The House in Fata Morgana Video Game Review – 83/100

by AidanAK47, posted in Anime Reviews, Game Reviews, Reviews by AidanAK47

Well I promised I would do a review of this visual novel quite a while ago and believe it or not I only just got around to finishing it. If the fellow who requested it is still here then here you go, I kept my word. Anyway it has been a while since my last game review and I have been itching to cover more visual novels on this site. What better way to jump back into the fray than with The house in Fata Morgana made by Novectacle in 2012(2010 if you consider the trail version) but recently localised by Mangagamer and published on Steam on May of this year. Now this game is a strange beast for a Visual novel. Usually a VN has a main protagonist who lives in Japan and has a number of female friends who act as alternate routes and stories depending on who you choose to partner up with. Fata Morgana doesn’t have that and just in case you were thinking it, it’s not an Otome novel either. (AKA, what i just described but with male friends) Instead what we have here is a visual novel set in the west forgoing the usual anime style for a more comic book/gothic portrait style with a story that is akin to anthology of tragedy tales. For those concerned about censorship, there is none here as this game was all ages, meaning it holds no pornographic content. Don’t take that to mean that it isn’t dark or gory because I can assure you that is most certainly not the case. In a world where in the vast majority of cases you primary concern is choosing your first waifu, this game sticks out and very much in a good way. Don’t take it that I consider visual novels to be generally trash, this is more like the anime industry were for very interesting title you have a truckload of terrible fanservice fantasy harem battle anime. Only difference here is that unlike the anime industry, the dozens of visual titles coming out are not all translated, leaving potential greats sitting in the visual novel database unread due to no English translation. As a prime example, Baldr Sky which has held a spot in the top 5 visual novels of all time in VNDB since 2009 is only just now getting an English translation. It honestly pains me when i think of the numerous potential great titles which escape my grasp due to a lack of a translation. But alas let us move on.
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Mob Psycho 100 – 07

by AidanAK47, posted in Currently Watching:, Mob Psycho 100

The fall of Ritsu is rapid, perhaps too rapid as the pacing of this series has sped up. Before it wasn’t really apparent that the anime was skipping material to get to the good content but here you can really tell that a significant amount of time has been removed which showed Ritsu’s more gradual descent. With Dimples help Ritsu manages to unlock his dormant psychic powers which appear to have awakened due to his actions in framing delinquents for crimes under Shinji’s orders. The two look to have become heroes of the school despite their nefarious efforts though Shinji clearly revels in it while Ritsu only feels guilt. Shinji’s karmic payback was quite beautiful when after falsely accusing delinquents in order to keep them in line, he in turn is falsely accused by delinquents of being a person called White T Poison and is promptly beaten up. White T Poison being the mantle that Ritsu has adopted despite it originally being a title given to his brother Mob. This episode attempts to tightrope between comedy and tragedy. WIth all honestly I am not certain it succeeds. On one side you have a series of schools delinquents named after condiments with Mob being conned into buying a vase. On the other you have severe cases of bullying and a boy drowning in power. The stories art style keeps a light hearted tone but as the plot darkens it becomes somewhat mismatched with what’s happening on screen. Sort of like watching Jojo if it took itself way too seriously.

Thematically I like the ideas behind this as it shows the main idea off power better residing in those who are apathetic about it. Ritsu seeked power and is now drowning in it while Mob seeks normalcy but is constantly pulled into strange events because of his power. Teruki attempts to pass on the lesson he learned from Mob to Ritsu(While wearing a fairly hilarious wig) but Ritsu is just far too gone to listen. And while all this is going on, Mob is busy being fooled by con artists. This side story feels out of place amidst the telling of Ritsu’s fall from grace while it does show more examples of Seigan caring about Mob. Though I laugh at Mob berating con artists in front of another con artist. Though it does make me wonder as to just why he is keeping up this act in front of Mob. Obviously it could be to exploit his powers for his own gain but I feel like there is another agenda under his facade. Animation looks to have fallen in this series as of late as I notice the number of still frames pop up. It could be due to the lack of a need for flashy animation during this particular arc. It is a wonder just how Mob will react to his brother gaining psychic powers and just what he has done to obtain them. There is also the matter of the mysterious hooded man who appears to be an esper as well. Next episode looks to be an action packed one.

91 Days – 07

by AidanAK47, posted in 91 Days, Currently Watching:

Avilio’s machinations are truly coming to fruition and his plan is looking more Monte cristo-eqe as it unfolds. Fango has a new hairstyle and is itching to take down the Vanettis and the Galassias but I must admit that for someone as psychotic as him it’s strange how he allows his girlfriend to steal his lines. As she continued to cut him off I was expecting him to pull out a gun and kill her, or at least get her to shut up. Yet it seems he is more whipped than expected or has a soft spot for her. Either way it looks like his craziness has calmed down and I would personally prefer it that way. The big focus of today’s episode is a falling out between Nero and Frate as tensions between them lead to one taking out the other. The true victim in all this is Fio whom got a lot of screentime before she was put on a train and likely out of the plot forever. From the looks of things, she married Ronaldo to protect her brothers despite having no real love for him. Yet despite her efforts Nero and Frate ended up fighting each other with Ronaldo pushing for Nero’s death despite Fio’s pleas.

A lot of reasoning was happening to try and work for a peaceful outcome, which Nero wasn’t all that against. They sent his uncle to smooth things over and even Fio tried to talk the two into a truce and very nearly succeeded. But peace isn’t in Avilio’s plan and this is where is revenge gets muddy. He fooled Nero’s most loyal man into attacking Frate and killed any chance for a truce. Though heres what I don’t particularly like about this episode as it appears a large amount of time passes after the attempted hit and the two appear to have been in a gang war for quite some time. However this is all represented in a few newspaper page montage before returning to the story within seconds and suddenly Frate is worn down by a war that only started a few seconds ago. It felt far too sudden and that moment would have been perfect to have a good old mob massacre montage like in the opening.

Frate was a pawn though and though. He never truly realised it though. When things got tough he ran to Ronaldo who pretty much dictated his decisions and appeared to have gotten him hooked to a drug which he supplies. What that drug is, is a matter of debate. It doesn’t seem to be cocaine seeing how he attempted to ingest it through his mouth. Opium is a safe bet though considering Frates symptoms I would think it was some sort of drug to keep him submissive, like toluene. Despite Fio’s efforts it looks like even if Avilio didn’t push for this outcome that Ronaldo likely would have. Perhaps that’s what lay in the note Avilio gave her along with the flowers and the gun. Ronaldo underestimated the level of stress he was putting on her and likely didn’t quite realise that having a child be a bridge between mafia families wasn’t the best way to rescue his wife. Still this move was a big risk for Avilio as while he did give her a nudge in the right direction, there was no guarantee than she would have what it takes to shoot Ronaldo. But perhaps he had more contact which her than was suggested based on how he whispered to her before boarding the train. Honestly Avilio’s plans seem to require a lot of luck and great foresight or just him rolling with the situation.

Him removing the bullets from Frates gun with slight of hand looked to be an impulsive move to stop Nero getting gunned down. The beauty of it was that Frate pulled the trigger first before Nero shot but the gun only clicked. It was almost as if it was a test to see if he really would kill Nero but I am uncertain if Nero was truly aware that the gun was empty. Having killed his brother Avilio steps up to be Nero’s most trusted companion but it’s possible that he intends to get rid of him soon. He has taken out one of his targets with Nero’s father, Nero and the mystery man remaining. I am having second thoughts over Corteo being the fourth man, thematically it would make sense of his reaction to the letter and his efforts to convince Avilio off the path of revenge as well as being a kick to the gut of Avilio’s motivation. I would actually prefer it as he is one of the few in the story to have a constant presence and thus the reveal would have more weight to it rather than some person introduced at a later date or someone who has stuck most to the background. I don’t think he was a gangster back then but perhaps played a role in informing the murderers for money or in a potentially interesting turn, revenge. However i admit the reasoning is somewhat flawed and it’s highly doubtful he sent the letter to Avilio. Though it’s possible the letter was not sent by the fourth man but rather an outside party. We have had a slow burn of a story so far but I hope with the coming episodes we can have some great set pieces to give 91 days a memorable note to go out on.

orange – 08

by SuperMario, posted in Currently Watching:, Orange

This week, Naho and Suwa face a dilemma of whether or not they should follow what written in the letters. The relay is coming and Kakeru is appointed to be an anchor. They have been followed the letters very closely, but the original reality becomes too different from this reality that the content is not really relevant anymore. Should they follow the letters because clearly the older-selves have all the answers, or should they rely on themselves to act according to Kakeru’s happiness? Naho and Suwa at first decided to ask him not to join the relay team, since the relay could affect badly to Kakeru. But Kakeru, being himself, feels insecure that he might let the team down so he’s agree to pull out, but he’s clearly not too happy about either decision. Kakeru has been afraid to make a choice. He doesn’t want to repeat the same problems and have more regrets, even to the point where he confesses his feeling towards Naho, but too afraid to date her. Naho and Suwa realize they have been way over-protective to Kakeru, because really without taking a step forward, how could Kakeru move on to his next stage? The rest of the group pick up on that as well, and they together make an awesome decision: let the group run for the relay, so that Kakeru can run and moreover they can run together. Now I understand the running part in the Opening Credit. Yes, it has its purpose and this is not some cliché opening credit where everyone runs for no reason from all over directions, right? RIGHT?

But as I mentioned in previous posts, some of the incidents can’t change and those lead directly to the sad outcomes. Because the group invited Kakeru on the first day, his mother commit suicide. Because Naho couldn’t bring herself to talk directly to Kakeru, he dated Ueda. This time they ignore the letters, but could it be the reason the letters don’t want Kakeru to join the relay is because of his health? Earlier in the episode he passes out and with the stress he’s currently building up, his physical gotten weaker and weaker. I’m not imply he’s in some kind of terminal disease and I really hope the show won’t go that way, but it’s possible that they might not be able to ‘save’ Kakeru the way they want to.

This is now confirmed that the rest of the cast also receive the letters from their 26-year-old selves. All they want is to support Naho and Suwa to save Kakeru, and all Naho and Suwa have to do is to share it with them. Now this lead to a fundamental issue of the show: all the developments emphasis on the same united purpose: saving Kakeru. For that I say they’re trying a bit too hard for the sake of Kakeru (really? 5 adult people sent letters to their younger selves so that they can do their best effort to save him?), and other aspects of friendship will be ignored. Now, every time Suwa and Naho talking to each other, it’ll be about Kakeru. They grow through their interaction with Kakeru, not wuth themselves. I kind of miss the interaction between the group in the first episode where I can see more angle about their friendships, see how they bound off each other in a natural way.

But really, the more I see orange the more I think this is a kind of weird production. The director Hiroshi Hamasaki is not well-verse in shoujo drama, the budget is tight and that hurts. The rough quality and still-frames are more prominent now than ever. It’s a shame because orange works best if the production values can express those emotions, but the level shown in orange simply couldn’t match it.

Thunderbolt Fantasy – 07

by SuperMario, posted in Currently Watching:, Thunderbolt Fantasy

This week our band heads up to the evil mountain and needless to say they possess absolutely no teamwork spirit whatsoever. It’s as you would expect from a group of seven egocentric members. Our main character Shang Bu Shuan repeatedly gets teased by their comrades, as he finds himself fighting the enemies alone without the help of others. But I have to note that it all comes from his carelessness to begin with, and all the ignorant from others towards him play more as a comic relief than anything else. Still it’s hilarious to see Sha Wu Sheng the Screaming Phoenix Killer just sits down, relax in his conform zone without helping our main guy out, or that the band continues to praise Shou Yun Xiao the one-eyed archer like nothing happen after he misses the target deliberately and only manages to save Shang Bu Shuan when he fell off. But really to no surprise of no one, our MC passes the obstacles with flying colors. It’s all child’s play for the group it seems.

In terms of plot, there is nothing special in this episode as we know how it head several episodes before. Like I mentioned last week, the main boss Mie Tian Hai appears in front of the group truly for a little chit-chat (everyone sure loves to chit chat in Thunderbolt Fantasy), even feels so generous that he ‘allows’ the group to proceed. The person who has the most development this week is Dan Fei, after she was directly ridiculed by Mie Tian Hai. She fires up and practices too hard, but Juan Can Yu sees through it and even figures out the defect in her technique. Now, this is an interesting bit. Usually from your typical wuxia show, it’s either the swordsman is already skilled or he tries his best to master the skills. There’s never a situation where a swordsman was pointed out that his techniques are ineffective, moreover because the techniques are not suitable for girl. This is something you don’t see so often. It’s much more in the same vein of learning sports’ skills and I have to applause for Gen Urobuchi for actually gives it a thought and makes it interesting.

There is another refreshing nonsense little details in this episode that I find myself enjoy it tremendously. It is the condition of a lullaby to put the undead to sleep. Apparently you have to know which era the undead comes from, and “There’s a subtle pitch shift in the song that depends on when they died” as Xing Hai the necromancer puts it. Talking about perfection in art! I mean this bit of details come from nowhere, but makes totally sense the way they explain it. Even more ridiculously, Gui Niao steps up to be a lullaby conductor (or lullaby composer, depend on how you look at it). It feels like the creators must be on some sort of drugs when they think about the script.

So how things going to happen from now on? From the pacing of this episode, I’m guessing next week they’ll pass the third obstacle and then on their way to face off the main antagonist. This week we learn that the zombies were created 200 years ago, the same time of the War of Fading Dust, and the divide between the two countries. I know it’s absurd but the one who actually feels or those undead is none other than the heartless Sha Wu Sheng. This guy really cares much more about the dead than the living. I guess that the great event has something to do with the powerful sorcerer who used to own the Seven Sin Towers. My take is that mysterious sorcerer is someone we already know, but at the moment only Gui Niao seems like a good fit. Mie Tian Hai, on the other hand, doesn’t even acknowledge Gui Niao so I’m not really sure if he knows much about his true identity. We will, however, have a much better idea about his identity next week, as the title is “The Enigmatic Gale” – one of Gui Niao’s alias. Anyway, we still have 5 episodes to go and with that much refreshing in terms of ideas and its campy sense of humor, I am sure that this Thunderbolt Fantasy train won’t stray off its track anytime soon.

Re:Zero -Starting Life in Another World – 21

by AidanAK47, posted in Currently Watching:, Re:Zero -Starting Life in Another World

I didn’t think I would be saying this again but here it is, if this was the end of the series then I would consider it a satisfying ending. Sure there would be loose ends left hanging but the level of conclusion to this particular dilemma would leave me content with the series. But this certainly isn’t the end and we have the battle against the witches cult coming up which admittedly were put out of my mind once the whale showed up. Wilhelm turns out to not be dead as the old man cuts himself out of the whale and has likely earned a place in any fan’s top list of badass anime characters. We even got a conclusion to his flashback where he trained to a level to take Theresia’s sword saint rank and confessed his love for her. I for one am surprised at having such an attachment to this small side story for Theresia only showed up last episode and yet this love story hits harder than many anime devoted to the very concept. In words, this was powerful and the image of Wilhelm declaring his love for his wife after taking revenge on the white whale just makes my heart well up with emotions I thought long whittled down from years of anime watching.

I have heard some argue that Wilhelms desire to take the sword from his wife’s hand was somewhat misogynistic but I feel that is greatly misinterpreting his intent. From what I understand it, Theresia never wanted to be a sword Saint but was forced into it because of her family. If anything Wilhelms efforts were to give his wife the opportunity to be what she really wants to be by taking her inherited mantle from her. Quite frankly this episode was a compilation of great moments fighting the whale. From Crushes speech, Subaru’s daring gamble and even him and Rem having a moment after it was all over. Looking over it I can only see it as just satisfying and perhaps this is the relief that after several loops of Subaru failing miserable we are finally at the first success. Thus this looks to be confirmed to be the last loop of the series.

Still to bring up two bothersome aspects I must point out that Subaru’s gamble was more on the ridiculous side. I appreciated the Gainax callout with Subaru doing the pose many would recognise from Gurren Laggan.(Or if you are really savvy, GunBuster) but I really do think that what he did was something an ordinary person couldn’t accomplish on their first try. I mean he jumped on a ice projectile and jumped off and landed perfectly on the whales horn, not affected by wind resistance in the slightest. I know this is really something you should just say anime logic and leave it at this but come on, this is pushing it. The other thing mainly has to do with something that was left out of this episode and was in the original source material. You see apparently in the last scene Rem was supposed to make it out that she was injured with the tree fell and thus it was made out that she was dying. Subaru then starts confessing that he loves her just as much as Emilia and whatnot before Rem reveals that she was pulling his leg. I actually am rather glad this was left out as it does make Subaru’s declaration of loving Emilia somewhat flimsy but also because this seems to suggest that Re:Zero is going for something that a lot of Another world/reincarnation web novels go for.

That being, Polygamy. In the examples I have read the other world aspect is used to justify polygamy which in turn is really just a convenient way of giving the ultimate wish fulfillment. After all, why choose one waifu when you can have all the waifus? The first time I encountered it in a story I was rather fascinated as I hadn’t really see a story deal with it and ultimately it’s better than have the protagonist remain indecisive even till the end for fear of angering the fanbase. However in other stories it really became a means to show off how godlike amazing the main character is and how he doesn’t need to have just one women, a allurement which just makes me want to retch. I say by now it would be folly to claim that I am not a fan of Rem but even so I am not fond of the idea of Subaru gathering a trophy set of wives. I prefer it that girls be more like Crush here, who admits that his actions pulled her strings a bit but ultimately sees him as a comrade. An important factor that this story needs to keep in mind is that Subaru should not obtain the perfect protagonist status that has caused many another world/Reincarnation story to fail. It would make the stories efforts to portray his weaknesses ring insincere and hollow.

I did wonder as to how Subaru was going to deal with the witches cult and my guess that the army would be fairly devastated by the whales attack seemed on point. However it looks like Subaru has gained a large amount of allies with this feat, the most important of which looks to be Wilhelms loyalty which considering his battle prowess is no small matter. Honestly I think that old man could take them all down before Betelgeuses brain has time to tremble.Though after a battle such as this I wonder if the Witches cult can provide a suitable climax to the series.

Berserk(2016) – 08 [Reunion in the Den of Evil]

by Bam, posted in Berserk(2016), Currently Watching:

Episode 8 starts with a cold opening that retreads the fateful rendezvous of Guts and Casca. I actually thought that this was a good move, as this is a very big moment in the overall story of the last few arcs. After the Golden Age section we get very few deep character moments, and a lot of the pathos of the story has been replaced by mere action. I’ll take the time to reiterate my opinion that the Golden Age Arc is quite honestly the very best part of the story. The focus on the characters and their relations, combined with the world building which masterfully portrays a dark fantasy realm that borders close to our own, yet at the same time concealing an inundation of supernatural evil slithering under the surface, are what have made Berserk the masterpiece that it is. After the events of the Eclipse a lot of that imperative was washed away, and replaced by a revenge story which is heavy on plot, yet slim on thought-provoking ideas with deep emotional impact. This little scene of reunion hearkens back to those glory days, even if ever slightly so.

All that said, after the opening we are thrown right back into the action. The fight choreography is taken directly from the manga, but turned up a few notches. As intricate and detailed as Miura’s drawings are, it’s still sometimes hard to follow his action panels. Compared to Tezuka, or the more contemporary mangaka such as Naoki Urasawa and Takehiko Inoue, Miura’s panels seem to be displaying the key frames, and leaving out the dynamics of the action to the readers’ imagination. So at least here we get a more direct interpretation of the fight scene, which while completely sufficient, fails to really enhance on its source, as say a studio like Ufotable would’ve managed to do. We even get the near miss of Guts almost losing his only functioning eye, but he manages to use a little bit of strategy to neutralize the Goat before resorting back to brute force and finishing the job.

We next get to see Farnese using the situation to try and kill two birds with one stone, and coercing the troops of taking care of Guts along with the rest of the ghouls.  Azan tries to be the voice of reason, but is soon shut down, and being well aware of his rank, simply continues to follow the orders. Azan reminds me of a certain knight in Final Fantasy IX named Steiner, who while taking himself seriously, is still relegated to comic relief; although both characters aren’t exactly push-overs.

It’s brought to Farnese’s attention that Serpico is missing. This leads in to our next action set-piece, which proves to be a bit more personal. This duel has been long in the making, since although Serpico has no qualms with Guts, his devotion to Farnese compels him to remove the threat that has been plaguing her mind. There also seems to be a bit of a clash of egos at work here. Serpico is a pragmatist, using the best tactic to set up the match to his advantage, with no apparent regard for honor. He has always somewhat reminded me of Griffith, and I think the parallels are too striking to be completely coincidental. The fast fighting style, the cunning calculation, the pride, all point to a resemblance in their world-view and personality.

The narrow landing prevents Guts from drawing his sizeable weapon, but he isn’t particularly new to being in the corner either, and starts the face-off with a flurry of arrows and explosives. Serpico manages to regain his footing and then precedes to send a wave of rapid thrusts. Guts catching the rapier’s blade with his hand is again reminiscent to the surprising way he caught Griffith off-guard by biting the edge of his sword. Looking at the hilt of Serpico’s rapier, it resembles a German Pappenheimer, which means contrary to common belief the blade is not only pointed for thrust attacks, but also edged for slashing. It’s also somewhat historically accurate that such fine rapiers were often quite brittle; making the shattering of it not much beyond the realm of possibility.

Down in the valley we have Farnsese going off on her men. The prospect of Guts surviving is taking a toll on her, and we see her scabbard-smashing her men in front of a concerned crowd of knights. On the other side we see that Guts nearly pushed to the same limits over Isidro losing Casca, but he manages to subside his rage. I feel that this is in part due to what took place at Godo’s house, and how this situation was quite similar to his unwarranted outburst against poor Rickert.

At the end, the gang heads towards the Tower of Conviction, as the Skull Knight vague ramblings foretell an ominous encounter. Inside we get a glimpse of Nina and Casca, and a small window into Uncle Mozguz’ House of Terror.  The stage is set, and the pieces are assembled. The next Episode is titled Blood Flow of the Dead, so I’m guessing that it will be the first part to a double, or perhaps triple, episode, that will be covering the main part of the chapter we’ve been waiting for. These recent episodes have been following the manga extremely closely, and all the while moving at quite a rapid pace. My only issue is still the execution, and how the show has yet to go beyond what they are directly drawing from. One could only hope that there is some budget being set aside for a more memorable finale, and at least now we can anticipate the trajectory of the rest of this cour. Until next Friday and more Berserk, stay tuned my friends.

~Bam~

Berserk(2016) – 07 [The Black Witch]

by Bam, posted in Berserk(2016), Currently Watching:

I apologize for this very late review, but due to circumstances I didn’t have the means of watching the episode, and hence the week-long delay. I’ll try to at least leave a notification in case of such issues in the future, but otherwise will try to keep the posts steady. So let’s get right to it, shall we?

We get a recap of the ending scene of last episode, with the Demon Child warding off the spirits, and in turn making Casca the hailed princess of the cult. It appears that in these times of desperation, the cult members cling to anything that they can praise as a deity. The noteworthy thing here is that Casca shows a maternal instinct for the Child, as she tries to reach for it before it disappears. This stands as a stark contrast to Guts, who sees the child as a curse and an ugly reminder of his past.

Next we have a scene at the camp, with Luca being brave and assertive as ever. I always disliked Nina’s characterization, but she appears to be even more annoying in this series. Her selfish ways are highlighted here in an attempt to create some sort of a character arc for her in the future. The duo’s discussions are interrupted, as they are notified of an impending trial of another one of their compatriots.

Looks like we have ourselves a classic witch hunt here. Not unlike such similar occurrences in reality, these hunts are more about silencing unrest and class warfare than anything else. There are few tools more effective in oppression of a population, than an appeal to divine authority. Thankfully the masquerade is cut short by the sudden appearance of a certain Black Swordsman.  Guts has well established himself as the king of entrances, and this instance is not any different. I really do enjoy his no-nonsense approach to information gathering, and when pushed he proceeds to lay down the authority very swiftly. Fans often forget that Guts is truly an antihero, with his mercenary background defining his sense of morality. He is single-minded in his approach, and not afraid of taking any necessary measures to achieve his goals. I like to note that the digital blood splatters were bearable in this scene, and did little to distract from the action.

Next we have a rush back to the campsite in order to fetch Casca. There is a quick overview of the state of constant fear that has enveloped the camp, as people are quick to sell each other out in order to avoid punishment. The knights’ preoccupation with the situation in Albion can only mean that the news of the full-scale Kushan invasion has not reached their ranks yet. This is exacerbated by the show jumping the gun, and expediting the assault on Windham as early as four episodes ago.

Nina proceeds to panic when Luca doesn’t make it back to the campsite, and makes another stupid decision to seek refuge in the cave of the cultists. I guess this can be excused, since from her perspective the chance of Luca being caught by the knights is actually very high, and this decision is made out of pure desperation. I never liked the “princess is in another castle” shtick, but here it serves to move the plot towards the eventual encounter.

I never fully understood the mechanics of Puck’s visibility to mortals. It was implied that those of closemind and narrow worldview would find it harder to see him, but here we are told that larger crowds further hide his presence. I guess things are more easily concealed when there is more commotion. There is also a shallow attempt at explaining Isidro’s backstory, but given the rapid pacing of the episode this can be excused, as it would’ve bogged down the flow if it was given too much focus. He might be a silly kid, but at least he’s honest and to the point. From his view it definitely seems as if he’s found himself quite a master in Guts, and there’s safety in being under his wing. Little does he know how much of a magnet Guts truly is to danger, and considering that he learned his skills firsthand in a mercenary camp, Gut’s utility as a sword instructor is at the very least highly questionable. Nevertheless, he pursues Nina and Casca towards the cave.

Next there is the reappearance of Joachim, as he spills the bean about the location and activities of the cultists. A soldier also breaks the news of Guts to a visibly shocked Farnese, as the main thing she was trying to avoid has finally come to find her. Her reluctance in facing Guts definitely plays a part in their decision to give priority to hunting the cultists. There is some irony in the fact that the gravitation of the common people to these cults is directly related to their struggles under the Holy See’s oppression. The tighter the grip, the heavier the backlash against it.

We’re welcomed back to the cave, and it seems that this episode has given it a livelier look, as a bright magenta color palette prevails the tone of the scene. There also appears to be some improvements to the textures, with the ground and the cave walls having a more detailed look to them. I personally always enjoyed the symbolism of the crown of thorns that they place on Casca, although I admit that it is more for show than pertaining to anything deep. Nina is being prepared to be sacrificed for the union of the Great Goat and Casca, who as we remember is being worshiped as an idol of the cult. The world of Berserk heavily revolves around the concept of sacrifice. The cave seems to be located within a certain interstice, as a place where the barrier between the physical world and the astral realm is particularly weak. This is further intensified by the presence of Casca, which yet again summons the ghosts of those who were sacrificed to possess the cultists.

Next we get a full-on zombie brawl, as the Iron Chain Knights converge on the location of the cave. Well, in reality it’s more of a slaughter than an actual battle. I like to take the time to say that I really enjoy the design of the visor on Farnese’s helmet, here portrayed with an even more exaggerated length than the manga. Isidro proves his worth, as he buys some time until Puck can fly and get Guts. It is revealed that the Great Goat is not really of any supernatural essence, but just a man donning a ceremonial goat head. This quickly changes as the Egg Apostle sires the Great Goat, and makes him a true apostle-spawn. I’ll be getting into the Egg Apostle’s story in later reviews.

I seriously thought that what ensues will be toned down, but lo and behold, we are greeted to yet another demonic rape attempt. I guess after the infamous Rape Horse I should be expecting the series to stick close to these specific elements of the source material. Here we have some familiar workaround female nudity, as well as a peculiar censorship of some violence. I think this is a good place to delve a little bit into the strange censorship laws placed on the Japanese media. The regulations regarding anime censorship are strangely specific, with varying levels of rationalizations. There is much leeway in the graphic portrayal of violence when the subject is considered “otherworldly”. This means that a zombie, monster, or any evil creature can be shown to be straight ripped apart, while human victims need to be toned down to either simple stabbing or details being subject to black bars and omissions. There are similar laws regarding nudity, and more specifically the male reproductive organ. As Toshio Maeda of Urotsukidōji fame came to realize back in the 80’s, a regular human penis can under no circumstance be portrayed in media, while any phallic or “penis-like appendage” is completely acceptable under article 175 of the Criminal Code of Japan. And hence, the inclusion of the snake penis.

As things seem to be reaching a critical level, we are greeted to another badass Guts entrance, this time in the form of what can only be called a ‘Batman moment’. He emerges from the shadows, swiftly maneuvering down to the pit, and making mince-meat out of the possessed cultists. The Dragonslayer dances with little resistance, as the cavelight gives a Sword of Moonlight blue hue to its blade. As we get passed the nasty goat circumcision, we are thrilled by a much-awaited reunion of our two estranged lovers, as their meeting gaze speaks much more than anything that could be uttered here.

Overall this one was a faster, denser, and dare I say better episode than the last few that we’ve had in Albion. There are many confrontations in store, and the stage is nearly set for one of the most iconic moments in the history of Berserk. I have my work cut out for me, as I’m jumping right into the next review as soon as this one is posted. Stay tuned for more, as I rush to make up for lost time.

~Bam~

Fate/kaleid liner Prisma☆Illya 3rei – 07

by AidanAK47, posted in Currently Watching:, Fate/kaleid liner Prisma☆Illya 3rei

Oh the sweet sweet irony. Well I believe this qualifies for dramatic irony. You know what, I don’t care if it’s technically irony or not. I am calling it ironic. Though why is it ironic? Well the reason for that is that in this episode Illya had her soul transferred to a doll which exactly mirrors a bad end of the original Fate/Stay Night visual novel. Here in the Fate route, Illya captured Shirou and offered him a deal to become her servant. You are given a choice to accept this offer but if you do then Illya will take Shirous soul out of his body and place it in a doll. On the grounds that now he can be with her forever…as a doll. This is something that makes Erika interesting as she is a representation of what Illya could become. She holds the same kind of skewed morality that Illya does in the main series though in her case her motives are far less malicious. A small scene was left out here of her reacting to how Miyu cried over her showing Illya’s body. Going from joy before slowly feeling ashamed when Miyu didn’t react the way she thought she would. Luvia and Rin are back and even without minds they are bothering others. They annoyed Beatrix to the extent that she went and revealed how to turn them back when she refused to punch them because it would make them go back.

A lot of humor this episode as it mainly details the misadventures of Illya who has been transformed into a doll. It could be my bias speaking but I thought it was quite amusing, particularly Gil reacting to Chloe bursting into his room.  Always magnificent, that fellow is. He even remarked that upon getting his adult self back the first one he would kill is Chloe, which considering how he is in adult form may indeed not be a joke. Though some jokes didn’t quite hit such as the obligatory big boobs vs flat chests joke and Beatrix’s room was more strange than humorous. So the violent girl swinging around the hammer of a god is also a ravenous fangirl for a guy named Julian. The disconnect is rather off putting but I guess we now know why Rei Kugimiya was chosen to voice her. Still regardless of whether the joke is funny or not, Illya’s reaction always tends to get a smile out of me. Speaking of which it seems they first planned to brainwash her before putting her into a doll but couldn’t because Illya was hiding her consciousness in a place which seems to be suggested to be where Choles personality used to reside. The theory that she may in fact be her real personality is starting to get some weight. We are entering the second half of the series and likely when the action is going to kick up a notch. I will admit that this isn’t quite a good as I was hoping but all things considered, as long as a certain part is done well then I will be happy enough.

Mob Psycho 100 – 06

by AidanAK47, posted in Currently Watching:, Mob Psycho 100

It a beginning of a dark path for Ritsu as his own inadequacies are pushing him in a direction that won’t end well for him. Part of the problem is the student council president whom is called Shinji. He happens to remind me of another Shinji in another series who had an equally punchable face and crushing superiority complex. But while Mob is depressed over losing control last episode, his brother is becoming more frustrated as his abilities fail to meet his expectations. Mob may be the main reason for this as when he was a child he foolishly promised his brother that someday he too would have psychic powers which unfortunately didn’t turn out to be the case. Perhaps a testament that relation does not equal skill, nor should people expect a person to inherit the qualities of their family. In fact expectation may be the subtitle of this episodes theme as we see it presented throughout. Ritsu is frustrated because people have great expectations of him when he himself feel inadequate. The student council president is expected to match the level set by his older brother. Finally a innocent person is framed of a crime simply because it is something they expected him to do.

Under the grounds of removing delinquency from the school, Shinji and Ritsu frame Tenga by placing girls recorders in his desk and bag. The rest follows suit as mob mentality takes hold and he is left unable to defend himself simply because no one actually believes he wouldn’t do it. It’s more tragic when you see that Tenga may not be as bad a person as first thought when he has a perfect attendance record up to this point and even tries to awkwardly apologize to Mob for tricking him into getting kidnapped by Black Vinegar delinquents. Not to mention him starting to run with the body improvement club and actually starting to enjoy it. But after this he will likly be mistakenly labeled as a prevert for the rest of his school life. It really goes to show the level of cruelty people can display if given the opportunity and shield of anonymity.

Seigan is back fooling the gullible but I find his antics much more fun when his clients are far more reprehensible than he is. One thing quite amusing about the scene though was that when the client was threatening Seigan to reveal a 13 letter password, Seigan responded with “GetAJobYouBum” which actually is 13 letters exactly. In other wannabe esper territory Ritsu paid a visit to a lab dedicated to researching psychic powers. Besides him being greatly underwhelmed by the level of power of the subjects, it did reveal that he manages to unknowingly twist a spoon when he threw it away which does suggest that Ritsu has a level of psychic power that he’s not aware of. Looks like things plan to get more troublesome as DImple is back and looks to have taken an interest in Ritsu. Perhaps the next foe Mob will have to face is his own brother?