Hinamatsuri (2018 Spring) Review – 79/100

by SuperMario, posted in Anime Reviews, Hinamatsuri, Reviews by SuperMario

Comedy anime doesn’t always yell out confidence, so imagine our hype when there’s one that been on everyone’s lips since the manga come out, Hinamatsuri. The show starts with simple premise: a girl with supernatural power unexpectedly drops into the house of a yakuza, hilarity ensues. This concept sums up very well the source humors of Hinamatsuri. We have seemingly stock characters at first, put them into some bizarre situations where they are out of their comfort zone, and observe how they react. As such, Hinamatsuri is at its best when it turns these absurd events into unpredictably directions; and when the show uses these absurd elements to flesh out the characters. It’s so succeed in giving hearts to the characters that, for me, it stops being a laugh-out-loud show somewhere in the middle and now in the end, I’m not quite certain if I still consider Hinamatsuri a comedy show.

But stop being an all-out comedy show isn’t a bad thing at all. One of Hinamatsuri’s best assets has always been a strong and memorable cast, especially from the younger ones. Hitomi and Anzu, in particular, make one hell of an impression. They embrace these two qualities I mentioned earlier, not only it’s hilarious to see how these girls behave when they’re thrown out of their elements, but also throughout those bizzare events our girls have matured right before our eyes. We have the always kind-hearted girl Hitomi finds herself making cocktails in an adult bar (and eventually come to love that job); to the bratty Anzu finds the meaning of responsibility and home in homeless group. Some segments just are down right heart-warming that they ring sad and sweet in equal measure. Even a proper drama show can hardly do that right, let’s alone a comedy one like this.

Other characters still manage to make an impact just from the little segments they’re in. The trick is that they all have different voices and add different energy to the show. It’s no coincidence that Hinamatsuri is fond of introducing new characters, even late in the game. Being said that, the central relationship between Nitta and Hina isn’t as well-developed as say, the developments of their side characters. At the end of the journey, when Nitta thinks about their journey so far, it just hits me that we haven’t really invested to them much. If we’re looking for a parental bond we’re set to be disappointed. If we’re seeking for a buddy bond, it was underwhelming too. Their relationship is some kind in the middle, where they can easily ditch each other but there’s still something that bring them back together.

In term of visual execution, feel does a pretty decent job of transferring the essence of the manga to this adaptation. The visual hits its mark whenever it embraces the quirky visual that only Hinamatsuri can do. I’m talking about whenever these girls doing their supernatural power, or when Hina just floating around in the air in the middle of a conversation. That brings me to another complaint. By design, this whole season is about these “gifted” girls accustomed themselves to the new, ordinary world. As a result, there’s simply not enough crazy, wild fights. This lack of truly over-the-top superpower hurts the show’s chance, as Hinamatsuri has a knack of bringing whimsical humor by their visual. Secondly, the lack of these supernatural power means that the show’s more content for traditional slice-of-life shenanigans, which in truth countless number of anime shows doing the same thing.

In term of segments, I noticed that the anime adaptation change the order from the manga, which I think work for the show’s benefit. We have more direct continuation from Anzu and Hitomi, for example, and so far I can see the love from the creators to make this show as memorable as possible. Only one plot thread I feel rather weak and uninteresting in general is the Nitta’s yakuza part, which rank amongst my least favorite segments. Hina has become more active in the second arc, despite my early criticism that she might not hold her own. This series, as entertaining, whimsical and surprisingly heartfelt as it might be, might never seen the day of life for another season. While personally I’m not over-excited about this show, it still remains a solid offering. The show that has its own voice and visual quirks. That alone make it a far better show than your average anime crop.

Golden Kamuy – 12 [Trickster Fox]

by SuperMario, posted in Currently Watching:, Golden Kamuy

Before I start, I just want to bring up the news that indeed, Golden Kamuy will have second cour, airing in this Fall season. For now I can’t say for sure if I’m up to cover the second cour, it’ll have to depend on the crop of Fall season. As a result, this final episode doesn’t even attempt to have any kind of closure. New character again get introduced, and again, this new blood is awesome. Western genre in general doesn’t have a good track when it comes to female character, and so far I wouldn’t say Inkarmat a great character, but hell does she leave an impression. Although everyone save Shiraishi make it pretty clear that they think fortune-telling is rubbish, she knows more than what she lets on here. For now I can’t say for sure if she’s an ally or a foe, but based on my impression she will be the one who chip in at unexpected time to help Asirpa and Sugimoto on their quest.

This week, we also get another unlikely setting that you don’t see often in anime that era: horse-racing; and in turns we have more screen time from Kiroranke. I still don’t trust him that much to be honest, and the events led to him become a temporary jockey isn’t subtle at all, but we still learn a bit about this guy’s own character. He’s the man who has his own justice and doesn’t afraid to do what he likes. Regarding his influence to the gold chase plot, I have a feeling he’s in for the gold for something not for his own gain. He has a special bond to Asirpa’s father so it might be the main reason he’s involved in all this.

Speaking of another ally, Shiraishi proves to be a guy you can’t fully trust. Not because he has any dark motive, but more because he’s prone for trouble and he just isn’t capable of making the best decision out of the situation. This week, we see him offering another way out, another way to get rich without risking his life. And in a way, he’s right. The prospect of gold is tempting, true, but if he can be rich through other means why the hell not? I’m really digging the way he sells out the tattooed skin, he does it to save his skin without harming his comrades. That’s a very Shiraishi thing to do. Sugimoto understands this, but he’s too deeply involved now. The quest isn’t only about him getting rich to pay for his friend’s wife hospital fee anymore, but also about accompany Asirpa and find out more about her father’s mystery. He would say time and time again that he’s immortal because he has nothing to lose, but now he does have something to protect. Asirpa. Whether that remains his strength or his weakness remains to be seen.

The first cour of this acclaimed manga adaptation has come to a close, and we’re nowhere to the finish line. Heck, I don’t even think the second cour gonna cover all of its material. The 3 month break is necessary, however, for Geno studio to improve the production aspect. The visual has been unfortunately quite bare-boned with limited animation and some certain unBEARable CG design. Hopefully the creators take note on these criticism to improve it better. For now, Sugimoto and Asirpa have established a strong chemistry all around, and while I think the plot wanders around too much, I can’t deny that meeting those twisted gruesome side villains have a charm of its own. This show has a huge pacing issue, humors can be a bit on a missed side for me, and I would prefer it much better without all these Ainu-centric cuisine, but I also know it’s part of Golden Kamuy’s identity so I guess I’ll just roll with it.

Full Metal Panic Invisible Victory – 09[The Fallen Witch]

by AidanAK47, posted in Currently Watching:, Full Metal Panic Invisible Victory

My hopes for a second cour of this series grow all the more fainter as I see the clear production issues that the animation studio are having. Bless them as this series is still provided to be excellent quality and a proud representative of the source despite all these woes but I really do wish they would continue for just one more cour. As one more cour would be enough to cover the last of the novels and after all these years it would really suck to leave Full Metal Panic unfinished yet again, perhaps at a worse ending point than second raid many years before. Which would be a great shame on many levels for I have seen many anime beginnings but very few true ends.

This episode was mainly focused on Tessa whom after the events of five episodes ago is left wandering the streets and brought into a hospital. She seems traumatised by the whole affair and puts forth a tale of the mithral staff turning against her in mutiny. It is rather interesting as we seen suggestions of mutiny before though those were given a cold reception. But when you aren’t getting your pay and supplies run short then loyalty can waver. Considering the dark turn this series has taken as of late this development actually fits which makes it pretty believable despite the fact that it was all a clever ruse. Got to say that if I didn’t know the story from the novels then i might have fell for this hook, line and sinker. Amalgam took the bait hard and proceeded to kidnap her though before that we had Tessa talking to a psychiatrist who took her talk of mythril as delusional ramblings. So it was immensely satisfying for Tessa to reveal it all a bluff to lure out amalgam and the ensuing action was pretty great as always. Also Tessa cursing like a sailor telling the man to pass on the message that she hates fucking pieces of shit like her brother, as well as mythrils reaction to hearing her, was pure gold.

Indeed this was another Tessa moment of badass that cements her status as best girl while Chidori makes omelettes. Speaking of her though she briefly shows up and seems to be treated well at Amalgam then certainly a lot colder than before. It’s nice to see she isn’t balling her eyes out and has enough backbone to give Leonard snide comments but it would certainly be a shame if this was the last position we see her in by series end. Sousukes still alive of course though it seems he suffered hard by his last encounter and now he’s in an even more dire situation as Amalgam are attacking the base and he can barely move. Lemon does show a bit more character her as he lets him know that he truly cared for Nami and even going as far to say that he might have loved her. He says he doesn’t hold a grudge but also says that the only reason they won’t torture him is because he wouldn’t survive it so perhaps there is some misgivings. But even he might be next up on the chopping block to join her if the end of this episode hints right. I am quite interested in seeing just how the hell Sousuke is going to defend himself with his body bedridden. One thing I haven’t really mentioned is that the anime is cutting out details a bit. For one the girl who was programing ALs core is in fact the girl sousuke rescued in episode 1, who I mistakenly thought died. But one detail I thought was a shame was that when Sousuke woke up he quoted the name of the painting on the wall in the book, which was “Where do we come from? What are we? Where are we going?” and Al quoted that exact same thing when he first woke up. Which is certainly an interesting connection these two have.

Darling in the Franxx – 22[Stargazers]

by AidanAK47, posted in Currently Watching:, Darling in the Franxx

Honestly looking at this episode as a whole I could very well call it a prime example of the problems with Franxx condensed into a single episode. Previously I guessed that Franxx would go one of two endings being either starting a counterattack against VIRM or setting up the new line of humanity. This episode actually tries to do both and the end result is rather mixed. Mainly because the majority of the episode was quite bleak but I still found myself apathetic to the plights of the protagonists. As to why I wasn’t quite invested, the reason was proven by episodes end as for all the grim tidings, everything was just washed away while friendship wins over all. It looks like the Nines are dying, oh wait they have enough strength to pilot Franxx and are good guys now. The farm the kids were building has failed and it seems that the earth is too far gone to support plant life anymore but wait, turns out there is a lush plantation nearby which can support plant life so huzzah!The old Nana returns and is facing an existential crisis, but hey she finds her way giving some random kids some headpats.

There has been serious losses in this needless war, but wait it turns out all the failed pilots were refrigerated below the plantation all along and are alive. Even Naomi from episode goddamn one is still alive. Zero Two is a comatose vegetable, but wait her brain is fighting aliens up in space and now Hiro is going to save her! SIgh…look Franxx, grim storytelling requires consequences. You can’t just hand wave the consequences because it’s inconvenient as that just renders all the drama before now for naught. This is the Maeda problem where in the writer wants all the emotional weight of heavy storytelling while doing everything in his power, regardless of logic, to ensure a happy ending. But a happy ending completely negates the scenes pire for if you have a scene where a character grieves over the death of a loved one, only for that loved one to walk right in moments later then that makes all the grieve and emotion of the scene before pointless.

I now have full confidence that none of the main squad are going to die and that a happy ending is inbound so whatever gaslighting these series attempts will be just a waste of screentime. The writer doesn’t have the balls to kill anyone off so let the shipping happen and lets get this ending over with. Well at least this final battle with VIRM could prove interesting, we got two episodes so I am guessing the battle will take one while the last episode will be some kind of epilogue. So otherwise besides the teenage hissy fits we got Kokoro finding out that she’s pregnant much to her dismay seeing as she has no memory of the conception. Which does pose an interesting question as she was fully up for it before the memory wipe but now that the memory wipe has happened it seems to have removed all her previous interest in parenting. Indeed the trigger for all this was the book she found on the beach episode and if we take away that memory then her interest in children wouldn’t have bloomed. So it’s surprising that Kokoro is the same person yet due to a change of memory has two entirely different opinions of pregnancy. I admit that I am finding new Nana quite amusing as she seems to be reacting to the situation in a manner very similar to mine. She quite frankly holds no interest in anything and is withholding power control from the kids on the simple grounds that she will only follow orders from father. Upon being told that they will all die if they don’t get it she responds that “Yep, guess we will die then.”

Old Nana and Hachi look to be jumping in as the plantations new caretakers under the last orders from Franxx with the general idea of them becoming the new “Adults”. It’s nice to have old Nana back but it does feel a little cheap t have her turn up alive after all. Again this series has heavily insinuated that individuals removed were killed only to have it that nobody was killed and while I am not bloodthirsty I just find the means to keep her alive to be contrived. My readers, few though you may be, I fully concede that I am feeling burned out for keeping up with the anime this season has been tough and work has just gotten burdensome. Some of my dissatisfaction with this series may be due to that mindset though I do feel my complaints are still valid. From the look of things it seems to be a popular sentiment of this show as of late though I find the comments regarding Franxx’s Atheism to be absurd. Franxx didn’t do what he did because he was an Atheist, he did it because he wanted expand his knowledge of science and make himself closer to the Klax queen. If anything I was consider him a religious man who had yet to find his god, which ended up being the Klax queen. But that aside while Franxx has be a rather enjoyable ride, when you look at the package as a whole you find that it falters on many levels. We near the end so as we do I find that this series is beginning to feel like a waste of time. And I value my time highly.

Hisone to Masotan – 11 [The Sky of Montparnasse and the Trash Girl]

by SuperMario, posted in Currently Watching:, Hisone to Masotan

What’s there to say about HisoMaso? I’ll be blunt but I see this whole final arc a missed opportunity. It builds from neat ideas, but the way the show creates and resolves its conflicts are hammy at best. Take the two main struggles this episode: Hisone decided to quit the job altogether and the grandma possible yuri relationship with the old miko. All of these are established and quickly resolved in about 15 minutes, and I can’t say I feel anything about their conflicts. For Hisone, I can ‘barely’ get the reasons for her quitting. She doesn’t want to hurt the people she love. But for me it’s just an easy way out, she’s running away because she can’t deal with it. Now, I realize that this is HisoMaso’s point all along, but consider this: why the show introduces this drama too late of a game? Is it creating conflicts for the sake of conflicts? This new development effectively kills little interest I have left for Hisone character.

And then we have a brand new conflict in the name of Sada and that opens up another can of worms. Sada formed a special “relationship” with the old miko, just so that she witnessed the death of that shrine maiden and still hanging on it. It’s a nice little drama in concept, as it questions the necessity of sacrifice someone. But in practice, we have HER piloting Masotan instead of Nao, which for me makes completely no sense. Isn’t it another case of creating conflicts for the sake of conflicts? And then all this plot is building up for HISONE JUMPING INSIDE MASOTAN. Have you ever heard of the expression “Jumping the shark”? Well, it’s the same here (Jumping the dragon!). And it comes up with some more issues. First, how the hell it’s okay now that there’s two pilots inside the dragon and second, it feels that all these developments feel utterly calculated, and I must say, cheap.

Regarding how this story gonna closes up, I’m guessing that Hisone will find a way to save Natsume and all them come back safely. Remember they are inside the great dragon, right? Couldn’t they pilot or do something the same like what they do with Masotan and other dragons? One more thing that struck me is that the old lady might not die yet. We see her shredded clothes but surprisingly not her body, and regrading it’s HisoMaso we’re talking about, it could go in any direction. I still feel a bit betrayed how Hisone gets off and comes back a bit too quickly and easy, and worse the worldbuilding just isn’t strong enough for me to completely suspend my disbelief. For me it’s just another case of creators don’t think about this world hard enough.

Hinamatsuri – 12 [Snow Festival]

by SuperMario, posted in Currently Watching:, Hinamatsuri

And so it ends, but it feels much more like a beginning chapter for the next arc. feel studio opens up for the possibility of next season here, by bookending Mao’s 3-year-later arc. Although I love little Mao with her kungfu storyline, I still feel it’s devoid from the content of Hinamatsuri has established so far. She appears in only 2 segments, and they can easily fill it up with more content from the present day. The biggest reason to include her, I suppose, is because she will become an important figure in later arc, and despite all my “qualms” earlier, I love her presence and her talking to handmade dolls struck a sweet chord for me. With enough screen time she can become one of the favorite character, but is there a good chance of Hinamatsuri getting second season? Well, from what I gathered, the chance doesn’t look promising despite the critical reaction it has. I guess it’s more because Hinamatsuri doesn’t subject itself within one set-demographic, and it’s frankness regarding homeless people and pre-teen kids attending bars might hurt its chance a little. A total shame since Hinamatsuri deserves another season.

The first segment is a continuation of last week, and I originally thought it’d involve more Nitta and Hina. Turn out Hina is stranded in the middle of snowy wilderness with Hitomi and the two boys, and this segment serves as a character development for Hina as she opens up her secrets to her friends. Well, not at first since she never regards “getting lost in the snowy mountain” as a serious issues until she learns that there’s no food. I especially love how she only has one line, and it’s “feed me” (Mao understands this girl well). The other kids take this shocking news surprisingly well, and they prepare a make-believe sushi to recharge Hina’s energy. The whole sequence is warm (despite cold sushi) but I admit it doesn’t reach the impact I hope for. In fact, it’s often the case I have with Hinamatsuri, it’s unpredictable enough to hold my attention the whole way, but isn’t flat-out hilarious or make a strong impact to me.

After getting themselves rescued, Hina wakes up in a hospital to find Nitta there, and they have a quiet time together to further reflect their journey from the beginning. It’s not a subtle way, but it’s a fitting one for the final episode to have montages about their time together, and about other characters at this precise moment. But where’s Mao in the montage? I asked myself until we leap three years forward to see her not only doing well (being the famous pupil in the now-commercialize martial arts dojo. Not because of the skills she learned there I’m sure), but she still keeps a habit of talking to her Hina and Anzu dolls (despite we all know that she isn’t completely delusional). This fact that after all this time she still talks to them in her native language like a lonely kid talking their puppy got me personally. It may play for laugh but there’s a sad feeling buried underneath.

She meets Rocky, himself wanted to learn the “magic” power of Hina. Upon hearing about Hina, she decides to leave, but of course the dojo doesn’t want to lose their golden goose. I like the final test well enough, mostly because of the spinning machine is just way far-out when you think of the dojo martial arts. Mao easily defeats it, while pretends to use her martial art skills to fool others. While my earlier comment might suggest that I feel the whole Mao’s arc as a filler (it is), in truth I understand the reason for it being there. It’s a crime NOT to see her in anime version, considered this might be the only anime version we’re ever going to get. Overall, I enjoyed Hinamatsuri on a weekly dose. While it’s not the show I find myself thinking back a lot, it proves to be an enjoyable little show with its quirky cast, especially the younger ones and surprisingly heartfelt for a comedy show. Full review will come up soon.

Megalo Box – 12 [Leap Over the Edge of Death]

by Lenlo, posted in Finished Series: Action, Megalo Box

Ladies and Gentlemen, welcome to the hypest episode of the season, as Megalo Box lays everything on the table for next week’s finale. Lets just jump right into it.

Megalo Box has a lot going on this week. We saw the return of multiple characters and got updates on their lives. We were shown backstories for our leads, and best of all Yuri made his choice. But we will get to him.  First up, the ending rap. I am not normally a fan of rap, and what Megalo Box and Devilman Crybaby of last season made me realize is, that’s because I hate the subject matter. The “gangsta” lifestyle makes for terrible music to me. But lyrics about people, their struggles, who they are? Reminds me of Eminem’s “Mockingbird” and “When I’m Gone”, the only rapper I could ever stand. That plus the uniqueness of hearing Japanese rap, so very distinct from English, just really sells it. If nothing else this season, Megalo Box has succeeded in getting me to buy its soundtrack on the 27th.

Continue reading “Megalo Box – 12 [Leap Over the Edge of Death]” →

Steins;Gate 0 – 11 [Pandora of Forgotten Existence -Sealed Reliquary-]

by Lenlo, posted in Finished Series: Mystery/Suspense, Steins;Gate 0

Welcome to Steins;Gate 0, this week with the most “final” middle of a series episode ever. We have drama, we have guns, we even have probable time skips! Lets jump in.

This was an overall solid episode. It tried to wrap up, or tie together, a lot of plot threads and resolve character arcs before jumping into its second half. None of the drama really felt forced, though I do think Maho’s bathroom scene shouldn’t have been played for comedy. In general it was just a solid wrap before things start to get crazy. I say start to because episode 12 is when the original Steins;Gate really kicked into gear, so I expect White Fox to be going for a similar pace here. Now, on to specifics!

Continue reading “Steins;Gate 0 – 11 [Pandora of Forgotten Existence -Sealed Reliquary-]” →

Golden Kamuy – 11 [Everybody, Get Together! It’s a Murder Hotel!]

by SuperMario, posted in Currently Watching:, Golden Kamuy

Welcome to Bates hotel!!

Alright, make no mistake, this is the funniest episode of Golden Kamuy we will ever have. Still dark, have very little to do with the main plot, but it’s spooky fun. Even trashy fun with all the dick jokes. This is Golden Kamuy at its loosest shape. Which is not a bad thing at all, although I must admit that the humor remains hit or miss to me. In this episode 11 (!), we have another mad tattooed prison of the week, this time revolves around a former doctor who regains youth (and changes sex somehow) by killing and cutting off parts of the victims. Nutcase she might be but it’s one of the strongest part in Golden Kamuy in general. Not only the side-villains are memorable, they fit the show’s theme like a glove. Ienaga, the hostess who runs a murder hotel, is lust with immortality and youth, both themes in which Golden Kamuy has consistently explored. Her design is decidedly goddess-like which contrast very well with the plain-looking of other characters, especially the soldiers. In Golden Kamuy, the weapons these characters using could tell you whole lot about their characters: Nihei with his one-bullet rifle; Henmi with his sickle, and now this new villain and… syringes. Way too awesome.

Another notch for the design of the hotel itself, in which it’s designed like a maze, and we have this wonderful shot (screenshot above) of the interior of the hotel which for me remains the episode’s best single shot. I’d love more if the episode spends more time with the hotel’s layout. But being Golden Kamuy, it’s pretty busy with other stuffs as well. And that other stuffs are the (coincidently?) arrivals of both our gang and Ushiyama on the same night. Ienaga recognises two of them, but in its twisted turn of event these two have a lust for her (pure lust this time) and chase her around the corridors. It’s when Golden Kamuy becomes some sort of a farce pulpy mystery in the same vein of Cluedo board game that somehow torture room, licking the eyeball, bombing, wall-breaking, bombing (it deserves to be mentioned twice) and dick jokes make their appearance. While I can live without Asirpa participating all these dick jokes and the mild rape jokes to boost, it almost succeeds because it never takes itself too seriously. Speaking of tone, one thing I realize is that the more Golden Kamuy gets into these new adventures, the less serious and more goofy it becomes and I’m still not sure what to make of it.

More significantly, the Immortal Sugimoto finally meets Undefeated Ushiyama and apparently they’re both to awesome that they’re engaging on the fight just by the handshakes. Okay, I still don’t like this Ushiyama dude since he’s all about brute force but even I can’t deny that he’s up to the level of Sugimoto. The star of the hour, however, is Shiraishi; the one who argurably goes through hell (and back) and all his expressions are just so hilarious. On the more serious side, he’s supposed to meet Ushiyama the next day, which for my money to hand these tattooed skins to him. The plan fails, although Ushiyama has another tattoo after this, but by this development I actually think that Shiraishi won’t betray our Sugimoto and Asirpa. Then again, we still need to keep an eye on Kiroranke, who can just sit back and wait for the right opportunity to strike. I don’t see the anime ending anytime soon at this rate, so just hope we’ll have some kind of conclusive ending and pray for the next season to be announced.

Hisone to Masotan – 10 [Melting in Love]

by SuperMario, posted in Currently Watching:, Hisone to Masotan

Pretty visual aside, I wonder how much fuel left for this aircraft before it runs out of ideas. HisoMaso has never been a show with detailed world building, or even thick plot to begin with, and as the usual case for me, nothing much happened in this episode. The biggest plot point of this week is that Hisone and Hoshino now have to choose between love and career because somehow fallen in love is like a toxic for your dragons. I guess Okada’s point is that she raises one of the most common issues normal working woman will have to face: family or career, but even putting this story in that light, I can’t help but think HisoMaso is sexist. Guys are free to flirt around, guys at the top twitch the noses of our girls, and our girls take all the fall. Not only Hisone and Hoshino, but now Natsume is officially a Binden – literally a sacrifice (even that poor girl can’t have the man she loves, damnit). So by having Hisone decides to quit the job at the end, it also mean she strays away from the restriction, the repression. Hopefully I read that right because to be frank, part of me still thinks that Okada’s just trolling us around.

We get to know more about this Natsume – Okonagi’s romance and I’m not in a bit surprised here. It goes to the most common trope of unconditional love from Natsume, while Okonagi part-oblivious, part-see her as his sister- bullshit. I don’t really appreciate the way he dodges the kiss, but the blowing air to the nose part itself is quite a lovely bit (guess that mean that Masotan will have a chance to blow her nose in the Ritual). Another detail is about the village dedicated to this Ritual, where they raise young boys and girls to be shrine maidens and… what? Priests? How many priests they need in the ceremony anyways? (the answer is one). And how long in between each ceremony (the answer is 74 years). You get that? The whole generations of shrine maidens and priests were wasted because the dragon won’t wake up. This tells me that they haven’t thought the world-building out well, because the more you think about how it works the more it falls apart.

But we still have some nice moments in this episode. Nao has a chance to shine. Being somewhat written out towards the latter half of this series (the reason is simple: she doesn’t have a dragon), it’s nice to see her piloting Masotan again, an evidence that she has finally came to terms with being who she is, and piloting Masotan also means she helps out Hisone and her dragon as well. She has some nice chemistry with the designer (but wait, doesn’t she have a crush on this guy? Why can she piloting then? Guess the saying remains true: each girl tastes differently, right Masotan? In short, this is a so-so episode in an underwhelming last arc so far.