while since I watched a show that had this done well.
Rating: *+ (Great)

Tsuritama – 03

This episode had a lot of build-up in it, with most f it being devoted to Yuki learning how to properly cast a fishing-line in an almost shounen-like way. On top of that we get a lot of character building. This is the kind of episode of which we can only say whether it succeeded or not at the end of this series. It all depends on whether the rest of the episodes use the build-up provided in this episode well.

The key will be Yuki’s grandmother. This episode revealed that Yuki has very big psychological issues and he gets even worse when something happens to his grandmother. his episode had him sorting his thoughts out on that, but it’s not enough. And no, having his grandmother collapse for real later in the series won’t be enough either. That’s just cliched.

What I did like in this episode was the use of emotion in this episode. Especially the end of this episode where everyone was just yelling out their frustrations worked well with me. This show is well acted, and the characters are quite diverse, while having their distinct personality. The only exception to this is Haru. He’s a bit too overacted.

Also, Tapioca is a duck!? I could have sworn it was a goose.
Rating: * (Good)

Sakamichi no Apollon – 03

Holy crap. This episode would be about the romance. The girl that caught Sentarou’s fancy last episode turns out to be Yurika Fukahori, who is one year above him. For a moment, this episode really had me face-palm: Kaoru arranges a double date for the four lead characters, and through some well-timed lines Ritsuko ends up thinking that Kaoru likes Yuriko instead. Not another one of those love triangles that take ages to get anywhere! And at the end of this episode, I was blown away.

Um, Sakamichi no Apollon… you’ve got eight episodes left, haven’t you? In this episode you went through what most series take 10 episodes to establish. This episode was penultimate episode material, that’s how much stuff happened. For once it had a wonderful combination between characters unable to say anything, and them actually being proactive about their feelings. Both Sentarou and Kaoru managed to overcome their anxieties and confess to the girl they liked. Everyone changed in this episode.

Instead of everyone being completely clueless, people actually picked up on subtle cues on how everyone behaved. Kaoru realized that Ritsuko doesn’t like him, and Ritsuko also realized that Sentaou would go away from her. The scene that made the most impact on me this episode was the one at the roof, where Kaoru’s anger for making Ritsuko cry was really well portrayed (it also was backed by a wonderful soundtrack).
Rating: *** (Awesome)

Lupin III – Mine Fujiko to Iu Onna – 04

This episode revolves around the Phantom of the Opera, with Lupin making a return as people run around a theater while a performance is going on in order to steal the mask of the lead actress who has been hiding her face ever since it got scarred. It was quite a strange episode, but I like how the creators got actual opera singers for this.

This episode also showed how hard it is to animate people singing. And I don’t mean the cheesy J-pop idols that you see everywhere, but actually well sung songs. But especially with Opera in which singers have to hold high notes: that must take a lot of effort, and actually portraying that in animation is something that I have no idea on how to actually do, making the singing in this episode look a bit weird.

I also like how pretty much everyone was trolled in this episode at the end. It was quite an elaborate plan set up by two lovebirds who didn’t seem to care about anything. It was a great anti-climax to a fun chase sequence, made even more interesting with everyone attempting to just make the show go on, even though a horse randomly walked off the stage and a light just fell. Imagine how Sengoku Basara would be when Date Masamune’s horse from out of nowhere dropped its owner and took off with that ninja woman.
Rating: ** (Excellent)

Zetman – 04

Interesting: someone actually saw a bunch of thugs beating up someone, and did the most sensible thing: run away. Unfortunately this was nullified a bit when she headed outside again afterwards, but at least this was for a better reason than the usual “I want to help too!”

In any case, what also was interesting about this episode: all of the people observing Jin. They feel different from your average support crew. For one they feel like having actual characters and worries beyond their professionalism. It doesn’t feel like they exist solely to support Jin, but have a more complex job.

With the players, the creators also made random thugs better than your average thugs you see in anime. What I mostly like about these characters when they’re used is how they’re devoid of any sort of character. It’s like, “we need drama! throw in some random thugs with just one line!” These guys actually had a personality though. And they were actually a bit smart in when to run away. Two of them, at least.
Rating: +* (Great)

Phi Brain – 28

This episode confirms that we’re first going through the cast of side-characters, beign possessed by some sort of Orpheus accessory. The beauty of this is that it makes use of this to turn even the most minor characters into interesting ones by showing their worries. This time it’s the turn for the girl member of the puzzle club.

What was cute about this episode was that for the first time in a long while the puzzle wasn’t exactly deadly. From the way things were set up, it was indeed very likely that Nonoha being a damsel in distress again was one big lie, but it’s still great to see that the creators actually went through with it. It just makes the villains much more interesting than if they were just using the same methods over and over again. And of course it was quite hilarious to have them actually dig up and steal this model kit that Kaito has in his room.

I do hope that the other members of the puzzle club will also get their episodes like this, because at the moment, they’re probably the worst characters in this series. They’re always used as plot devices and have no character on their own whatsoever. Their behavior in this episode also was just plain weird and forced. They’re minor characters, so they only make a minor impact, but it would be a good choice to see these guys improve as well.
Rating: *+ (Great)

Aquarion Evol – 17

Okay… so this show just explored some new depths here.

Shoji Kawamori, Mari Okada, or whoever it was who came up with the idea for this episode: why? Why did you stuff everyone in swimsuits? Why was the ancient aquarion hidden in a lake? Why do people need to take a bath in milk? Why did that milk suddenly become a way to teleport people into mechas. And what on earth was up with all of the banana references? Seriously, with these past episodes this series has made all of the training arcs look completely ridiculous.

This was by far the most sexualyl charged episode so far. And despite some of the really bad twists of which I’m still not sure whether they were pulled on purpose or not, some characters emerged better out of it, while others got even worse. By far the best character in this episode was Andy, with his incredibly awkward freudian mistake. By far the worst was Zessica. This episode pulled the twist that gave her even less of a personality “I’ll love you even if you don’t love me back”. This remains a terrible twist. At least lett her attempt to move on or something. Also, what on earth was up with that new outfit of hers? Who on earth found it a good idea to give her a Queen’s Blade outfit? What on earth was that meant to symbolize?
Rating: * (Good)

Ozuma Review – 67,5/100

So… Ozuma. What is there to say about it, really? After years of absence, another Matsumoto Leiji series has come out, adapting a story of his that’s more than 25 years old by now about sand submarines. After six episodes, I’m still not quite sure what I watched.

Ozuma’s biggest problem is that it’s plagued by production issues. While in theory it’s nice to see a series who says an entire “screw you” to broadcasting schedules, this series feels very sloppy, and way too short to really do anything with its premise. It just delivers a bunch of ideas, but doesn’t connect them well. The ideas are great, don’t get me wrong about that, and this could have been a great retro series, but in the end nothing really comes together and the whole execution lacks soul, not to mention the sloppy animation.

I think what also was pretty bad for this series was its cast of characters. The main character is a very annoying brat, and the ones around him just fail to be interesting. They have neat ideas behind their characters, but their delivery is all just so lackluster. I miss passion here, I miss attention to detail, I miss the build-up that stories of the Leijiverse are so good at. You can see that the original Ozuma story had potential, but it’s like the creators didn’t care or something.

Storytelling: 6/10 – Lackluster is the best way to describe this. Doesn’t care at all about standing out.
Characters: 6/10 – These guys feel like caricatures of the usual Matsumoto Leiji characters. You can see flashes of other, better characters in them. Oh, and be aware of the male lead. He’s annoying.
Production-Values: 7/10 – Great character-designs, but very sloppy animation and doesn’t stand out at anything else.
Setting: 8/10 – Great ideas! Sand submarines? Awesome! Bloody shame that it doesn’t use them, really.

Suggestions:
Space Pirate Captain Harlock
Hi no Tori
Secret of the Cerulean Sand

Uchuu Kyoudai – 04

More about the romance in this series: there are actually other guys who try to hit on Serika. And it’s in a non-creepy way. After watching so many “will they won’t they”-romances, it’s so refreshing to see one that actually handles it well. Every part of the romance in this series feels natural instead of contrived.

In any case, I love how this show plays around with its narrative and keeps its viewers in the dark. There are certain scenes that this show blanked out on purpose, only to reveal them later when it fit in better. Or take the part in the interview when after it finished, everyone stopped by a certain alley, of which we later learned contained a series of portraits of Japanese astronauts. This series has a ton of small touches that tell so much about the characters like this.

Mutta also was as hilarious as usual. Again the details around his crush on Serika are hilarious (that photo!), but the interview question when one of the interviewers suddenly started talking in very bad Engrish. The cotnrast between Kenji’s answer couldn’t be bigger. I also love how insightful the discussions with him after each test are: the creators use his character well for that.

Furthermore, after this we’re in for something completely different.. This series doesn’t linger in endless exams, because the next few episodes show a small side-trip to Hibiki at NASA in order to show a different side of the astronaut business. And to keep us in the dark for a bit longer on whether or not Mutta made the exam…
Rating: ** (Excellent)