Rinne no Lagrange – 23

by psgels, posted in Rinne no Lagrange

So, last week I complained that things were getting too plain for Rinne no Lagrange. Did they fix that? Well…. the music was better than ever, the graphics also had this very trippy feel about them. The storyboard also was pretty good and in terms of action it was a very solid episode. It was also definitely full of emotion. But what about the actual content and the way in which the storyline progressed?

The structure was basically “overpowered villain beats heroes easily; heroes have a bit of quiet times to reflect on themselves; heroes gather their strength; heroes beat villain”. It’s quite a common pattern, and the first half was fairly dull in this. Especially because Dizelmine was pretty much on berserk-mode so it was just a random ending fight.

In the second half of the episode however, it redeemed itself. That’s when it went back to a climax that really fits this series. Dizelmine unfortunately was too far gone to be saved, but the way in which Madoka, Lan and Muginami nonchalantly had some sandwiches before battle was great, and the supplex in which they ended up beating him fitted perfectly. In the meantime Dizelmine’s subordinates also realized how pointless war was, bringing a believable end to the conflict now that the crazy dictator is gone, and Moid also finished his part and got arrested.

So at least this episode was fun enough, nevertheless in the end, Rinne no Lagrange did not turn out to be as fun as I hoped. And also, I have to wonder: you had such a great character with Madoka’s aunt. Why didn’t you use her more often?! Why did she stand on the sidelines so much? Her few seconds of glory in this episode were great, so it’s a waste of potential that this wasn’t used more often.
Rating: 5/8 (Great)

Uta Koi – 12

by psgels, posted in Uta Koi

They may have been one of the best episodes of Uta Koi yet. In any case the emotional impact it had on me was one of the highest. It’s one of the more whimsical stories of the season (yet again of a love unfulfilled), and it also has this energy that was very addictive, and emotions kept changing from one to the other.

Also, what I really liked is how this episode basically told the same story twice: once from the perspective of the guy, and then from the perspective of the girl. The guy’s story was focused on how he met her, and his struggles to restore his family name that eventually failed, while the girl’s story was that of a young empress falling in love and being unable to do anything to get together due to society. Once again with Uta Koi establishing that there was no such thing as freedom back then.

On a side-note: this episode had a few cameos from Sei Shonagon. Slowly, we’re moving further down history, and that’s the red thread connecting all of the episodes together here. Apart from episode six perhaps.
Rating: 6/8 (Awesome)

The Manga Experiment – Week 38

by psgels, posted in Manga Experiment

So while I was flying and waiting in busses and stuff during my holidays, I had the Manga Wish to read and finish. It really ended up being the first multi-volumed manga that I ever finished, and with only four volumes it’s a very concise story. This week I’want to have a stab at reviewing a full fledged manga.

So as the people who watched Kobato might know, that series is a bit of a combination between Wish and Kobato. The story for Wish is completely different, though. It takes place in the same setting, and there are some concepts that are also important here, but the story of Wish happens much more around the core of the setting, while the characters in Kobato have no idea about the inner workings of how their world and ideas work. So yeah, if you’re a fan of Kobato this is a great read for the extra background information that the Wish manga gives.

And really, this was such an incredibly adorable manga. Clamp are masters of creating diverse, versatile and likable characters, and they did it again here. The thing that sets Wish apart from other manga that try to be as cute as possible is this diverse cast. We have the lovable angel Kohaku who spends half of her time in chibi-form and the elegant angel Hisui, who are always drawn with lots of frills and stuff, and yet on the other hand the series is also full of devils, the lead character is very stoic and plain (not to mention 28 years old), and his grandfather is also a very prominent character. The cast consists out of idiots and smart people, brash ones and calm ones. The personality of everyone here is completely different, very balanced out and the contrast worked really well.

As for the plot progression, four volumes turned out to be a great length for this series. It’s short and very easy to just pick up, especially for someone who is new to manga like myself, but it does have enough time to flesh out its cast. There is a lot of slice of life in this series, as it likes to toy with the “I’m going to live with you”-trope. Seriously, like half the cast of this series ends up living with the male lead at some point; male or female, it doesn’t matter. Anyway, this build-up is great for showing off the different characters. And then that ending comes. Let’s just say… that this is Clamp. Rather than ending with something conventional, the ending definitely surprised me and I quite liked that.

The short length and relatively large cast does have its disadvantage: there are a bunch of one-dimensional side-characters, and some side-characters depend on their gimmick a bit too much. There also is this side-story about this schizophrenic cat that doesn’t really go anywhere. Oh, and it also has singing. I’m not sure whether this is because I’m new to manga, perhaps I’m just too much of a fan of multimedia, but drawing someone who sings just does not work for me. It looks awkward, even though the singing panels are often drawn with a lot of detail in this manga.

Anyway, Wish. Great read, although I think that I do prefer the Kobato anime. It had more time to develop its cast and I do prefer Kobato over Kohaku: Kobato’s story has this tragic side to it. Wish is definitely more concise and doesn’t have a first half of random episodes to wade through. If I’d rate this as an anime, it’d probably get somewhere like 84/100. I still haven’t quite figured out how I should review and rate manga, but that’s something for later.

Hyouka Review – 86/100

by psgels, posted in Anime Reviews, Hyouka



Kyoani annoy me at times. I mean, they employ some fantastic animators and they’re superb at keeping up a crisp and consistent animation quality, but they just keep making shows I don’t care about. I just don’t like pure slice of life series in which nothing happens or that just keep repeating themselves. Thankfully with Hyouka, they went for a series that had a dash of mystery, so for the first time in years I finally could really enjoy their work again.

And Hyouka still has a ton of slice of life. It aims to be very down to earth, and create believable characters. The difference here with K-On, Lucky Star and Nichijou is that there is something going on other than random slice of life. Each of its episodes is dedicated to the characters trying to solve some sort of mystery. And the mystery aren’t the regular ones that you’ve gotten used to in anime. The characters here are o crime solves, but instead the mysteries are all very mundane and simple, especially the episodic stories. Think of a kimono that is missing, or some other detail that just doesn’t fit right. It’s all about speculating and coming up with theories, while the characters live their daily lives.

The series is laid out with basically three major arcs, and all kinds of random episodic stories inbetween them. The episodic stories are nice and creative, but this series really sets itself apart in its multi episode arcs. The stories around them are simple, yet have very complicated stories behind them. They are full of people speculating different theories, and often getting things wrong. The storytelling takes a while to get going due to all of the slice of life put into it, but that allows it to put a ton of detail in these stories, examine everything on multiple layers, and the pay-off really manages to make use of its build-up.

And if it’s an attention to detail you want, then Hyouka really delivers on that. Whether it’s in the relationships between the characters, or the different environments. Kyoani’s animation really brings those to life. The characters themselves are all teenagers who at first sight seem like the usual stereotypes, yet develop into completely different directions. There is one character who will probably get on people’s nerves a lot though: Chitanda. She’s well fleshed out in some areas, but also rather forceful. Or make that very forceful.

Hyouka is just a very well made shows that loves to use its own simplicity as a smokescreen for a detailed cast of characters and setting. It’s subtle in a lot of different ways, so if you like these kinds of series, then definitely give it a show, because it has a lot to deliver in that area.

Storytelling: 8.5/10 – Slow-paced, but very detailed and subtle.
Characters: 8.5/10 – Relatively little character development, but it’s made up for it by likable acting and excellent characterization.
Production-Values: 9/10 – Kyoani managed to really bring the characters alive with their animation here.
Setting: 8.5/10 – Loves the mundane type mysteries. Doesn’t really make for an epic series, but it’s most definitely very interesting to watch.

Suggestions:
– Hourou Musuko
– The Melancholy of Haruhi Suzumiya
– Hana-Saku Iroha

Hyouka – 22

by psgels, posted in Hyouka

So Hyouka’s finale isn’t a big arc, but instead a collection of small stories. There’s a lot of character development in them, but nothing is definitively resolved. Pretty much a life goes on ending due to there still being a novel left unanimated, which I suspect will be saved for a movie if the sales go well enough. Kyoani has the tendency to announce those much later after finishing the series, so who knows when that will come, if it’ll come at all, so right now, I’ll just conisder this as the ending of Hyouka.

And while it wasn’t the best episode, both in terms of content of how far it pushed the relationship between Oreki and Chitanda, I still quite liked it. The parade was a very nice way for the animators to show some of their skills, and it was very well directed there, and it does serve as an interesting closure. The mystery itself was probably one of the simplest yet, and I feel like the creators could have done more during the cherry blossom scene at the end. I like how the creators toyed with the cherry blossom tropes by using Oreki’s imagination there… but it’s not quite there yet.

The one thing I also liked a lot about this episode is the detail it put in local customs, and the things it takes to organize them, the people who are all involved with them and the effort it takes to make everything go without a hitch. I didn’t care much about the mystery of who was behind the bridge, but the stress that this created was very well portrayed.

So yeah, Kyoani really need to so a non- moe slice of life series, however Hyouka was a very good compromise. Next season they’ll have Chuuninbyou, which unfortunately looks much more generic in terms of formula. But it has a great director, so who knows what’ll happen?
Rating: 5/8 (Great)

Jinrui wa Suitai Shimashita Review – 82.5/100

by psgels, posted in Anime Reviews, Jinrui wa Suitai Shimashita



Okay, so the one way in which the Summer Season set itself apart was with its creativity. For one season, I wouldn’t have to worry about premises getting more generic, or a lack of initiative to try something different, because this season may not have been big, but we got series like Uta Koi, Kokoro Connect, Natsuyuki Rendezvous, Horizon, Moyashimon. All series that wanted to be different and brought in a ton of creativity in the process. The series in which this was by far the most apparent was Jinrui wa Suitai Shimashita, or Humanity has declined.

From the outset, you might suspect that this is a cute little series with fairies. Instead though, this series is a full blown satire that uses its setting of fairies in all kinds of creative ways to create surreal storylines and premises. The thing with the fairies in this show is that they can pretty much make anything happen, and yet they act based on the most random of whims. The result is a complete chaos when they end up going, and the lead character is usually stuffed right in the center of this, leading to the creation and destruction of civilizations, being stuck in a time loop and fighting an army of headless chickens and all kinds of stuff like that. Yes, this series prides itself in its creativity all the way.

The way in which the stories are told also takes a bit to get used to. This series follows a very fast, dialogue-based pacing, and most of the show is told through the thoughts of the main character, serving as a narrator. The dialogue is often erratic due to the fairies being so damn whimsical, and it also doesn’t help that the arcs air in a random order so at the start you’ll be completely lost on what’s going on. But on the other side it’s also the series’ charm: it’s very eccentric this way and you’ll never know through what kind of loop you’ll be thrown next. You’ll never know when something interesting hits you here in this series.

This didn’t all go without its issues, though. The erratic nature of this series results in that it tends to ignore the character department. It’s only until the second half that we actually see characters show different sides of themselves. The lead character’s past is only revealed in the final arc. It’s a distant series that isn’t looking for people to connect with the lead characters, which is a bit of a pity because the result is that the series is not as engaging as it could have been, especially in its first half.

So pick this one up if you’re looking for witty dialogue and creative settings with a good dose of dry satire. It’s good for a short watch with only 12 episodes and it may miss some depth in the character department, but there’s enough worth watching.

Storytelling: 9/10 – Very nice satire, quick witted and incredibly whimsical.
Characters: 7/10 – In its first half, the characters are way too one-sided, and that unfortunately hurts a bit too much, and the characters are just too likable to deserve this.
Production-Values: 8/10 – Kou Otani gives a nice soundtrack, though far from his best. The visuals are also very striking and full of bright and pastel colors that give this show a unique charm.
Setting: 9/10 – This show has ideas, and it’s not afraid to use them.

Suggestions:
– Soredemo Machi wa Mawatteiru
– Seraphim Call
– Yami to Boushi to Hon no Tabibito

Jinrui wa Suitai Shimashita – 12

by psgels, posted in Jinrui wa Suitai Shimashita

Well, I’m glad that at least in the final two episodes this series stuffed in some bits of character development. Whether it was a wise decision to save this for last is a different matter, though. I do think that it would have improved this series if this arc was shown somewhere around the beginning, so that we would have gotten a bit of a better feeling for Watashi. But ah well, the result is a strange and heart-warming ending and that the rest of the series put its focus more on its satire than on its characters.

But yeah, this episode showed how she grew up as an alienated teenager, to the point where she started to interact with others again. The way in which it did that was rather strange though. I mean, she was all happy, then she discovered that her classmates had severe psychological problems, then she spent a bunch of years with the white-haired girl, only to stop caring about it afterwards anyway. There was no drama whatsoever put into that point, even though the rest of the episode was pretty much the most dramatic that this series has ever been.

It worked well though, only the addition of the fairies felt a bit forced. They were completely absent in the whole episode until it felt like the creators suddely remembered their existence again and had Watashi sprint somewhere off for them. It felt unnatural, even in this series.

Still, great show. It’s not the best of the season, and the lack of characterization throughout most of the series definitely cost it some points, but its unique charm was enough to redeem it. And really: it’s great to see AIC do something good again.
Rating: 5/8 (Great)

Sword Art Online – 11

by psgels, posted in Sword Art Online

This episode made me realize something: there is this unwritten rule in Sword Art Online going on that everyone abides by: never talk about the life you had before you ended up trapped in the game. It’s like, everybody is too scared to remember those days and instead their lives turned to be just their lives in the world of Sword Art Online and nothing else. In .Hack//Sign in contrast, I actually loved how they dealt with this issue: most of the time the characters were characters in an mmorpg, and yet once in a while it would drop hints to their real identities. Now, I do wonder why Sword Art Online went with the route it took: to completely remove any life that the characters had before being trapped. I mean, nobody is reminiscing about those times. They only talk about getting out.

In any case, the new girl thankfully is different from the other girls in this series, in that she doesn’t immediately fall for Kirito. She definitely is the big mystery in this show and will likely be very important in solving everything. She’s got like “I AM MYSTERIOUS” written all over her, but with the right development she can bring a lot of good stuff to this series.

But come on, Sword Art Online. Stop using these overused cliches over and over. The scene in this episode that pissed me off was the one with the thugs. It’s something you see in a ton of different series, and I nearly always dislike how it’s done, and this episode was no different. It’s the standard type of scene that creators go for whenever they need some extra tension, but here it was completely pointless. The kids and the nun are likely never going to matter again after this and there would have been better points to show Asuna’s magic sword. I also always really dislike how stereotypically these thugs are portrayed. I mean, these guys are full grown men. I’d like to see a bit more detail on how they became that way, and who they are. Stop using them as excuses to make the main characters look cool.
Rating: 4.5/8 (Good)

Eureka Seven Ao – 20

by psgels, posted in Eureka Seven Ao

This show just keeps coming with twist after twist here. A few episodes ago Generation Bleu was against the entire world and now this episode things have turned full circle again with all kinds of alliances being made. On top of that, it turns out that characters who died last episode have left a few parting gifts which also shook things up tremendously, with the most notable being Fleur’s father, who immediately lost that glorious part of his death last episode by basically forcing all his problems on his daughter. That scene in which she broke down. Yeah, I can really imagine that.

Most of the twists were all very nicely built up and continued from the previous episodes. There was one that I’m a bit iffy about, though: that giant super mecha that appeared from out of nowhere and contradicts every rule that Eureka Seven has previously established, by being able to run without Trappar. Perhaps this has been hinted before, but this part for me unfortunately crossed the line between plot twist and ass-pull.

Also, it seems like a quarter of the cast of this show is some kind of spy for something. Elena Peoples especially was being a bit weird in this episode, but with the way she has been behaving lately it surprises me that she took this long to abandon Generation Bleu. Her mental stability makes her a very strange pick to be a spy by the way, since you’d usually want spies to be hardly noticeable. I hope that the creators still have time to explain exactly how she ended up crossing worlds, and why she was the only one from her world who did so.
Rating: 5.5/8 (Excellent)

Moyashimon Returns Review – 81/100

by psgels, posted in Anime Reviews, Moyashimon



The Noitamina timeslot and sequels don’t go well together. For a long while there were only three series that got a continuation: Bake Neko, Honey and Clover and Nodame Cantabile, the series that made the timeslot as popular as it is today. And then a Moyashimon sequel got announced. Yes: more antics with the guy who can see germs. But did they make a good use of this?

Well, here is the thing: this sequel is fun, it’s nice to watch, and it definitely has its merits. But it does have its flaws as a second season. The big reason is that it doesn’t really seem to know what it wants to do, and therefore rather forces in a story about arranged marriage and Paris. A transition that doesn’t happen smooth at all and makes this season feel more like a random side story than a proper sequel here. The germs are pretty much side-lined through the entire story, even though they were the main selling point of this series. I really feel like Noitamina could have spent its time better than on a sequel for this series.

But on the flipside, this still is a very enjoyable series. Apart from the germs, there is another thing that this series has that sets it apart, and that’s its chemistry, and this sequel has plenty of that. Caracters always have something interesting to talk about, whether it’s about fermenting, wine or relationships, and this show is at its best whenever a lot of characters are together doing all kinds of stuff at the same time. It brims with life when it does that so even when the story gets distracted on the unimpressive arranged marriage, the characters manage to retain your interst with their quirks and goofs. This season does a very good job of fleshing them out.

So if you’re a fan of Moyashimon and want to see more of the characters, then go for it because this show definitely delivers on that. However, this second season is no reason to pick the series up anyway if you haven’t seen it before. It’s definitely got some nice storylines, and the newly introduced characters have some good stories. The trip to paris was nice and fun, but ultimately this is just a glorified side-story. It’s nice that it’s there and all and definitely not boring… but did they really need to spend an entire slot on Noitamina for that?

Storytelling: 7/10 – Despite the many criticsms above, all of Moyashimon’s problems can be boiled down to just one big issue: Haruka’s arranged marriage is not fit to dedicate an entire season to, and yet that’s what they did. The side stories are very well told and do make this series worth watching, but the main thread throughout the entire series is dull.
Characters: 8.5/10 – This series understands character chemistry and brings a lot of it here. Characters are well acted and voice acted making them fun and interesting to watch.
Production-Values: 8/10 – Still has the same visual style as the first season. Meaning that at first the visuals may not seem like much, but when you start thinking about it the shots become surprisingly well drawn and creative. Yes, I just edited this in at the last moment.
Setting: 9/10 – Lots of interesting trivia about fermenting and wine brewing. The bacteria may be reduced to mere narrators, but this show hasn’t lost its educational value.

Suggestions:
– Honey and Clover
– Nodame Cantabile
– Spice and Wolf