Winter 2021 First Impressions: Skate Leading Stars, Urasekai Picnic, Tatoeba Last Dungeon

Skate Leading Stars

Short Synopsis: A former athlete and an aspiring coach team up to dethrone a rising star in the Japanese ice skating world.

Wooper: This show has some pretty big skates to fill, given its most obvious point of comparison, but it did manage to carve out an identity of its own in this half hour. We’re dealing with teenagers instead of adults, and skate leading (essentially team figure skating) instead of solo routines. All we’ve seen thus far is one-man flashbacks and exhibitions, but the presence of a high school club promises plenty of cooperative performances. That’s what worries me most about this series’ future; though there was some slick athletic animation on display here (the smears during Reo’s routine were a highlight), depicting five skaters at once will be far more taxing than anything this premiere offered. In the likely scenario that the production buckles, it’ll be down to the characters to keep the show afloat, and I don’t know that they’ll be up to the task. The protagonist is one of those “shout until your dreams come true” types, so of course his rival has to be cold as ice, right down to his white-and-blue color scheme. I’m betting on the revenge-driven teenage coach as the breakout character, though I probably won’t give SLS enough episodes to see him or anyone else truly shine.

Potential: 50%

Mario: Skate Leading Stars starts off on the wrong foot and goes far too melodramatic and ridiculous for my taste (the 10-year-old kid will swear off the sport he loves just after losing his parents if he loses to the top kid in town. He loses, the story begins), but thankfully it picks up afterward and I have no problem recommending it. While I’m never too hot on hot boys’ shows, the show infuses just the right amount to make the characters likeable, especially that sneaky coach with Hachiman-scheming eyes. Story-wise it has been conventional so far, but the story beats didn’t lose me and this first episode wasn’t afraid to display some sharp skating routine sequences. While they are not as polished as say Yuri on Ice (the show to which we’ll hear a lot of comparison), they don’t rely on CG and they are solidly animated. Certainly worth a few more tries for this one.

Potential: 40%

Urasekai Picnic

Short Synopsis: Two young women form a tentative friendship while exploring a dangerous parallel dimension.

Mario: Such a strange beast Urasekai Picnic is. Part-yuri, part-surreal, part-horror show about hunting urban legends AKA monsters? Yes – although so far I’m not totally convinced with everything it does in this premiere. As for the positives, I like that the show starts in media res. Just like the characters themselves, we have to pick up bits and pieces of this mysterious Otherside along the way. The sense of eeriness and isolation are all there, and the Otherside’s grey palette certainly compliments that empty void vibe. The narration is a bit more hit-and-miss for me. While I enjoy a portion of Sorao’s inner thoughts – especially when it deals with her detachment from her real world – Sorao is still not an interesting lead to follow. That actually helps to make the dynamic between her and the new girl she meets much more vibrant, so it works out for now. The thing is, there’s still a lot of questions about the rules of the new universe, about the show’s endgame, about what this show really is about, that makes this premiere feel more like a side OVA to some established franchise than a proper introduction to the show. As a result, Urasekai Picnic still keeps me at arm’s length, but I do recognize its efforts.

Potential: 40%

Wooper: I have so many questions. How did Sorao first access the Otherside? What prompted the main characters to dash into that abandoned building after the OP, and where was it in relation to their previous location? What was with that stuttering dialogue during Sorao’s confrontation with the Wiggle-Waggle? Don’t get me wrong, it’s a good thing that Urasekai Picnic is generating some intrigue, but I do wish it had been clearer regarding the barrier between its two dimensions. And as long as we’re making wishes, it would have been nice if the show hadn’t periodically replaced pieces of basic character animation with ancient CG models. There are other nitpicks I could make, as well, but they’re overshadowed by the show’s biggest strength: the strong impressions that Toriko and Sorao made on each other. Urasekai Picnic accomplished this simply by giving them plenty of opportunities to talk, allowing them to discover how their differing personalities could nevertheless be compatible. By the end of the episode, I felt as though their future trips to the Otherside would be much more successful if they paired up, and that I’d like to watch that pairing evolve over time.

Potential: 65%

Tatoeba Last Dungeon

Short Synopsis: Super strong country boy with imposter syndrome cooks a witch breakfast and starts building a harem.

Amun: Tatoeba Last Dungeon was one of the shows I’ve had my eye on since it was announced. The first episode was mostly as advertised, although I’m a little concerned about the quality of the animation – one particular faceplant was notably bad. If the first episode is having issues – that’s not a good sign. The other concerning aspects are pacing and humour. This episode actually went through a ton of material from the manga and felt quite rushed. The humour – shout until it’s funny – highlights the one dimensional aspect of the plot’s gimmick…another bad omen. Plus, I’m worried about the random service that showed up halfway for no reason – doesn’t bode well when we’re turning to those “plot” devices so early. No question, major red flags here – I’ll give it a few more episodes to turn around, though.

Potential: 33%

Lenlo: I swear to god these Light Novel titles and premises are just getting more and more ridiculous. What happened to just having a good story? What happened to compelling characters? When did it all get replaced with gimmicks and what do I have to do to get the Twelve Kingdoms style of fantasy back?

If that wasn’t telling as to my experience, I don’t know what will be. I found Tatoeba to be painfully dull. Generic fantasy, overpowered MC, fanservice, fantasy world. About the only danger flag of mine that didn’t tick was “Isekai”. My biggest issue by far though has to be the MC, who is apparently perfect at everything. It’s only been one episode and we already have 3 women fawning around him, 4 if we include the loli grandma, but I won’t for Tatoeba’s sake. I just don’t have anything to invest in at all here, with the only possible exception being the last 30 seconds. Maybe it goes to interesting places! Personally I don’t expect it to, and I won’t be watching long enough to find out.

Potential: 5%

In Praise of 2020’s Short Anime

Happy New Year, everyone! Hope your January is off to a good start. Mine is about to be filled with writing, both for our Winter First Impressions and the AOTY mega-post, but before hurling myself into either of those projects I’d like to shine a light on four of the year’s best short series. I wrote a similar piece last year and felt good about recommending those shows, so making it a yearly thing felt right. Although short anime typically attract low viewership figures and even lower appreciation levels, I love them for their simple stories and thrifty production techniques. As a bonus, their episodes end quickly enough that my age-addled brain has no chance to wander partway through! Whether you’re a dinosaur like me or you’re just in the mood to finish an entire series in a single afternoon, let’s kick things off with one of 2020’s more obscure anime: Super Shiro.

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DanMachi 3 Review – 88/100

Is It Wrong to Pick Up Girls in the Dungeon?  You thrilled with season 1, kept the hype going with the spinoff, did okay with the movie, and derailed in season 2.  But now – the faithful have been rewarded with this phoenix of a 3rd season.  From a meme to a dream, DanMachi 3 provided a great story, surprisingly thought provoking problems, an excellent cast, and – astonishingly – above average animation.  Let’s take a look at where DanMachi scored and the few places it fell short.

A word on my grading criteria.  For me, each show has 50 points to earn and 50 points to lose. Points are earned by going above and beyond the norm – showing me something I hadn’t seen or making me feel something unexpected.  Something that makes me applaud.  Points are lost when I feel a component of the show was below average or less than acceptable in terms of animation, storyline, etc.  Something that takes away from the show as a whole.

Let’s take a look!

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Akudama Drive Review – 75/100

On the surface, Akudama Drive is far from my cup of tea. It’s a spectacle-first production that operates on the fringes of sanity, working with characters so thin that their names and occupations are one and the same. There was fun to be had in its early episodes (particularly the never-ending parade of carnage that was the premiere), but its adherence to heist and escort mission templates made it feel safer than such an otherwise-daring series should have felt.

That all changed in the series’ sixth week, which doubled as one of the year’s best action showcases and a statement on the futility of violence. From that point on, the show raised the stakes with each episode, quickly fraying the fabric of its dystopian setting and treating its characters’ decisions as major milestones. Akudama Drive was headed somewhere important – a belief that was justified by a finale that managed to be both catastrophic and hopeful. There were bumps in the road along the way, and we’ll talk about those, but overall the series gets a definite recommendation from me.

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Fall 2020 Summary – Week 12

Wooper: There are still a few final episodes left to air this season, but this is our final recap post of 2020. With the new season preview finished, our attention will soon turn to winter first impressions and the Anime of the Year post due in mid-January. Before that, however, Amun has a bone to pick with a handful of second stringers he’s been watching, and Lenlo and I give our final verdicts on the usual summary post suspects. (There’s no Blurb on Titan this time around – make your voice heard if you want Armitage to keep writing about it, even in this column’s absence.) Thanks for reading, and happy holidays!

Fire Force – Since I stopped blogging about it

Amun: I stopped my weekly review of Fire Force around episode 11, but I’m back with an update on how the rest of the season went. In two words: the same. There were instances of absolutely ridiculous animation quality (see the last couple of episodes)….and a whole lot of weird service and head scratching plot directions. At no point in the season did I feel that Fire Force found its groove or even understood the kind of show it wanted to be – comedy? action? horror? ecchi? Strange to say about an anime, but Fire Force never took itself quite seriously enough, which is a shame. The random edginess was unenjoyable – not sure about Uncle-Shinigami-who-was-really-into-little-boys. The Maki storyline was fine I guess, and Tamaki sort of got a redemption episode? Just overall, I can’t help but be disappointed in the unfulfilled potential – looks like instead of the meh ending (like Soul Eater – by the way, what was up with that moon?), we got it here in the middle. Rumour has it the next season is the last, so hopefully it finishes strong – but I would be surprised.

Taiso Samurai – 11

Wooper: Barring a couple of Big Bird’s loony appearances, this finale was wholly unenjoyable and unsatisfying. The Jotaro/Leo connection was unimportant in the end, as Leo’s last-minute spectatorship of his friend’s routine created a brief feel good moment and nothing else. Jotaro’s successful quadruple flip and ensuing victory over Tetsuo were a surprise to no one, I’m sure, and the last-ditch effort to make Tetsuo a human being was too little, too late. The whole sequence with Rei running through the airport to stop Leo from leaving made me wonder why their previous conversation in episode 10 was necessary. If he was going to be convinced by an extended reference to his favorite ninja movie, couldn’t the show have pulled off the same thing without the prelude from the previous week? I like the concept of Rei quoting her mom’s signature film both to motivate her friend and reaffirm her interest in acting, but the moment came across as pretty limp given Leo’s recent irrelevance. We only got to see two seconds of his ballet performance before cutting to a truncated credits roll, for crying out loud. But hey, at least it’s over – the greatest gift I’ll receive this holiday season is never having to write about Taiso Samurai again.

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I watched Black Clover so you don’t have to: The 151 Episode Shonen Check In

Bleach. Naruto. One Piece. The Big Three, a legendary trio of Shonen anime/manga that dominated the community for over a decade. Properties so successful that they continue to inspire creators to this day. However all things must one day end and only One Piece remains in its original form. The mangaka Eiichirou Oda is still chugging along to this day. As Bleach ran its course, My Hero Academia rose to fill its shoes. And as Naruto: Shippuden wrapped up in 2017, the manga ending 3 years prior, the question became: What would take its place? Running for over 150 episodes straight, there is one series that has clearly made a play for that position. But does it succeed? This is the story of Black Clover, its first 151 episodes and the troubled production found within. Is it worth it? Should you give it a shot? Let’s find out together.

Welcome to the first, and possibly only, edition of Shonen Check-In. How’s that for a pretentious start eh? Had to get people hooked in early. Don’t worry, this isn’t that kind of post. The long and short of it is that, for various reasons, I decided to catch up on the first 151 episodes of Black Clover. Like many I dropped it early back in 2017, in the first cour in fact, maybe even the first episode. Between Asta’s screaming, the questionable production and the almost… blatantly generic plot, I had 0 interest in another new Shonen. But over these last 3 years Black Clover has somehow survived and the fan base has only grown. They sing its praises, they keep saying “It gets good, it gets good!” Well I am here to check that assertion. I watched Black Clover so you don’t have to. But maybe… maybe you should.

(Disclaimer: This is not a review, there is no number score, I just wanted to talk about Black Clover damnit.)

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Winter 2021 Anime Season Preview

Wooper: 2020 may be on its last legs, but the tradition of milking anime franchises to death is still going strong. That’s right ladies and gents, it’s Sequel Time. We’re getting second, third and fourth helpings of some of the most popular series in recent years – so many that we couldn’t cover them all in this preview. Attack on Titan’s ongoing conclusion and Re:Zero S2’s continuation are massive events, of course, but at least one other isekai sequel went unmentioned here, along with a handful of shounen offerings. In their place we’re covering a few original projects, of which there are a surprising number this winter (half of them involve idols, though, so we opted for the other half). As always, we haven’t commented on every new show, but all of them should be listed in the poll below, so let us know what you’re most excited for this winter. Enjoy the rest of your December, and we’ll see you on the other side!

This poll is no longer accepting votes

What will you be watching this winter?

Middling Expectations

Tenkuu Shinpan

Studio: Zero-G
Director: Masahiro Takata
Series composition: Touko Machida
Source: Manga

Mario: As the first output from Netflix’s batch of original anime in 2021, Tenkuu Shinpan looks middling at best. It’s the kind of title that has an intriguing hook but once it wears off there isn’t much beyond it. It’s based on a manga by Tsuina Miura, the creator of Ajin. While I like some aspects of Ajin, here’s the interesting part: Miura actually left the project after the first volume and some fans sarcastically say that his departure is the reason why the manga stays good. The PV looks unintentionally hilarious from what I saw, with a shirtless masked murderer with an axe chasing a girl in broad daylight. Director is a newbie, and the gal handling Series Composition was behind some oddly-paced shows such as 7 Seeds, Runway de Waratte, and Caligula. I won’t hold my breath over this.

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Fall 2020 Summary – Week 11

Wooper: Just two more weeks until 2020 can finally be put to rest. Here at Star Crossed, the Winter Preview is a key step in bidding farewell to each calendar year, so we’re hard at work on that project as you read this. But that busyness couldn’t stop us from offering our thoughts on these penultimate seasonal episodes – we had to lay the foundation for our final verdicts, after all, which ought to arrive next week-ish. See you then!

Golden Kamuy S3 – 11

Lenlo: Jesus, Golden Kamuy, that was easily the tensest episode of the season and possibly of the year. I really don’t know how to describe this without spoilers, so let’s just say everything came to a head this week. Sugimoto and Asirpa finally meet again, which means so does Ogata and Sugimoto, and Tanigaki and Kiroranke, and basically every character combination you can think of. Combine that with a treasure hunt that only one person knows the answer to and a whole bunch of guns and you have something going on. All in all, I loved this episode and I don’t know how to talk about it without spoiling everyone.

Maou-jou de Oyasumi – 11

Wooper: After cameos in episodes 8 and 9, Cubey finally revealed herself as a succubus who admires Princess Syalis for her popularity, not her evil counterpart from a parallel universe. I suppose it’s better that the show kept it simple, since it allowed the quest formula to be maintained after a few leaps in logic. Syalis’ ruthless training of her new body double ironically ended in her own death, which wasn’t tough to predict, but it’s the way she died that really sold the segment: drifting off to sleep while plummeting toward a fiery lake, satisfied with a job well done. Of course, the castle’s cleric revived her in time for the next chapter, where the other characters got a peek into her dreams. This was the spot where her relationship to the Hero was revealed to all parties involved, giving him a bit more to do than usual. As a matter of fact, the Demon Lord confronted the Hero face to face in this episode, though it was just a small gag about the man’s willingness to trust an obvious enemy. I haven’t mentioned the Hero in these miniature blurbs much, which is due to a lack of column space and his distance from the main characters, but also because I don’t find him especially funny. I’ll be interested to see whether his character “works” in next week’s finale.

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Fall 2020 Summary – Week 10

Wooper: In case you’ve been living under a boulder, you ought to know that Attack on Titan returned to the airwaves three days ago, and Armitage has thoughts about the new episode. So do Lenlo and Amun, I assume, but you’ll find them talking about different series after the jump, plus a few contributions from yours truly. It’s our biggest recap post in quite some time – hopefully we can keep this momentum going as the blog’s busiest season looms ever larger!

Attack on Titan S4 – 01

Armitage: I can safely say that I have not waited for an anime with this much anticipation. Ever. I wasn’t nervous this much-awaited return would be underwhelming, I was downright afraid. In entertainment media, Attack on Titan is one of the few shows that’s bigger than the medium they inhabit. One that most people who are even remotely interested in ‘Japanese cartoons’ have at least heard about. So, you can imagine how skeptical its fans were with the studio change announcements and a new director and staff at the helm. MAPPA had pulled the shortest of sticks by volunteering to follow the massively successful Studio Wit in producing the final season of Attack on Titan. So how did they do in their first at bat? Well, to my and almost every other viewer’s pleasant surprise, they knocked it well and truly out of the park.

This was easily the best season premiere this series has given us since its very first episode more than 7 years ago. Instead of wasting precious minutes with exposition and recaps, we are thrown headfirst into the action, a whole new cast of characters is introduced within seconds and the show expects us to be well-caught up on previous events to follow character motivations. While none of our original main cast shows up we do get to see Reiner and Zeke kicking some ass. And what glorious ass-kicking at that. We had actual good CG, fluid character movement carrying through the weight of every Titan’s attacks and set-pieces as bombastic as they have ever been, all accompanied by a thunderous background score. The barrage from the sky even reminded me of the Chimera Ant arc from Hunter x Hunter 2011. My only fear at this point is that in the process of hitting an opening Home Run, MAPPA may have broken their bat altogether. But as an anime-only who has somehow managed to avoid all spoilers about what’s to come, I am honestly more excited and way more optimistic than I ever was.

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Fall 2020 Summary – Week 9

Wooper: Dragon Quest? More like Dropped Quick. We’ve got an oddball series in its place for this recap post, plus some thoughts on a handful of seasonal anime. Has Haikyuu season 4.5 finally turned the corner onto Sakuga Street? Will China’s latest sleeper series maintain its momentum? Should I have put a third question after the first two? You’ll have to read on to find out!

Gal and Dino 8-9

Wooper: If you’re one of the 12 people who were watching Gal and Dino before COVID kicked it half a year into the future, here’s your alert that the show is back – and better than ever, honestly. It’s found a sweet spot between Pop Team Epic’s absurdism, Galko-chan’s friendliness, and Tonkatsu DJ Agetaro’s chill vibes. Episode 8 put emphasis on the show’s warmth, as the gang celebrated Dino’s birthday with trick candles and gifts of cup ramen (to his unceasing delight), before transitioning into a bonkers live action scene that parodied Detective Conan, Mission Impossible, and Haruhi. Episode 9 moved in the opposite direction, going from PTE levels of mixed media (including simulated chalk animation and a marker-illustrated dream sequence) to a lovely confirmation of Dino’s happiness at Kaede’s apartment. Most people didn’t care about this show when it dropped back in April and won’t care about it now, but it’s got more heart than they’ll ever know. I love little things like Kaede carefully stepping over Dino’s tail (after injuring him several weeks ago), or Nanami working up the courage to ask a new friend over for dinner. Gal and Dino is both strange and sweet – a winning combination in a year that’s otherwise been uniformly bitter.

Haikyu To the Top Part 2 – 09

Lenlo: Look, there’s only one word I can use to describe this episode, and you all already know what it is: HYYYYYYYYYYYYYYPE. I’ve been really critical of Haikyu this season up until now, rightfully so I say. The tension has been lacking and the production has been inconsistent to say the least. So you cannot imagine how relieved and thankful I am that they managed to nail this episode. Inarizaki’s motto has always stayed with me more than the other schools. Just like Atsumu, I didn’t really get it at first, but it was this scene in the manga that always made it work. “We don’t need the memories”, forever pushing forward, the depiction of the team, the discussion about hunger and how it feels to watch someone enjoy a good meal. It’s one of the best in the series for me. And the receive, oh god the receive. This is what the ballboy arc was building towards, this singular moment, and it was beautiful. The voice over, the momentum of the ball and Hinata’s flip, I love it. It’s competing for my favorite episode of the season off of those two scenes alone. So yeah, it was a bloody good episode of Haikyu. But you already knew that.

Armitage: Yup. Easily S4’s best episode yet. The shot of Hinata’s trembling hands after completing that receive is up there with the very best climactic moments Haikyuu has given us. Please let the rest of the season be this well-animated, anime gods.

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