Saga of Tanya the Evil – 07[The Battle of the Fjord]

by AidanAK47, posted in Currently Watching:, Saga of Tanya the Evil

After a recap episode last week, we are back to Tanya and her efforts in the war but I must admit that while still enjoyable, this was a weaker episode of the show. I am reminded of the first episode of the series which, while visually interesting, lacked a real hook to get the audience invested. The characterisation and interaction between Tanya and her subordinates has been lacking and I noticed that the past two episode had little of Tanya’s own inner monologue. One of the most entertaining aspects of this series is the contrast between how Tanya thinks and the views of others of her, but ever since establishing the battalion, there hasn’t been many times where we hear her thoughts. The five minute shorts do show more of how Tanya interacts with her subordinates but in the main series itself very little is shown besides her few interactions with Viktoriya and even those are strictly business.

Have you ever seen a simple action movie, where the protagonist’s family member is killed by the villain and then they grow up to take revenge in the films climax? Well, I feel like that is what is happening here but instead, the protagonist is the one doing the killing. It took me a while to remember that Anson was one of the officers who first fought Tanya on her first mission and it is  rather odd that he got so much focus this episode. Anson Sue (Crunchyroll has translated this as Sioux but it’s up for debate if that is an accurate translation), sends his family away from the war and loses his life in a desperate gamble to take down Tanya. Tanya, with complete disinterest kills him and steals his gun which happened to be a Christmas present from his daughter, engraved with his initials. I doubt Anson will be making a second appearance as that fall looked fatal and any attempt to bring him back would be cheap or ludicrous.

As a result, Tanya is now lugging around a gun that signifies her as the killer and I think someone’s daughter is going to be out for sweet revenge once the war reaches American shores. It certainly seems like the workings of Being X, to give someone a personal reason to start gunning for Tanya’s life and give another a beatable antagonist for Tanya to face. It is rather hypocritical if this is the case as he choose to support a non-believer over a devout soldier which does call into question why he is deserving of such praise when he tosses aside one of his followers in order to spite a non believer? What I find especially delicious about this development is that Ansons daughter is named Mary. So Tanya would be, quite literally, fighting a Mary Sue. The biggest problem about this is that if Mary Sue is going to get involved in this war, it certainly won’t be in this season. Most likely, it will be later down the line in the novels which we may never see animated.

Other than that, this was another easy win for Tanya and with the Entente Alliance on it’s last legs, this could signal the intervention of other countries. Daika has already made a move, unwise as it was, but I will say that other countries are getting the same idea. The Empire has grown to an alarming degree and as predicted, will soon be fighting a war on all fronts. Tanya’s reputation is growing greater as she guesses the plans of the top brass and can even challenge her superiors with her opinions but I find this rather hard to be invested in. Why? Because it is set up for a war that we will not likely see play out in its entirety. As far as I know, this series is a single cour which would be enough to cover maybe two or three light novel volumes of content. There are seven novels so far and could end up following the likes of many anime series that are only designed to drum up sales for their source material.  It could be possible that a second season is planned though considering the recap episode last episode, it’s possible that Studio Nut is already working to the bone to give one cour. My biggest worry would be that the rest of this season would be spent building up to a second season and have no real satisfying conclusion. It’s a sad fact as an anime fan, we do not see a proper ending to a majority of the series we watch. It would certainly be nice to have such a thing although greedy and unrealistic at the same time.

3-gatsu no Lion – 19 [Passing the Night – Kyoto (part 1)]

by SuperMario, posted in 3-gatsu no Lion, Currently Watching:

This week we have an episode that dedicated to Shimada the 8th Dan and overall it was a satisfying episode. Looking back to his first introduction, I’m even more amazed how the show pulled his character off by purposely made him insignificant when we first met him both by his plain appearance and by Rei’s occupied thoughts on Gotou; until he demanded Rei’s and our full attention. He might be plain and always seems to be lurking in the background (and the show keep pointing that out as well), but as this episode proves magnificently, even ordinary everyday man has his own personal compelling tales to tell, just like real people we meet in our lives. Chica Umino is a masterclass when it comes to character writing and I’m in overall happy with what she accomplished to Shimada’s character here.

Starting off by Shimada’s flashback on his rural hometown and how he gotten into shougi, we followed his perspective on the struggle he had to stand on his own in the shogi world. We usually find this kind of flashback in other anime as well, the whole episode focused on certain character’s backstory to flesh out the character, but in this case I would argue this flashback is an example on how to use it right. Because in addition of giving more depth to Shimada, this flashback never at once feel out of place or even disrupt the flow of the story. Everything they showed in that flashback was just deepen what we already know about Shimada. That night bus keeps squeaking as it runs through the night perfectly sum up thematically his struggle towards just barely make it there to shogi, become “a small fish in a sea of sharks” and keeping the hope from the people in his town (man, how I love this writing). I had been in night buses before (and night planes that took forever) so I can relate to it all to well. Waking up and there’s a different, unfamiliar world awaiting you; but the moment when you’re alone in those buses waiting to get there was the loneliest time ever. His stomach pain also represents his pressure towards the kindness and hope of the people in his village; but those hopes (and that heartfelt banter) are something that keep him going, that make him try harder and harder in his shogi path.

I’m honestly quite surprised about Rei, as he takes a very good care of Shimada in this episode; because let me tell ya, taking care of a person is a freaking demanding job. He felt a bit responsible for Shimada’s current stomach pain so he decided to accompany him to Kyoto (that place! One of my favorite place that is). Rei has gotten more active roles lately and I’m glad that he starts to take care (AKA giving his support) to others because then people can rely back to him. It’s the right step in the right direction for our protagonist. It’s interesting to note that he’s actually shared the same thinking with Souya regarding shogi, because mostly they play the same all-rounder style and both relatively “genius” among his peers. Well, the Souya comparison will get more apparent as Rei’s getting better at his game I’m sure, but it’s still nice to see that Shimida acknowledged it sooner than anyone else. Also, we learn a bit more about Souya. He’s like an outcast, I don’t think he feels belong to this shogi world, but he keeps getting forward without looking back and apart from that he doesn’t care for anything else at all, just wandering around places with his mind in the sky. There’s really a thin line between a genius and a fool after all. Next week, we gonna see how the title match in Kyoto progress and I hope this time Shimada can break through so that he could play shogi in his hometown. You have my full support Shimada.

Scum’s Wish – 07 [Lots of Love]

by SuperMario, posted in Currently Watching:, Scum's Wish

Let see, this week we have a full Moca’s episode. Her role up till now admittedly has been a little insignificant, mostly because her princess, childish persona don’t go to well with the dark themes of love in Scum’s Wish. Thankfully, this episode gives her character justice and yes, she does support the overall theme very nicely. While it’s still unclear right now that it’s the end or just the beginning of her act, I believe she serves her purpose so I don’t really recommend if she’s trying to push her love through Mugi (but if one thing I’m sure about Scum’s Wish, it’s that they WILL push forward anyway). Really, her role would just make less impact the more they force her love in so the trick here that you should learn, Scum’s Wish, is to make one sharp clean slit rather than several dull cuts.

“Apparently, if you go to sleep holding hands, you’ll both have a same dream”

Alright, the loss of innocence.I’ve been waiting long for this opportunity to address it because Moca is a perfect candidate. She acts like a princess, having “elegant mood”, eat Western-style foods (because the other characters actually don’t), and dreaming of the prince of her life. She’s a girl who stay inside her little perfect dream because it’s the safest and the most beautiful world. Looking at her roles in a big narrative, she contrasts very well with Akane, who embodied all the darkness and bitchiness of woman’s nature (I wonder how it feel like if the two talking to each other with their true personalities). The show has a great touch to further express that theme through the movie Mugi and her watching: The Little Mermaid, whose story details one big theme about shattered romance, with all the dreams dissolve into foam. Here what makes her character different than her archetype, she awares that Mugi never desire her. Going out with him is for her sake and she intends to enjoy the most out of it so she always has the “perfect moment’ in her dream, and then leaves it at that- the sweet little moments that she will cherish for life. Of course, things don’t go according to plan because she feels the desire to touch him, to kiss him. That desire will forever shatters her fairytale version of love, but for Moca in particular I think this is for the better.

“And then, the prince’s kiss shatters the dream, and the princess wakes from her dream, finding herself alone in the darkness”

Thank God that Moca isn’t just an one-note character, as she has her dark, spoiled side and she awares of it. One distinctive thing about Scum’s Wish is that almost every character awares of their own dark feelings (except for a certain guy with glasses), they have their own reflections. She knows Mugi having a girlfriend and with her “dignity”, she should stop and has a more genuine relationship with Mugi. But she decides to charge over, hugging him and kissing him. That sequence of her real self fighting with her innocent self further highlights on how she abandons her innocent in pursuit of lust. As soon as Moca kisses Mugi, she’s no longer a “pure” princess, and now she understands the breakdown of the real romance relationship. At least, Moca had broken the shell of her egg so that she can be more mature and more honest to her love. She might find herself alone in the darkness, but at least now she knows what she doesn’t want to be.

“I want you to think I’m worth something”

Meanwhile, Hanabi tries unsuccessfully to hook Takuya up, but that guy who basically act based by his hormone so why give him so much effort? Hanabi wants attention, and desperately hooks into one so she can feel her worth. That’s painfully honest, pathetic and sad at the same time. From how I see it she doesn’t really love her true self, so insecure about her worthiness that she needs a desire/conformation from the others. Well, at least she and Mugi decided to confess their hopeless love in order to move on and possibly start dating for real again. I don’t see their relationship going to be genuine at all but at least now they have a courage to do what they had been avoided from day 1, so there’s a tiny little ray of light at the end of this dark tunnel.

“I’m going straight to hell”

Yes, totally. You bastard.

Top 12 Nonsensical Details in Flip Flappers

by SuperMario, posted in Flip Flappers, Other:, Top 10 Anime

And I return back to arguably one of my favorite anime of the last decade for the list of most randomness details in Flip Flappers’ universe. Which by all mean isn’t a complaint. Flip Flappers is a show that relies heavily on visual language, and while most of the time its heavy symbolic images represent something much deeper about adolescent and identity, sometimes we have some quirky details that just purely out of the whims, making me wonder if the creators were on some kind of LSD effect. Those randomness details below might not add up much in terms of plot or theme, but the sense of wonder is always shining bright here. Granted, they aren’t at all useless, after all those details create quirks that pretty much bring identities to Flip Flappers, making it… well, Flip Flappery. And truthfully, that’s one of the reason why I love this show so much: the ability to let loose and embrace on your weirdest dreams. This list therefore functions more as a celebration of creativeness, of bringing original ideas to the table.

As I stated earlier, even readers who haven’t checked out Flip Flappers, feel free to read this because it’s… useless details anyway. I will list them in order of usefulness, from most to least. Enjoy!!

  1. The Plugin/ Transformation items (episode 5)

Those tokens (the stick/baton and the bracelet) are supposed to be their precious items in real life so that they can use it a reminder to differentiate between this world and the Pure Illusion world (think Inception), or are they supposed to be a material requirement for the girls to tune in? No one knows for sure as the show didn’t attempt to explain at all. First, they ain’t even precious, at least to Cocona, and second, we never heard about them ever again in our lifetime. Oh, you mean they were carrying those items the whole time but just didn’t show it? Well, fair enough, but in later episode the girls were stuck in one Pure Illusion world wearing swimsuits, where the hell then did they hide the long stick (just the right length, they even commented) in the tight swimsuit? Unless they put it… Let stop here.

  1. The mysterious unconscious girl (episode 1)

That unconscious girl was shown from the first few minutes into the show, gathering a debate of what the hell the Flip Flap organization was doing with her. Then that poor girl never get addressed again (or even hinted to) and disappeared into thin clouds like she was never there at all. Was she just a bad dream that I had while watching Flip Flappers? Was she just in my imagination?

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ACCA: 13-Territory Inspection Dept. – 07 [The Truth Emerges in the Night Mists]

by SuperMario, posted in ACCA: 13-Territory Inspection Dept., Currently Watching:

The plot sure thickens a lot after this episode. Well, last week I mentioned about the possible spoiler of ACCA plot, but the truth turns out that it didn’t really qualified as a spoiler at all. All the hints were there and viewers picked up pretty quickly (or just that I’m a slow picker, yare yare). All that just to say that I really admire ACCA’s storytelling; the way they don’t spoonfeed us with obvious details, but trust viewers to pick up hints and then move the plot forward. This week the show decides to drop that bomb out front: Jean is a royal blood and he’s the first line in succession. His mother was the second princess, but she eloped with a beautiful white hair guard some 33 years ago after the Titanic accident. The couple then had Jean and Lotta, living a normal happy life until that train accident that really took their life 13 years ago. Now it raises 2 questions. First, was the train accident really an accident? And second, how much does Grossular know? I would say 90% sure that he knew about Jean and Lotta’s true origin, but how much did he know about the real cause of the accident? And about this upcoming coup?

It’s not hard to pin down the real boss of Nino though. It’s pretty obvious that he set Jean up to that cake store so Jean could have some time with the King alone, so we can rule out that only the King or that Privy Council was his boss. And with that phone talk at the end I can pretty much say the King was the one assigned him to follow Jean. But is it that simple? I appreciate ACCA’s storytelling so far but this week, at episode 7, we still come up with new characters, namely the first princess/ Prince Schwann’s aunt. I know she’s a minor character but this actually gets me questioning: where the hell is Prince Schwann’s mother, the third princess? Seems like she gained the most after the disappearance of the second princess and it might be that she had some kind of role in that ship sank? How about monitoring Jean now through Nino? Is she going to appear in this story at all? Man, there is a lot of questions, but I do love that for the first time since forever Nino was shown in some kind of emotional state, having received praise from his “supervisor”. Well, just looked at him when he was in the cake shop, you can sense he was overwhelmed as well. And isn’t that rare that he admitted that he was too close to Jean as dear friend that his supervisor isn’t happy at all about that. Jean and Nino share such great chemistry together and the next time they talk gonna be a life-changer one.

But my favorite sequence was when Maude takes up the stage and take Jean by storms. She accurately figured out lots of things happening around Jean without his help, and despite Jean hiding things from her she still trusts him dearly. If they join forces together they would make a really dangerous pair. Still, I really love that deadpan matter-of-fact delivery of Mauve, and Jean’s cool detachment when hearing that he’s the first in line for the throne. Elsewhere, Prince Schwann proves to be much smarter than everyone assumed him to be, figuring out by himself the true identity of Lotta, and now aiming to gun Jean down. As of now, how many people actually know about Jean’s true identity? I can safely say right now there’s the King, Mauve, Nino, 90% Grossular and now the Prince and those I believe will be all main ace cards for the upcoming coup. But with the revelation, the current situation has changed considerably. The main questions are no more “Who setting up the coup?” or “When will the King die” (because as far as I see he’s freaking healthy) but “Who gonna be the next in throne and who would be benefited the most with the outcomes?” Now we have Jean and the Prince for the throne, with that Privy Council President as a dark horse (because he can still manipulate the King). Jean has been set up to be an intermediary so far, so it’s mean there’s still someone behind the curtain who know about his true identity and pull all the strings.

Finally, the two districts we visited this week: Dowa and Kokore, were full of interesting characteristics and tasty breads. Dowa is the capital city with that old-fashioned but elegant city designs, and Kokore is a feminist town that really resembles an European city. I love how they explore a bit of women’s aspect in that Kokore district, and really the strong influx of women’s roles in society at large is always a positive sign for me. The breads and cakes also are equally impressive. With Dowa we have that apple cake and snowball cake (man, looks so tempting) and Kokore has full of delicious chocolate. This is hands out the best episode of ACCA so far, as the plot moves in much tighter now, while simultaneously never betrays what makes the show so appealing and unique in the first place (I’m looking at you, hot breads and cakes); I expect the show getting better from now on, now that they‘re gearing up for the big final showdown.

Little Witch Academia – 07[Orange Submariner]

by AidanAK47, posted in Currently Watching:, Little Witch Academia

It’s good to see that the strides Akko made last episode are still in effect as she is not making an honest effort to improve herself. She’s taking lessons from Ursula and paying attention in class but despite this her improvement is minimal. That’s good as I don’t want to see Akko become a top class student just because she’s trying now and her development is likely to be a main driving force for the series going forward. What this episode highlighted well though was that Luna Nova clearly hasn’t made an effort to accommodate for Akko. Akko is one of the first student to attend the academy from outside a wizarding family so it is natural to assume that she would need to be taught from the very basics of magic. However the teachers of the academy never took this into account and have thrown her into the deep end without anything to guide her. Akko’s difficulties with magic are not necessarily her own fault but also the fault of her educators who quite frankly never made an effort to incorporate her into the school. This is what makes the teacher’s rant against her at the end of the episode so utterly infuriating. For the teacher places all the blame on Akko without considering her own failings in teaching her.

After all one of the teachers required her to understand fish language for crying out loud and this woman is complaining about why she can’t keep up with the other students who clearly have had plenty of preparation before entering the school. You didn’t even tell her that she was going to need to be able to ride a broom to even enter the school. By all accounts, Akko isn’t a bad student. It just seems like she is being taught wrong. She seems to learn quickly when people are depending on her which allows her to get a grasp of fish language and movement spells in one fell swoop when she is needed.(Though the fish language thing I find a little too convenient) Which brings me to something I didn’t expect which is that Ursula is also learning while teaching Akko. The two have really started to be bond and Ursula in turn needs to learn the right way to teach Akko. So Ursula will be growing with Akko and I think there is something there when Akko remarks on childhood dreams. By teaching her Ursula looks to be regaining the fire she had in her youth and seeing her stand up for Akko at the end of the episode was immensely satisfying

My previous theory about the sorcerer’s stone being the only place one can use magic in the world looks to have fallen through as Ursula remarks about numerous magical professions around the world. I admit my theory didn’t really account for just what the students do upon graduation but just how is magic considered useless by the modern populous? There are things that only magic can do so I have a hard time understanding just how this could be considered antiquated. The only other ways i can see this mindset being logical is if magic has much greater limitations outside of the school or if the traditional mindset of the community has made the world ignorant of magics true potential. This is an issue that needs to be addressed but I have a feeling trigger isn’t going to let this be some plot hole to overlook.  Lastly it’s nice to see the shooting star mentioned in the paper detailing Akko’s marine adventure. Looks like it’s still flying around. Theres also the matter of Diana’s prediction that Akko would leave the school which seems to have more meaning than Diana worded it.

Shouwa Genroku Rakugo Shinjuu – 20

by AidanAK47, posted in Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Looking over my old review of episode 12, I find that I didn’t really cover the episode decently. I gave a brief summery but I don’t think I really articulated my feelings on the episode as well as I could. I do remember finding it to be a big heel turn when it came to Sukeroku’s and Miyokichi’s final moments but I was willing to give it a pass. Now this episode comes along and reveals that was all a fabrication. Thinking on it, I believe Yakumo incorporated part of the last Rakugo story Sukeroku told into his version of the events as it detailed a story involving a deadbeat husband changing his ways. However now so many things make sense. Konastu’s hatred for Yakumo and why she calls him a murderer and why Yakumo is so beaten down in his old age. All this time her lied to protect Konatsu from the horrible truth. The truth that she was inadvertently caused the death of her parents.

While I do find this version of events quite interesting, it does hold a level of contrivance like the last version. It makes sense for Konatsu to lash out at her mother after she stabbed her father but I find her pushing her mother back into the balcony and the balcony collapsing at that exact moment to be too calculated. Konatsu and her mother were fairly far from the balcony so Konatsu pushing her that far seems a little unrealistic. Still the thematic implications are strong and it certainly is heartbreaking to have Yotaru embrace Konatsu while crying. All the while Konatsu being ignorant of the fact that those tears were for her. So the question is, will Konatsu ever learn of this truth before season’s end or will Yotaru and Yakumo take it to the grave. After all these years learning the truth would break Konatsu, it would utterly destroy her.

Other than that we have Yotaru watching the old videos of Yakumo and Sukeroku and remarking at the difference. Yakumo in particular did seem much more cheerful in the past when doing Rakugo, a point Yotaru notices easily. Seeing Sukeroku after all this time was oddly nostalgic and I felt a connection with Matsuda in that it really felt like the return of an old friend. In other events the writer looks to have had a crush on Miyokichi which does explain the level of antagonism he has for Yakumo. Though in turn that seems to be the origin of his love for Rakugo. On top of all that Yakumo says he’s done with Rakugo, this may be why his vision when he fell unconscious features Sukeroku strangling him. To Yakumo, Sukeroku took his voice and without Rakugo he only has to wait for the reaper. The rest of the cast is reluctant to let him leave the Rakugo world but perhaps this truly is the end of his carreer.

3-gatsu no Lion – 18 [Torrent – Passing Time]

by SuperMario, posted in 3-gatsu no Lion, Currently Watching:

We have a fairly typical 3-gatsu this week, in which its level of quality is what we come to expect now. Its awkward shift in tone and the lack of big thematic plot points are still prominent in this episode, but we also have many heart-warming little moments, occasional touch of visual greatness and the plot that focus balancedly on Rei in his professional shogi life, his social life and his personal life. The notion of hometown, in particular, plays a big theme in this episode. As Shimada talks about his hometown to Rei, there’s really nothing in his town, just farmland, yet he tries his best so he can play the title match in that town again. Doesn’t matter where you end up living, the place where you spend childhood will always give a special, nostalgic feeling to you. And where is the place that Rei consider his home anyways? His true life was taken away from him when he was too young; spending 10 years in a house with little to no happiness; and now living alone in an empty apartment? Is it the sisters’ house then, the house he was just accustomed himself to recently? That song “Hometown” in the end really brings the sad, quiet feeling and it was one hell of a way to end the episode. Nice craft, Shaft!

Although I would be more interested to see the title matches between Souya and Gotou instead, bringing Shimada to face Souya actually benefits the story better. Shimada is still at the level that isn’t out of Rei’s reach, so to see the man’s commitment to face off the top shogi player is a valuable experience for Rei. While I feel that they overplayed the part where Darth Vader and Yoda shogi fighting and the endlessly shogi rambling (still, steamed bun joke was very good), I like the way Rei feel unsettling about the situation in the workshop. He’s the allrounder type, so he tends to focus more on the overall situation than the specific puzzle, unlike those two. The water motif again is very on point this week, depicting Shimada’s spirit and his will through the influx of water that nearly swept Rei away. I’m glad that Rei has gotten really over his depression few episodes ago and now keeps trying to improve his game, both tactically and mentally.

It’s his time with Hayashida-sensei, however, gives the episode a lot of heart. Hayashida has become more and more important to Rei’s current life and he feels like one of a prominent character now, the way he makes his best effort to keep Rei engaging his school life socially. He is one of the best sensei Rei could’ve had (on a second thought, not really, since he actually encourages Rei to skip class and nearly cost the poor boy another year), not only helping him get along with his study life, but moreover gives him many valid advices and heartfelt comments. Rei always has a feeling that he’s currently in a standstill: he doesn’t get along well at school, barely make it pass the year, his ranking isn’t improving… but Hayashida pointed out correctly how he has been fighting all this time at an age that normally shouldn’t be bothered to try. While I’d would give the exact opposite advice if I were him- someone in Rei’s age needs to go get out more and explore the world- his sincere comment at least reaffirm Rei’s worth, his life isn’t empty as he think it is. He carries a big burden especially for someone his age and it’d be much better if he understands that his friends are more than happy to carry the load along with him.

And here comes more Hina and Momo moments. I was a bit afraid that having the sisters meet Kyouko would disrupt the balance of the tone of the series, but thank god it didn’t. The three sisters are always brimming with light and warmness, while Kyouko’s always surrounded by dark nights and cold detachments, so how can they mesh together on the same screen? After all, how often you see the sun and the moon together? And isn’t it those times when they are together a special occasions? This week, it’s nice to see Hina and Momo get into Rei’s apartment for the lamest excuse (yeah, like they need that bento box that urgency!), but Hina’s emotional directness always work for someone who always hide his feeling like Rei. Rei makes that moment even sadder when he admitted that Kyouko is his sister, but clearly they don’t share any siblings chemistry at all. It’s perfectly normal when siblings having a fight with each other once in awhile. It isn’t when they having a fight every single time. In fact, the only close-to-sibling-ly moments they shared together was when Kyouko teased Rei about the three sisters. Only Arika sees through this complex relationship and I hope we have a more touching moments the next time Rei encounter the three sisters. Now, allow me to end this post here so I can watch some Squirrely-sensei programme and go to that Mouseland for some adventure!!

Scum’s Wish – 06 [Welcome to the X-Dimension]

by SuperMario, posted in Currently Watching:, Scum's Wish

If there is one thing that I really respect about Scum’s Wish, it’s that they commit themselves all the way to that tangled web of broken desires and love, instead of chicken out half-way. As a result this show gets much harder to swallow, but leaves you a big emotional impact. This week in particular we follow Hanabi and her descending to hell AKA her path of becoming another bitchy bitch, trying to beat Akame in her own games. If there was ever a doubt that Hanabi wasn’t a “scumbag”, she sure is becoming one now. In this show, characters do realize a lot of things, they all aware that they’re straying in the wrong side of the road but keep pushing forward anyways until everything broken apart.

“I will pretend with you as much as you want. Then you can fall for a fake version of me”

There she goes. Heartbroken after hearing that Narumi-sensei had slept with Akame, Hanabi wants the attention the boys have for Akame, so she determines to use any mean necessary to beat Akame. Everyone knows that Akane is hardly a role-model; she’s a fake. All her worthiness comes directly from the desires of those followers so as long as she isn’t desired anymore; she’s a done deal. Hanabi herself knows that it’s a pathetic decision, but when all the people she have connection with got stolen away by Akame, I can totally see her urge. Starting with Mugi when she decides to take his attention back by suggesting that they should date for real. She then meets Takuya, in this show served as a pawn for both Akame and now Hanabi – Akame’s prey who Hanabi personally connected to the least- in order for Hanabi to test out her own game. The result of course is as painful and pathetic as it gets. There is no real love involved, even no genuine moments together, it’s just plain body heat. All Hanabi does is to fake herself to please Takuya, and this guy isn’t either sensitive or care enough to realize. It’s the win-win game anyways. Takuya gets some comforts behind Akame, Hanabi learns and masters her game. They all basically get what they want.

“Every time I’m touched, I realize that I’m so empty inside”

But by pushing herself for physical means to lure the guys, she simultaneously has to lock her inside up in order to not falling apart. It’s not that Hanabi doesn’t aware she is attractive. I wouldn’t call her character attractive to be completely frank, she just knows how to use her body to seduce boys. It’s pathetic. The attractiveness, after all, should come from the inside and Hanabi’s inside is confused and empty. Feeling sick, feeling unworthy. Feeling empty. Feeling like scum. She’s experiencing a lot right now but expect things to get worse later on, when she uses her fake charms to seduce both Mugi and Narumi. The true question now is when she reaches the breaking point of feeling explode, how would she react then? The child version of Hanabi both present in the best and worst part of this episode. On one hand, I enjoyed the sequence of her conscience fighting with her current dark self tremendously. The visual styles really capture the dark mood of her battling with her head, and look how ironic that is when the child version of her that is more mature and critical, calling her current self “brat”. On the other hand, the flashback of her and Narumi again feels awkward. Here goes daddy issues again and Narumi seriously drags everything down with him.   

“I love you enough that I can live with that”

That’s when the idea of “accepting your love ones exactly the way they are” becomes problematic. And yes I’m talking about both Ecchan and Moca in this context. Ecchan becomes more and more dangerous, a crucial factor to manipulate Hanabi to her corruption and she enjoys it. As much as Hanabi desperate to hook up with any guy connected to Akame, she’s still sensible enough to cut-off Ecchan, because she just couldn’t see Ecchan as lover. But that red-hair girl knows all about it and content to be just that: a substitution. She loves Hanabi for both her good and bad sides so she has no problem to exploit Hanabi’s dark side so that she can embrace her even more. That girl is getting even more tricky when she even informs Mugi about Hanabi just to wreck that couple apart (and intend to leave another hickey soon, sly girl!). At the same instance, Moca and Mugi finally have a date so 1) it’s gonna be Mugi descending to hell next week and 2) I will have a chance to discuss my personal favorite theme “the loss of innocence” next week. Will it be embracing the person as they are, even their darkest side, a wise solution? Normally I’m in a camp that say yes but it’s clear that the show proves me the other side of the coin here.

Lastly, it got me thinking so I figure I will address it here, about the emotional response we get from this show. Normally, why would you watch shows that produce negative feelings to you? What’s the quality those shows have that frankly are quite addictive than normal, harmless, feel-good shows out there? I understand shows like “Now and Then, Here and There” or “Grave of the Fireflies” depressing nature because the audience have a chance to get emotional connect to the characters before the shows broke us apart with a hardship of nature (tragedy). Then you have those exploitation medium in which their main purpose is to rape your mind and make you feel disgusting and sick. For example, think of alleged “snuff” film from Japanese movies in the 80s, early 90s (don’t mean to knock them off, as I think they still have their merits). And then we have the ones like Scum’s Wish or Flowers of Evil that fall into the middle of those two (provocative). Here in Scum’s Wish we aren’t really supposed to root for the characters (unlike the first one), as they are pretty unrelatable from the first minute and make more and more extreme behaviors later on. It’s more about we project ourselves to the situations that make us engaging and gripping along with the characters. Everyone has to go through teenage phase, all of us have to go through the uncertainty of self-worth, lust, “true love” at some points in your life so your own experience will reflect greatly to those kinds of shows. I know for sure that If I were in the shoes of Kasuga in Flowers of Evil, I would have turned out just like him, and that feeling cuts me deeply. So my point is this, don’t think of this show as an entertainment piece, think of it as an experience you could’ve gotten, and I think your thoughts on this show would differ greatly. But then again who would want to watch shows that just make you feel depressing?

p/s: I normally just keep my blogging here in this sites as strictly anime-related, but since I’m a movie-buff at heart, I might as well recommend you readers to films that shared the same theme as this series. If you enjoy Scum’s Wish then by any mean check this one out: Breaking the Waves (1996). This movie won the Palme D’or back in ‘96 about a wife that after her husband was bedridden and asked her to have sex with other guys to heal him spiritually, thus come her journey to become a nympho by the public’s eyes and a martyr in her husband’s eyes. I know it sounds devastating to say the least but well, I hope… you “enjoy” it if you check it out.

Sweetest Monster Video Game Review – 70/100

by AidanAK47, posted in Game Reviews, Reviews by AidanAK47

I admit my first reaction to this visual novel wasn’t a positive one. Maybe it was because of Nekopara having a hugely successful kickstarter when Dies Irae was struggling to reach it’s goal.(I mean Jesus Christ the Nekopara anime OVA kickstarter raised nearly one million dollars. People really want catgirls.) I more or least saw the cover art, briefly skimmed the synopsis and said nope. However I got word that there was more to this story that means the eye and I tend to be fascinated by turning innocent concepts dark. My review this time will be shorter than my average ones as this visual novel clocks in at about a three and a half to four hour read. So due to it’s short length, the more i talk about it, the more I risk spoiling it. In any case the brief rundown is that a man is in a rough point in his marriage. His wife won’t give him a break and his daughter avoids him. One night after a fight the man goes for a walk and encounters a mysterious catgirl who claims to be a cat from his childhood. The catgirl called Bell wishes to repay the man for a favor he did in his childhood while also proclaiming that she is in love with him. Thus the man called Robin tries to avoid the temptation of this catgirl while dealing with a ever breaking down marriage.

One thing I was surprised by is that this visual novel is remarkably well written when compared to your standard fare. It would be very easy to turn this kind of concept fetishitic and fanservicely but the story manages to avoid that for the most part. The writing focuses mainly on the moral dilemma of the protagonist. Though starting out wary of Bell, he finds that as his home life gets increasingly stressful while Bell gives him the attention he desires. Always seemly knowing just what he wants to hear. So essentially we have a sort of Fatal Attraction story with the protagonist getting tempted by a potentially dangerous individual while trying to mend problems in his current relationship. I like how the rift is portrayed in that it’s not the usual abusive drunk or shouting matches. More cold indifference and an unwillingness for either side to just give the other a break. Neither side is particularly in the right here as while Sally does get far too bent out of shape over suspecting her husband of infidelity, Robin tends to gloss over his own failings in his family life in his inner monologues. For example, Robin mentioned that he attempted to teach his daughter piano lessons when she was young. From the way he puts it, he just gently tried to teach her and then gave up when she showed that she had no interest. However from the way Sally remarks about it, it seems those lessons were not quite as pleasant as Robin makes them out to be. The characters feel realistic apart from Bell’s more anime like mannerisms in her attempts to seduce Robin. But that in turn does make it clear why this girl is alluring to him.
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