The treasurer of the student council, Ishigami Yuu, finally got a proper introduction this week. I’d say this episode was his time to shine, but it’s actually the opposite – he’s so preoccupied with Kaguya’s apparent hatred of him (as well as his own social faux pas) that it was actually his time to mope. His design screams “introverted nerd”: dark hair and eye color, long bangs covering one eye, and headphones around his neck, ready to block out the world at a moment’s notice. Throw in the running gag about wanting to ditch school due to Stockholm Syndrome or a desire to kill himself, and you have a totally ReLaTaBLe character with whom all the sad dorks out there can identify. I don’t want to come down too hard on the guy just after his introduction, but I do have an issue with the series’ decision to create a character with his function (that being his detection of Kaguya’s more cunning personality). Kaguya-sama already does a great job of balancing her two selves through the use of internal monologue, narration, and quieter moments alone or with Hayasaka, where we see Kaguya as she truly exists. She’s already a well-rounded character, about whom we get plenty of different perspectives through the president, secretary, and admiring student body. I don’t feel as though an additional set of eyes, particularly not one that interprets things in such an exaggerated fashion, adds much to the proceedings.
This is undoubtedly an unpopular train of thought, as Aidan mentioned in the comments of a previous review that Ishigami is /ourguy/ among the manga’s fanbase. I can understand why that is, but if he’s going to contribute to the show, I’d rather it be on his own terms. For example, in the final chapter from this week’s episode, he’s struck with embarrassment after Fujiwara calls him creepy for a remark about her new conditioner, and he excuses himself from school. If his arc will involve battling his depression and social awkwardness to become a new or improved version of himself, that’s cool. This is a rom-com, so I assume the story will eventually nudge him in the direction of a female character, which could be the catalyst for that change. As long as his screen time isn’t dominated by a fear of the vice president, I’m down to see where he’ll go in the future (apart from “home” midway through every segment).
All of that aside, my favorite story from this episode was probably the Fujiwara-led barrage of psychological tests. These things usually function as a way for lazy writers to let their characters speak directly to the audience, but in a series built around deception, they were just another opportunity for comedy. I think this is the second time Shirogane has defaulted to being a siscon to avoid his crush on Kaguya being detected, and while he escapes for the price of the girls’ scorn, Kaguya gets overwhelmed upon realizing the meaning of the flower test. The shot of the dump truck backing up and gently covering her in a pile of petals was the best of the week, for my money. It was nicely stretched to allow us to anticipate the moment when they would fall, and to feel Kaguya’s shock at their intended symbolism. This show continues to be very well-timed, with another case coming near the end of the third chapter, where Shirogane frantically pedals away from Kaguya after failing to compliment her nails. Just as he and his bike are about to disappear from sight over a hill, he freezes in midair for a moment, emphasizing the hunched position he uses to flee the scene. It adds to the comedy of the moment, but also the light pathos of being too afraid to compliment the girl you like. Good storyboarding is likely responsible for these small successes, so kudos are in order for whoever has handled that task so far. We’ve arrived at the midpoint of Kaguya-sama’s 12 episode run, so I hope this level of attention is maintained during the show’s back half.
Don’t worry about Ishigami too much. He really does function on his own terms, balancing out the troupe both comedically and in other ways. The manga has been letting him come into his own as a weird sort of grounding force for the rest of the story and characters.
This is something that I noticed a while ago: There is (naturally) a huge chasm between those who have read the manga and learned to love all the characters and the anime viewers who don’t have this knowledge. It occurred to me when manga readers were loving nefarious Kaguya while anime-only viewers wondered if they were supposed to like this nasty b*tch. After seeing more of Kaguya’s vulnerable sides, this feeling has subsided for most.
Same with Ishigami. Without exception, all characters introduced by name have multiple sides to them. Ishigami’s role is the straight man who is actually very observant, but who is… er… a bit socially inept. First looks are nearly always wrong in this show. You won’t have to wait very long.
This episode was storyboarded by the director, Mamoru Hatakeyama.
Is he working under the Hatakeyama name for this series, too? I’ve been referring to him as Omata.
From what I can tell, most of his recent directing roles have been credited under the Hatakeyama name. The only thing I could find for Omata after 2014 is the Asterisk War ep. 23 storyboard.
Source: https://www.animenewsnetwork.com/encyclopedia/people.php?id=20712 but I also double-checked the credits.
I should really start using ANN’s encyclopedia instead of MAL’s staff listings.
For the record, I didn’t even remember that Ishigami was introduced through his terror of Kaguya. It’s such an insignificant part of his character overall.
These are the words I was hoping to hear. Now I wish they’d shuffled some material around so that his fear of Kaguya wouldn’t play into 2/3 of these chapters, but whatever.
I’m actually kinda worried about the shuffling they are going to do judging by episode titles <_< Like I'm worrying they are gonna rush things a bit
Ehhhh…I tried to get into this, but I found it way too irritating for me. The comedy started getting old and ridiculous around episode 2, and I only made it to episode 6 so far. I tend to really hate the trope where characters refuse to talk to each other and drag out misunderstandings for any reason, for drama or comedy, and I think Kaguya-sama’s obsession with this is turning me off to the series. It’s a shame, because it’s clear you guys like this, and I hate to crap on an anime that does have good qualities. I really like Chika, the animation is nice, I did like the joke about the flowers, and the voice acting is top notch. I guess it’s more a matter of taste, and any problems I have with it are mostly from me rather than any flaws the show might have. It really says something when it takes me months to get to episode six of this show, yet I’m able to watch Kemono Friends and finish it in a matter of two weeks. Sorry!!!