Category: Other:

Summer Wars is the latest highly anticipated movie from Mamoru Hosoda, the director of Toki wo Kakeru Shoujo. As expected, the movie comes with a lot of ideas, attention to detail and really attempts to innovate. It’s a very nice movie, however I didn’t like it as much as The Girl Who Leapt Through Time.

The movie basically focuses on two things: slice of life around a really big family who has come together for the birthday of its oldest member who owns a huge mansion. The other focus of the movie is some sort of science-fiction story in which the Internet has evolved into some bizarre world called “OZ”. This eventually gets hacked, and it’s up to our teen-aged lead to save the world from this threat.

And I’m sorry, but as a student computer science I just could not buy this premise. It’s utterly ridiculous and makes no sense whatsoever. While I agree that it achieves new heights in the fantasy-ish portrayal of hacking software, and I know that there’s something as artistic freedom, but this movie went completely beyond my suspense of disbelief as it turned the teen-aged leads in this movie into somehow the only ones who were able to save the world. Especially the finale hung together in a string of Deus ex Machinas.

I know I’m harsh, but this is a big-budgeted movie. Take Real Drive, released last year. It’s vision of the future of the Internet was much more creative, realistic, believable and explained, even though it also used a bit of fantasy in its premise. I appreciate the attempts of the director, you can see that he really tried, but he was too torn between creating a good story and appealing to the mainstream in this part.

Okay, so that was the bad part, now the good stuff: the slice of life. What I absolutely loved about this movie was the way the family was portrayed. Every single character was behaving realistically, even taking the ridiculous setting into account. The cast is incredibly large, especially for a movie, and the creators actually developed all the characters a bit throughout the movie. I especially liked the chaos in which a lot of things happened at the same time and everyone was doing something at the same time.

You’re definitely going to recognize the art style from Toki wo Kakeru Shoujo, and Madhouse really made sure to breathe life into every single character with some incredibly good and realistic animation. This slice of life makes this series really fun to watch. But yeah, compared to Toki wo Kakeru Shoujo, it just isn’t as powerful. The soundtrack is less impressive, and it really gets hampered by that ridiculous setting and superficial climax.

Well, so I finally managed to find this Korean animated movie: Yobi – The Five-Tailed Fox, otherwise known as the impossibly named “Chonnyonyeouu Yeouub”. At first sight, it’s yet another children’s adventure: mystical girl (in this case, a fox spirit) meets regular boy, the two fall in love, the two fight some sort of evil, ended with a Deus ex Machina. However, this movie makes up for the bland premise through its execution, and not just because of its nice graphics.

First and foremost, it’s a really enjoyable movie to watch. The cast of characters is full of quirky characters that at the same time don’t exaggerate their quirks, yet deliver them with subtlety. A lot of the movie is spent on diverse characters, just having fun, and the movie-budget animation did wonders in making them come alive. While it’s not the best animation you’re going to see in a movie, it definitely does the job in portraying lots of non-verbal communication between the different characters through their gestures and way of moving, and that was for me without a doubt the most enjoyable part in this movie.

Also the premise is also about the only thing generic about this movie. It’s a shame that all family-movies seem to need to follow these same rules (especially that deus ex machina ending remains annoying), but outside of that you can see a lot of creativity in the storytelling: the situations the characters are put in are very imaginative, the locations have a lot of ideas put into them, and the background art is absolutely gorgeous in their portrayal.

There are problems with the animation at times though: the characters’ expressions sometimes look a bit too much like clay figures at times, and you can see a bunch of lazy frames in which the characters are drawn cell-shaded in CG. And granted, at times some events are introduced a bit too sudden, and we still don’t know why Yobi finds humans silly, yet she walks around in a human form most of the time. Overall, it’s perhaps not the best movie to come out of Korea; they’ve done a story better with Oseam, and better-looking graphics in Wonderful Days, but nevertheless Yobi is a very enjoyable family movie with an excellent characterization.

When I posted my first impressions on Kobato, I noted how incredibly cute its lead character Kobato was. I then started watching Risky Safety, and suddenly Kobato looked more like Hamako from Gintama in comparison. Omishi Magical Theater: Risky Safety has got to be one of, if not THE cutest anime I have ever seen.

And it’s not like most series that attempt to go for cuteness, in which they try to make everything as brightly coloured and fluffy as possible with a lot of energetic overacting. The titular characters, an apprentice Shinigami and Angel named Risky and Safety respectively, have such a natural charm that’s near impossible to plan out. Nearly all of their quirks are just too cute to watch when combined with the incredibly talented voice actres of these two (why yes, they’re voiced by the same voice actress, who does a fantastic job portraying both of them). They’re the type of characters who make all of the scenes they’re in a joy to watch.

The ten-minute episodes basically consist out of the two titular characters helping out a kid with worries, but the storytelling is genuine enough to make something interesting out of such a simple premise. The stories are well built up, and are about serious themes as undecisiveness, love, good and evil that aim to teach simple moral stories. You can also see that the creators like to try out new ideas: sometimes they like to show a bit of what happens in the setting around the characters, like showing a random conversation between a few passers-by that has nothing to do with the story, or showing some sort of reference to an earlier story. It’s interesting how in this story, whenever something gets destroyed or changed, it remains changed. For example, the stuff that Risky breaks in one room still remain broken 24 episodes later.

Overall, this series shows that anime can also be simple, yet effective. It’s an excellent recommendation for those who are looking for a quick watch. It’s such a charming series from beginning to end, and surprisingly solidly produced as well with detailed animation that hardly cuts any corners. With an excellent dreamy soundtrack excellent voice acting and incredibly cute antics, I really enjoyed this little series. It’s a shame that we never hear anything from its production-company anymore, APPP. Around ten years ago they used to do a number of series with very neat ideas, but right now they only seem to concentrate on in-between animation jobs (but doing a great job at them nonetheless).

I’m getting more and more impressed at Sunrise’s lesser-known mecha series. Sure, they have made plenty of series that just consist out of a string of random action-scenes without much substance, but on the other hand there also are series as Overman King Gainer, Zone of the Enders, Zegapain and Votoms, which all sparkle with creativity. Brigadoon is yet another one of those.

Brigadoon is one of those series with a cute and brightly-coloured outside, but a dark and lethal inside. It starts off pretty innocently, in which a 13-year-old girl suddenly gets hunted down by evil aliens and needs to be protected by some sort of combat android. The series is at these points fun to watch, and a very energetic action-series, but as the series goes on, the dark side of the series shows up more and more, and isn’t afraid to put the lead characters through hell and beyond in order to get its points across. The formulaic setting of the series is also completely abandoned in the second half, for a far more interesting plot with a lot of twists and turns along the way.

This series is especially good with its characters. Not just the main characters, but also most of the side-characters get their own share of depth that makes them engaging to watch. Especially Marin strikes as an excellent lead character for this series: she has plenty of flaws as a character, and yet her energy carries the series and prevents it from dragging.

This series also has a unique visual style. The animation during the light parts is very quirky, and during the dark parts it’s detailed and intricately shaded to get the best out of the seemingly childish graphics. The soundtrack is also unique, and has a number of very noteworthy tracks.

Granted though, this series does have its share of flaws. One of the most notable is the regeneration powers that the androids (called Monomakia here) in this series seem to have. I’m really not much of a fan of those sorts of powers; after all, why care about a character getting injured if he can easily be zapped back to good health. And yeah, because of this the characters get injured to near-death a few too many times. Not only that, but sometimes the regeneration rules also go inconsistent with their own inner logic.

This becomes mostly apparent in the ending, which really wants to bring everything to a happy end a little too badly. Revelations are pulled out of thin air, deus ex machina make sure that everyone gets to have the easy end, and all in all it’s just one huge rush-job that the creators didn’t put much thought into. Nevertheless, this remains a pretty good action-series. There are some really neat ideas stuffed into it. Sure, there is a bit of fanservice here and there, but it never gets in the way of what’s really important.