Irozuku Sekai no Ashita kara – 11 [The Waning Moon]

And suddenly, after weeks of hovering around, Irozuku has some sort of urgency this week. You see, Hitomi’s spell starts to wear off and she only has 2 days left to say goodbye to this world. NOW the cast has some motivation to actually do necessary stuffs before time running out. That means Kohaku has to bare all the responsibility of bringing her back to her time safely, and Hitomi has to sort all her feeling out before the moment comes. Both the visual and the narrative are purposeful this week (something I can’t say for their previous episodes). In specific, the moment where she… whoops… vanishes into thin air, Irozuku makes it feel as if time has stopped. Or the moment later where Hitomi making those paper planes and communicate with Aoi by switching her light on and off, it works because it’s understated. These small moments like this is what Irozuku unfortunately missed during its middle section.

It still comes a bit out-of-nowhere the way Hitomi suddenly disappears and how Kohaku later informs us that it’s a sign that she has to go back home. I mean, we didn’t learn about this Okabe-situation before, and it doesn’t help that the day they want to cast the magic is on the same day with the School Festival. I’m willing to put all these aside, however, because this is the only rare times where I see the cast actually having some purposes. Chief among them is Kohaku, with all the burden of whether or not she can do it, and do it safely. Then it’s also a matter of gathering up the right material, which in this case is the pure magic sand. The rest of the club has some nice development where at first they’re sad to receive the news, but determine to do their best to help bringing Hitomi back to her timeline safely, even if they aren’t gonna see her ever again.

As for Hitomi, she doesn’t take this news too well. She knows it has to be done, but she doesn’t want to leave the world where she has good friends and where she finds her first crush, Aoi. There’s a saying that “either you have a sense of urgency today, or you have a sense of regret tomorrow”, this time both Aoi, and her wanted to say what they feel towards each other. What happens next is that they reach to each other without a single word. As they both race to each other’s house and meet halfway (boy, I’m glad there’s only one route to their houses), and embrace each other in a near-full moon. Time remaining might be too short for the two now, but finally they can be able to express how they really feel.

SSSS.GRIDMAN – 11 [Decisive Battle]

I have a sense that GRIDMAN regresses considerably since its magnificent episode 9. Well, major events are still happening. Last week, Anti transformed into GridKinight and this week, it’s revealed that Yuuta is indeed Gridman, hence the reason the boy doesn’t remember anything before waking up is simply because he has no memory to speak of. But here where I see GRIDMAN falters. It brings up a lot more questions and I’m not so sure if they can address them all in just one final episode. Moreover, the main narrative core, which is about Akane, is stalled for the last two episodes. As a result, we ended up seeing her wandering aimlessly in her own makeshift town, stabbing someone and then wandering aimlessly again. Maybe it’s just me who expected more than this but we still haven’t gotten into Akane’s backstory, if there was one, at all. Nor do we have a good idea of what Alexis wants behind all this or exactly what Anti were in related to Akane. For Akane, we only have a vague sense that she had some trouble in her real life that she escapes to this world and makes it any conceivable way she wants. For Alexis, if his objective was to destroy Gridman, then it makes little sense to summon all those kaiju monsters again. I have to note that the reason for Anti assuming the GridKnight role is because of those kaijus. Without them, he has no reason to fight. Lastly, it’s unclear why Anti was so dependent on Akane. From my point, we (and Anti himself) know that he isn’t the kaiju created by Akane, and I feel that Anti becoming GridKnight is incredibly forced. He can become anything. A kaiju with heart. Anything. So why GridKnight in particular?

We can’t pass this episode without mentioning the big event of this week: the reveal that Yuuta is indeed Gridman. That’s the whole reason why he can’t wake up until the Neon Genesis Squad figures out that they need to fix the old junk. It makes a whole lot sense regarding how Yuuta doesn’t have any prior memory and how they need to fuse in order for Gridman to work, but it also opens up for more questions I’m not sure if the show’s equipped enough to deal with. First, what about Yuuta and Rikka’s previous encounter? GRIDMAN has been hinted bit by bit that the meeting is kinda important for both him and Rikka, but now I don’t know what to make of it. Second, what about Yuuta’s real body now? I guess this doesn’t matter much, he’s a NPC anyway. Finally, what to make of this revealing? Is the fact that Yuuta is indeed Gridman change anything on this chessboard? I have no clue to be honest but I suppose the show will tackle that question in the final episode.

This week’s audio drama we have a mundane but much-needed conversations between Shou and Rikka. The reason I said “much-needed” is because on screen, I’m more strucked on how they can’t communicate their own thoughts to each other. Back in episode 3 we had a brilliant segment (which is still one of my favorite moments of the show) of them sucked into their own personal space. We have a glimpse of that again when these two are in hospital beds, waiting for Yuuta to wake up, as each of them is lost to their own thoughts. Rikka has a lot on her minds, mostly regarding Akane, but I rather enjoy how Shou addressing his own crisis of a best-friend trope: that he doesn’t really contribute to any of the fights. He succeeds on performing a role of a character who has no more role except sitting there helplessly.

Finally, my hope for Akane’s flashback might not turn out to be true, regarding how Alexis, in his ultimate decision, turns Akane into a kaiju too. While there are much more kaiju battles in the last two weeks compared to what we previously got, I don’t really see the weight of these battles. The reason for that is because Akane’s pretty much absent-minded, so even more than before we know how the results are gonna turn out. I must say, I’m a bit disappointed that GRIDMAN didn’t deliver in this final stretch, but there are still plenty of reasons to get excited about the final showdown next week.

Banana Fish – 23 [For Whom the Bell Tolls]

Welcome one and all penultimate episode of Banana Fish! This week we lose 2 antagonists, Blanca gets a history and Ash asks for help for the first time. Lets go!

Opening, I have to say, a lot happened this week and Banana Fish just nailed it. No part of it felt particularly rushed or cut. Sure, parts came as a surprise, such as Dino’s fate, but that doesn’t mean it didn’t work. If anything, the surprise of who are final villain is made it work even more. I was not expecting the episode to go down how it did. Of course, I am talking about Foxx and Dino, which I will get into deeper in just a moment. Now, I suppose this justifies Foxx’s introduction so late in the series a bit. I still think that compared to say Arthur or Yut, he is a much weaker villain. I wish he had more time to build his character and threat. But for a narrative surprise? Good enough. Now, onto the meat!

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Winter Season 2019 Preview

Time is like a cat. When you want it to move fast it stops dead. When you want it to stop it moves fast. Occasionally it jumps around and every now and again it tries to kill you in your sleep. I don’t quite know where I was going with the metaphor but if we can take anything out of it, it’s that there are only so many analogies to time one can make for these previews. Let’s just say that the second and third Fate Heaven’s Feel movies are not out yet and really that’s all that matters.

I certainly professed certain doom for last season but I will admit to it not being quite as bleak as I would have thought. That said it was still a weak season where even the strongest shows didn’t have much of an impression. Luck would have it that the winter season is going to change that because we got some real contenders here. We got two manga adaptations held in high regard along with a golden oldie, a sequel to Mob and some originals with potential.

Rules are the same as previous previews, I seek out any source material I can to find out what we may be in for and there is a poll below for you lot to vote which shows you wish to be covered.

Once again thanks to Mario, Lenlo, Helghast and Wooper for helping out.

The sequels/Shorts I don’t care about

3D Kanojo 2
Ame-iro Cocoa 5 (short)
BanG Dream! 2
B-PROJECT 2
Date a Live III
Fukigen na Mononokean Tsuzuki
Mini Toji (short)
Piano no Mori 2
Shigeki no Bahamut: Manaria Friends (short)

Series I don’t care about

Bermuda Triangle: Colorful Pastrale


Studio: Seven Arcs
Director: Junji Nishimura
Script/Series composer: Michiko Yokote
Source: Original
The glittering spotlights. The sparkling, fluffy, cute outfits. The charming voices while dancing with bright smiles. Under the dazzling lights on the big city stage, these would be the mermaid idols who swim and dance freely underwater. But far from this big city, the girls once lived in the peaceful village of Parrel. These girls, who would not even imagine such a glittering future for themselves, are instead just raising a fuss over the snack cakes they are eating. This is the story of the cheerful daily life of mermaids who strive their hardest everyday.

It’s a spinoff of the Cardfight! Vanguard franchise. It’s also about a mermaid idol group. My interest levels could not be any lower for this. Just introduce a high school and I would be done. Honestly the best I can see here is some cute mermaids being cute and stuff. But even that just sounds like a dull forgettable experience.

Circlet Princess


Studio: Silver Link
Director: Hideki Tachibana
Script/Series composer: Nachi Kio
Source: Video Game
The game follows a fictional near-future e-sport that utilizes a “mixed reality system” developed from augmented reality technology. The story centers on a fledgling team of high school girls from Saint Union Academy who pursue the sport of Circlet Bout.

A browser game adaption huh? These are rarer than your regular old Gacha game adaptations, considering the last one I remember is Kantai Collection. Still it seems the appeal here is the same. The fanservice was high in that trailer and it’s basically just hot girls fighting each other. I would say this doesn’t look to have anything worthwhile. I see the series composer is the original creator of Aokana. Guess it sucks that VN company basically went defunct. Move along, nothing to see here.

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Planetes – 17 & 18 [His Reasons/Debris Sections Last Day] – Throwback Thursday

Hello and welcome to another week of Throwback Thursday, with Planetes! This time Planetes drops it’s greater themes for some character drama, but brings it back with one big hurrah for our team. Lets jump in!

In general, I wasn’t particularly impressed by this week. Every week I am waiting for something definitive to happen. For the series to kick into some final arc. And every week it gives us another character focused piece. Yeah, we moved forward a bit this week, but it just feels slow. The cast at this point is huge, and I just don’t understand why Planetes is still introducing new characters. I feel like it would be better spent focusing on the ones we have. There were glimpses of that, Gigalt has become an important recurring character, and the Ninja’s showed up for a brief moment. We even saw the return of the 3rd Division Chief, who I was sure would be a one off villain. When these instances happen, I love it. I love the callbacks and consistency. But the stream of weekly new characters concerns me.

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Kaze ga Tsuyoku Fuiteiru – 11 [Overflowing Drops]

Hello and welcome to the last week of Kaze Fui for 2018! This time Shindo gets dumped, the team rallies behind him and Kurahara catches an older mans eye. Lets jump in!

First off, lets get the elephant out of the room. That’s right folks, no Kaze Fui until January 8th. Looks like they are taking a break between seasons. It’s not unusual for the Holidays, but it does mean less pretentious blog posts from yours truly. That out of the way, onto the actual anime. This was the first week Kaze Fui failed to ‘WOW’ me. It’s not bad by any stretch, I still love it. But it feels like the series knows about the 3 week break and is choosing to calm down for a moment before the Holidays. We got some development of Shindo, and it was good. We also get to see our team come together, even Kurahara joining in, to comfort him. But there were no big revelations or big paradigm shifts like the last few episodes. Maybe that’s for the best though.

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Thunderbolt Fantasy 2 – 11 [The Dignity of Evil]

This week we see something that rarely happens: Gui Niao is in a fault mood. As it turns out, this little war between Enigmatic Gale and Dirty Cop is more about the Vape Wiz’s ego rather than the Glassed Boy. The usually collected-Gui Niao shows off a whole range of emotions this episode: from being a complete troller (his exaggerated reaction when he heard the “news” is priceless) to bewildered and finally frustrated with Dirty Cop’s decision. Everything goes according to Enigmatic Gale, but one thing that he hadn’t taken into account is that Dirty Cop has stooped so slow, he has no such “pride” whatsoever. Things go against his plan, his life is ruined but he shakes it off and moves on. Well, Gui Naio being a boy with huge ego, who enjoys crushing other boys’ huge ego, is taken a big backlash that he doesn’t want anything to do with Dirty Cop. Well, I must say while this turn of event is silly at best, it’s always welcomed to see the weak side of Gui Niao, the guy who live or die by humiliating other people.

It’s also very welcomed to see the ex-spear wielder now-swordsman Juan Can Yun from the first season back, now more responsible and all. Our Shang Bu Huan decides to leave the sword index to his old comrade, so that he can come back and fight against the evil sword, which for me is a very Shang Bu Huan thing to do. What cracks me up, however, is that the blonde one-eyed dude can hold the sword index… for a week. I mean, to walk into the hiding place, it already takes that amount of time. That aside, it provides a deadline for Shang Bu Huan to do his thing and come back to claim the sword index. Gotta say though, it still feels wrong the way Juan Can Yun wields a sword from his wife instead of his trademark spear.

Our Ginger Singer has an encounter with the Monk and his wife Sword, and I count it lucky when he can escape that fight without losing his life. He had a death flag all over when he decided to pursuit the villain alone, but I guess he’s too beloved to be killed off just like this. Apparently, he only appears in the side story, but because Gen Urobuchi loves his character so much he includes the bloke to this sequel. The way he fights based purely on his hearing proves to be a formidable thread for the Monk, but he himself is wise enough to deceive our Singer. At the moment, it feels like the last retreat before an all-out war, with pretty much everyone cools down or power up right now before the climax. This episode isn’t a game changer or anything, but it still maintains the endless fun of seeing these larger than life characters act and bounce off each other.

Banana Fish – 22 [As I Lay Dying]

Welcome to what is, to me, a very contentious episode of Banana Fish. This time Blanca gets sentimental, Ash learns Japanese, and Eiji sets Ash on a Warpath through no fault of his own. Let’s dive in!

Overall, this was a good episode. It flipped everything on its head and, assuming Banana Fish doesn’t backpedal on it next week, really committed to it. With what has happened to Max and Eiji this week, it goes without saying that stake’s haven’t been higher than when Shorter was done in. Banana Fish also really slowed itself down pacing wise this week as well. For the past few episodes, we have burned through content at a breakneck pace. Freeing Ash, right into another gun-fight, into being captured again. This episode Banana Fish freed Ash and then gave the characters some much needed downtime. Establishing the final stakes and their relationships. With 2 episodes left, to clean up the series and give us some kind of epilogue with the double length finale, this is a good thing. Now, onto specifics!

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Irozuku Sekai no Ashita kara – 10 [Monochromatic Crayon]

Irozuku, as meandering as it always is, has some stunning sequences this episode. It furthers proves the fact that 1) the magical sequence is where Irozuku really takes off and 2) its strength always come from its visual department, not in the storytelling. Take the sequence where Aoi steps into Hitomi’s dream, for example. He sees the young Hitomi keeps drawing pictures of her and Mama drifting apart. As he draws several ways of her crossing the middle gap, she silently throws them away – refusing to accept at all. This single scene speaks to her insecurity and her afraid of using magic more than the last 9 episodes had ever conveyed. Or the image of stone-Hitomi gives you a good idea how she blocks away her own emotions. These scenes speak to the same strengths of Aoi’s dream back in episode 6 and I would argue that this is Irozuku at its best.

Another highlight for this week is when the club goes into the drawing that Aoi made. Not only the background designs alone are stunning, but its vivid colors help greatly of making that setting inviting and rich at the same times. It certainly reminds me a great deal of Mary Poppins when our characters flying away by using umbrellas, and the rainbow looks great as well. Before that, Hitomi also shines by committing to practise the spells of transferring them into the drawing/ pictures. Her fallen out/ reconcile with Asami doesn’t do much for me, unfortunately. It’s awkward to begin with, Irozuku approaches it way too clumsily and it has nothing interesting to offer to the table.

We now learn the reason behind Hitomi feeling afraid of using magic. Her mother (which will be Kohaku’s daughter) can’t use magic, which is a rare case in her family. The little Hitomi believes, thus blames herself, that it’s her performing magic was the main reason that her Mom left her. I would say that the stress causes her to lose the ability to see colors as well. It’s a sad little story (albeit still cliche) for sure, and it’s good to see her opening up to Aoi. Now that she can truly express the emotions she kept bottling up inside her, she’s (and by effect, us) facing the more important question: what is her true purpose of going back in this timeline? It’s about the goddamn time Irozuku needs to address it, shouldn’t it?

SSSS.GRIDMAN – 10 [Collapse]

After a crucial episode last week where GRIDMAN reached its highest bar to date, it’s understandable that everything that follows it would be a letdown. Nothing in this new episode can beat the moment Akane jumped off the crane last week in terms of sketching her depression. This episode is where the entire cast goes through some sort of existential crisis. Yuuta, Rikka and Shou are processing the thoughts that they might be some sort of non-playable characters, being created and programmed to in the service of Akane. The Neon Genesis Squad is also going through their own Gridman’s identity – are they Gridman themselves or just parts of it. Anti goes through crisis regarding his kaiju origin and finally, Akane for her very purpose of creating this world in the first place. Akane receives the most damage as it stands, but it doesn’t help us that the episode doesn’t get into her own point of view, as a result we’re more like observer from outside looking in. Nor does we gain any more characteraction from Yuuta, Shou and especially Rikka this week.

So, let’s start with the end of this episode, where we have a surprised cliffhanger: Akane takes the matter into her own hands. Yuuta gets stabbed, but I don’t think that’s the end of him, considering he might not be a real person to begin with. His backstory has always been fishy, and his life starts after the amnesia. Although we learn that he had some history with Rikka before his mind went blank, for Yuuta himself and for us, the audience, it might as well just be the memories planted by Akane. Although it’s now fair to say that Akane is the goddess of this world, there are still many elements that go beyond her knowledge, namely the existence of Gridman. Whether it’s Alexis who brings Gridman to this world, or possibly the wise kaiju girl who did it, still remain a mystery. By having her confronting Gridman head on, we might know then the reason behind all that, and even the long-awaited Akane’s backstory that has been hinted throughout the show’s run.

Anti sure is busy this week, and I’d say that it’s kind if abrupted the way he switches side from Gridman’s eternal enemy to GridKnight, Gridman’s sidekick. He has another encounter with Akane, where Akane finally acknowledges him, not as a kaiju, but a living thing with beating heart because “kaiju can read people’s heart”; so it’s up to him to find his own purpose. And yes he did by fighting against Gridman at first, then fighting to protect Gridman, all in the span of 10 minutes. The kaiju battles, in keeping with GRIDMAN’s tradition, are colorful, well-animated, short and sweet. The first one, the half-formed murk of clay, represents Akane’s half-hearted attempt since she’s in no mind to create kaiju anymore; but the second one is the manifestation of Akane’s heart: powerful, unpredictably and proves to be Gridman’s greatest threat, until Anti – argubly the only one who understands Akane the best, beats her. Not that she gives any of these much thought, anyway.

Still, there are some little moments that I greatly enjoyed throughout the episode. One of those is how whimsical it is that the gang decides to go to Akane’s house to confront her, and literally walks to the house next door (kudos to Amagi who picked it up as early as episode 2); or these side characters that were based on Amemiya’s previous web novel. We lost a bit of Rikka’s charm lately, unfortunately (those moments regarding Rikka going through her normal life remain my favorite parts of GRIDMAN), and I hope the show close off on a high note. One thing for sure, GRIDMAN can still manage to surprise us, and I believe it still has some cards close to its chest to pull that feat off.