It’s already 2 episodes in and I still have absolute no idea what HisoMaso’s overarching theme is going to be, which might no be a bad thing given I enjoy the show for what it is so far. HisoMaso’s main concept is quite silly when you think about it. A dragon camouflages as a military aircraft in which the person pilots it inside its organs. Yuck. And you see how he throws Hisone up? The show could easily fall apart if they take that concept seriously, yet so far they manage to get away with it. Even heaps of scenes in this episode could be viewed as workplace sexual harassment with all the touching, sexual innuendo (not to the level of FranXX but still,) and fetish-fuel suits, yet somehow they still work? Why then? I have no clue, but if I have to guess, it’s because of the show’s subtle parodical tone. Main characters, for example, have betrayed their common archetype tropes: Hisone is first seen as a character who have no qualms to be pushed around, turns out she’s the blabbermouth who says all negative things without thinking. Likewise, with Nao appears as your typical grumpy but kind-hearted partner, but this episode goes a long way to establish that she’s mean to Hisone through and through. Or even with the yoghurt lady who supposed to be a source of wisdom, turns out she just gives Hisone some random food (or is it not) and it’s Hisone who tries to make the meaning out of it.
Then again, I figure our best approach to HisoMaso should be don’t delve too deep into it and just enjoy the simple yet absolutely outstanding visual wash over you with some mild emotional core and some tweaks at the common tropes. And on that front HisoMaso more than shine through. This episode is all about Nao the delinquent who unsuccessfully bullying our main girl, but successfully steals a scooter and gets herself swallowed by the dragon (yay!). Her arc involves how Nao feels insecure with her position after Hisone becomes a main pilot. Ignored by her idol and had her rival standing up for her for all the wrong reasons, it comes to the breaking point where she need to revenge. Vengeance is the best cold dish there is. But why Nao, why do you have to go all the way to cook a meal for your rival? But further down the line and you realize that what Nao afraid the most is not living up to her mother. Kakiyasu the Captain does a crappy job to remind that her every single goddamn time. There’s a subtle hint that Kakiyasu used to be Nao’s mother junior, hence she understands what Nao is going through right now. But what she doesn’t understand is Nao the person, as the girl lashes out and runaways. Okay, Nao is pretty much a meanie but her character ticks with me through her little adorable details: her sketchbook with all the drawings are kawaii (with a commentary to boost), reading Princess Tutu / Black Swan manga, the way when she’s hurt she calls out for her Mama (big girl always calls out for Mama)
Judging from the OP and ED, there going to be three more additions that it makes me wonder if there is going to be another dragon appear. As I said earlier I absolutely have no clue whether HisoMaso will be more serious later on. I hope it’s not as for the moment I enjoy the chemistry between the titular characters, the bright and impressive visuals and I have a fondness for these quirky characters with no nose. The same can be said for its catchy French ED (I love French Pop, their sounds always remind me of bright summertime. German always sounds to angry for me – fitting for Metal music). One thing for sure is that whichever direction HisoMaso going to head, I am gonna be happily on board.
