Sakamichi no Apollon – 07

And from out of nowhere…. the big concert scene of this series. And really: that was just amazing. On paper it could have been an incredibly cheesy episode, but those animators… they did an incredible job of bringing that performance of Kaoru and Sentarou to life. And Yoko Kanno, you are awesome. Everything just came together in this episode and it managed to surpass itself.

Awkwardness and being unable to talk to each other has been done before. Heck, it has caused a lot of annoyances in the past when characters just flat-out refused to talk to each other. This however; this was the best example of how being unable to talk should be done right. It should be incredibly uncomfortable. It should make the characters feel really uneasy. But at the same time it shouldn’t drag on for bloody ages as a way to pad out more romance. Yes, I’m looking at you, Kimi ni Todoke. The awkwardness in this series however changes constantly: it’s full of character-development and not just meant for the characters to overcome their fears at the end of the episode.

The characters: they all stepped out of their own roles. Sentarou got much more mature (he actually didn’t think about fighting at all; usually punks like him are shown as always easily ticked off. Kaoru meanwhile became more social, edged on by his classmates of all people, resulting in that wonderful performance at the end and Ritsuko felt more like an ordinary high school girl than any other episode so far. And there are still four episodes left.
Rating: ***+ (Amazing)

Lupin the Third – Mine Fujiko to Iu Onna – 08

I suspect that from now on we will get a closer look at Mine Fujiko’s past. This episode wasn’t exactly about that, but it did confirm that she was abused at a young age for who knows how many times. This episode was probably the catalyst that triggered her looking at her past again.

What stands out about this episode was how subdued it was, in a good way I mean. There was no nudity whatsoever, but the creators still captured Mine Fujiko in one of her most restrained performances so far. With Mari Okada behind the script (good lord, she’s writing three awesome scripts this season; all at the same time; again!), it’s bound to become interesting, especially with such an excellent director as Sayo Yamamoto. She really showed how well she can create an atmosphere and went into her own direction, while at the same time doing great justice to the Lupin Franchise.

What also made this episode interesting was how it was about predicting death days using this lithograph. The fortuneteller in this episode was great, both as a catalyst for Mine Fujiko, but also as a villain
Rating: ** (Excellent)

Aquarion Evol – 21 & AKB0048 – 04

AKB0048… I…. give up…

I want to hate this show. I want to rant about what an incredibly stupid and pandering premise they settled with. But I can’t. I have no clue why, but this show has this amazing energy and charm. The idol shows did it again, even though I hate idols and J-pop. This is the umpth show that went “So you hate idols? Well, here is a really good anime about them, so there!” Some other examples of this are the current Natsuiro Kiseki and its use of idols to bind the cast together, but the past also was full of them: White Album? Unique romance with balls. Fancy Lala? Incredibly genuine character-study with an amazing ending. Full Moon wo Sagashite? It had heart-wrenching second half. And then there was Skip Beat which was hilarious, Key the Metal Idol was really well made, Symphony in August was really well done for one of the few non-fiction anime out there and Perfect Blue was just the perfect gritty look at the business. Sure there have been plenty of duds, but I’m still amazed at how much good and daring stuff the genre brought forth.

The only problem: how on earth am I going to blog this in this already incredibly busy season? the only thing I can come up with is blog it together with Aquarion Evol, since they have so much staff in common, being both helmed by two of the big trolls of anime out there: Shoji Kawamori and Mari Okada. The thing is: in these first four episodes went along as well as Aquarion Evol, if not better, and Aquarion did develop a few issues along the way which I don’t see coming as easily with AKB0048. It’s just unfair to prefer one over the other at one point. The individual entries will probably get a bit shorter than usual, but I do want to highlight both, because I’m enjoying them a lot.

AKB0048 is very genuine and despite its huge cast it actually keeps track of everyone. It’s very charming, but what surprised me also were some of the production issues so far: here is the thing: most of the main voice actresses in this series are members of the real AKB48 group (or whatever it’s called) and have very little experience, if any at all. And yet they are all doing a really good job at bringing their characters to life! They aren’t trying to stuff themselves into stereotypes either. That was one of my biggest beefs against that Idolm@ster show (or at least the first three episodes that I managed to last) and what prevented me from enjoying it unlike a lot of other people: everyone felt like a stereotype. Here instead the characters have a much better defined backstory, motivations and personalities that don’t need to be shoehorned into archetypes. And thank god there is no Kugimiya Rie either.

Also, I’m not sure because of who this was, but one of my beefs with Macross Frontier was that as soon as someone started singing outside a concert, it still felt like everything was taking place in a recording studio, with random instruments appearing from out of nowhere and all. Here though, when characters are singing for leisure, it really feels that way.
Rating: ** (Excellent)

Now, as for this week’s episode of Aquarion Evol: bloody Nora, what a plot twist. I should have known from the couple of Mari Okada and Shouji Kawamori in a series that tries to be as over the top as possible: to think that there were points at which I actually tried to take the love triangle between Amata, Kagera and Mikono seriously. They’re the same person. Of course. With that, all makes sense. I like that though: it’s a satisfying twist after all that bloody build-up and this episode lead into it pretty well. That dream sequence in particular was awesome, and actually among my highlights of this series.

And Shoji Kawamori, did you again just pull the “it really looks like one of the main cast members died but h/she turns out to be fine in the end?” I’ve seen too many of your series to know where this is going, unfortunately. It would be an awesome twist if I were wrong, though, but the dead sign that Zessica is fine is that bit at the start of the episode where she talks to Mikage: whatever that was leading up to hasn’t happened yet.

Why I really liked this episode by the way also had to do with that this episode went back to the city of the first episode, and showed in a completely different light now that it’s destroyed and evacuated. Earlier I complained that this show didn’t do anything about continuity. I really have to take that back now. At this point, there are tons of scars in the landscape of events that happened in the past, from this destroyed cities to Andy’s filled up holes. One notable exception is that we still don’t know who the heck does the maintenance on the mechas in this series.
Rating: ** (Excellent)

Zetman – 08

After the hectic first episodes, I’m pretty surprised how slow the pacing in this episode was: it really took its time to show the aftermath of the previous episodes without feeling rushed, and the payoff at the end where Kanzaki’s story was resolved was short but very effective. There was some very good interplay between Jin and the rest of the cast here. Most rushed series don’t take the time for episodes like this, and when they do the result usually is a lot messier.

And apparently this episode also included parts that are only a year old in the original manga. Well, with this it’s confirmed then: the creators have no intention of making a second season: these 13 episodes are all we’re going to get, and they’re just trying to put the right content into them, rather than just animating this series up to one point and just stopping. Whether or not this approach works will depend on whether they actually plan to make it end…

The following paragraph has very vague spoilers about some of Atsuhiro Tomioka ‘s adaptations because this brings me to him again. Taking a look at his adaptations (that I watched anyway): Disgaea was full of filler but ended well, Nishi no Yoki Majo also had a solid ending, albeit really rushed, Samurai Seven had a great ending, Trinity Blood’s ending was crap and a complete rush-job that left way too many holes open and Zombie Loan ended before it even got started. Yes, this guy has done the entire spectrum of endings. He always liked to take a lot of liberties, much more than most other writers. Sometimes this is good, at others this is bad. Let’s hope that Zetman will remain among the good side of the spectrum.
Rating: ** (Excellent)

Phi Brain – 32

And from out of nowhere this episode reveals the big motivation for Freecell. And to be honest… it’s kindof lame. I mean, it’s clear now that in this series there are quite a few characters gay for Kaito, but this guy’s reason for being so seems to be the flimsiest of the bunch.

So, to recap: in the Crossfield academy Kaito stood out as a genius, amongst all the other kids who were being pushed to be the next Phi Brain. We know that Kaito had a really difficult time there: he lost his parents and suddenly was placed to some random school he didn’t know; it was Rook who probably got him back up to his feet.

During that time, he talked to Freecell exactly once, and promised to meet and play again. He broke that promise because it happened on the same day that Rook disappeared, which is logical. On the same day, Freecel’s mother died and because he was sad that Kaito didn’t meet him, his was sad to see him sad and so she died unhappy. And Freecell has been unable to move on for 10 years, to the point of devoting his entire life to get back at him.

Of course, things aren’t as simple as “this episode made no sense”. After all, these characters were kids. This episode raised some amazing points that really should not be overlooked: forcing kids to perform beyond everything, and neglecting to let them evolve emotionally. From the looks of it, the POG did not care about this at all and was such an unhealthy environment for kids to grow up, with the result of mental delusions. This builds further upon what the first season started, and it also showed how hard Jin’s task was to get everything under control: he could give guidance to kids like Kaito, but there were much more kids that he ignored. Probably because he was doing this in secret so his actions had to be limited. This is something I actually really like: the kids who were forgotten and not as lucky as Kaito.

The thing that bugs me lies in the storytelling and how it took some very convenient loops. First of all: having the mother die at exactly the right moment is a tad too convenient here. But my biggest beef: Kaito only talked to Freecell once. That’s all. There is no reason for this to have such a significant impact on Freecell. There was no time to develop their relationship. Losing your mother is a terrible thing, but even taking that into account I find it hard to believe that Freecell would bear a lifelong grudge against someone who made him sad on the day that his mother died.

Rook was an awesome villain because he had time to spend with Kaito: he changed. Freecell’s entire character is dominated by this revenge. The upcoming episodes will need to fix that and give him an actual character.

And on a side-note, Phi Brain: you disappoint me. Are you really planning to have five subsequent episodes, focusing on the same puzzle? That’s just lazy.
Rating: (Enjoyable)

Hyouka – 05

So, it indeed looks like Hyouka will be a collection of mystery stories, with this episode closing off the first major arc. And I have to say that even though most of the mysteries were solved last episode, this episode did a very good job of filling in the missing blanks, and making those important enough to be left out. This really puts everything together.

I have to say, it’s quite interesting for the author to have named the title of this series Hyouka of all things, especially since the origin of the word is a lame pun thought up by a high school student. He managed to put a lot of meaning to just that one word, though, with Jun being the victim of an uprising that he had been shoved into with the role of “leader”. The conclusion of this and the hints of how he felt about it: they were a great way for this arc to conclude.

The only big question remaining is who really organized the protests: the student who put Jun into his leader position. With this, I wonder what type of mystery series Hyouka will be: the type that strives to explain everything, or the type that deliberately leaves holes open for the audience to fill in themselves. At this point, both options are possible: on one hand, we are talking about an incident that happened 45 years ago. You won’t be able to remember some details and Oreki’s theories just remain theories without proof. On the other hand though, the past arc did meticulously try to answer the tiny details.
Rating: ** (Excellent)

Uchuu Kyoudai – 08

Damn you, Uchuu Kyoudai and your cliff-hangers! Heck, not only are you one of the best series to come out more than a year, you’ve also got the most addictive cliff-hangers I’ve seen in a long while. I was ready to write up this entry and comment on how awesome Mutta was again, and then it pulled that bloody twist at the ending. We’re going to have to wait a week for those answers!

Seriously though, with this, I can say this for sure: for me, Space Brothers has the X-Factor: it’s that special feeling that is really hard to describe, but just grabs you as something special. The characters in this series have such an attraction that is really rare, and this is an effect I only experience with the best shows out there. Now, this is only the eight episode. I have no idea whether this show will be able to keep this up for all its airtime, however long that may be.

The television show was amazing. I especially loved how baffled Mutta was at the crazy behavior of everyone; like, the exact same reaction when we watch some of the strange Japanese TV-shows out there. The best thing however was how the creators used the element of luck in the point they tried to make with this episode. I mean, the twist they used is a standard one: a lucky break gives the protagonist the edge over his competition. However, it looked into this with much more thought than its counterparts: make use of the luck that’s handed to you. That really was a great find and I applaud you for that, Uchuu Kyoudai.

In any case, this episode also showed some very interesting new stuff about Hibito. First of all: he acted with the same smug as Mutta when looking at Mutta’s stiff performance on the TV-show. It’s details like that that really shows that the two of them are brothers, and didn’t just grew up together. And yes, there was that cliff-hanger. What on earth is in those letters!?
Rating: *** (Awesome)

Mouretsu Pirates – 20

So, there will be a race on dinghies (special types of spaceships), Marika’s school has been some sort of demon in the past for this race, and Marika will be in danger from her competing pirate colleagues as soon as she graduates high school. These will be the three main ingredients for the finale of Mouretsu Pirates. This episode did all of the preparation work, all that’s left now is to mix them, put them in the oven and let’s see whether the result works.

With this, it also becomes clear that the creators are putting one of the main roles in the hands of that one girl with the short brown hair, I believe her name was Ai. I already found it a bit strange how much airtime she was given, but this explains it: she will be the star of the “race” part of the finale, while Marika and the others work behind the scenes in order to focus on the other two. Yes, this means that the main character actually does not stand in the spotlights. That’s not something you see often.

And then this episode also spent some time on some weird training techniques. The windsurf race in particular was a bit weird, as driving those things… I don’t think that that’s quite the same as piloting a vehicle that looks like it. But then again: this is school and this is supposed to focus on being fun, not trying to squeeze out the biggest winning chances. Kane in any case was having a great time.
Rating: *+ (Great)

Fate/Zero – 20

The previous two episodes really were an intermezzo: they were completely standalone compared to the rest of the linear storyline. In theory, they could have been shown at any point in the series. The place the creators ended up choosing is interesting. The effect is that this episode immediately started with the aftermath of what happened three, four and five weeks ago, only to follow with one heck of a climax as well.

I get the feeling that there would have no point in the second season where the past arc would really have fitted in: there are four different storylines going on at the same time and the build-up and aftermaths of all are so intertwined that it’s impossible to find one clear point where everything has quieted down. the first season had these moments, but it seems the creators were really saving that arc for the second half of the show. This is all a good thing, by the way. It’s a sign that the storytelling is great if there is always something going on like that.

The interesting thing is that this episode contained even more background, but this time it was much more weaved into the narrative. These really were the remaining bits of background that were still missing, like who the black-haired woman was, and why Irie devoted herself to the Grail War (her loyalty towards Kiritusgu did not turn out to be the only reason; that surprised me”).

And then there was Rider. First of all I really liked that this episode showed some of the things that went on in his mind during his monologues in the first season of Fate/Zero, but at the end of this episode he really showed a different side of his. The first person he actually killed, the black haired woman. After so much heroic talk, he finally shows that like Kiritsugu, he isn’t going to take it easy on his opponents. There was no chivalry in it whatsoever, which is a great point against Saber.
Rating: **+ (Excellent+)

Spring 2012 Kaleidoscope – Week 20

#1: Kimi to Boku – 19: Are Japanese girls really so weak that they faint if you so little as even bump on them? I know she was tired and all, but these girls have health issues… Anyway, I digress. An amazing episode with the love triangle finally moving somewhere. Chizuru in particular changed significantly. He’s the type of character who often gets done wrong, with some horrible results. With this though, he really redeemed himself. – *** (Awesome)

#2: The Legend of Korra – 06: This series has also just surpassed itself this week. Really good action scenes, and the creators just keep building further upon Korra’s naivety. I really like how this series is set to subvert a number of often-used fantasy cliches. – **+ (Excellent+)

#3: AKB0048 – 03: I do not have time right now so I’m going to delay deciding whether or not to blog this, and how on earth I’m going to fit this into my schedule, for one more week. But seriously, what the hell did I watch here? Yet again enough proof that the creators know what they’re doing here: this show glorifies idols, but this episode also showed the uglier side of this bizarre premise. Especially Mari Okada was on fire on this episode: this was full of emotion, yet not as extreme as with Black Rock Shooter. – **+ (Excellent+)

#4: Poyopoyo Kansatsu Nikki – 19: Oh my god, this was one of the best episodes yet. The sketch where Poyopoyo gets caught in quick drying cement was priceless. I was wondering why there were less jokes than usual, but the build-up was totally worth it. – **+ (Excellent+)

#5: Natsuiro Kiseki – 07: I hate the idol business in Japan. So why are the idol themed series so damn good? A thoughtful episode that highlighted the layers of the different characters and how they feel about the rock. – ** (Excellent)

#6: Nazo no Kanojo X – 06: That’s some impressive romantic tension you’ve got there, Nazo na Kanojo X. Nice aversion of the love triangle, and a very good potrayal of Tsubaki’s insecureties that make him less bland as a character. – ** (Excellent)

#7: Shirokuma Cafe – 07: Polar Bear is without a doubt my favorite character of this sereis. His deadpan humour in this episode especially was just hysterical. And that while the premises of each episode remain absolutely corny. – ** (Excellent)

#8: Hunter X Hunter – 31: “Let me drag out this fight by holding long monologues in order to explain you exactly how my powers work, giving you plenty of hints on how to stop me!” – This is exactly why I dislike the shounen genre dammit! The pacing keeps slowing down here! – * (Good)

#9: Jormungand – 06: I’m still missing something with this series. I mean, the backdrop of Africa is good, it’s nice to see the characters getting fleshed out and slowly reveal their pasts and the diplomacy is also nice, but I don’t know. The charcters still feel too one-sided and stereotypical. – * (Good)

#10: Medaka Box – 07: This was Medaka Box’s worst episode so far. Dull and forced fanservice, bland premise about art and a forced way to flesh out that new council member. Also I hate how creators can’t think of any light-hearted way to open a scene, so just go for the “walking into changing”-scene. Why has this turned into a default scene to use? – (Disappointing)

#11: Sankarea – 07: Seriously? An entire episode dedicated to that cousin? With no scene of Rea whatsoever? And it only reaffirms her character as “I like the main character”, with nothing beyond that? Come on, Sankarea, weren’t you supposed to be this romance with creative twists? – (Disappointing)

#12: Saint Seiya Omega – 07: I’m dropping this series. It has consistently ranked last amongst these rankings, and it got me thinking: what did it really offer in the past seven episodes? Nothing stood out, it was just a bunch of random hot blooded fights without much soul to them. There are too many other gret series this season for this. – (Disappointing)