The Vision of Escaflowne Anime Review 79/100 – Throwback Thursday

If you’re a fan of Mecha odds are you’ve heard of Shouji Kawamori. The man has done mechanical design for movies like Patlabor and Ghost in the Shell to a few Gundam Wing OVAs and even Eureka Seven. He’s been in the industry, working on robots, for over 40 years now. And in that time he’s come up with a few original series of his own! But of those only a few can truly be said to have been written by him. One is Aquarion. Another is Arjuna. And the last, and very first he ever did full composition for himself, is what we are here to talk about today. Directed by Kazuki Akane of Noein fame and animated by the studio defined by Mecha, Sunrise, I bring to you: The Vision of Escaflowne. Lets dive in.

Be warned, this review contains minor unmarked spoilers for The Vision of Escaflowne. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents. Continue reading “The Vision of Escaflowne Anime Review 79/100 – Throwback Thursday”

Heike Monogatari – 11 (END)

Heike Monogatari’s TV finale contained just its second substantial portrayal of armed conflict, following episode 5’s Battle of Uji Bridge. One might think it a bit strange that a military epic would be so light on big battle scenes, but then, Heike Monogatari was never really about action or strategy. It was about family – a family doomed to extinction by its patriarch’s pride, but which still experienced closeness during its brief time on earth. It was about fate, and one girl’s journey to accept that although she could see it, she could not change it. It was about death, and the ways that humanity grapples with its inevitability: succession, spirituality, storytelling. It was a series with some structural problems, but which occasionally rose above those problems to deliver transcendent moments, with the greatest moment of all arriving during its final minutes.

It was a fine animated series – one of my favorites of the year. But before we discuss how fine or favorable it was, we’ve got to talk about how mightily it struggled to depict naval combat.

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Haibane Renmei Anime Review – 86/100 – Throwback Thursday

Yoshitoshi ABe is, or at least should be, a pretty recognizable name. You’ve no doubt seen his work and influence across many series while watching anime. From the illustrations for the original novels of Welcome to the N.H.K. and All You Need Is Kill to providing original character designs for the technological horror series Texhnolyze and Serial Experiments Lain. ABe’s art has a distinctive, gritty quality to it that you don’t often see in modern Moe-fied anime. And for me that begs the question: What kind of stories is he trying to tell with this art? Well it seems we have our answer. Directed by Tomokazu Tokoro, animated by the now defunct studio Radix and created/storyboarded by Yoshitoshi ABe I give to you Haibane Renmei. So without further ado let’s talk about some cute angel girls within a not-so-cute story.
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Full Metal Daemon Muramasa Visual Novel Review – 90/100

It’s tough being a visual novel fan as we are the niche within a niche within a niche. Anime fans are likely to read manga and some even read light novels and some may even read web novels. But rarer than that is the anime fan that reads visual novels. So being a western VN fan can be quite painful when you see that some of the most highly lauded visual novels remain in a language you do not understand. Thankfully in recent times a lot of greatest hits of the Visual novel industry have been localised but among the white whales of long sought after localisations is Muramasa. Sadly the rights to localise this title lay in the hands of JAST who is a company rather known to take years for a single release and seem to have an iron grip on all Nitroplus works. Considering how long it takes for them to do a single release many thought that we may never be able to experience Muramasa. But straight out of nowhere JAST announced that Muramasa would release within a month pretty much catching the entire VN community off guard. Thus here we have it, the once claimed untranslatable VN is now available to read for English audiences. I might as well say from the outset that this is one of those VN were going in blind is the best option and while I will be avoiding spoilers it may be best to experience this on your own before looking at this review provided you are interested. That said if you don’t have an interest then maybe this little review of mine could get you intrigued. If you wish to know if I recommend this visual novel then my answer is absolutely yes. Continue reading “Full Metal Daemon Muramasa Visual Novel Review – 90/100”

Kobayashi-san Chi no Maidragon S – 11-12 + Final Thoughts

It’s shocking to me that season two of Kobayashi-san Chi no Maidragon was as good as it is. The 2019 arson attack, the loss of the project’s intended director, the demoralization of the staff – how did Tatsuya Ishihara and his team at KyoAni produce such strong work in the face of these obstacles? A word like “perseverance” seems inadequate given the severity of the situation, but “determination” might do – determination to honor their fallen friends, and to prove to Japan and the world that they wouldn’t be beaten. These final episodes were the product of artists at the top of their field, and also some of the best in all of Maidragon’s run, signaling the fulfillment of their vision for the series. Even if we get a continuation someday, nothing will ever diminish the conclusive statement issued by the second season: “Kyoto Animation is back.”

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Sonny Boy Anime Review – 38/100

Let’s start this by just ripping the band aid off: Sonny Boy is a disappointment. Both created and directed by the acclaimed Shingo Natsume of Space Dandy fame and animated by Studio Madhouse, Sonny Boy was well equipped to become the darling of the Summer Season. And early on its run, it appeared to be just that! Intriguing plots and characters were introduced, the world began to expand, it was engaging! But then it kept expanding. Questions kept being asked and no answers were given. Time and space became figments of our imagination and Sonny Boy itself seemed to forget that it was supposed to be telling a story. The whole thing quickly transformed from “Abstract exploration of growing up” to “Meandering arthouse with no idea what it wants to say”. At least, that’s my take on it. The purpose of this review is to explain how I got there.

So lets jump in.

Be warned, this review contains minor unmarked spoilers for Sonny Boy. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents.
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Catching up with Kageki Shoujo!! – [Thoughts on Episodes 7-13]

Blood doesn’t really taste like you imagine it would. It’s red, sure. But it doesn’t taste red.

It’s not sweet like the syrup mom gives you two teaspoons of, to help ease the cough you get sick with after paying no heed to her constant warnings against sleeping with the air-conditioner on with your hair still damp as you felt too lazy to sit by the vanity and use a hair dryer for ten minutes.

It’s not tart like the tomato juice you sometimes swoop out of the mixer and taste a spoonful of, while helping mom cook for your father when he’s about be back from work any moment, and would give her an earful if she takes too long in serving his lunch.

It’s not luscious like the cheapest port wine your friends smuggle into school and strong-arm you into taking a swig of during recess. Or maybe it is. You would’ve known for sure if you’d have taken up their offer.

What you do know for sure is that it tastes cold. Metallic. Which is strange because you’ve been nothing but hot-blooded all throughout your teens; getting into fights with your sister for petty reasons, getting annoyed by everything and everyone. That last bit still hasn’t changed that much, just that now you know how to disguise it behind a veil of likeability. People change, the places you call home change, blood tastes the same.
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Spice and Wolf Season 2 Anime Review – 70/100 – Throwback Thursday

Sequels always have it rough. If they change to much they risk losing their original audience. Yet if they change to little then their old audience could grow bored. Sequels to established properties have it even worse as the story is already set out before them. If they change that then fans will get upset, yet more often than not this original work isn’t paced or planned for an episodic anime format. It is this trap, this catch 22, that the subject of this review falls into. Now produced by Studio Brain’s Base, originally written by Hasekura Isuna and once again directed by Takeo Takahashi I give to you Spice and Wolf Season 2. Now with 100% more animation! So without further ado lets talk about economics and fox-eared waifu’s!
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Odd Taxi Review – 96/100

Odd Taxi pulled up with little fanfare, unknown staff, and a bizarre name. Thirteen weeks later, I sit here shocked at how much I enjoyed this ride. Exceeding expectations and not falling prey to any of my worries, Odd Taxi was a tightly written – with a few head-scratching elements – cleanly executed, multimedia mystery/drama/romance/heist. What did they do right? What were my (very) few complaints? Read on!

A word on my grading criteria. For me, each show has 50 points to earn and 50 points to lose. Points are earned by going above and beyond the norm – showing me something I hadn’t seen or making me feel something unexpected. Something that makes me applaud.

Points are lost when I feel a component of the show was below average or less than acceptable in terms of animation, storyline, etc. Something that takes away from the show as a whole.

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