Kiznaiver – 10

Upon reading reactions to this episode I have come to the conclusion that my consensus on this episode is likely not a popular one. After all this episode was aiming for the “feels” and those who don’t get the “feels” don’t quite hold the same opinion as those who do. As I have said before, this kind of drama is hit or miss. If it hits then it hits hard and lets you forgive any missteps it took to achieve the emotional payout. But if it misses then you are left to question the threads that lead to this conclusion which to me doesn’t bode well. I equate it to a poorly written but well executed twist. Upon seeing it you might be applauding it but then you sit down and think about it only to find in retrospect that it doesn’t really make any sense. This episode didn’t blow me away but it certainly did make me question the quality of writing. For when Space Patrol Luluco provides a better emotional gut punch than the series actively aiming for one, I really need to reassess its quality. I admit that I am enjoying Space Patrol Luluco a lot more than Kiznaiver right now. Maybe perhaps because it still knows how to have fun when Kiznaiver is weeding out all the fun it has in favor of love pentagram and drama. What makes it most amusing is that Luluco is dealing with almost the exact same problem the Kiznaiver group is dealing with, namely a broken heart, yet she has broken out of her stupor when most of the Kiznaiver group continues to wallow in it. A fourteen year old girl is more emotionally mature than a bunch of teenagers. I suppose when you think about it this isn’t really that much of a surprise. But let us push Luluco to the side for a moment and let me try to articulate just why this episode’s emotional drama didn’t resonate with me.

Sadly, just as predicted, the entire Kiznaiver group basically angst the summer away. The first offender of this episode is the teacher who starts the episode by being pointlessly antagonistic. I don’t even get his reason for doing this, the group isn’t Kiznaivers anymore so he has nothing to gain by riling them up like this. But the big part that really annoyed me is how he tripped Tenga, giving him a bloody nose. Ladies and gentlemen, do you have any idea what this would mean for a teacher? They would be fired within a week. These days a teacher can’t so much as cough in a student’s direction without being blamed for abusing his position. Sure the school seems to be connected to the Kiznaiver project but I certainly think they would have a hard time quieting down the angry parents. Even disregarding this, just why is he doing this? Simple, because the show wants you to hate this character, so they will have them act as ignorant as possible to achieve that. The second offender is when Nico, Agata and Hayato make a trip to the secret lab under the school and are found by Mutsumi. Who proceeds to sit them down and outright spout exposition at them. This is lazy exposition of the highest caliber not only is it lazy but the majority of it is information which has already been confirmed. There was an experiment involving children that went wrong, Noriko and Agata were part of it, it’s the reason why Agata lost his emotions and all of this is information we already know. The only thing we learn is what went wrong with the experiment and that is because Noriko was accidently linked up with the pain of all fourteen children which caused her immense agony. She was then drugged in order to dull her senses to give her relief which lead to her detached and kuudere personality. As Agata wails over the pain and suffering Noriko had to experience I was busy thinking to myself. Just how goddamn incompetent did these scientists have to be to cock up this badly. Truly I am flabbergasted at just how they managed to accomplish a failure of this magnitude.

Despite Mutsumi sitting our characters down and throwing exposition at them, she keeps fairly vague about the actual process of making Kiznaivers. However based on what we seen so far we can assume that making Kiznavers involves embedding some kind of device in the subjects. After all it can project holograms and seems to require some minor surgery. So i ask this, isn’t there so method to disable it? It’s clearly wireless and they can use it to monitor a subject’s emotional wavelength. Why is it that drugs were the only method of preventing Noriko from suffering? Why couldn’t they just perform surgery and undo the process? Are you telling me that these idiots performed surgery on ninteen children, after countless animal and human tests, and had no backout plan? Look if you are just going to sit down and shove exposition down our throats then address all questions. Why are you describing transferring pain like it’s cutting up an orange and handing people parts? Pain is a signal and if you can transfer and split that signal then you bet your ass you can disable or even redirect that signal. Why the hell are you hooking up fourteen kids to “Lessen” the pain? The pain should be the same for all of them regardless of how many you hook up. Nor can you somehow drain emotions from people either and turn them catatonic. If you can intercept the signal then you can negate it. You say that a kid presses her foot on the ground and that impact is multiplied by fourteen and transferred to Noriko? How does that even happen? Is the signal passed through the kids one by one and hits Noriko last? But by the diagram you make it that the signals hit Noriko all at once so there’s no point were the pain would multiply per say. She should be feeling individual impacts from each child. Not one impact times 14. This makes no sense. You can say they could be good reasons for all this, but those good reasons were not presented here. When it comes to something like this you either put in the work to explain it or you just don’t draw attention to it. You don’t half ass it for the sake of throwing out a cheap emotional climax. At this point Kiznaivers have no scientific grounds whatsoever so it’s essentially magic. You should have taken the route of Erased, which simply didn’t bother to draw attention to it’s time travel aspect and simply used it as a plot device.

My last problem deals with just how they people are dealing with the fallout from last episode. Surprisingly Nico and Tenga are going about things in the right way by trying to bury the hatchet and move past the fight to become friends again. I appreciate this. I just wish that Maki and Chidori wouldn’t be such selfish killjoys because apparently no one can understand their pain so they won’t even try to move past this. Chidori is the primary offender in this case as when Tenga went up to her asking for her to reject him so that he could push himself past this and move on. But Chidori couldn’t even give him that much. Instead she made it all about herself, asking how this would make her feel better. Sure you could write this as her being used by Tenga for Tenga to feel better about himself but honestly that’s just a selfish perspective. Chidori, you asked what would make you feel better, well Tenga is showing you how. Confront the person you love and make them give you a clear answer. But you won’t do that, because you can’t take being rejected and want to just stand there complaining about how you can’t understand people’s feelings. Get over yourself. A large amount of the aspects I originally liked this series for the character chemistry and comedy it had in the beginning but as of now those aspects are barely present. Their a mild bit of comedy as Agata tries to find Noriko by peeking at girls panties under the staircase, as he knows she wears polka dots.The character chemistry was only present here with Hayato, Nico and Agata which was a nice reminder of what this series used to have. I have heard that this series was originally intended to be a school battle anime and I wonder just how that would have turned out. Sure it may not have been original but I think it would be fun and that is Triggers real strength. Anime school life dramas are a dime a dozen, a insane fun Trigger anime is a much higher rarity.

~AidanAK47~

Bungou Stray Dogs – 10

Last week I mentioned the lack of consistency in characters, despite the more focus and confident pacing of Bungou Stray Dogs. Well this we pretty much have the same issues here. The first part focus on Dazai and Nakahara and reveals a bit more about his past while he was in Port Mafia. While Akutagawa is short-tempered and easily offended by Dazai’s words, Nakahara seems wiser and understands Dazai better, which is not to say that he is not manipulated by the always-several-steps-ahead Dazai. I still can’t put my finger on the way Nakahara behave, because his behaviors don’t add up much. Let’s say he came to the place to harass Dazai (which in the end turns out that Dazai was expecting it), he then broke out the chains, fight with our main character, intended to kill him, but then was “blackmailed” so he would give Dazai information, frees the guy and “walks and talks like little rich girl”. The character of Nakahara has absolutely no consistency here. I understand that he held Dazai in high regards, being his former partner and Nakahara understands the guy more than anyone else in Port Mafia. I would understand why he like to harass Dazai but go as far as killing him? Nah. I don’t believe it one bit (although tips off for nice visual), so there was no stake to raise here, indeed he couldn’t bring himself to kill Dazai which brings me to a next point: Why include that scene in a first place? It just seems like it was included to further demonstrate how awesome Dazai is. Everything falls into his plan (including how he was kidnapped in a first place). This, and the very awkward “walking and talking like a girl” bit, the show surely overplayed the superhuman, almost perfect Dazai and make every actions made by Nakahara incoherent.

The second part, though, is as entertainment as Bungou Stray Dogs can get. But still I don’t see the point of Kunikida’s rescue here. How the hell would he thinks that yelling out Atsushi name (so all the people in the ship would hear) the best possible action? And he basically helps nothing except being there for Atsushi to jump as well? So why include him again? Well anyway, the fight between Akutagawa and our main character is great, and it’s really great to see Atsushi can perform his gifts at will and gets better and better at fighting. There are many nice visual in a fighting sequences and the choreography is excellent as well. All that and the reveals of a bigger, more bad-ass boss (F. Scott Fitzgerald, can you believe that?) made a nice touch to the series (I would never think they include writers outside of Japan) and set up nicely to the conflict of second season of the series. Anyway, I like to see more on the conflict between Port Mafia and the Agency so here’s hoping the last few episodes can deliver on that.

~SuperMario~

Odin Sphere Leifthrasir Game Review – 87/100

Oh my. This game was just utterly, utterly incredible when it came out, so despite disliking the usual remasters (ahem, Valkyria Chronicles), I was pretty stoked when I learned I’d be able to play this again on better hardware. It came out really late into the PS2’s lifetime in 2007, so at the time, I like a lot of others thought it should’ve been on the Playstation 3, as Tales of Vesperia had also been transferred to the PS3 despite being developed for the PS2 – and two console generations later, here we are with Leifthrasir.

In case you don’t know what Odin Sphere is about, it’s simply a 2D fairytale action JRPG that puts you into the shoes of 5 characters in individual stories each with their own background and self interest, with nods to well-known fairy tales. We start off with Gwendolyn in the first book, during the great battle against the Ringford Army, when her sister is killed and she herself is defeated but spared by Oswald, the shadow knight. As we move on from her story, through Cornelius, Mercedes, Oswald, and Velvet’s, we see these individual stories slowly come together by the sixth book to create an interesting spin on the “party members banding together to save the world” RPG trope. Here, some main characters are even enemies with each other, and not in the Tales sense where they’re mysteriously hostile at first, only to turn out to being the good guys (ahem, Sheena). No, some straight up try to murder each other out of self-interest no matter how good their intentions are, and I love it because it shows a gray morality usually handled black & white in other fantasy JRPGs. There’s a reason why some aggressive kingdoms act the way they do, and while it’s certainly not insightful or original for that matter, it’s a breath of fresh air. As a result, the climax is very well done, and the ending is just as explosive and does an excellent job of laying the story to rest (so long as you get the seventh book) since characters undergo tangible conflicts. Individually, each story by themselves are pretty standard fairy-tales. However, what made Odin Sphere’s plot just that fun to play through is how interconnected each story is and the subterfuge that goes on back and forth between the main characters, even if it isn’t on a very deep level.

Continue reading “Odin Sphere Leifthrasir Game Review – 87/100”

Joker Game – 10

Today we have an episode about the past of Yuuki, finally a time to see how the man came to be the ultimate spymaster and superhuman extraordinar. Well maybe because at the end of the episode we can’t even be sure if the backstory was made up or not. Because Yuuki apparently figured that someone would connect his name to some kid at a military academy and pretty much set up a massive fake backstory for the servants to tell anyone who happened to look into it. I am beating a dead horse here but bloody hell perfection is boring. The minute I started this episode and seen this guy attempt to pry into his past I knew exactly what was going to happen. For Yuuki is a fellow who likely has seven contingency plans for when he runs out of toilet paper when on the can. Let me go off on a tangent for a moment and bring up batman. Do you happen to know what is one of the most highly regarded Batman graphic novels?(Comic arc?) One that often appears on a best of list is Frank Miller’s Batman Year One. It is a story not about Batman facing off against a member of his famous rogues gallery but rather a tale about Batman’s first days of stopping crime. In it Batman is more inexperienced, less confident and more clumsy. Batman makes mistakes and even against low level thugs he has a hard time. One of the best scenes from it that I recall the most is Batman fighting desperately on a fire escape against three men. At the end of it all Batman slumps down and thanks god that he got lucky and won. That is why this comic is so well regarded, as it shows the grown of a man who would become legendary within comics.

Now let’s fast forward to Yuuki here as he effortlessly excels at everything. He absorbs information like a sponge, he rarely fails and all the girls fall for him. This episode didn’t humanise Yuuki in the slightest but rather made him even more Alien. Even assuming of course any of this story is true. Before we saw Yuuki as a top level spymaster and now we just see he was exactly the same when younger. Almost as if the moment Yuuki exited the womb he planned out his life to the finest detail so that he could become a badass Japanese spy. That to me isn’t a interesting person for to them excel is normalcy. I praise the carpenter who sheds blood sweat and tears to craft a perfect chair and not the machine that tosses chairs out enmass on an assembly line. I would like to see the thing that gives Yuuki an emotion besides calm indifference and a smug smile.

So our tale today is that a man tried to look into the origins of Yuuki and in doing so was fooled into a trap while the D-Agency passed themselves off as Military police and stole his wedding ring. Why the wedding ring, well that’s because his wedding ring contained a microfilm of all his contacts and informants. How did D-Agency know this? Hell if I know. Dolphins likely told them. I originally thought his wife was going to turn out to be working for Yuuki but the end of the episode says otherwise. So our protagonist of the episode gets stripped of all his info he gathered over years but everything is alright cause Yuuki let his wife know where to find him. Another day, another win for D-agency.  We have reached the tenth episode and unless this show has a secret second cour that means that this show has been for the most part a waste of my time. Neither laughable horrible or exceling in an area, just forgettably mediocre. Which as you can likely tell by the post size, makes for hard to review episodes.

~AidanAK47~

Re:Zero -Starting Life in Another World – 10

Out of everything I watch in a week, nothing quite gets me excited than to see another episode of Re:Zero and nothing leaves me quite as wanting as when the end credits role and let me know of the week long wait till the next episode. I actually visibly shouted “No!” when I seen those end credits roll. To those in the future who happen to have all the episodes ready to marathon through, know that I envy you. I also hope that general consensus of the second half of this series is quite positive too as there have been beloved darlings of mine that slipped up in the second cour.(Oh Fate/Unlimited bladeworks, so close yet so far.)  I even admit that part of the reason why I hunger for the next episode is to see that cliffhanger resolved, only to get left with another cliffhanger. While not a bad way to get the viewer hooked, ending each episode on a cliffhanger can lead to inflating expectations(As evidenced by Erased) or just escalating the story to silly levels when it attempts to one up its cliffhangers constantly.(As evidenced by Code Geass) Considering that Re:Zero is a light novel adaption I am hoping it will manage to avoid both of these missteps. But let’s move on to the actual episode.

So surprisingly, Subaru did not die but this brings up a new problem. While I think we near the end of this arc; Subaru looks to have gotten a new save point. One that puts him in a much worse position than before. Now having been bitten and cursed by a number of dogs, he must killed those dogs or else die when they drain him of energy. In a desperate attempt to save Subaru’s live Rem has ventured into the forest and is killing every dog she sees in berserker mode. Leading Ram and Subaru to go in after her before she gets herself killed. We learn a number of things from Ram about the twin maids, namely that Ram and Rem are Oni. Ram however does not have a horn like Rem does as it was cut off in the past by from what the flashback suggests, Rem. Oni generally have two horns, however twins are born with one each. So twins are normally ostracised from the village. Use this info I think I got a theory on just what happened with Ram and Rem. Basically I believe the two left their village and ended up settling near a human village related to the witch’s cult. Ram tried to get along with the villagers and village did something unforgivable to Ram which pushed her into berserker mode. When the village was in flames Rem came up to Ram and cut off her horn to break her out of it it. This would explain how Ram thought the tale of the Red and Blue Oni would upset her sister and why Rem was particularly distrustful of Subaru. Though we shall see how much of that turns out to be correct.

I have really come to adore just how human Subaru is for a protagonist. It’s true when compared to the power levels of all the cast he’s barely even noteworthy and often fairly useless in a fight. But he has a vulnerability and emotional drive that makes him such a great protagonist. For example, Beatrix was surprised to see Subaru unaffected when she informed him that he would die in half a day and even seemed somewhat impressed. Though we know that Subaru isn’t affected not because he doesn’t fear death or has courage but rather because he’s used to it. He’s experienced death so much that the prospect of dying doesn’t so much as make him flinch. Rather it’s just business as usual. What does make him flinch is Ram using her wind powers or Rem flinging her mace, which does look to be them slightly triggering his PTSD. He brushes off his situation by comparing it to a game or cracking meta jokes but he is truly shaken by it. It makes him unmistakably human. Even at the end of the episode when he had a perfect moment to hit Rem’s horn, he chickened out at the last second. Let’s be honest, in that situation when you had to run up and hit someone who could kill you in a millisecond, we would do the exact same thing. That’s what I love about this guy, he isn’t some perfect superhero who can perform on command with no hesitation. This is just an ordinary guy trying his very best to overcome a dreadful situation. I find it most amusing that he’s given a sword and it breaks before he even gets a chance to use it. Looks like the only thing you can depend on is your fists Subaru, though speaking of which.

I previously complained about Subaru showing a level of superhuman strength, as shown here as he tosses Ram several feet away. However I noticed someone bring up that upon coming to the other world Subaru got a slight strength buff. Whether this is actually true is up for debate as the only evidence is Subaru claiming it when he punched out the thieves on his second run but I am willing to accept it. It’s plausible and happens to negate my complaints about the feats he can accomplish which would be beyond human capacity. So going forward I will assume this is the case, even though it could just be adrenaline and self confidence. Major props to him thinking of using his curse of not being able to talk about responding to his advantage. That was some really clever thinking on his part. Pity he overestimated Ram though and she ran out of juice before she could take them all out. I previously stated that Ram was the more dangerous of the two but considering her lack of stamina it looks like Rem truly beats her in every area after all. Despite that Ram is determined to live up to the expectations of her sister. Yet again I am left hungry for more as I don’t know what this trio will do once they knock Rem back to her senses. Her berserker mode is certainly needed if they plan to get out of this situation. Some other last notes on this episode, fight animation remains excellent and flying Ram made my day.

~AidanAK47~

Flying witch – 09

As Flying witch returns my wish, we have both Nao and Inukai in a single episode. I feel so blessed. This week we have a larger cast than usual, and almost everyone has a chance to shine. Chito the cat has a great moment with Al the hamster and made up one of the most endearing sequence this week. I love the way the hamster making a jump Olympic style to the table, follow by he sees the cat and freezes. Chito, cat-styles, just like to toy with the poor hamster and ends up padding his head. Akame sure stands out every she appears on screen this week. From the “hey heeey” moments that actually gets funnier every time I watch to her gift scene. The first part of this episode contains Inukai visits the cast and read them fortune. Many little details and subtle jokes are in display here, like the way Chinatsu keeps bringing her most out-of-the-blue questions like “Is it free?”, “what’s for dinner?” to Inukai but then she handled it so well. Other little details like Makoto dressing as a raccoon (which famously known for its lack of sense of direction) in animal fortune telling or Inukai as a monkey (which actually makes sense since she’s the type that often mixed up with unlikely disguise), or the repeating of “the pretty Inukai” adds a warm closure to the first half.

Nao and Makoto is our main lead in the last half, as they are talking about being on a diet, Makoto shows Nao her garden, and the cast eating the radish. I love the way Nao was so quick, and no-nonsense way to stop Makoto from pulling the mandrake out, or when she talks to the witch’s familiars. This is the kind of understated interaction that I would never get tired of, and I truly think Kei and Nao could be a really great couple. The last short part consists of Akame sending her presents to the girls. Well, Burkina Faso shirt with Japanese characters, or the origami who sings “bing bong” is a nice, whimsical touch. The last laugh, the fortune teller’s notes by Inukai that foreshadowing that scene, is time perfectly (“Meaningless” & “Unnecessary” gets me every time). I would say the mask will reappear in latter episodes, consider that Inukai had suggested that Chinatsu will treasure it. This is a nice, typical Flying witch episode that mostly great, echo by its consistency of mixing the magic and everyday life with an attentive eye to details, the well-balance atmosphere and the rich, but very natural set of characters.

~SuperMario~

Kiznaiver – 09

This episode happened to confirm one of my biggest worries about this series from the very start. With the advent of the love triangle I was cautious that the melodrama would escalate into a shouting match. Thus here it is, rain, shouting match and a big fallout because no one likes the person who likes them back. The comedy? Whatever scraps of plot? Thrown to the sidelines to deal with excessive melodrama between the characters. It’s rather disappointing honestly as that’s not what wanted from this series. What I wished for was more a better executed Kokoro Connect but now it looks to be falling into the same pitfalls that did. Basically what this episode is the fall before the climax. Where our heroes are brought to their lowest point so as to rise past it. However while their are part of this episode presented sell, this development doesn’t feel earned. It doesn’t feel like previous episodes were building to this point but rather a revelation that they just spent the past 8 episodes messing about and now that the end is near they need a climax. An example of this is that in the previous arc we spent two episodes developing Maki to accept the Kiznaivers and at the end of this episode at the first sight of trouble she regresses right back to how she was. I get what this episode is aiming for and that’s the message that remaining so close to someone who can see and read you like an open book is difficult as no one can truly like having no privacy with their thoughts. But if this is the case then shouldn’t the past episodes been used to strengthen the bonds between the group. On conversation it felt like the plot was more focused on setting up couples than improving friendships. As Nico recalls that all they had accomplished together I find it’s surprisingly little. Considering the dramatic fallout we have here, this truly doesn’t feel deserved.

The question at the end of the episode remains the same as it was from the beginning. What now? I hope we won’t be spending the next episode with all our characters busy moping and angsting over love. I don’t want to spend an episode waiting for someone to step up to snap everyone out of their funk. I have long since gotten tired of seeing anime characters wallow in self pity when simply talking things out is far more productive. Sure you can argue it’s realistic but it’s not enjoyable and this series doesn’t have the episode count to indulge such fruitless time wasting.I never cared for Chidori’s little crush because I never saw it as being remotely achievable and Nico’s feelings even less so. If this is the story from now on then I would have preferred that the animation budget that went into this would have been transferred to Space Patrol Luluco as it at least presents something that I can’t find in a dozen other anime series. I am 27 years old and I have long lost the romance for these shy first loves with no progress so I say to those with achievable love, quit the beating around the bush, put yourself out there and get together. To those desiring a love damned from the start, cut your losses and settle for something within your reach. Sure it’s not a romantic notion but damn it, it’s practical. Besides you are a teenger and your first love is hardly going to be your only chance at it.

It looks as though the previous Kiznaiver experiment failed when some event caused all the kids to be crippled with emotional pain which looks to have been caused by Noriko. This very same thing looks to have happened to the gang here though the cause is more our chain of unfulfilled loves. The indirect cause might be the same though as this time was more or less orchestrated by the school teacher who is pushing for more results regardless of the cost. This certainly didn’t really help as I see it as the same results as before where negative emotions are being transferred easier than positive ones. In this case it wasn’t so much the voices of their hearts that was transferred but rather their deepest most selfish desire. Otherwise Nico’s desires to keep the group remaining as friends would have come across as well as her desire for Tenga. I do like the contrast as she spoke of her selfless desire while her true selfish desires interrupted her. I love the deep red and static effect as the characters inner voices are heard. I do think that this episode is for the most part presented well but as stated before, I don’t feel this fallout was built upon properly. It feels hasty and flimsy so while I can appreciate the direction of this episode, I cannot approve of the shoddy foreshadowing.

~AidanAK47~

Mayoiga – 10

It is a feast to see a show that still remains very unpredictable till its very end. Yes, this episode put the silliness to the max and I prefer it this way. Now to think about it I think this might be one of the best way to approach Mayoiga. They consistency screw up our expectation, twist any ordinary convention by making things as insane and as little sense as possible. So kudos to Tsutomu Mizushima for remain really consistent for composing things inconsistently.

Because for me, the fun of watching Mayoiga is to experience the ridiculousness of the episode, and this week it’s choke full of absurd and nonsense sequences that  today instead of reviewing the episode, I will rank them in order of RIDICULOSNESS:

Mayoiga 10-10Mayoiga 10-9

For number 10, we have our Yotsun back (which makes the total body count a big ZERO). This is a good introduction phase to our GOD, which later we found out that “a long time” means 3 years ago.

For number 9, we learn that Mitsumune indeed returns back to the real world. We witness one of the most bizarre parental guidance (“You can leave home and come back any time”), and even a more chilling confession above. It’s a shame because after nearly 10 years of imposing his dead brothers, Mom just decided to not getting better. And what they mean by getting better? Accept Mitsumune as Tokimune? Yuck.

Mayoiga 10-8Mayoiga 10-7

At number 8 and 7, we have two out of nowhere backstory mean to freshen out Yotsun and Lion, respectively, which at the end we learn nothing new from each of them. Who are the people with those cello? His parents? Over the rap career? Lion said nobody believe her but she did build quite a strong following so I’m just not sure what she complaining. Also her gift is quite vague: she can see dead people? She can see the people who about to die? She can see people that might not die? Oh god. This adds up to nothing, which also means Mayoiga at its best.

Continue reading “Mayoiga – 10”

Bungou Stray Dogs – 09

I have a strong mixed feeling towards this week’s episode of Bungou Stray Dogs. While structurally, this presents Bungou Stray Dogs at its best, it has a major flaw, A FATAL BLOW, that could potentially damage the show. The show establishes its most confident pacing ever, by slowing things down on the first half to really focus on the relationship between Atsushi and the new girl, Kyouka. This provides a great break after we had so many explosions and fighting the last couple of weeks. This is a time for a slower, tender moment to flesh out our characters and heighten their relationship. It helps that Kyouka is among one of the best characters the show ever written, the way she’s grounded: she’s well aware of her loneliness and her crimes, yet she strives for someone who could understand her. The art designs, in addition, bright with so much creativity this week. The use of strong color: dark red, green, resembles many of classical painting, but to put them in a modern context – especially this week when they showcase the various attractions of Yokohama – makes it a unique production. This art designs feel like an essential component of Bungou Stray Dogs. I have never seen any other shows that Yumiko Kondo (the art director) contribute apart from this one, but she surely has my full attention now. The music remains strong this week, with a rather unusual choice again, but surprising fitting, in a sequences where Atsushi get attacked by the Port Mafia. Rather than using the thrilling score, in that particular scene the show goes for a much slower, tender score to express the lost feeling of Kyouka. The second half of this episode the show rushes thing off into its action mode and this would be our main climax of the whole first season, especially will be a big fight off between our main lead Atsushi and Akutagawa, both of them connected to Dagai as their upperclassman.

But there is one issue that the show unfortunately stumbles on, and I do think this is a serious issue, that is the inconsistency of the characters. This inconsistency had happened before in Bungou Stray Dogs, in an episode where Dagai, Atsushi and Kunikida witnessed several victims were gassed in an abandon hospital. Now with Kunikida’s personality, a rather self-righteous man who lives by his “ideal”, there is no way he’s not shooting the glass down, regardless if the glass is bulletproof or the gas will spread out. He would not even think about it, just shoot it. Again in this episode, the huge leap of personality happens when the Agency was informed that Atsushi has been abducted, and guess what Kunikida’s acting? He’s babbling about the Agency’s current “important” ministry job, which is strange because in this very morning he still has time to go out for lunch, and worse of all he and Ranpo actually look for reasons no to help Atsushi out. I know that the show has downplayed this part and it seems like this part is a vehicle for the President to involve and shows that the President cares for our rookie member, but the show could do that better without selling out any other characters. Consider Kunikida behaving at that moment with him in the end of the episode where he rushing out to rescue our main lead, this feel almost like a betrayal. Dagai being kidnapped and others don’t seem to care at all strikes as another inconsistency for me, I know he would take good care of himself without any help but I really feel like the cast just don’t care because the show don’t want them too, because it would help to move the story faster or some other rubbish. Another glaring example is when Kunikida raising an unnecessary stake with a remark “Once he’s outside of the country, we can’t touch him”. How the heck outside of the country impossible for them to rescue Atsushi? This is an Armed Detective Agency with gifted people for god shake, and I don’t understand why only him and not the whole Agency going to rescue him? It’s simply just because the show don’t want them too. I can get pass their shaky pacing because as of now it’s kinda Bungou Stray Dogs thingy, but if the characters keep acting so inconsistent like this, I would mark the show down rather harshly.

~SuperMario~

Kabaneri of the Iron Fortress – 07

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Can the best show of the season to continue be even more epic than a giant Kabane chasing after a train armed with a tank cannon?

Get ready to be disappointed because the Kabaneri hype train stops for a shopping trip in this episode.

After six episode of running away from Kabane and fighting off enemies on a speeding train, it is inevitable that Kabaneri of the Iron Fortress would give its cast a chance to wind down and let loose before the next leg of their journey. The show does a good job of balancing out its supporting characters by giving them meaningful screen-time alongside our main characters. Between Memui’s first shopping experience with the ladies of the Hayajiro, the bromance of Ikoma and Takumi sticking it to the Bushi and the constant shipping between Ayame-sama/Kurusu, there is plenty of lighthearted humor to go around.

The Tanabata was a good excuse for all the ladies to dress in Yukata clothing.

It’s not all fun and games in the station as the cold and hard reality of the Kabane infection rears its ugly head in a couple of place even though not one of the those glowing zombies shows up. As the encounter shows with the Hayajiro conductors and the boy, whose father was sent flying into the station as a Kabane, there is no place for sugarcoating the bitter truth. However, the latter half of the episode, while it acknowledges that the world is a hellish unforgiving place, pushes a narrative that is hopeful and looks forwards. Just look at Memui’s cynical views on her own dual nature and Ikoma’s rebuttal of his goal of reversing the Kabane side of her.

It’s more than just mere survival.

It’s about going past that and dreaming about a bright future. While Memui’s wish for a belly full of rice is laughably simple and Takumi ‘s appetite for three hot beautiful wives, it all points to a place where the Kabane simply doesn’t exist anymore.

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With Memui’s brother/Hunters coming into town, it sets up the main conflict for the latter half of the show with its attention turning towards other human factions having ulterior motives and setting their plans into motion. Afterall, he is the one who turned little Memui into a Kabane killing machine and the foreshadowing of a sinister plot is bound to have the squishy humans turn their weapons on each other.Even though the action is missing from a show that is all about killing Kabane in the most brutal and spectacular way possible, Studio Wit still manages to deliver a less hectic episode that can stand on its own through its characters interaction and cheesy music while pushing the story ever so slightly.

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