Dance Dance Danseur Anime Review 86/100

Everyone has a type. Whether it be fighting games, Shounen battle anime, even who they like to date. Everyone has something that they can point to and say “I like that, give me more”. Well after 450 anime, after Welcome to the Ballroom, Princess Tutu and so much more, I think I’ve figured out one of mine: Fancy dancing. And after this season, I think I can narrow it down even more: Ballet dancing. The entire aesthetic is something I can’t get enough of. And it’s thanks to the subject of this review, my favorite anime of the Spring 2022 season, that I figured that out. Produced at Studio MAPPA, originally created by George Asakura, Directed by Munehisa Sakai of Zombie Land Saga with music by Michiru I give to you: Dance Dance Danseur. Let’s jump into it.

Be warned, this review contains minor unmarked spoilers for Dance Dance Danseur. It also contains major spoilers in some sections, but these will be heavily marked to avoid accidents. Continue reading “Dance Dance Danseur Anime Review 86/100”

Now and Then, Here and There Anime Review 71/100 – Throwback Thursday

There are few anime that I’d describe as profoundly “uncomfortable”. I’m not talking about rampant pedophilia or the questionable relationship with the word “consent” in some series. I just ignore those. What I mean are works that, through their themes and stories, really make you understand what it means to live through these events. I’m talking about works like Serial Experiments Lain and its exploration of our relationship with technology. Or Perfect Blue and how it can feel to lose your own identity. And while this series doesn’t quite reach the same heights as those other two, it certainly makes a respectable try. Created and directed by Akitarou Daichi, animated at studio AIC and with music by Taku Iwasaki, I give to you the subject of today’s review, the turn of the millennium dystopian tragedy: Now and Then, Here and There. Without further ado, let’s dive in!

Be warned, this review contains minor unmarked spoilers for Now and Then, Here and There. It also contains major spoilers in some sections, but these will be heavily marked to avoid accidents. Additionally, this series contains depictions of rape and sexual abuse, which I will mention in this review. You have been warned. Continue reading “Now and Then, Here and There Anime Review 71/100 – Throwback Thursday”

Ousama Ranking Review – 83/100

I really wanted Ousama Ranking to be the next Odd Taxi.  Both started out fairly similar – neither had very much pre-season hype (Odd Taxi premise wasn’t even released till the first episode, and Ousama Ranking’s first episode aired after the rest of the season started).  If it had turned out to be a hidden classic, I would be two for two and my anime ego would grow uncontrollably.  But Ousama Ranking turned out to be more blockbuster than cult classic, with quite a few flaws along the way.  Let’s take a look!

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86: Eighty Six S2 Anime Review 42/100

Sequels are always difficult to write reviews about. Usually, barring any major production or authorial changes, you can tell if you will like it just by your reaction to the first season. With minor shifts up or down for whatever the current content is about. My recent Kimetsu no Yaiba: Yuukaku-hen review is evidence enough of that. But sometimes… sometimes you have the unfortunate case where a sequel falls short. Where for whatever reason, be it changes in production, writing staff or simply going on longer than it should, the series falls off. Animated at A-1 Pictures, directed by Toshimasa Ishii and originally created by Asato Asato, 86: Eighty Six Season 2 is, sadly, one such case. Why is that the case? What could have happened between season 1, something I enjoyed, and this to fall off as hard as it did? Well, lets jump in and talk about that.

Be warned, this review contains minor unmarked spoilers for Eighty Six Season 2. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents. Continue reading “86: Eighty Six S2 Anime Review 42/100”

Fate/Grand Order: Final Singularity – The Grand Temple of Time: Solomon Anime Review – 50/100

I truly wonder if Fate anime will come out ad infinitive just to force me out of retirement. Look I know full well that the reading audience of this blog likely hold little to zero interest in this movie and I truly don’t blame them for doing so. Even I, Fate fanatic that I am, held off on watching this for over a month and can express a degree of ambivalence towards it. As such I might as well admit that this isn’t so much a review but rather a diatribe I was inspired to write after sitting down to push myself though this movie through obligation. But I put my plea to the blogging court, is there truly anyone looking for a review of this movie? It’s a conclusion to a story which 5/7s of which is unadapted to anime and holds appeal mainly for those who spent two years playing a mobile gacha game or those that powered through 160 hours of writing. I can only really assume you are reading this out of some odd fascination with my drivel or an equal interest in this franchise of glorious highs and head to wall bashing lows. But with all things considered I at least need to make an effort to give some sort of opinion on this odd movie.
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Kimetsu no Yaiba S2 Anime Review 68/100

Sequels are beautiful, dangerous things. More often than not you already know what to expect. Is it a series you enjoyed? Then it’s a guaranteed good time. And if it’s something you didn’t? Then you can skip it without having to worry about what could have been. Indeed, it’s rare that a sequel goes off and does it’s own thing, that it wildly changes from whatever formula made it successful before. Why would you when it can bring you the sort of success Kimetsu no Yaiba is experiencing right now? That’s right, Directed by Haruo Sotozaki and animated by studio Ufotable, Kimetsu no Yaiba: Yuukaku-hen takes everything you loved about the first season and doubles down on it. Love the fights? The entire season is one big one. Love the visuals? I dare say this season has some of the best yet. And the narrative? We will get to that.

Be warned, this review contains minor unmarked spoilers for Kimetsu no Yaiba Seasons 1 and 2. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents. Continue reading “Kimetsu no Yaiba S2 Anime Review 68/100”

The Vision of Escaflowne Anime Review 79/100 – Throwback Thursday

If you’re a fan of Mecha odds are you’ve heard of Shouji Kawamori. The man has done mechanical design for movies like Patlabor and Ghost in the Shell to a few Gundam Wing OVAs and even Eureka Seven. He’s been in the industry, working on robots, for over 40 years now. And in that time he’s come up with a few original series of his own! But of those only a few can truly be said to have been written by him. One is Aquarion. Another is Arjuna. And the last, and very first he ever did full composition for himself, is what we are here to talk about today. Directed by Kazuki Akane of Noein fame and animated by the studio defined by Mecha, Sunrise, I bring to you: The Vision of Escaflowne. Lets dive in.

Be warned, this review contains minor unmarked spoilers for The Vision of Escaflowne. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents. Continue reading “The Vision of Escaflowne Anime Review 79/100 – Throwback Thursday”

Heike Monogatari – 11 (END)

Heike Monogatari’s TV finale contained just its second substantial portrayal of armed conflict, following episode 5’s Battle of Uji Bridge. One might think it a bit strange that a military epic would be so light on big battle scenes, but then, Heike Monogatari was never really about action or strategy. It was about family – a family doomed to extinction by its patriarch’s pride, but which still experienced closeness during its brief time on earth. It was about fate, and one girl’s journey to accept that although she could see it, she could not change it. It was about death, and the ways that humanity grapples with its inevitability: succession, spirituality, storytelling. It was a series with some structural problems, but which occasionally rose above those problems to deliver transcendent moments, with the greatest moment of all arriving during its final minutes.

It was a fine animated series – one of my favorites of the year. But before we discuss how fine or favorable it was, we’ve got to talk about how mightily it struggled to depict naval combat.

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Haibane Renmei Anime Review – 86/100 – Throwback Thursday

Yoshitoshi ABe is, or at least should be, a pretty recognizable name. You’ve no doubt seen his work and influence across many series while watching anime. From the illustrations for the original novels of Welcome to the N.H.K. and All You Need Is Kill to providing original character designs for the technological horror series Texhnolyze and Serial Experiments Lain. ABe’s art has a distinctive, gritty quality to it that you don’t often see in modern Moe-fied anime. And for me that begs the question: What kind of stories is he trying to tell with this art? Well it seems we have our answer. Directed by Tomokazu Tokoro, animated by the now defunct studio Radix and created/storyboarded by Yoshitoshi ABe I give to you Haibane Renmei. So without further ado let’s talk about some cute angel girls within a not-so-cute story.
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Kobayashi-san Chi no Maidragon S – 11-12 + Final Thoughts

It’s shocking to me that season two of Kobayashi-san Chi no Maidragon was as good as it is. The 2019 arson attack, the loss of the project’s intended director, the demoralization of the staff – how did Tatsuya Ishihara and his team at KyoAni produce such strong work in the face of these obstacles? A word like “perseverance” seems inadequate given the severity of the situation, but “determination” might do – determination to honor their fallen friends, and to prove to Japan and the world that they wouldn’t be beaten. These final episodes were the product of artists at the top of their field, and also some of the best in all of Maidragon’s run, signaling the fulfillment of their vision for the series. Even if we get a continuation someday, nothing will ever diminish the conclusive statement issued by the second season: “Kyoto Animation is back.”

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