Little Witch Academia – 05[Luna Nova and the White Dragon]

by AidanAK47, posted in Currently Watching:, Little Witch Academia

Well there goes my character focused episodes theory unless the purpose of this episode was to introduce Fafner the dragon. I think only trigger can manage to turn a situation with dragons stealing a magic stone into a tale about the academy trying to pay off a debt owed to to a dragon who works in the stock market. Dragons in particular are known for hoarding treasure with Fafner being a dwarf who turned into a dragon and guards his treasure hoard. So a modern interpretation of this being a dragon who acts as a loan shark while working digitally with the stock market is a stroke of genius. If you’re unfamiliar with the stock market, platforms like IG Review can offer insights into how the stock market works. I certainly wasn’t expecting that after a powerpuff girls reference at the beginning of the episode. The Dinotopia reference with dragonese being essentially footprint alphabet I didn’t catch until reading discussions. Also found out that dinosuar show I watched way back in 2002 was called Dinotopia and was based on books. I will be damned. Other than that this did give the troublemaker trio of Amanda, Constanze and Jasminka some time in the spotlight, especially Constanze who has likely won more fans with this.

In my book any character than can pull out a Spaz shotgun and shoot down dragons is a character worth remembering. The diversity of nationality is pretty unheard of for an anime as well with Akko being Japanese, Lotte being Finnish, Sucy is from southeast Asia, Amanda being American(Considering her second name is O’Neill, she’s most likely part Irish too.), Constanze is German, Jasminka is Russian, Diana is British and even the announcer from the broom race looked Africain. I can’t think of many anime with a cast like this other than maybe Jojo and that anime that represented each country with an anime character(Helalia was it?)  Considering that Little WItch Academia appeals more to a western audience than a japanese one this could be fanservice on Triggers part and boy do I love them for it.

It’s a little early to call this a demerit to the show but if not remedied soon Akko’s attitude could become a problem. Akko’s main gimmick is that she is a girl with incredible passion and daring which will most likely cause a change in the magic world. Right now however when Diana was laying into her about her faults I found that I agreed with her 100%. Akko doesn’t think about how her actions affect others and despite talking up about how she is going to be the best that ever was, she never makes a real effort to try. Ursula is more than willing to give Akko the help she needs but she is getting shunned or ignored fast by Akko. The big factor in this episode is that Akko placed her friends in real danger just by butting into a problem which would have been resolved without her. As I said it’s a little early to call this a flaw as Akko’s development is clearly going to be a big part of the series but she is going to need to at least start changing a little. One thing that constantly had me wondering while watching this is that Akko and her friends went to take on dragons and for some reason Akko did not bring along Shiny Rod. She was lucky in this case as the dragon in question didn’t intend to hurt them but to go up against a dragon without the deus ex machina stick isn’t bravery, but pure foolishness.

Fafner does bring up a point which is likely to play an important role in this series, namely that magic has become outdated for the modern world. The luna nova teacher state that there is a decline in students and it doesn’t help that they have proven themselves fairly incompetent so far in the series. Magic does look to have great benefits like with Diana reforming the potion that broke during Akko’s and Amanda’s fight. However those benefits come with an immense downside as the witch’s can only use great magic within the grounds of the school. In that regard just what does one gain from studying to be a witch? Constanze has proven it well enough that technology can not only do what magic does but it can do the job better. So the big question is what caused of the decline of magic? For Shiny Chariot could once use great magic outside of school so what exactly changed? Could it have anything to do with that star shaped scar on the moon? For that scar doesn’t appear to be on the moon in the very first episode during Chariots show. Perhaps the fall of magic could be related to why Chariot gave up being an entertainer and lost the power to wield Shiny Rod.

Shouwa Genroku Rakugo Shinjuu – 18

by AidanAK47, posted in Currently Watching:, Shouwa Genroku Rakugo Shinjuu

The opening of this episode starts us off with an ominous note as Sukuroka’s eyes are shown with a deep blood red. Perhaps it is a sign that the reaper has come for Yakumo, but I think it’s too early for that yet. On Yotaro’s side of things, something I previously suspected was brought up as Yotaro still hasn’t found his Rakugo and I think that until the writer gives him some new material, he won’t. One thing he did realize was that s and his and Yakumo’s approach to Rakugo are different. Yakumo tends to push his style as a performer onto all the characters he portrays while Yotaro wishes to become the characters themselves. It’s an important step for Yotaro as it means that he is moving away from simply copying his master to developing his own style. Considering the events at the end of the episode, I hope he doesn’t regress back from this step forward. It was indeed a very unfortunate timing for Yotaro to have this revelation.

The final scene reminds me of a moment during the first season, when Miyokichi claimed that she would haunt Yakumo in episode 9. In a way she has done just that, so perhaps it gives her joy in the afterlife. Is this truly the ghost of Miyokichi come back to torment Yakumo or simply a hallucination due to his failing health? It really is up to the viewer, but it is rather interesting that Yakumo was telling a story about a man meeting his loved one by lighting incense and making the story more dynamic by having Konatsu light the incense. For the ghost of Miyokichi to appear from incense lit by her daughter, who just so happens to still hold a grudge against Yakumo is rather intriguing. As I stated in the title, I don’t think this is the end for Yakumo. Things may look grim but he still hasn’t hit the apex of this character arc yet. He is essentially the main opposition for Yotaro and for the writer to kill him off now would leave a gaping hole in the narrative. I think this near death experience should give him some perspective though. One thing that really caught my eye was in how Yakumo reacted to Yotaro calling Rakugo fun. Once upon a time Yakumo found Rakugo fun, but it seems after Sukoroku died, that event killed Yakumo’s enthusiasm for it. Rakugo is just a job for Yakumo now and I think this marks a turning point for him to regain that love he once had.

One thing that threw me through a loop this episode was before Yakumo collapsed, he looked at Konatsu and repeated “My Beloved, My beloved.” I personally saw the relationship between Yakumo and Miyokichi to be one sided. Unless that flashback was Yakumo playing unreliable narrator I don’t think Yakumo truly loved Miyokichi. He may have cared for her but often his more intimate moments with her felt like he was just indulging her. Of course time is a fickle beast and it’s possible that looking back over his past that Yakumo’s affection for Miyokichi could have grown into love. It was a long time ago and she was clearly the woman who made the greatest impact on his life. But perhaps there is something more to this. Perhaps Yakumo was hiding something that he didn’t tell Yotaro and Konatsu. What that could be is anyone’s guess. As a nice bit of symmetry this episode is the fifth episode of the second season which could potentially be Yakumo’s end as a Rakugo performer. The fifth episode of the first season was where Yakumo crossdressed for a play and discovered his talent with could be considered his beginning in Rakugo. In that regard this could be the beginning of great change.

Saga of Tanya the Evil – 05 [My First Battalion]

by AidanAK47, posted in Currently Watching:, Saga of Tanya the Evil

The only one thing I dislike about this episode was that we didn’t get into Tanya’s thoughts very much. I really wish I could have heard what she was thinking while training the troops because it would have been undoubtedly hilarious. It is clear by her reaction that she didn’t expect any of them to continue and was just waiting for them to drop out. From what I hear, we actually got the abridged version of her training as in the LN and manga, as she shot even more artillery shells at them after the original thirty-six hour time limit just to mess with them and then went through the list of the world’s most hellish training regiments. Of course, her efforts backfired as the harsh treatment of the troops gave the impression that she would kill anyone who dared tries to quit. It’s a common theme for Tanya to see things in terms of loss and gain as her previous life as a salaryman made her highly logical but apathetic.

Tanya only sees things from her perspective without taking into account the time or the mindset of others. In truth, Tanya’s mistakes are normal due to her misunderstanding of other people. To truly defeat God, she needs to stop focusing on her own goal and expand her worldview and the utter glorious tragedy of it all, is that Tanya is the kind of person so caught up in her own ideals to ever truly consider it. Despite being a clever individual, Tanya is quite childish and short sighted. After all, the main reason she is in this mess is because she prattled on to God without thinking. Tanya, to me, is how a villain should be written, not some unfazeable egoist mastermind sitting atop a tower saying everything is according to plan. Instead, she’s just a capable individual with a flawed personality and ideology, essentially making her human.

Thus, with the battalion formed, the group receives their first mission fending off an invasion by the kingdom of Diakon. I don’t know who this nation is supposed to represent but they seem to have not updated their war tactics from the 19th century. The lack of air support and rudimentary defense against mages makes Tanya sigh at their incompetence and the ensuing battle couldn’t really be called one but rather, it was a wholesale massacre and devastating defeat for the kingdom of Dakia. It seemed all too easy and I thought that God might throw a wrench into the works, but this battle does truly highlight just how ruthless Tanya really is. Her assistant Viktoriya has been acting somewhat of a moral counterpart, but even she doesn’t chastise Tanya for her level of ruthlessness.

Out of everyone in the world, she seems to is the one that knows Tanya the best as when battalion was given an explanation by their commanding officer about shelling them with artillery, Viktoriya had already begun digging a hole to avoid the bombardment. I certainly wasn’t expecting Tanya to pull out that little girl voice to announce the attack on the capital but that was certainly underhanded and remarkably clever. No doubt, this victory will push her reputation even higher which may have slipped her mind during this mission. After all, Tanya is thinking of war in terms of the modern world, so the massive numbers of Dakia troops doesn’t impress her. However, to the various militaries of this world, the news that she defeated an army with a single battalion, will no doubt have her superiors pushing her into much more dire straits.  Finally, we can see that Tanya is making use of her previous life’s knowledge as the speech she gave her battalion is almost a word for word quote from Full Metal Jacket.

Scum’s Wish – 04 [Bad Apple!!]

by SuperMario, posted in Currently Watching:, Scum's Wish

This was a sublime episode from start to finish. By showing these tales of love through fragments from many characters’ point of view, it adds more layers, as well as more perspectives to this webs of broken desires. Normally this approach of focusing of fragments mean that the story can become disjoined; but not here. Every small stories in this episode matter and it keeps sinking us to its muddy swamp. And yes, the music in this show is incredible; if you listen closely there’s a distinctive theme for its stories and it really helps to elevate the mood for each segment; like how you could feel a seedy sense in Akane-sensei story, or a false mood of sweet, dream-like quality in Narumi-sensei part. Again I’ll discuss each of the theme in last week’s format, as I see it as the most appropriate format to squeeze out most of what this show tries to convey.

“Being desired by men. There’s no greater feeling than that”

Turn out that our sweet Akane-sensei isn’t sweet at all, but a manipulative bitch. That might sound negative but in truth this is a kind of character that works really well in this story. She isn’t your typical bitch after all, as she’s the most observant one out of all characters in this story. She is the only one who sees through many intertwined love nets and really the only one who can sees through Hanabi. Using her attractiveness as a weapon isn’t something utterly terrible, but what is remarkable about her character is how she’s playing up her attractiveness mainly for wrecking other girls, for them to feel the pain of seeing the one they love taken away by her. She said she doesn’t aim for superiority but all I can see is superiority plays a significant role here, since all she wants is attention from men and the hurtfulness from girls. I love the way she recognizes that Hanabi is pretty much on the same side as her, by neglecting the one sided love of other (Moca). The true Akane is anything but pretty, but now at least she’s real. What impressed me the most is the way the show underlines her sexiness and her thrust of physical consumption; not through big boobs, sexy clothes or suggestive behaviors, but merely by her sweating. Hooray for solid characters writing here.

“I decided to believe it was fate”

The next segment was told from the point of view of Narumi-sensei, on how he was attracted to Akane and thus become her unfortunate prey to play with. This story is slight and the least impactful compared to other segments, but I still found it interesting because out of anything, the first impression he had towards Akane was directly tied to his memories of his long-lost mother. It furthers detailing his long searching for a feminine figure all his life, and really that was a false picture that he incidentally subjects Akane to be and that was the reason why he’s blind be this affection. In the end, things that too good to be true are more likely deceptive in nature so I really hope he’s sensitive enough to figure out the true Akame on his own (would be really disappointed if he can’t).

“I want you to be filled with me”

Last but not least we have a development to Ecchan and Hanabi relationship as they sunk deeper to love confusion. There’s always a distinctive border between friend and lover and now they crossed that line, each for their own selfish reasons. Hanabi both needs Ecchan as a way to escape her own heartbroken from Narumi (which I can totally feel for her), and because she still needs and loves Ecchan as a friend. Ecchan likewise knows all this, but she’s determined to use every opportunity to have Hanabi all by herself. What they both know but too afraid to acknowledge is that once they crossed that line, they can never be back to “just friends” again. That image of little Hanabi disgusted with her current self sums that sense up pretty nicely and for me the best moments out of this already excellent episode. Scum’s Wish stands on a very firm ground here, as the story keeps maintaining its confidence take on the line between physical desires and emotional desires, on how the characters keep using the former as the substitute for the latter (the first and the last segment directly tied to this), but end up being more lonely and suffering. I know a lot of viewers have been turned off by its depressing nature but all I can say is guys, you might miss out one of the more thought-provoking look on relationship here.

ACCA: 13-Territory Inspection Dept. – 04 [Smoldering Embers in an Isolated Nation]

by SuperMario, posted in ACCA: 13-Territory Inspection Dept., Currently Watching:

We are no stranger with this kind of world in anime: an isolated, conservative world that cut-off from outside communication and ultimately stay behind its times, slowing back 10, 20 even hundred years. Everything there is monitored and controlled by the rules and authority. As ACCA keeps suggesting the chaos within this peaceful façade, the most appropriate way to question this very world is to put its ideas to an extreme spectrum, as a result we have this isolated district of Suitsu. The Dowa kingdom promotes autonomy in its 13 districts, with each of the district bring their own uniqueness to better suit the place; but what happen when the authority started to abuse their power in a negative way? Citizens in Suitsu are prohibited to use phone, even to communicate with outsider in the pretense of “preserving tradition”; they in turns are displeased with how things going and form an angry mob. What sadden me the most is we’re living in this exact same world, where North Korea still cut-off from the rest of the world just like this. Suitsu district, when you look at it, is more like one of those weird countries straight out of Kino’s Journey, but it still manages to add ambiguity to the flaws of the Dowa Kingdom’s systems so in that regards, this episode still has its merits.

But when it comes to the actual plot of this episode, then this week ACCA made one mistake that they managed to avoid so brilliantly before: its delicate pacing. ACCA is slow-burn, at the same time there are many plots and themes going on both underneath and beneath the surface but as far as I concerned they hold everything together extremely well. This week though, we follow Jean as he auditing the district, witness him being kidnapped, then learn about the coup d’état, follow the angry mob, the uprising and their ultimate downfall, both in a runtime of merely 20 minutes. The pacing therefore is much quicker this time, as a result those big events don’t have time to settle down or give much impact. We just know Wabler or Biscuit at the beginning of this week so it’s hard to relate to them or the events around them. I get the message: frustration out of unfairness and strictness is relatable, but I hardly feel any of this. It comes quick and goes quick and leave not much impact.

When you judge this episode through its stance in the big picture, then this show offers too little to the main narrative as well. At the end, those uprising will be hidden and forgotten, only Jean gets away with the knowledge of the actual coup d’état and that’s freaking little development for a complex show like ACCA. Although we do learn that Nino apparently is working as a triple agent and we have a glimpse on another member of the ACCA’s five Pastis and the Suitsu representative Beurre, this still leave a lot to be desired. No, this episode, while certainly is a competent episode in its own ways, serves as my least favorite episode so far of ACCA (the curse of episode 4) both because it runs too quick for its own good, and it adds too little to the main narrative. And where is the glorious cake and tasty bread this time? All we have was a loaf of bread when Jean was all tied up so… um, no, thank you.

God Eater Resurrection Video Game Review – 60/100

by AidanAK47, posted in Game Reviews, Reviews by AidanAK47

 

A good while back I bought a little game for the Wii called Monster Hunter Tri. After playing it for a bit I got tired of collecting bits of twig and not doing the monster hunting the title promised and left it on the wayside. Then one week I decided to put in my all and finished Monster Hunter Tri and came to find what made the series so appealing. Though I stopped keeping up with the game because every time I bought one there would be a Monster Hunter slightly better edition released and the games are so much of a time sink that I can never get around to playing them. Now you may be wondering just why am I talking about Monster Hunter when this is a God Eater review? Well that’s simple, God Eater wears its inspiration inspiration on it’s sleeve. To the degree that I was ready to label it babies first Monster Hunter within its first third of missions. For reference the copy I am reviewing is God Eater Resurrection steam version which comes free when you buy God Eater 2 on steam.

Thanks to my experience with the God Eater anime I walked into this game expecting absolutely nothing from the story. That was most certainly a good call. This story is just as bland and forgettable as the anime portrayed it so in that regard I guess it was a faithful adaption. Which isn’t really helped when you have a silent self insert protagonist. There was only one point I became somewhat invested in the story and that had to do with a girl who pretty much had the personality of Asuka Langley Soryu but was hit with a serious case of PTSD. Helping her work through it was a rather good part of the story for me but I may be projecting as she has the upward character arc that Asuka so desperately needed. Other than that I found it hard to really feel the levity of this world on the brink of destruction by aragami when everyone in it dresses like they came out of a cosplay convention. Forgive me but it’s a little hard to take the situation seriously when the woman giving me missions is wearing no top besides a jacket zipped down with no bra and pants that show off the sides of her thighs. I feel a serious disconnect as what she is wearing doesn’t seem to reflect her no nonsense personality at all. Everyone else is a bunch of standard stereotypes as well with Souma(Actually had to look up his name because I forgot it) being the worst offender as he is standard emo all the way. The presentation isn’t much to look at either seeing as this is a remastered PSP game and no matter how prettied up it is you can see the signs of it’s portable origin. The first part of the game is essentially about teaching a human aragami to love and stopping the plans of the evil director who you can pretty much guess is evil by the time he opens his mouth. After that it becomes a hunt to find a former mentor who goes missing and lastly just some powerful Aragami shows up and you have to kill it. The story tries to tug at you but I found myself purely apathetic which is funny because the way I designed my avatar it looks like he gave about as much of a damn as I did. I will say that the weird sense of style does give you a lot of customisation when it comes to your avatar. So naturally I fulfilled my dream of hunting monsters dressed like a pimp with a tiny top hat and a scythe.
Continue reading “God Eater Resurrection Video Game Review – 60/100” →

January Summary

by psgels, posted in Monthly Summaries

I know I missed Onihei, but it’s just impossible to find much about it. Perhaps in February I’ll give it some more coverage. Aside from that, this was a good month. I’d say that overall the winter season is more varied than the past autumn season, but at the same time the good series are not AS good. All of course according to my own impressions. Like always spoilers beware, and this list is on order of my own preferences, worst first best last, only about the episodes that aired in January, minus the first episodes that I already talked about. The number after each title signifies the relevant episodes.

#15: Granblue Fantasy The Animation (01)

This one aired a bit later than the other shows this season. It’s also a fantasy series, probably another kind of game adaptation like Chain Chronicle, but I liked that one a lot better though. That I’m not watching Chain Chronicle anymore should say enough for Granblue, but the gist of it that while Chain Chronicle was simply generic, with Granblue I got the feeling of gradually losing brain cells while watching. Granted, a bit reason for that is that incredibly annoying dragon that keeps floating everywhere, but what also ticks me off is that we’re given very little reason to care about any of the characters. The main character doesn’t really have a reason to go along on this life-threatening quest, he just happens to be at the place where a cute girl falls from the sky… and starts following his boner, I guess… Why am I supposed to root for these people? Do the bad guys have any other reason to attack besides being evil? I don’t expect answers to those questions in episode 01, but at least hints or some other kind of nuance. You just can’t think you can get away with this simplistic mess just because you’re a game adaptation, right?

#14: Spiritpact (02)

In the end… I just can’t. Snappy dialogue is one thing, but if everything else is just amateurish i’m not really sure what I’m gaining by watching this and I’ve got many better things to see and do. I can see where they’re coming from, but episode 2 didn’t really convince me to just keep watching. For one it wasn’t as fun as the first episode, but the first episode also just felt worse in hindsight. They introduced this new character who is the fiance of the white haired guy, and obviously she has her issues, but they all seemed to be trying so hard, and nothing really came out of it.

The animation is partly to blame for that. I watch anime because I also care for the “animation”-part of the whole deal. I want to see people bringing characters to life. If you have to use short-cuts then so be it: be clever with the jump-cuts, pull some visual tricks, use your music. It’s not an exact science at all and it’s an art form, however this series doesn’t seem to try any of this, with awkward jerky motions and no attempts to hide it. Japanese anime has the experience in these cheap tricks, but Korean animators still need to find their own way. Mind you, I am not suggesting them to follow anime’s example. Let them go their own way, as long as that way works of course.

#13: BanG Dream! (01-02)

This is another series that came out a bit late this season, about a bunch of middle school girls starting a band. I gave it two episodes because there is one thing it seems to understand: build-up: it’s not like “Wheee band!”, but instead it is carefully building up the different girls, why they’re going for it and how they end up meeting each other. Really, one of the most difficult things about being in a band is actually starting the band and finding the right people. By taking its time, the series makes also sure that the characters are well fleshed out in the process.

Still, I’m not going to continue with it. The teenaged girls are just too annoying, and I think a lot can be contributed to bad acting and voice acting: characters hamming it up a little too much. There is one shy girl and nearly all she does is breathe very loudly. That’s not how shyness works! The main character also feels a bit weird: they really tried to make her this enthusiastic girl whose energy pulls the entire band together, but in the end it just feels fake, like they try too hard. She too has this habit of just breathing very loudly, which after a while just gets distracting. These random squeaks and moans instead of just actual dialogue. This obviously isn’t the only show that does this but that doesn’t make it okay!

#12: elDLIVE (02-03)

elDLIVE could have had potential if they kept the momentum of the first episode going. A fun light-hearted show about alien hunting with quirky characters, but in the end it lost this quite quickly. Episode 02 and 03 pretty much repeated what episode 01 did, only less interesting, and quite witless to be honest. These episodes had a bit of high school hi-jinks, dull aliens, and nothing really interesting. It wasn’t fun, and at times they also got way too dramatic for their own good. You don’t want to be dramatic for a series that involves a bunch of kids busting aliens, that just serves to highlight how stupid the show is, unless you invest really heavily in suspense of disbelief. But ultimately this show lacks any sort of ambition or desire to be special. This one is dropped.

#11: Demi-chan wa Kataritai (02-04)

This one turned out to be not as good as what I hoped. On one hand, it managed to portray this world in which a small percentage of people is “demi”, or half human, half mythical creature like a vampire, dullahan, etc. It’s an interesting look at minorities, being slightly different and a bit of bullying here and there. Its characters are very vocal about their issues and that makes this a very honest series.

On the other hand I really don’t like how this show pulled a Sword Art Online and made every single one of these “demi-girls” fall for the main character. Granted, the verdict is still out on the snow girl, but it’s getting there, trust me! I find that cheap, and it’s also just pointless. This is supposed to be a series about teenaged issues, and the romance just feels shoehorned in. There is no reason why these girls can’t have boyfriends, or at the very least guys interested in them if they also want to handle things like sexualities. This is also in the main character’s favour because now we just end up with him getting demi-boners half of the time, which just turns him into this slime-ball rather than a scientist. It’s a real shame because I feel that there are two groups among the creators: one that really wants this to be a character study, and one that want this to be a romantic comedy. The result gets very awkward in a bad way.

#10: Piace – Watashi no Italian (02-03)

Piace is clever: it knew that if you want to be interesting, you need some kind of material to work with. Slice of life has been done to death and there is no way to make something out of it, and you have to be really funny for a pure plain comedy to succeed. However by basing its setting on an Italian restaurant it can interchange the jokes with Italian cooking. And it’s not like you really learn something about this, but the creators make a point of showing that the characters are making good food. When you combine this with the banter between the different characters, this becomes pretty decent for 4 minutes per episode, because let’s face it: the only jokes in this show are based on the characters’ banter; do not expect any food puns. The characters are also grounded and fun to watch: the voice acting here is good. The slightly-faster-than-usual pacing along with portraying the characters variedly, yet fairly wasn’t something I expected from a series like this.

#9: ChaoS;Child (02-03)

ChaoS;Child is chugging along nicely, along with its own issues. The thing with this series is that it’s all about its mystery. You can see that the story behind this series, the string of weird murders and the strange connection between them is the strongest point of this series. While no Higurashi by any means, I admit that after three episodes I’m curious to learn what is behind everything. Apart from that though… the gore is laughable, the animation is jerky, but my most important issue with it lies with the characters.

When telling a story with a clear main character, the audience needs a way to relate with him or her. A key part of that is the reason for his/her involvement in the story. And this doesn’t need to be complicated, as long as it’s something strong that can take the audience along for the ride. The lead character here is this sulky high school kid who keeps poking his nose in ridiculously dangerous murder cases. He knows this and still goes after them. Even after his loved ones get hurt he still tries to get more and more involved, even though there is no guarantee for the safety of his other friends, he gets told this plenty of times, and he realizes that he’s being incredibly reckless. How the heck are we supposed to relate to that?! I mean the lead of Chaos Head was a loser, but the creators used his panic very well to engage the audience. With him, it’s all so weak that I kept thinking “stop getting involved! Let the cops take care of it! You’re a high school kid, you can’t do anything!”

#8: Masamune-kun no Revenge (02-04)

Four episodes in, and Masamune has still retained its wit that we saw in its first episode. I didn’t think I’d be praising a romance between two high school kids, but it’s enjoyable enough to see just what an incredible dork the male lead can be. For once he’s actually balanced well: he’s flawed, but not a complete idiot, diligent but not perfect, his attempts of hitting on the lead girl are a refreshing combination between desperate and surprisingly effective. The tropes that have been done in other romances, it really tries to subvert them. It’s like a cat and mouse game between the two of them.

However, I’m very afraid that we just saw the best of this series. Episode 04 ended with something really questionable that has ruined many series that came before it. Up to that point, every twist, even though unexpected, sort-of made sense. You could see things happening that way if you put yourself in the characters’ shoes. Then completely randomly there’s this girl that offers herself to the lead’s feet as they’re about to have this serious moment. The episode ended right afterwards, but the creators are going to have to come up with something amazing to try and explain that one, because it also just does not fit the storyline at all, and I really doubt what this show can benefit from her. This was the “will they won’t they”-love-triangle I was afraid of when I first saw the OP and ED of this one, and there’s gonna be another girl! For now I enjoyed this show plenty, but unless episode 05 makes a very good case for itself I’m going to drop it then and there.

#7: Youjo Senki (02-04)

Okay. I did not expect that kind of back-story for the main character. It’s far-fetched, but.. fair enough it works. In fact, episodes 02 to 04 have all pain-stakingly spent time dealing with the issues I had with the first episode, setting everything up and actually doing a very good job at it. At this point I don’t see this as a dumb war-series anymore, but definitely something with its own qualities. Something totally different from what Shuumatsu no Izetta tried to be.

It’s ironic: Shuumatsu no Izetta made sure to portray soldiers as actual people, but in the end it was about the survival of the actual kingdom. Youjo Senki throws heaps of unnamed soldiers under the bus, but in the end its central theme is survival of the individual. Everyone in this series is thinking either about themselves, or their close families. The people next to them. The patriotism feels more like a formality here. In face, what I like is how it takes many serious issues of other war-series, and turns them into formalities. The whole goal of the main character isn’t to win, it’s to live a comfortable life and winning just happens to be very convenient for that goal. It’s a different look at war politics than usual. And the fact that she’s a child… fair enough. It works and they use it well.

#6: Hand Shakers (02-04)

There\s something really interesting going on with the music here. During the fights, notice how the soundtrack is completely different from what you’d usually suspect? It’s all dreamy, instead of the hard, dramatic and edgy sound that series usually go for. It’s very much on the foreground, rather than mostly lingering in the background. That is awesome! Back in the days lots of series had these incredibly complicated soundtracks with creative tunes, to scenes that totally didn’t match your expectations, even blasting over the dialogue and it was glorious! At a certain point this trend stopped though, only resurfacing very rarely. This needs to be brought back! Obviously not in every series, but let’s revive the spirit of Bee-Train! Hand Shakers is obviously no El Cazador, but obviously a step in the right direction.

Aside from that, this show has me pretty baffled. On all accounts, on paper I should hate this show. A boy meets a girl and they use powers to fight others. And yet this show is just so incredibly genuine. I find the lead couple so adorable for some really weird reason. The rest of the cast: I just like them. Everything here is just enjoyable to watch. Like I said, there’s something inherently cute about a show that’s about hand holding, something most romance shows don’t even seem to realize exists.

I am not a fan though of how passive the female lead has been so far: the male lead pretty much did all of the work here. You could replace her with a pet dog and pretty much the only thing that will change is the sexual tension. Don’t think too much behind that comparison…

#5: Little Witch Academia (02-04)

What makes this series special is that the creators really seem to have made this with an international audience in mind. This show is a weird amalgamation between east and west, but some parts really feel like Trigger putting a global audience first, rather than what most shows do: just produce your series for Japan and afterwards just release it internationally because hey, why not? Or make your show so generic that it doesn’t matter what country it’s from. I mean, otherwise no sane writer would include a reference to Hanna Barbara so randomly there. Episode four was also was about fandom, and it felt uch more like we were watching western fandom than Eastern.

Also in this world, everything is exaggerated. Everything. That makes the plot pretty random and stupid, but the energy. Good lord, the energy of this show! This show always manages to conjure up something creative for the magical hi-jinks that the characters find themselves into and especially the main trio just bubbles with personality, and yet they’re grounded and varied. This is what makes characters who usually would have been really annoying, it makes them actually fun to watch. I mean we all know about the blond girl who is good at everything and incredibly posh, but in this show she works. Her henchmen are annoying at first, but we see them do different stuff besides fangirl about how amazing their sempai is.

And beyond that this does just about all of the basic stuff right. These four episodes were random hi-jinks, but they were perfect in fleshing out the characters and making the audience familiar with them. This light-hearted note is something I missed from Kill la Kill for example. Trigger still hasn’t forgotten to do action either, so bring on the rest of this series!

#4: ACCA – 13-ku Karusatsu-ka (02-04)

Okay ACCA, let’s talk for a minute about immersion. Consider the Twelve Kingdoms, a series that also focuses on a world with about a dozen different countries inside it. One thing it did a lot, especially in the beginning, is show a map of the world, including a pointer where the story was about to focus at. This happened a lot, and while tedious at the time, because of this you always knew where the story was in relation to the rest of the setting. It made you feel part of the world. ACCA has a map, but we only see it very occasionally, and only brief, so we as a viewer are constantly having to guess where the heck we are, especially since every episode deals with a different country. What if the beginning of each episode could show for a small bit where on the map we are? You could incorporate it in the OP if time is the issue. It’s a very simple detail, but I feel like it would add a lot to this series.

Now, ACCA is an incredibly ambitious series, and it’s obvious that it can’t fit everything it wants into episodes of 20 minutes, so it has to compromise. The option it went for is to try and get as much information as possible into just one episode. The big difficulty with this approach is keeping thins personal, and I have to say that when taking this into consideration, it’s a very good attempt. Obviously the huge focus on consumables helps. Characters have this “tell, rather than show”-approach to their characters, but this is fixed by the creators using subtle non-verbal clues to flesh out their characters.

The big sacrifice though is continuity. This series both doesn’t have the time to deal with the aftermaths of everything that it does (lots of minor issues are just explicitly assumed to just get resolved), plus the way it leads one thing into the other… just happens. Coincidences pile up and there is no quiet time. It’s impossible to add those and still get everything within 20 minutes. Because what it is doing is powerful stuff. Makes you think, it’s interesting. Not to mention here that the potential for this show is virtually unlimited.

#3: Kuzu no Honkai (02-03)

Okay, so they’re not brother and sister. They just grew up together, with different parents so he always was the person she looked up to. Fair enough, that takes away my big complaint of episode one, but this series is not entirely in the clear. After all the “they’re not really siblings”-schtick was very often used back in the day to give the illusion of incest, while allowing for a back door for the creators to say “what do you mean? It’s not incest! They’re not related!” – we all knew what they were alluding to and it was disgusting. If this show ends up bringing back that trend I will punch it.

So, now that that’s out of the way: this show has been pretty incredible here; it does so many things right here. Episode 02 and 03 showed that it’s really trying to balance like six characters together, all intertwined in a web of crushes and all having their own issues, and we keep hopping back and forth between different perspectives, although the lead girl does seem to be the main character here. The lesbian girl was particularly surprising: for once they took a honest look at what it means to be attracted to the same gender. It doesn’t have the squee-material of the likes of Yuri on Ice, and while there is nudity, it doesn’t feel like fanservice like most other series of the past five years. This is how it should be done: treating them as actual people.

This series really isn’t glorifying anything, and that’s what makes it so great because it’s a side we very rarely get to see because of how wishy-washy romance is in anime. Fune wo Amu showed how you should do romance from the light side, this one flips things around and shows how to do romance correctly from the dark side. This show is ugly, even though it looks so pretty, but the amount of detail they managed to put in here. Mugi’s wet dream: they actually had the guts to do that. Or how the teacher wore the same outfit twice. They don’t explicitly say it, but it’s obvious, and when it hits it’s glorious!

Also can I get a thumbs up for the soundtrack here? It doesn’t just sound dreamy and sad, but it’s also used really well here. Every single note here fits, and there are a lot of tracks here! Someone really put some thoughts into how to place the music, otherwise it wouldn’t fit this well!

#2: Showa Genroku Rakugo Shinju Season 2 (01-04)

I managed to marathon the first season during the past month (though for the sake of this ranking I only consider the first four episode, otherwise it’s impossible to compare). And oh yeah, this is the real deal! I can’t believe they actually made an anime about Rakugo, a performance art where so much is dependent on acting, tonal changes and gestures, and they pretty much got away with it. I still consider Fune wo Amu my favourite series of 2016, but that was because that series managed to breathe life into its characters in a way that I had very rarely seen before. Shouwa Genroku Rakugo Shunjuu has its own list of things it does incredibly well.

The best being the character-development. Like seriously, there are very few series that can boast the level of detail that this series can put in it. Usually series have one flashback, or a number here and there for each character if they’re lucky, but most of the story takes place in one time frame. This series is the examination of the life of one guy, and every single episode it jumps forth a few years. And we don’t just see him change, a huge emphasis is also put on the side characters: they too change realistically and believably. The voice acting here is also wonderful in changing along with the cast. Top notch! Characters rise and fall, we get to see both their heights and lows right through each other. Every episode manages to change something.

What also makes this series really rare is that it managed to teach me something. And I don’t just praise this because I had no knowledge of Rakugo prior to starting this series, it not only gave an overview of how it evolved, it was an in-depth look at it, through the characters it analyzes, praises and criticizes the format. And it also encouraged me to look up the parts that they assumed the audience already knew. I like that: assume that your audience knows the meaning of Google. You don’t need to hold people by their hand. Inspire; and dare to go deep!

One thing I did not like, or rather one thing I found annoying is a better way to put it, is the romance. I know why things happened the way they did, the creators definitely make a good case for themselves and all, and they really try to make it complex and interesting, and yet I found that the most boring parts of the series. Perhaps it’s because episode 1 already told what was going to happen in the end, you could see them building up to it and the actual moment of the “big death” felt rather… forced. It probably worked well in manga-form but in the anime it just looked silly. And building up the romance… it took some patience to sit through even before it happened.

However the new season the romance is thankfully refreshingly down to earth, if you can call it romance anyway. It’s almost politics, and it knows its place much better. The characters in return are a bit less interesting, but they’re really starting to grow now, which was probably the intentions of the creators: how the heck are these newbies going to fill the shadows of the old masters? Yes, a lot of thought was put into this. More series like this please!

#1: Classicaloid (13-16)

Yeah, yeah. I know that the above series have more substance than this one. I know the characters are complete idiots. I know that the past four episodes of Classicaloid have been completely stupid and have established absolutely nothing. And yet… and yet… I can’t. I can’t label my favourite show of the month as anything other than Classicaloid. It just had me completely in stitches, all four episodes even though they all were completely different. This show just makes me happy whenever I watch it that no other show this season manages to do.

So let’s get things clear: in these four episodes we have people turn into fishes, become idols, make horrible music, and hunt for a merleopon. All of them focused on a different character and were mostly used to flesh them out. All of them were hilarious, but my favourite was the fish episode. There was something magical of following a mute fish around for 20 minutes and looking into the despair that ensued. It also becomes more and more apparent that this show has the second director of Gintama. This is a compliment by the way.

This series takes me back to the good old days. Back when series still understood how to properly fill in a 26-episode series. The first half being a build-up, and the second then using it as a board to jump off of. In this case the first half has made sure that these characters are so much fun, that I just smile whenever they’re on stage. This is what I consider terrific characters. The ones that just make you happy, no matter what they’re doing. When manga and light novel adaptations got more and more the norm, and more and more series only turned to 13 episodes max, this was a format that I unfortunately missed deeply. I don’t want to be that guy who goes “gahw things were so much better in my days, you kids with your stupid trends and stuff” – I used to get very annoyed by these people – but in some areas I really have to give in: we are not living in the glory days of anime anymore. I do have hope though, I want to see anime evolve again. Try to see what it will turn into next. For that we need a constant flow of new talent, because at this point the old guys have mostly all left, while the ones who remain are the only ones still bringing in interesting and fresh stuff. The new talents need to get the confidence and the connections in order to be able to do their own things. They need to step up and realize that the future of anime lies in pushing the medium forward. They have the misfortune that the focus today lies much more on consistency: having clean frames, and a higher resolution makes anime more expensive, and it makes it harder to have experimental series, and therefore it makes it harder for the real geniuses to get noticed. The likes of Satoshi Kon, Mamoru Oshii, Masaaki Yuasa, they would have had much more difficulties breaking through in today’s atmosphere. Classicaloid is our hope: the director is relatively new, and I remember when he first took over Gintama I disliked the changes he brought forth. Over the past ten years though, Classicaloid showed that he did learn a lot. He’s using his influence clearly, while at the same time keeping the viewer’s attention. Entire episodes are devoted to one really weird idea, yet he knows how to make it tick now. I’m in no way saying that he is among the greats, but what I am saying is that he’s on the right path there, though unfortunately it’s not entirely there yet. Classicaloid is amazing, yet the great series of 9-15 years ago and the volume with which they came really was special.

I really believe that anime is due to improve. We just need to wait for the people who grew up in the golden age of anime go work themselves up to the top. I do not know how many years this will take. 10 years? 20 years? No clue. However I am interested in sticking along as long as fun series like Classicaloid keep getting made, and I also honestly believe that the worst is already behind us.

I know the above two paragraphs are really weird ramblings, poorly formulated and not that connected, but these are thoughts that I’ve been having a long time. I hope that I’ll be able to put more structure to them in the near future…

Little Witch Academia – 04[Night Fall]

by AidanAK47, posted in Currently Watching:, Little Witch Academia

No legendary items or Shiny rod antics this time as we have an episode focusing on Lotte and her particular fascination with a book series called Night Fall. A series spanning 365 volumes(Oh my god, this thing must be as worn out and tired as The Simpsons.) which seems to be a Twilight like story that somehow evolved into Jojo’s Bizarre Adventure levels of ridiculousness. Just hearing fans talk about it makes the story sound completely insane, so much so that I actually would be interested in reading it. After all there’s a chapter where the main heroine catches a nuke with her bare hands and after hearing that all I can say is where do I start reading? Out of the episodes so far I would call this the weakest but still a fairly enjoyable episode. For one I noticed that Diana’s two cronies are called Hanna and Barbera which is clearly a reference to the Hanna Barbera cartoons. Pretty amusing how one of them was a closet Night Fall fan getting the other girl to check out the event to “see how stupid it is”. Yet at the first Night Fall question her hand to shot up right away. I think it’s the little touches like that which makes this series so charming.

Lotte’s admiration for her idol did bring an interesting contrast to Ako’s admiration for Shiny Chariot. In Ako’s case she really wants to be Chariot and perform great feats of magic in front of an audience. Lotte on the other hand doesn’t want to write Night Fall like Annabel and instead wants to enjoy the books she writes while cheering her on. It reminds me of a time when I was trying to get a career in the Video Game industry as I love video games and couldn’t think of anywhere else I wanted to be. However after getting a taste of what making games is actually like from college I realised that I didn’t really want to make games, I just wanted to play them. If video games were my job then could I really enjoy them as a hobby? Lotte hit the same conclusion when given the opportunity to become the new writer of Night Fall. I find it funny that she spent so much time encouraging Annabel when later it’s revealed that her main reason for doing that was that if she wrote Night Fall then she would know what happened and thus couldn’t enjoy reading it anymore. I feel a bit for Annabels dilemma in that she was tired of being bashed by the internet. As they say, Haters will broadcast your failures, but whisper your success. Or to put it another way, people only have a reason to speak up when you stop doing your job right. Lotte brings up a good point that the most vocal on the internet don’t really represent the opinions of the majority and that’s pretty well evidenced here as Night Fall has fans from new to old who are still passionate about it at the unveiling of Volume 265.

Otherwise this entire episode is likely what happens when ordinary people listen to anime fans. We know absolutely nothing about Night Fall and yet what little bits we hear of it just sounds outright insane or nonsensical. Really goes to show how fans can have their own internal logic which can only be understood by other fans. After all if I talked to anyone who did not watch anime about tsunderes, yanderes and likewise then chances are they wouldn’t have any idea what I was talking about. Regardless neither Ako nor Sucy attempt to badmouth Lottes hobby despite finding it impenetrable and just respect her passion for the series. Lotte did good here as well by not attempting to force the series on Sucy or Ako like your more stereotypical fan would. Ursula can’t seem to catch a break and it’s a little sad that Lotte recognised her idol immediately when Ako has no idea when Chariot is standing right in front of her. Considering this episode it’s possible we will be getting character centered episodes from now on so Sucy is likely next up followed by the girls from Enchanted Parade like Amanda. Or we shall be returning to Ako and her antics with Shiny Rod. Finally the only thing they eat at Witch Academia is potatoes? Guess there’s no house elves in this dimension.

Shouwa Genroku Rakugo Shinjuu – 17

by AidanAK47, posted in Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Another time skip? That caught me off guard but it does seem like Yotaro has not quite gotten over the problem of not being able to find his own Rakugo but has gotten popular enough to be featured on TV and expand his fandom. As a fan put it, it’s not so much that Yotaro being consistently good but having moments of brilliance. So in that regard, I am glad Yotaro didn’t solve his problems offscreen. Konastu’s son, Shin, has grown up a bit and knows how to use his cuteness to his advantage. He gains a love of Rakugo just like his parents and even Yakumo can’t help but fawn over the kid. This was more or less Konatsu’s episode, and the biggest smile came across my face upon seeing her reaction to Shin performing Rakugo. Yotaro still hasn’t pushed their relationship further from what I can tell but the two have gotten more lax around each other. They understand each other so well and despite not really lusting after each other I would honestly vote them as couple of the year.

Konatsu’s Rakugo for the children really warmed my heart in just how much she enjoyed it. This seems to suggest that Kontasu would be entering the profession of Rakugo and Yotaro wholeheartedly wants her to do it. I somewhat agree with Konatsu’s assessment that she would be rattling the cage so to speak. Rakugo is something mired in tradition and any change, be it for better or worse, will be met with hostility and I even think that Yotaru creating new Rakugo is bound to stir up some anger. Throwing Konatsu on a stage just seems like a bad idea no matter how you see it and could be devastating for her as a performer.  If she really wants to become a Rakugo performer then it would be better to start with smaller gigs and then slowly gain a fanbase. Of course, before any of this can happen, she would need Yakumo to remove the ban on female performers so that she can become accredited and considering the character of Yakumo, it would be a monumental task indeed. He’s already getting crabby about people having fun in the green room so getting him to agree to this will take some far more convincing. Assuming that Konatsu wishes to go through with it. Which I honestly think she should, she would really light up the stage when performing Rakugo.

It’s nice to see that Yakumo isn’t cold to Shin but he’s certainly cold to the writer and his attempts to write new Rakugo. These two seem in direct opposition as the writer sees Yakumo his enemy in regards to keeping Rakugo alive. It’s possible that he holds a grudge over him rejecting him as an apprentice in the past. Or how he considers Yakumo one the of the main reasons for the decline of the art. Personally I see it as Yakumo keeping to his promise to Sukeroku. As Sukeroku said in the previous seasonj, it would be Yakumo’s job to keep old traditional Rakugo from dying out and Sukuroku’s job to reinvent Rakugo for the new age. This I believe is Yakumo’s main reason for tearing up the writers Rakugo stories. Yakumo is not the one to ask when it comes to developing Rakugo for the modern era. That job should be left to the man who inherited Sukeroku’s title. I admit however that this really could just be Yakumo being difficult and stubborn. However I find it hard to see Yakumo being purposefully spiteful as it’s more likely just his awkwardness with interacting with people. Which is something he never truly got rid off throughout his life.

3-gatsu no Lion – 15 [Moonlight – Lump of Ego]

by SuperMario, posted in 3-gatsu no Lion, Currently Watching:

Let me get off track for a bit, but the truth is that I’ve always been fascinated by moonlight. Moonlight gives me a warm presence, moonlight (especially in full-moon) gives me the bright feeling that there’s no more worry in the world. Sit there and watch the moonlight is one of those rare moments where I truly “enjoy my moments of nothingness”. Coincidently, many media involving moonlight have a special connection to me: “Moonlight Shadow”, “Dancing in the Moonlight”, even last year’s indie gem “Moonlight” gave me a certain feeling that resonate strongly to me. This week in 3-gatsu we start with the chapter named “Moonlight” and again this proves to be a special episode to me, one of my favorite chapter out of 3-gatsu in fact. The ambiguous relationship between Kyouko and Rei has been one of the show’s strongest material, and this episode manages to take that relationship up a notch.

I will forever remember the image of that young Kyouko; there she stands, beyond the moonlight by the window, demanding Rei’s and our attention. If there were moments that best captured the relationship between Rei and Kyouko, that would be the moment she sneaks into his bed, whispering those words “Don’t touch me. But don’t move away from me”. Kyouko, just liked the way Rei described her, is a strong-willed but deeply insecure girl. The girl who has everything that she doesn’t need, and ‘fails’ the only thing that profoundly mattered to her. To her eyes, she’s always the inferior one compared to Rei, both in shogi and in their father’s attention. Rei isn’t any better when it comes to self-doubting though, as a result we encounter one of the most heartbreaking moments when the only way those two know how to comfort the other is by ways of showing that insecurity, but even then Kyouko still gets hurt really bad. That is Kyouko, love and hate someone with the same intensity.

And when it comes to her loving someone with full force, we also see her and Gotou together for the very first time, and this relationship is still pretty much blurred at this time, but fascinating nonetheless. Gotou is oblivious to Kyouko’s feeling, even calling her “stalker”, but of course Kyouko doesn’t back down just because of that. We saw them together twice this episode, and while the first time he allowed her to walk side by side with him, the second time he ditched her like a bastard. Except when you think about it, this is the best kind of actions when dealing with someone as bombastic as Kyouko. He’s a married man anyways. People seems to agree that Gotou has been using her but from what I see it might not be the case; it’s Kyouko who clearly steps out the line right now. I have a feeling he still cares very much about his sick wife but I know we will see more about his relationship soon enough so let’s wait and see.

The rest of the episode also follows the best-of-three matches to determine title-challenger between Gotou and Shimada. They are basically equal in terms of skills level so the matches are long and worn-out ones and resulted in one slightly beaten out than the other, which the first match goes to Gotou and the second goes to Shimada. I’m glad to see that Rei really invests in those matches. Yes, to learn from the people who are higher than you and get inspiration from those matches are the right way to get out of his own depression now. Speaking of that, Hina has an adorable moment of sitting in the chair and worrying for Rei, just so that the grandfather gives her his wise advices of basically come down to “let him deal with his issues himself”. At the same time, Harunobu offers his insight on how Rei changed his attitude towards shogi and the very reason he cares deeply for his “best friend”, this is a sweet little material for Harunobu, but I can’t help but feel that we already know that Harunobu felt that way even before he tells it, so the result gives us very little impact; which is a shame. As now a tradition with 3-gatsu no Lion, if I have to recommend the series, I’d just recommend certain chapters out of the show because when the show hits, it hits real hard, like this week’s Moonlight chapter. Other chapters though aren’t as strong or memorable and I guess with the intention of adapting faithfully to every chapters of the manga by Shaft, we will have to bear with it for the long, long term.