Sakurasou no Pet na Kanojo – 19

Here is where you can see that the source material really has some problems: it’s revealed that the finale of the series will focus on Sakurasou shutting down. The big problem with that: it’s cliched as hell. I know it will lead to character development and all, but it’s just so standard. We’ve seen this and been there. It’s now up to the writers and animators to really make it stand out like what this series has always done. Did this episode provide a good start?

Um…. this episode had me very, very confused. It was just like the first episode… but without Shiina. Ryuunosuke made an appearance, even though he didn’t do that in the first episode. The weirdest thing is that this was a flashback in which nobody seemed to find it strange that things were suddenly incorrect.

This episode: it was a recap of the first episode, and yet it wasn’t. What the hell?
Rating: $#@!?/8 (Wut?)

Uchuu Kyoudai – 45

After what feels like months of watching Hibot struggle for his life, we finally get a “normal” episode of Space Brothers. For the series’ standards, it is an uneventful episode. It’s meant to build up for later, and introduce the upcoming arc, which will focus on Mutta again as he travels to the USA in order to meet the top astronauts out there. A teaser line-up showed quite a few different characters, so that really sounds promising here!

In the meantime they also took their chance to give Sharon some character with her husband. They’re two people with a great passion for watching the starts that came together. It’s a nice little detail, but nothing more. What caught my eye the most about this episode was how she reacted when she learned what Hibito went through: they didn’t provide the full details for the fear of confusion.

Still, this series has a habit of a lot of dead very inspiring people. There’s Brian, then there is Sharon’s husband, and didn’t Serika’s father also die? Death plays a very big role in this series, but in a different way from normal. And the thing is that I keep thinking that this will be some hint for the future, but in the end everyone manages to survive.. It’s quite annoying, but well played from the creators. Just know that you can’t keep pulling stuff like this…

Also, did they spell Nanba Mutta as “Namba Mutta”? Is that his official English spelling? It’s a bit weird to have that ‘m’ there in Romanji.
Rating: 5/8 (Great)

Chihayafuru – 32

And here this series comes and goes like “I’m sorry I haven’t spent much attention on some of the minor characters, let me make up for that.” This episode brought so much life to them. Not just Sumire and Akihiro, but also Chihaya’s parents, her sister, Kanade’s mother, Akihiro’s brothers, even some unnamed people from the school’s band club and some random teachers. The band and their performance in particular was awesome. Now this is how you should spend an aftermath!

Chihaya feeling down over the loss, you see it everywhere, and yet the creators managed to spice even that up with that focus on her parents, not to mention showing how she has grown (being able to tie her own kimono and how she has completely changed from who she used to be). The time she spent with her mother was also awesome. It’s a really personal time with someone she knows for her entire life. There are little other series that have managed to put the same focus there.

And then this show suddenly started to toy with the symbolism behind words and it actually was very interesting to follow how this all related back to the characters themselves.

Also, the budget. I have no clue what happened in the first two episodes, but for some reason the series looks as awesome as it ever has. The differences in animation are not noticeable anymore, and the drawings really look crisp again. Some budget issues at the start or something?
Rating: 5.5/8 (Excellent)

Chihayafuru – 31

Holy crap. The way this episode begun. I had no clue that the creators would even put so much meaning into the reading. To the point where Chihaya is able to take control of the reader and how this plays off to the actual readers (so that’s why they used that guy for that! He already was an established character so this makes more impact! How is this show able to do so many things at the same time!?).

Heck, yet again this show manages to put so much meaning into just about every scene of its. Every character here has a moment. How the heck has it been doing this for so many episodes already? I sound like a broken record saying this.

And here this episode suddenly comes with the most impossible set-up of a luck of the draw match that is entirely against their favor due to Chihaya’s stupidity, leading to everyone suddenly needing to go after cards that are nearly impossible to get. And holy crap, the end results shocked me. I knew that the end result would not matter because the two teams would pass anyway. But the creators kept it exciting, first by having Retro screw up, and then having Chihaya actually lose again, despite all that build-up. There was so much emotion and build-up put into that match, that in the end result didn’t really matter.
Rating: 6/8 (Awesome)

AKB0048 – 19 & 20

In an attempt to catch up I’m going to combine two episodes in one for this one. But really: the only reason why I’m slow with this is my schedule. This really was a major episode for the characters. And not just one of them, but a whole bunch.

For a long while I kept wondering why Nagisa was the main character. This episode she got her chance, and she showed that it would be for her stupidity. She’s the only one stupid enough to suddenly make such a giant declaration when everyone is trying to be perfect. An incident that is bound to be able to get some publicity since the rules of AKB can be so strict sometimes. And yet she tries so hard. Cutting off one’s hair is a gret symbol for character-development.

And then there is Mimori, and I now see what the creators were trying to do with her. She grew from a walking boob joke to someone really interesting to follow in the way that she continues to grow, but in the end sacrificed too much, taking her body into neglect.

Kanata and Shiori meanwhile finally had a little moment together again in order to develop their relationship, and in particular the problem that Kanata still has not become a successor. Then there is the talk of the new Center Nova, who Hikari and Shiori are working towards becoming. It’s still build-up at this point, but the characters do a great job of showing why it’s so important for them.

And I think that is the strength of this second season. Like I expected, the focus is less on criticizing the idol business (it’s still there, though), but more on the characters. And so far, it has really succeeded in bringing out the emotions of all of the new characters. The huge case makes sure that it can keep switching between all of them and their stories. And it’s doing a pretty good job of developing them all. It’s the thing with series with a huge cast: you can’t have characters that are as well developed as with series with a small cast. The trick is the big picture: give everyone attention, and make the cast come alive. Highlight a few characters as the main characters, but don’t excessively focus on them at the expense of others. AKB does that pretty well.
Rating: 5.5/8 (Excellent)

Jojo’s Bizarre Adventure – 19

It’s episodes like this that finally show me why there have been no attempts at a full Jojo series before aside from a few OVAs: it’s just so damn hard to animate. In this episode there were quite a few moments of characters talking in mid-air, and having entire dialogues over a span that should have just taken up a bunch of seconds. Without the incredible over the top style of this series, it ust would not have worked at all.

But really, the fight in this episode was awesome. The voice actors in particular were really having a great time yelling all of their lines in fashion that was as overblown as possible. Even the narrator was yelling at the top of his voice. I love just how much testostherone there was in this episode.

The one striking part in this episode was that pendant sliding off the cliff, that indeed felt like it took ages. One moment characters were fighting and yelling over the top, the next they were running like crazy after this tiny gemstone in this hilarious fashion, all while narrating everything that was going on. I know that I’ve often complained about shounen series explaining way too much, breaking up the pacing. In this case, it didn’t. The explanation and the buildup fitted perfectly and you just keep waiting here for the series to pull its next twist while the characters explain as fast and loud as possible.
Rating: 6/8 (Awesome)

Zetsuen no Tempest – 18

The past autumn season had a lot of really good series. But at this point, I think that my favorite series of the bunch, is Zetsuen no Tempest. It nearly edges out Jojo and From the New World, but in the end it was this show’s twisted logic that hit me on an emotional level the most. This show is the best at what it does from all of those series for me.

it definitely was a season with so many series with a lot of thought put behind them: Psycho Pass, Robotics;Notes, Shin Sekai Yori. This reduces this to the essence with its complete mindscrews. The thing I noticed is that I just keep getting surprised by the twists that this show takes, combined with how well the characters have been fleshed out for the past season. This series has the right combination between characterization, character-development, and acting, and the plot makes brilliant use of them. It’s the series that succeeds best at bringing everything together and amking everything a whole. It all just fits! The other series this season all have a few areas in which they are really, really good. Tempest does it in all of them.

This episode again: I loved the aftermath of the revelation of Yoshino’s girlfriend. Everyone had their own reactions that were just awesome to follow, even though the pacing or intensity might not have been as high as with other series (compare that to other series which have to resort to killing people, this show managed to do it in an entirely different, yet equally exciting way).

Another thing that quite surprised me about the upcoming spring season: Bones is not in it. It’s a pity, really. They always come with very creative premises and ambitious series. Like this one.
Rating: 6/8 (Awesome)

From the New World – 20

I’ve said this before, but in general, I prefer series that might not look like 100% crisp, but have impressive animation, over crisp series that have harldy move. Of course there are a lot of exceptions to this rule, and it does entirely depend on the character-designs what really is best for a series; Chihayafuru for example really benefits from its crisp and clean animation and Shin Sekai Yori is the entire other side of the coin. I think it has a lot to do with how this is a novel adaptation and the character-designs… they are pretty simple, yet effective. In any case I do like the freedom that the animators have to bring them to life a lot.

That one wcene in which Misaki fought with that mutant. I reallly liked the animation there. It was such a unique action scene and even though it looked a bit confusing, the camera movements were really, really good there. I really hope that the creators saved some particularly impressive animation for the end of the series.

And this episode continued with the horror, and it was really good horror. It’s been a while since there has been a series which had the main character narrate bits of the story, and throughout the series she kept saying how badly things would escalate, over and over again. With this episode, I can understand why. The Queerats really have launched an all out war on the humans, even employing biological weapons by mutating their own kind.

And I must say, Yakomaru is a really good villain. This guy is smart and cunning, and for a long while throughout the series, you weren’t really sure whether he would actually be the villain. Sure there were signs, but nothing was concrete. And now he has just gone all out. In the final month Saki will take over the leadership of the humans. I really wonder what she can do against him.
Rating: 5.5/8 (Excellent)

Sakurasou no Pet na Kanojo – 18

Let’s talk a bit about the issue of Cheese. Mari Okada, I find her to be a fantastic and prolific writer, but she does have a weakness: the cheese. Drama that is just a bit too overblown. She has had a number of tricks to hide this, though. Her best series combine lots of drama with a lot of great twists that just keep the story changing.

The twist in this episode was Jin proposing to Misaki. That was great. I loved how the creators used the teachers to add a bit of humour there. The build-up to it though was a bit disappointing, and had a bit too much cheese. It’s here where the drama between Jin and Misaki was dragged out a bit too long, when suddenly an entire episode focused on it. The episode just was not witty enough to keep up with it, and it really showed that the two of them are not main character material: they have a nice story but they can’t keep you busy like Sorata and Shiina can when they’re together. The two of them meanwhile were busy with what felt like recycling some of their chemistry in this episode.

Also, Jin. You’re in an anime, so I know that you’ll end up happily ever after and all. But I don’t think your tactic would have worked in real life…

After this we’ll probably also get an episode around Jun. That’s one I’m looking forward to. But please, for god’s sake: do something about Ayoama and that sister. This episode was really building them up to go down the predictable, dull and overused path. Just… do something with it. I am fearing that those will lead to a pretty disappointing conclusion here…
Rating: 4/8 (Enjoyable)

Robotics;Notes – 17

At the end of the previous episode, there was a bit of speculation about Subaru. I mean, there is the golden rule of anime: a character isn’t dead unless this is confirmed. It looked like this was another one of those cases. What happened in the end was even better, though: consequences.

Usually when a character gets hurt majorly, he takes a bit to heal up and within no time at all he’s completely fine again, as if nothing happened. Subaru indeed survives, but it’s at the cost of him losing the ability in his legs. He will feel this for the rest of his life. I keep hoping for characters to die in anime, not for the sake of them dying, but for the sake of consequences: taking risks is risky, yet characters get away with them surprisingly easy. Having risks like these built up well does amazing things for the suspense of disbelief. In any case it does for me.

This episode was a really good aftermath. The show suddenly got really dark after the previous episode, and this episode really let this sink in, and shows how easy it can be to screw up if you’re thoughtless. The characters all have their own ways of dealing with that and I really liked that. I mean, those warnings at the beginning of the episode, about the realism and stuff. They might seem superficial, but in the long run they do add up to the believability of this series.

Now, let’s talk about Noitamina for a bit. By far the biggest disappointment of the upcoming Spring Season is what will be used to fill the timeslot that has for years stood for showcasing anime to an older audience. In case you haven’t heard it yet: it’s going to have a re-run of Katanagatari. I guess that that was the price that had to be paid for having two two-cours series at the same time. But with this, I now have a much better idea of the strengths of the timeslot. Let’s have a bit of a re-cap:

– 2005 saw the start of the timeslot, and it defined itself as a mature programming block with Honey and Clover and Paradise Kiss, two series about college students.
– 2006 saw it continuing this trend, along with it branching out to other genres, most particularly horror with Ayakashi – Japanese Classic Horror.
– 2007 saw the timeslot continue to grow and establish itself as a force to be reckoned with with Nodame Cantabile, Mononoke and Moyashimon, three really strong series that really pushed boundaries all around.
– 2008 was the height of Noitamina in terms of TV-ratings, with Hakaba Kitarou and Nodame Cantabile’s second season racking up massive ratings. The formula here still was very typical for the timeslot: there was a college series, a series about working life, an adventure seris and an avant-garde series with bizarre visuals.
– 2009 saw the results of two fantastic years, and the producers were able to experiment much more, leading to some of the most unique series out there that really stand on their own. In terms of originality it was a fantastic year, but especially Eden of the East and Tokyo Magnitude stand out here. Both really well produced and transforming the timeslot into a showcase for producers to deliver things with ambition without regard for the mainstream.
– 2010 was the best year for Noitamina ever. This influence of 2009 was really noticeable here as the series got the most freedom that they’ve ever had, even allowing it to expand to two series at the same time. Sarai-ya Goyou, Yojou-han and Shiki: all three were just fantastic and would not have been possible so close within each other without it.
– Then 2011 came, and it showed that such quality could not be kept up. Fractale and Guilty Crown were… disappointing. However, what was so interesting about the timeslot is that it had a whopping eight different series. The fun there was keeping track of all of them: awaiting what series they would come up with, and how they’d fare. Sure, it didn’t always go well, but it was definitely interesting beyond belief.
– 2012 saw more experimentation after that year, making this even more exciting. It returned to its roots again with Natsuyuki Rendezvous and Moyashimon, it tried out 2 full-cour series and it even went with something as Thermae Romae to fill up an empty month. It’s because of this excitement of keeping up with everything that I managed to finish nearly every Noitamina-series to date (the only exception being Nodame Cantabile’s final season).

Based on this, I think I now have a good idea of what would be the ideal format for the timeslot: mostly easy to produce yet ambitious 11-episode series, combined with your occasional 2-cour series here and there. This keeps the timeslot fresh with every season something new to look forward to, plus it’s good for variety. The past two seasons were great in showing that the timeslot can deliver two really good two-cour series at the same time, but its price: not being able to look forward to a new noitamina-series for two seasons long, it does hurt. And I think that the tactic of using reruns, will make it lose some viewers. Silver Spoon to the rescue!
Rating: 5.5/8 (Excellent)