Wooper: At this point in the lifespan of Star Crossed Anime, we publish whatever we want, whenever we want. Sometimes that means timely season previews and first impressions, other times it means unscheduled standalone pieces (like Lenlo’s recent Ancient Greek Love article) – and sometimes it means a six month delay in getting an Anime of the Year post out the door. In order to dismiss the memory fog caused by that postponement, we did a bit of rewatching before sitting down to write our contributions, and what we found was that 2023 had more to offer than just the obvious picks, even if one show in particular stood head and shoulders above the rest (despite the short stature of its protagonist). Click through to read our thoughts on that series and plenty of others – including some honorable mentions – and rest assured that next year’s AOTY post won’t take nearly as long to release!

Continue reading “2023 Anime Awards and Top 10 List” →

Mario: Here we are, having made it through the new normal in 2021, and things don’t look much better than they did this time last year. But at least we had anime to distract us, and I’m happy to report it was a pretty solid year on that front. There were a handful of original shows (Sonny Boy, Wonder Egg Priority, Odd Taxi) that caused a stir, some of which divided the audience but nevertheless delivered their fresh perspectives to the medium. Adaptations of world famous franchises had their highs (Fruits Basket, Attack on Titan) and their very lows (Promised Neverland, To Your Eternity). Even not-so-famous manga got a bit of shine, one of which is likely to appear on next year’s version of this post, as well (Ousama Ranking, Heaven’s Design Team). Once again, the staff at Star Crossed Anime share with you our favorites – and least favorites – that the past year in anime had to offer. Read on to see whether you agree with our picks!

 

Worst of the Worst

Worst Show: 2.43 Seiin Koukou Danshi Volley-bu

Wooper: Given that 2021 played host to such turds as Tesla Note and Shinka no Mi, it’s not entirely accurate to call Seiin Koukou Danshi Volley-bu the worst show of the year. But it was the worst show that at least two of us watched from start to finish, and the rapid descent from the relative promise of its premiere to the ambivalent fart of its finale was enough to earn it this honor. Incredibly, Volley-bu managed to throw a monkey wrench into nearly every one of its character arcs. Got a player who freezes up during official matches? Give him some extra motivation by ignoring him during practice – problem solved! Two teammates had a fight so massive that one of them decides to take a train out of town? Just have the other guy accompany him on his impulsive journey – friendship restored! Your star athlete was such a demanding team captain in middle school that one of his teammates attempted suicide? Just kidding – the “suicide attempt” was an elaborate plot to get back at him for being such a hardass! And that was just the first half of the show. After that it was lukewarm injury-related drama and inconsistently paced games week after week, leading to an ending that satisfied virtually no one. Which set of six episodes was worse, the first or the last? That impossible question will be Volley-bu’s only legacy.

Runner-up: VLAD LOVE, a mess of an anime with no clear direction, no overarching plot and cringe-worthy humor.

Biggest Disappointment:
To Your Eternity

Lenlo: There was a lot of hype around To Your Eternity when it first started airing, and rightfully so. Brain’s Base is a good studio with a decent pedigree and Yoshitoki Ooima’s first work, A Silent Voice, took the world by storm. Everything was in place for at least a decent show. And it started good! The early episodes promised us an exploration of what it means to be human. Showing us, through Fushi’s inexperienced third party perception, what our lives and societies are really like. Slowly learning and forming his own thoughts along the way. But as the episodes went on and the story progressed To Your Eternity shifted away from that. We left the very human conflicts and focused more on the supernatural. It introduced shape shifting monsters that only our special MC could fight, a grand conflict between cosmic forces that God himself put Fushi here to help solve. It abandoned everything that made it interesting and became a sub-par version of what we see in every single mediocre battle shounen ever. And it is for that, for raising our hopes and expectations for something different and then dashing them against the rocks, that To Your Eternity earns our award for Biggest Disappointment.

Runner-up: SONNY BOY, for promising an exciting, never-seen-before take on our human condition, youth, society, individuality – but instead producing a production more pretentious than potent.

Continue reading “2021 Anime Awards and Top 10 List” →

Lenlo: 2020 was a year many would probably like to forget. Trapped inside from a pandemic as, at least in America, the world burns down around them. But there was one good thing not being allowed to leave our house gave us: anime. So much time to watch anime. From the wild rides of Dorohedoro and Attack on Titan from Studio MAPPA to the relaxing works of Sleepy Princess and Asteroid in Love from Studio Doga Kobo, we had time to experience it all. And now that the year is over there is just one last thing to do before we can leave it all behind: yell about which one is the best, or worst, until the other writers here at Star Crossed give up and accept it. So without further ado let’s look at the best and the worst of 2020 before we wave goodbye to the worst year in a long, long time.

Worst of the Worst

Worst Show: Japan Sinks

Armitage: It’s tradition to start off these year-end awards posts with the worst stuff we had to sit through in the year but this time, for a change, we are actually starting on a high! And by that I mean a literal high because Sweet Jesus on a bicycle, what were the people who made this smoking up during its production??! I have never been a fan of Masaaki Yuasa’s animation style but the least you can expect from him is to deliver some sort of thematic coherence in all of his series. And then, there’s Japan Sinks. Best described as a love-child between disaster dramas like Tokyo Magnitude and a worrying lack of script supervision, Japan Sinks is a travesty on every narrative front. No caricatures it sells as characters are relatable, people are killed off purely in the name of shock value, in-your-face nationalism is rampant and decisions made by all of said caricatures make as much sense as a chicken petting a leprechaun. At a point you can tell that the creators just don’t know how to write a series because they decide to go full-Daniel. And as is written in holy anime sacrament, you never go full-Daniel.

Runner-up: MAGIA RECORD, for being the spinoff that no one asked for, and leaning so much on gacha game conventions that the story meandered instead of advancing forward.

Biggest Disappointment:
Kamisama ni Natta Hi

Amun: Ah, Jun Maeda. I won’t even touch on the latest drama, but certainly a polarizing figure to say the least. However, I was firmly in the positive camp with Angel Beats and Charlotte being quite enjoyable (I’m mixed on Little Busters). Naturally, I had high hopes for Kamisama ni Natta Hi and it delivered – but only in the first half. A “last summer” show – a known, established trope, no problem. Like a magician’s trick judged not on whether you’re fooled but on showmanship, I expected Kamisama to walk down established paths – familiar but well executed. Sadly, the “feels train” detonated spectacularly in the final episodes, undoing any good or goodwill accumulated by a decent plot. With a finale of unprecedentedly poor writing (possibly only rivaled by School Days, depending on if you took the show seriously), Kamisama drove decent characters, setting, and story directly into the realm of the unbelievable and, frankly, a little disturbing – all for a shoe-horned “good ending”. Which it may have been for the author’s warped vision, but no other sentient viewers will agree. Many shows are bad, but few manage to build such expectations only to damn them to such depths. For this disparity, Kamisama ni Natta Hi will certainly be remembered…and not fondly.

Runner-up: THE GOD OF HIGH SCHOOL, for being a massively entertaining popcorn romp through its first half, and a head-scratching crapfest that got so absurd and over-the-top in its second half that it would even make Michael Bay blush while loading an episode on Crunchyroll.

Continue reading “2020 Anime Awards and Top 10 List” →

Amun: New year, new writers, new website, and a new intro! 2019 saw many changes for Star Crossed, but as long as we have our anime with big eyes, bright colours, and minor epilepsy inducing flashes, everything will be alright! This was the year of sequels: good and bad. Not to worry though, as many smaller projects shone through – with a couple breaking out to become multi-season franchises and promised movies. Now that the year is over, it’s time for the Star Crossed writers to dole out our accolades to the anime that impressed and disappointed us; and we finish off with our collective top ten best of the year. So let’s take a look back at the annoying cat-girls, weird kappas, no longer mysterious Titans – and finish out the decade in style!

 

Worst of the Worst

Worst Show: One Punch Man S2

Lenlo: Some series had worse animation, some had worse story, and some had worse characters, but One Punch Man managed to be consistently terrible in all of them. The production by JC Staff fell woefully short of “acceptable”, the narrative adapted the incomplete setup to an actual arc that mattered, and it butchered some of the series’ best characters. Across the board, this season of One Punch Man was a colossal failure that every member of staff here managed to agree upon. And it only gets worse once you start to consider the legacy of the series. From Murata’s godlike art, to the labor of love that was the first season by Madhouse. There is a reason that, collectively, everyone here hated it.

Runner-up: SARAZANMAI. Star Crossed authors are deeply divided on Sarazanmai, with a vocal minority giving enough negative feedback to propel this to the runner-up spot; the detractors decry the pretentious, “woke” plotline and peculiarities masquerading as “artistic”.

Worst First Episode: Arifureta

Amun: Arifureta had the worst first episode I can remember. The animation was unacceptable for a production level anime – it was actually unacceptable in some places for a PowerPoint presentation. Normally, first episodes are meant to make a good impression by pulling out all the stops up front – quality then tapers down later. Not so here. The tragic part was that I came into Arifureta with reasonably high expectations: White Fox, who knows how to make a fantasy anime (even if I didn’t enjoy Goblin Slayer), helmed the project. The director Kinji Yoshimoto had several decently well known series under his belt (Queens Blade and I Couldn’t Become a Hero). Unfortunately, in a season marked by poor isekai adaptations, Arifureta stood out as the absolute worst. May its namesake award on Star Crossed First Episode Awards serve as a warning to other shows: at least make your first episode decent.

Runner-up: GIRLY AIR FORCE, for hideous production values and a script that set our minds on autopilot.

Continue reading “2019 Anime Awards and Top 10 List” →

Aidan: Judging things as a collective is always a flawed process. Yet for simplistic presentation we stick anything we can into top tens, best of year or greatest hits. To stick a label on so much diverse content is always a matter of point in time favoritism that likely won’t be true in five years or even five minutes from now. But here we are bundling all the anime of the year into a post for easy digestion and judgement which I must insist is highly opinionated. For a general impression of the year I admit to it being a year where there were not many shows that I felt strongly about. There were shows that certainly are good but if asked which was the best of the year I would find that I wouldn’t be all to enthusiastic regardless of my pick. However this could be very much due to this year being a rather busy and tiring year for me which come with the pains of turning thirty and finally admitting that I am no longer young anymore.

Before you scroll down and prepare to scream at us for neglecting the absolute masterpiece of animation that you consider was best of the year allow me to fully concede that this post is far from an ironclad perfection. Our method of choosing this particular winners isn’t foolproof and is dependent on each writer’s knowledge of the anime of that year. I myself prove to be the worst liability in this regard considering that I just didn’t watch much anime this year and started many a series only to forget to finish them. As such you may notice some glaring omissions like the new seasons of Attack on Titan or Boku No Hero Academia which I can assure you are mainly missing due to none of our writers having a particular interest in continuing them. (Though Hero Academia fans you do have an ally on the team with Lenlo. Sadly he’s outnumbered by the rest of us.) Even I find the final list below to be missing some standouts so I at least recommend that you do not use this post as your single source on what to watch from this year.

Each writer has taken up writing a blurb for each show with a tally on what we all voted as the best of the year down below. Once again we do not expect you to agree and if anything maybe we might get you to check out a show you may have overlooked this year. Wakanda forever, let’s jam.

Worst of the Worst

Worst Show: Itou Junji Collection

Aidan: While an argument can be made over there being worse shows than Junji Itou Collection, it can be said that at least those shows have more of an excuse. Junji Itou is a horror mangaka of legendary status that to consider him the HP Lovecraft of manga is not such a far fetched statement. His work has inspired plenty yet failed to gain an adaptation be it live action or otherwise which truly gave his work justice. This anime was a chance to take that work and transform it to a new plane, adding a potential great anime to the rather underexplored anime horror genre. However due to shoestring animation, a general lack of passion or care and oddly chosen stories this anime took these stories and killed the soul out of them. Making what was considered terrifying, unnerving and otherworldly into something aggressively mediocre.

Runner-up: CONCEPTION, for being the first show to put up a link to a website when asked for worldbuilding.

Continue reading “2018 Anime Summary” →

Aidan: Another year and another tick down on the death counter but it certainly has been a pretty good year for anime. We had some stinkers, some major disappointments but there were certainly shows that will be remembered and even some that will be touted as being the best of the best.

The other writers and I have decided that the choices for this list will be based on majority vote between the five of us. You can complain that your own preferred show didn’t make the final list but there is a very good chance that it was nominated and slowly knocked out as we tallied the votes together. Also, do take note that we haven’t seen everything this year had to offer so there are anime that have slipped under the radar. It is only our opinion and thus is nothing ironclad nor is it contractually binding. You may like something that we hate and that is perfectly fine (provided it’s not Eromanga Sensei because bloody hell…).

Each writer has taken it upon himself to write a section about the winners but keep in mind that just because someone wrote it, does not mean they specifically nominated it. Down below, you will see each of the writer’s ballot for their own top ten choices. With that being said, let’s put Star Crossed Blog’s final stamp on the anime year of 2017.

Worst of the Worst

Worst Show: Hand Shakers

Mario: I’m not at all exaggerating when I consider that encountering a total wreck like Hand Shakers is as rare as running across any modern classic. For Hand Shakers to be a product that goes wrong in almost every department, with its rage-inducing visual mess with fisheye lens, random camera zoom, distracting CG that moves on different frame rate than the 2D models, incompetent writing filled with of illogical leaps, INCEST, terrible treatment to the female cast, the consistently one-dimensional outlandish characters, and softcore porno sounding OST. Given the main theme of the show is about meshing connections, it’s rather remarkable how the presentation is this constant battle between all the elements of the show trying to intertwine with each other. Hand Shakers is also a glaring example of how an anime studio pushed way too hard on showing off their “signature’ style without considering if it fits the material to the point where it becomes a gimmick (Shaft, beware!). The saddest thing is that its failure doesn’t come from a lack of care, as I can see real effort were put into it, but to make a show this terrible is no small feat. Hand Shakers redefines what we perceive as bad, and maybe THAT is how it will be remembered for years to come.

Runner-ups: Berserk (2017) – For poorly adapting of one of the most acclaimed manga ever written.  Eromanga Sensei – For the exact opposite reason of Berserk (2017), where there were solid production values for a show that represents everything that is wrong about modern anime, which makes it even more painful to watch than forgettable fluff.

 

Biggest Disappointment:
Seikaisuru Kado

Lenlo: It’s difficult to write this category, because for all of its faults, I still enjoyed Seikaisuru Kado. The problem is that it could have been so much more. For the first half of its run, Kado did a great job of setting up its characters and running with the theme of “alien contact changing our world”. The CGI, while not beautiful like Houseki no Kuni, was used inventively to simulate 3D shapes in creating interesting scenes. However, in a single episode, it plummeted from being an intriguing sci-fiction to an unmitigated disaster of a shounen. Plot threads got abandoned, dialogue was thrown out the window in favor of flashy combat and the philosophizing was pointless. Because of its fantastic start and subsequent disgusting end, Seikaisuru Kado is the most disappointing and soul-crushing anime of 2017. It only beats out Berserk (2017) because no one expected anything from that trainwreck in the first place.

Runner-up: Berserk (2017)
Continue reading “2017 Anime Summary” →

2015 from what I have been hearing has been a good year for music and games but that’s not what we are assessing here. The true question is, was it a good year for anime? In truth it may depend on your tastes and this year was divisive to say the least. The best anime tended to be love it or hate it affairs but at least there was some interesting things at work. Personally I consider it the year of strong starts with weak finishes. There were plenty of anime whose first episodes held light of a new potential greats but it never quite managed to reach that level.

So Aidan, what made you late this time you ask?(You likely didn’t ask but please, humor me) Well when gearing up to write this summary I came to the shocking conclusion that I just plain forgot to watch some standout titles this year. Putting them on the backlog while I get though my ever expanding pile of steam games. It would be a shame to leave up potential candidates for the top ten simply because I neglected to watch them. That said there were sacrifices, I never got around to watching “Arslan Senki” after all. I also still remain halfway through Jojo stardust crusaders. So I ask for mercy should your favorite show not end up on the list below and keep in mind that top tens are ridiculously arbitrary. I don’t even consider the order to have any meaning as plenty of these can change places. I would say the list below is just ten interesting anime this year listed in no particular order.

So without further ado, the 2015 summary.

 

Worst series

Chaos Dragon: Sekiryuu Seneki

I could have went the easy route and stuck something like Punchline or Lances du Mask but anime such as these you just expect to be bad. When I ask myself on just what this year really made me regret anticipating it was most certainly this. Bad anime which are expected to be bad don’t hurt anyone but a bad anime that could have been something great is something to mourn. Chaos Dragon was based on a tabletop role playing session which featured three of the best writers in the industry. It could have been a great experiment to see what improv storytelling these people could dream up. Sadly by based on, they mean they took the setting and characters and pretty much nothing else. For someone seemed to think that they could make a better story and proceed to turn the thing into a Akame no Kill knockoff with poor pacing, inconsistent animation with bad CGI and a plot that just doesn’t make sense. It could have been something great but sadly now it never will be.

Worst First episode

K Return of Kings

Sometimes during the first impressions of an anime seas I feel like a judge on one of those music talent shows. I watch acts come and go till eventually I get some cocky person so convinced that they will blow me away with their performance. In the end they present a sub-par no effort show and yet still hold a ego more obnoxious than my own. Well that’s this show’s first episode for me. A story that’s making no effort to explain itself to the viewer, fanservice that has no idea which target market to aim for, dialogue so obtuse that it might as well be replaced with foghorns for what little it provides and visual so shaded under a blue gradient that just annoys without end once noticed. Was I interested in seeing what the rest of the show had to offer? No, no I was not.

Best Opening

Death Parade

One would think that a show about life and death would have a much more somber piece for its opening animation. But Death Parade threw that all out the window and decided to have an opening with the cast getting together and having a great time. Tonally the opening is a complete opposite of the show with its peppy catchy tune and fast beat that can make you tap along. Accompanied but visuals of dancing and messing around, it really hard to skip when you turn on a episode. A complete contrast to the grim subject matter of the series but perhaps that’s the point. The business of death need not be a somber one and if you are getting sent to either heaven or hell, at least you can be sent off with a party.

Biggest disappointment

Subete ga F ni Naru: The Perfect Insider

Death Parade was also a disappointment but it didn’t quite let me down as bad as Subete did. Personally, I love the murder mystery genre and wish I had more anime to sate that thirst. Plenty have tried the mystery angle but often resorted to stories that require little thought and are mainly spectacle. Then here comes Subete promising me exactly what I wanted and getting me fully on board for an exciting tale. However Subete ultimately played its cards too early and left the majority of the series attempting to stretch out the paper thin plot to fit the runtime. Enduring its tedium rewards watchers with a conclusion that’s obvious, nonsensical and overall pretentious. So once again I sit with an itch for some great murder mystery and wondering if I should replay Umineko no naku koro ni when it is released on steam.

Most pleasant surprise

Gakkou Gurashi!

Gakkou was a show that truly surprised me, not because of the shows hidden nature as I was already clued into that aspect, but rather how well directed it was. On all accounts Gakkou lives and dies on a gimmick, that being Moe slice of life mixed with a zombie apocalypse. Both are tired concepts yet this show managed to make both feel fresh by using the discrepancy between the genres. It has a rather predictable ending and one or two unnecessary filler episodes however it makes up for its shortcomings through some fantastic execution.

Best animation studio

Lerche

This was a pretty good year for Lerche, having a pretty consistent track record throughout the year with at least an interesting or entertaining show each season. Monster musume remains one of the most enjoyable harems I have seen in years and Gakkou was a pleasant surprise. Even Ronpa was at least an interesting experiment and Assassination classroom is a fun show. As a studio my opinion of them has gone up as they managed to not only adapt source material well but elevate it. (With the exception of Ronpa which disregarded it completely.) I look forward to their future projects and I hope they can keep up the good work.

Best Guilty Pleasure

Shimoneta to Iu Gainen ga Sonzai Shinai Taikutsu na Sekai

Monster Musume also deserves a mention for doing something different with the tired old fanservice harem but Shimoneta wins with just pure vile creativity. Taking place in a dystopian society that embodies censorship taken to its logical extreme, you could think that this is a commentary on the nature of repression. However whatever commentary Shimoneta provides is either in your face or accidental. No, the real goal of Shimoneta is to make as many sex jokes as humanly possible. The story manages to break expectations as things happen like the shows most boring Mary Sue character becoming the primary show stealer and the utter ludicrous as one episode features a tutorial on how to make a homemade onahole. It does have its weaknesses such as a villain introduced in its later episodes but manages to entertain regardless.

Best animation

One Punch Man

A no brainer without doubt. Fate/unlimited bladeworks second half did air this year but its splendor did not match its first series. Even if it did I think I would give the award to One Punch Man regardless as the animation here truly had heart and passion. The final bout in the final episode is worty of this title alone but the series managed to keep a relatively high quality of animation throughout with some of the best talent in the industry working on it. The result is a jaw dropping portfolio of visual glory, even if there were times were the art lacked consistency. There are those who truly dislike this show but I think few would discredit its animated feats.

Worst character

Magata Shiki

Let me say this, teenagers are irritating creatures. At one point we were all one and chances are you hated the person you were then. Because teenage years are when you think you have figured out the world and believe that you are somehow special in some unspecified way. There are those of us who outgrew this phase and learned to deal with simple truth. The only way to get acknowledgement for being special is to prove you are special through hard work and dedication. Some never outgrew this however and that brings me to Magata Shiki. Magata is the teenage mindset on full display. She thinks she’s figured out life, thinks she is special and therefore makes some of the most idiotic decisions possible. The problem is that the series treats her like she is special, that her mindset is new and oh so deep. No one attempts to challenge her mindset or more importantly, point out how utterly juvenile it is. Magata Shiki is the result of what happens when you isolate a egotistical teenager and allow them to fester in their own flawed logic. The result is an ignorant child who is under the impression that they are a genius. Even if the show demands to see her as some visionary philosopher, she remains proof that just because someone is smart, does not mean they are wise.

Best character

Saitama

With the soaring popularity of One Punch Man, Saitama is becoming a bit of an anime icon. With fanart of him taking on Superman and Batman, as well as a Fallout 4 parody. All that’s really needed for his popularity to skyrocket is an English dub, which should come any day now. But what exactly makes Saitama’s character so special. Well it could be because if his very nature being a parody of the overpowered Shounen protagonist or his personality that walks the tightrope between badass and goofy. Previously only handled by Eikichi Onizuka. But personally I believe his loveabity comes from the fact that dispute his overwhelming power, Saitama’s greatest challenges are the everyday tasks everyone needs to face. Where all is his power is worthless. Non the less it will always be fun to see him respond to the greatest threats to humanity with bored disinterest.

Top 10 anime of the year

10: Kekkai Sensen(Blood Blockade Battlefront)

Remember when I said it was a love it or hate it year? Well this anime is the representative of that view. To those of you who disagree with my number one pick, let it be known that I know how you feel. For Kekkai Sensen was that anime for me. On a technical level I can see how Kekkai can be a good show. I can even see greatness and creatively in its premise and some episodes. Yet despite all this I find it quite mediocre. Kekkai Sensen is very much style over substance and if you are looking for something with a deep plot I suggest looking elsewhere. The plot is a thinly tied thread that goes through a series of episodic adventures introducing characters and then proceeding to use them for absolutely nothing. All to end with an underwhelming conclusion which is open for a potential sequel. This anime holds the number ten spot for one reason, because I know there are those who could truly love this show. Particularly if you are a big fan of Durarara this will be right up your alley. I give it this spot because I admit it has merit for others, just none for me.

9: Death Parade

In my review I stated that Death Parade is a show that is half great. I still stand by that though in retrospect I may have been a bit harsh on it. The premise of Death Parade is deliciously novel and filled to the brim with potential. Half the series capitalized on that potential. The other half didn’t. Regardless this series truly did have some fantastic moments and should Madhouse take up the unlikely chance of creating a sequel I would be on board for a second visit to Quindecim. If we were given a sequel that took the best parts of this series and made the entire season of that then it would certainly make it into the top five.

8: Gate: Jieitai Kanochi nite, Kaku Tatakaeri

In any story when humanity meets beings from another world, we are generally the technologically inferior. Gate is here to shown that we humans have made some impressive killing machines and if faced with a RPG fantasy world we will certainly give them a run for their money. I will be the first to admit that gate isn’t perfect. It’s comedy is bad, the pacing is a slow burn with no real climax in sight and its missing something to truly make it great. But the story does work with some great ideas and how it deals with the issues that arise with the appearance of another world. Countries hungry to mine it for resources, the difference in political structures, the technological gape in power, culture shock…there are a lot of great things to work with here and the story does make some use of it. It will be the conclusion of the second season that ultimately decides the quality of the show so for now I believe this spot is earned.

7: Ushio to Tora

In truth Ushio to Tora never surpassed exceptions or provided anything besides what was promised. But it did deliver on what was promised. A fun Shounen adventure about a boy and his demon tiger. This title will have viewers filled with that nostalgic feeling previously brought by the likes of Dragonball or Yu Yu Hakuso. Bundled together with an opening that never fails to get me in the mood for some Shounen battle action. It’s a pity the show itself never quite lives up to the battle scale presented in the opening but even that is reminiscent of old style Shounen. This anime managed to keep me constantly entertained throughout and prevented it from getting stale by changing up the formula before it runs out of steam. It’s the anime of yesteryear, today!

6: Fate/stay night: Unlimited Blade Works second season

Yes, I am well aware that my old bias is at work here but it would betray my love for the franchise to not have this here. At least take solace in the fact that it is not in the top five and I certainly would be willing to put it lower. This season was much weaker than the first and suffered from too much filler and a dragged pacing. That said it did have a great conclusion, it still is the best adaption of the route to date and its still a beautiful series to look at. I just pray that Ufotable can bring the brilliance of Heavens feel out with the film without the weaknesses displayed in this second season.

5: Yahari Ore no Seishun Love Comedy wa Machigatteiru. Zoku

In the middle of this list seems an appropriate place for this as the story did deal with characters being in the middle of someone else’s conflict. SNAFU didn’t quite excel its previous season, instead providing more of the same which in SNAFUs case is not a bad thing. In a medium filled with rosy depictions of school life and all its wonders, SNAFU is the show to tell it like it is and present a more realistic depiction of school life. The protagonists brand of cynicism never gets old though the fact that he has a harem is always a mystery. In guise of school events, SNAFU shows you many future troubles that those of us in the workforce are all too familiar with. In particular the school planning meetings are so true to life that it’s rather scary. That said this season was bogged down a bit with a ongoing plot about the characters relationships that borders on over melodramatic. That and a ending which is sort of cliffhanger that outright demands a third season.

4: Kidou Senshi Gundam: Tekketsu no Orphans

Mari Okada and Gundam is a match that would make anyone raise an eyebrow, yet it has produced one of the better Gundams in recent years. I would hesitate to call myself a Gundam fan, quite the opposite actually. But Orphans has a quality that I like a lot. There’s something engrossing about a bunch of underdog slaves revolting and becoming a significant power. Perhaps it’s because the politics of this series gas been put more to the background or simplified. I was never fond of Gundams nature to get too caught up in politics and even less so when it starts preaching about how war is bad. Orphans does have cartoonist aspects to it and a love triangle it would be better without but makes up for it with some fine Mecha action and a glorious soundtrack.Wherever you stand on this, at least we can argee its better than Reconguista.

3: Junketsu no Maria(Maria the virgin witch)

A while back I remember doing a first episode impression on Junketsu no Maria and being surprised at how good it was. So I made a note to watch it some time later and went on. Now with writing this summary I thought it was the perfect time to go back and watch it. I thought I might find it to be something worthwhile. What I was astonished to find was an absolute gem of an anime. I didn’t just like this anime, I loved it. The moral quandaries, setting, themes, really this anime was everything I originally expected from Young Blackjack. So much so that I regret not blogging it when it was airing. The parallels to Joan of Arc are pretty obvious.The villains have great character arcs and I love how it shows the dangers of blind faith as well as the negatives of refuting god without picking a clear side. That’s this shows strength, there isn’t a good or evil here. Maria may stop war temporarily but she’s called into question plenty about whether what she’s doing is truly helping in the long run. Of course the show isn’t without negatives, the ending for one is suitable but very cheesy. It does tie up all the loose ends of the series nicely though so that there is no need for a sequel. The art can have a few hiccups now and then and I feel that one character wasn’t really given the time to make use of his full potential. There’s plenty of sex jokes as well and Maria is pretty much mocked for her virginity all the time. But in my time watching this show made me remember just why I love anime so much.

2: Gakkou Gurashi!

Breathing life into two overdone genres is already worthy of merit. Being genuinely good is all the better. Gakkou is just a really well done series that exemplifies that a good idea can become a great one with creative direction and smart adaption. The balancing act between soft Moe fluff and grim zombie apocalypse is a recipe that doesn’t always work but when it does, it heightens the effect of both. Watching Gakkou is akin to watching puppies play in a house slowly getting filled with toxic gas. You know the tragedy is coming and the tension carries throughout the series as you wait for it all to come tumbling down. In the hands of another it would be an unremarkable series but here it happens to be one of the most visually arresting things I have seen all year.

1: One Punch Man

Was there any doubt? One Punch Man is one of the most impressive feats of animation made in recent times. The comedy of each episode just makes you smile and Saitama is a loveable goofy superhuman who can turn any threat into a joke. It’s a series that genuinely has more action in the show than it does in the opening. I do admit that this show isn’t for everyone. Truly it’s something that thrives on its cool factor. It doesn’t present any considerable deconstruction of Shounen tropes and its storyline does hit the same beats of a threat showing up each episode for Saitama to one punch it to death. However if One Punch Man is to your tastes then you are bound to love it. If not, at least you saw a display of some of the best animation the industry has to offer.