Ao no Exorcist Review – 75/100

Shounen isn’t my favourite genre, but I have enjoyed plenty of the better series in the genre. Ao no Exorcist is a sneaky one though: at first it first seems to avoid a lot of the overused cliches that plague the genre… only to fall into them anyways. What sets Ao no Exorcist apart is that it’s typical shounen, but done well. The main character is a hot headed brat, but he’s well fleshed out and has good development and reasons for his actions. The show inevitably ends up at an academy, but school assignments that the characters have to do are fun, interesting and lead to quite a bit of character development. The big problem is that this series is way too epic for what it wants to be. On one hand it aims for high school hijinks and a look at exorcists in training, and on the other it is involved in an international plot involving to purge the strongest demon known to man: Satan. The main character may be Satan’s son and all, but the two parts don’t mesh at all and leave a terribly divided series. The part of the series that suffers the least is the one that focuses on the high school. It’s not ambitious, but it’s fun, the characters are genuine and they have a great chemistry between them. The plot against satan unfortunately is horribly rushed, with in the end Satan magically forgetting to use a lot of his powers in order to actually prevent the main cast from not instantly dying. It’s full of bland twists and unoriginal plot devices that are way too constrained with trying to go for a “by the books”-ending. This series is based on a manga, but decides to go with its own storyline for its final third. While that isn’t immediately a bad thing, it just doesn’t work here. A-1 has made sure of great animation, but in the end there are just many better shounen series out there. Ao no Exorcist was a nice attempt, but it lacks vision.

Storytelling: 7/10 – Does not know what it wants to focus on and ends up half-hearted. Tries to subvert shounen cliches only to fall into them.
Characters: 8/10 – Saved by a good chemistry and good development. Bad villains, though.
Production-Values: 8/10 – Solid action, though nothing amazing.
Setting: 7/10 – Tries to deliver a solid setting of exorcists, but in the end there is hardly any gap between the best and the worst of them.
Suggestions:Shikabane HimeSoukou no StrainPandora Hearts]]>

Dantalian no Shoka Review – 82,5/100

I feel that episodic series tend to be dismissed for the wrong reasons. “It has no story”? What do you mea, these series are filled with stories? Personally, I find that an episodic series needs to have two elements in order to really succeed: 1) Strong episodic stories. 2) Something to tie the show together. Dantalian no Shoka has nailed one of them. Basically, this is a show that explores various people who were given strange powers through what this show calls “Phantom Books”. These stories start off a bit clumsily, but amongst the episodes there are some real gems to be waiting. Some of the people highlighted are well fleshed out and portrayed, and when it wants to, this series can really create a great atmosphere to support them. These stories are all varied, interesting and aside from a number of duds here and there, succeed in telling their story. I’d say the ratio of episodes that don’t work to the ones that do is about 1:2. Ironically, the main characters are some of the least interesting characters of the series. They feel more like plot devices that the show needs in order to be able to move from story to story than actual characters most of the time, and their development is just shallow, and they fail to really tie this series together or give it a satisfying conclusion. Especially Dantalian herself is just an annoying brat who spends every episode randomly insulting people and not really doing anything at all to contribute to the story. Standalone though, the episodic stories and characters are more than enough to make this one worth watching. On top of that, Ganiax threw in a lot of eye candy as well, with some gorgeously animated action scenes (oh, ad Osamu Kobayashi also pays a visit to do one episode). The main couple is annoying, but this show has more than enough to make up for it.

Storytelling: 8/10 – An excellent array of strong individual storylines, though this series’ attempts to tie them together doesn’t really work.
Characters: 8/10 – Dull major characters, minor character.
Production-Values: 9/10 – Gorgeous visuals, animation that isn’t afraid to try out stuff.
Setting: 8/10 – A bit far-fetched at times, and the phantom books in the end are just mcguffins, but when you look at each episode individually, their settings are well fleshed out and described.
Suggestions:Kino no TabiKuchuu BurankoShigofumi]]>

Fafner in the Azure – Heaven and Earth Review – 85/100

For a long time I wondered what happened to the good parts of Xebec. I mean, it’s been ages since they released anything. Now however, I know: they were working on this movie. This was one heck of a roller-coaster ride. The Fafner TV-series set itself apart with the way in which it took the “teenaged mecha”-formula, and executed it well. Not partially well, like what Ao no Exorcist is currently doing, they really came up with a great setting, premise and storyline for their run. This movie carries on this tradition, with a significantly upgraded budget. This is a real feast for the eyes and especially the action scenes are just gorgeous. Oh, and the music kicks even more ass than it already has. Heaven and Earth makes terrific use of its time. The TV-series did enough building up. Using this, it can really deliver climax after climax after climax, with a very good balance between the quiet scenes that never drag out. On top of that though, it does manage to push the themes of the TV-series further, like the enemy, who is trying to understand human nature, or the way in which the main cast uses children, just because they happen to have special powers. This movie is an action movie, but it puts its characters’ emotions above all else. It successfully introduces a new cast of characters who manage to show themselves off, without taking over the series in favor of the main cast. The main characters themselves also have some great scenes themselves, while also giving plenty of time for the side characters to shine (another great point of the TV-series that managed to carry over). The creators really tried to turn this into an emotional roller coaster, and combined with some excellent character development, they really succeeded. This has one downside, though: it refuses to explain most of the stuff that happens. I mean, it describes what happens, but as for the why behind everything this is a movie that really likes to leave its viewers into the dark. Let me stress this to the people who haven’t seen the Fafner TV-series: watch that one first. Heaven and Earth is really meant as a continuation, not to mention that it’s filled with spoilers from the TV-series. If you have watched the TV-series and liked it however, then there is no reason not to watch this movie. It delivers an excellent emotional climax to an already excellent franchise.

Storytelling: 8/10 – Great pacing, emotional and exciting. There’s a lot of teenaged angst and it may not explain exactly what went on, but nevertheless this was very solidly told.
Characters: 9/10 – This movie really gets the emotions out of its characters, without delving into cheese for even a second. A genuine roller-coaster.
Production-Values: 9/10 – Gorgeous graphics, action scenes and dogfights. Awesome soundtrack.
Setting: 8/10 –
Suggestions:Macross Frontier – Itsuwari no UtahimeTales of VesperiaPonyo on a Cliff By the Sea]]>

Blood-C Review – 85/100




Blood-C is a very difficult series to recommend. The thing is that this is one series where if you like it, you’ll like it a lot. However, if you dislike it, you’ll grow a deep seated hate against the main cast of this show. I belong in the camp of the former (hence the high rating for this review), but I do want to give out a warning, because this is a rather hard series to get into.

For starters, at heart Blood-C is a mystery horror series, with a high emphasis on building up and atmosphere. It has the building up pacing of a Bee-Train series, but differs completely in the characterization department. What this means in practice is that the entire first half will be spent on nothing but very mundane daily life, intermixed with various battles and action scenes, with very few hints towards the overall storyline. The characters all are very mundane and by far the weirdest part is that this show for a long period of time hardly ever tries to give them some depth. Instead, they’re just like the random people you might run into in a class room or on the street. Oh, and the characters have strange tendencies to make weird decisions at times.

Now, I refuse to spoil the exact how and why of things, but the second half is where this series really shines, and slowly begins to uncover its mysteries. Its plot is so constructed that as a viewer, you can be able to figure out what’s going on by yourself, but even then the final episodes in which everything is revealed pack a great punch and justify a lot of the weird things that happened throughout the series. If, at least, they didn’t get on your nerves too much. The thing is, that that is very easy, and as soon as this series loses your suspense of disbelief with it (which is rather easy with annoying characters), the atmosphere also stops being captivating, and you’ll be even more bored.

It does remain a wonderful atmosphere though. The creators make excellent use of the soundtrack handed to them, and the storytelling combines gory horror together with classical Japanese horror, which tries to capture its viewer through its slow storytelling. Especially the juxtaposition between the very mundane slice of life and the intense fights creates a wonderful tension that can be cut with a knife as the series goes on.

Also, the action scenes. Blood-C really sets itself apart through these things, and they are absolutely brutal and really well choreographed. Instead of the usual shortcuts, Saya is fully animated as she struggles with all sorts of blood thirsty monsters who make it a huge challenge to be actually beaten. The animation in the first number of episodes in particular is just absolutely wonderful, but even in the latter episodes as the budget dies down, the creators still aim to tell as much as possible through the action scenes with as much life-like animation as possible. The gore also is gore on a completely different level in this scene. It absolutely spares nobody. Usually when people die, the camera conveniently focuses on a different shot. Not here: here we can see all of details. Or at least, in the DVD versions we will.

There are a few acting problems here and there, and in particular the characterization has some major flaws in not trying hard enough to flesh out the cast, but overall I really liked this show for what it accomplished, and for the huge risks it took. This really isn’t for everyone. If you find yourself not able to get into the atmosphere because of the characters, then it’s very likely that you’re not going to enjoy this series. If you do however, you’re in for one heck of an intense ride.

Storytelling: 8/10 – Hard to get into, but excellent atmosphere, excellent sense of mystery and build-up and great plot twists.
Characters: 8/10 – Leaves things to be desired in the characterization department, but nevertheless an enjoyable cast that especially gets interesting near the end.
Production-Values: 9/10 – Absolutely wonderful animation and action scenes. Production IG really are un-matched when it comes to hand to hand combat.
Setting: 9/10 – A great concept, great ideas behind the whole story, and it’s great to see how many risks this show takes for the sake of its plot.

Suggestions:
Kurozuka
Gilgamesh

Gyakkyou Burai Kaiji Review – Hakairoku-Hen Review – 75/100




I personally had a hate/love relationship with the first season of Kaiji. Of course the concept was awesome: gambling and mind games? this series would have been awesome to watch… if only it didn’t take forever to get from A to B. The first season just consisted out of four arcs, but in the end it was just too dragged out for me to really recommend it. Now, the second season only has two arcs. And yes, it’s just as long.

Again, it sounds wonderful on paper: this series continues with Kaiji having to find a way to win seemingly simple gambles, which prove to be exceptionally devious. The first arc is actually very good: it’s got excellent build-up and knows exactly what it wants to be. There is a good balance of Kaiji to figure out a plan to win his bets, the execution is short but sweet and it overall reaches a very satisfying and adrenaline filled conclusion.

The problem with this season lies with its monstrous second arc: the pachinko arc. Oh my god, that was way too long. In total, this one takes up a whopping seventeen episodes, even though its story really isn’t that complicated. The creators could easily have done this arc in about 11 episodes. The result? is that the remaining time is spent on stalling time.

Now, delaying the inevitable on its own can be quite effective. This show however takes it way too far. It starts off nicely with a crazy premise, intriguing build-up and an atmosphere that just tightens with every episode. After a while though, the creators just start to repeat themselves to increase tension. They repeat over and over how characters are feeling, they explain over and over what’s going on, and this just goes on and on, without going even further. On top of that, they just keep inserting these pointless and inconclusive symbolism scenes that all try to be different yet all just try to say the same thing. This show tries to build up an over the top atmosphere filled with adrenaline, but it lacks the substance to keep it up. I’m willing to say that if you marathon the first season, you’ll get an adrenaline filled roller-coaster ride out of it. I can not say the same for the second season, however.

To make matters even worse, this season also features its share of character derailment, especially near its end. The old man of the first season devolves into a deranged lunatic for no discernable reason whatsoever. Kaiji himself also starts to act really weirdly and against his character near the end, and the final episodes are also way too filled with manly tears. There’s a difference between acting over the top and overacting, and this series ends up crossing that line. And this takes into account the first season, in which that line wasn’t crossed.

What also makes this less adrenaline filled as what it could have been is that the stakes at the final arc… really aren’t that severe when you compare it to what Kaiji had to go through in the first season. That season was completely crazy in what Kaiji all had to do in order to win. When you compare the gore with each other, the second season is really tame. In the first season Kaiji was pretty much scarred for life or even dead in the case of a lost bet. The second season reduces the stakes to life time imprisonment. I mean, that’s pretty bad too and all, but not for watching a hot blooded adrenaline show.

There were months in which I rated this second season quite highly, and its first fifteen episodes or so pretty much do what they need to do. Looking back though… I really can’t recommend this show in its entirety. Just watch up to the Chinchiro arc for a nice conclusion, but there’s no need to bother with the incredibly long pachinko arc. It’s just not worth it.

Storytelling: 7/10 – Is way too long for its own good and drags on needlessly by repeating itself. It’s a shame, because the first arc is well written.
Characters: 7/10 – The final parts are bogged down by tons of bad overacting.
Production-Values: 8/10 – The unusual art style is definitely appreciated, and the animation does what it needs to do, although it’s nothing amazing.
Setting: 8/10 – This show does have the uncanny ability to portray gambling well. The best parts of this second season are the plans that Kaiji comes up with.

Suggestions:
Kurozuka
Touhai Densetsu Akagi
Rainbow

Kamisama Dolls Review – 82,5/100




If there was any studio that stood out this summer season, it has to be Brains Base. In fact, they were completely dominating the entire season. Out of the three seasons they released, Kamisama Dolls was the lesser one. And it still is very good.

Kamisama Dolls’ formula is in fact very simple: you have a storyline with a lot of drama, comedy, action, and a whiff of romance, and put it in 13 episodes. The result is some top notch entertainment that balances those four elements together into a very enjoyable series from start to finish. If you’re looking for something quick and exciting, then this series is a pretty solid choice.

The setting to back it up is solid with the backdrop of a corrupt village that houses ancient fighting machine. The cast too knows what it is, and is accurately developed, fleshed out, and in particular the acting fits the series perfectly: the main cast in particular knows how to keep the balls into the air and keep the story exciting. In fact, this really is a series whose story is dictated by its characters, even though this may not be apparent at first sight.

There are some weaknesses, though. The biggest being that it’s ridiculously incomplete, and another case of “read the manga if you want to know what happens next”, cutting off its story right in the middle. There are also a few characters who bog the show down by being way too over the top, and this show tries to be a harem show and a straight romance at the same time, which really doesn’t fit together: there is an obvious main couple in this series, and yet the creators somehow find it a good idea to introduce a crush on the male lead’s sister and a completely over the top childhood friend. Especially the latter is the worst member of the cast of this series, and it’s a good thing that the pacing of this show is nice and quick, so these things become just minor annoyances.

This show isn’t really trying to be anything deep (heck, the majority of the plot is based on characters acting unreasonable for various reasons), so don’t expect really deep characters, or many attempts to subvert cliches or tropes, but what it does, it does well. It’s nice, straight-forward and well produced entertainment.

Storytelling: 8/10 – Ridiculously unfinished, but a nice combination between action, comedy and drama.
Characters: 8/10 – Solid and fun characters, with a few particularly good ones, and a few particularly annoying ones.
Production-Values: 9/10 – Top notch action scenes, well directed and animated characters.
Setting: 8/10 – Its themes have been done before and better, but nevertheless it’s quite solid to support its series.

Suggestions:
Narutaru
Seto no Hanayome

Natsume Yuujin-Chou San Review – 87,5/100




Finally, after two long years of waiting, Natsume Yuujin-Chou continued into its third season. And how! It probably even surpassed itself!

The reason why this series sets itself apart is simple. The first season consisted out of all sorts of stories around youkai. They were the ones who stood in the center. The second season’s focus was on intrigue; it explored themes as humans versus youkai. The third season is about Natsume himself. Yes, this entire season is dedicated to the character development of just one character.

This season goes back to the more episodic nature of the series, with only two arcs that last two episodes. They tell all kinds of stories about Natsume encountering all sorts of youkai, but every single one of them contributes to his character, and is meant to either show how far he has grown, how he is growing, or how he will grow. The creators always manage to find fresh ways to do it, and make excellent use of the side cast of characters in the process.

And don’t think that the side characters get ignored for the sake of Natsume himself: every story in this series focuses on a different one of them, and every story ends up contributing to them to. This series still has excellent characterization, it is still wonderfully told, with a calm and relaxing atmosphere, a wonderful sense of build-up and a great sense of conclusion.

Now, not every episode is as good as the other: there are some that work better than the others, and in particular the two-episode arcs take up a tad too much space in the series while not having the same charm as the short but sweet other episodes. But even then, I’d say that its consistency is even better than the first season. Really, Natsume Yuujin-Chou was second to only Mawaru Penguin Drum this Summmer Season.

Storytelling: 9/10 – Still wonderfully told. Great direction, great pacing, great script.
Characters: 9/10 – Natsume’s development is just fantastic. The rest of the cast is also excellent.
Production-Values: 9/10 – Restrained, but very vivid if it wants to. Excellent and soothing soundtrack.
Setting: 8/10 – Still a great depiction of how youkai would live, much more realistic than most other shows who try to do this.

Suggestions:
Windy Tales
Mushishi

Hana-Saku Iroha Review – 85/100




Hana-Saku Iroha…. is an interesting one. Probably the best way to start a review about it is to warn that it can be quite misleading when you start watching it. This series has two wonderfully written opening episodes that have a ton of well written drama, only followed by episodes of random slice of life hi-jinks.

This is a criticism, it takes time to get used to, but also: once this show finds its pace, it delivers a unique slice of life series. The thing is however, that it doesn’t care whether or not it annoys its viewers. This can be great for realism, but this series always tries to take this a bit beyond the comfort zone by inserting random stupidity at times. Throughout the series there will be plenty of teenaged romance angst, random yelling, characters who turn a mosquito into an elephant. Oh, and a depraved writers of smutty romance novels.

And on the other hand we have this series’ brilliant ability to write drama. Seriously, the characters in this series can get annoying, but their development is absolutely wonderful. When it wants to, it can create strong conflicts, character-development focused scenarios and heart-warming dialogue without getting cheesy. Especially in the second half the cast (and with that I mean nearly the entire cast, not just the main characters) develops into engaging characters, with everyone making some sort of impact.

What also helps is that PA Works really put in effort to make this series a feast for the eyes. The art and animation is crisp and fluid, the background art is gorgeous. This was really intended as their celebration for their 10th year anniversary, and they really succeeded here. Hana-Saku Iroha celebrates working and taking responsibility. And through its characters, it really turned that into a wonderful message.

Storytelling: 8/10 – There are scenes that come off as stupid and annoying, especially in the first half. When this series gets serious though, it really delivers excellent drama.
Characters: 9/10 – They will get on your nerves, but their chemistry is excellent, they’re really well used, and their development is top notch.
Production-Values: 9/10 – Clean and crisp. A feast for the eyes.
Setting: 8/10 – Good themes, although it does tend to ignore the borders of realism at times.

Suggestions:
True Tears
Konnichiwa Anne
Les Miserables – Shoujo Cosette

Kami-Sama no Memo-Chou Review – 85/100




Time to review another one of the top shows of the past Summer season. Kami-Sama no Memo-Chou is either my third or fourth favourite show of the serie that debuted on Summer 2011, depending on how well Blood-C’s ending turns out. This was the series to go to for intelligent mystery, well written scripts and varied cast.

Especially the script of this series is something where this series shined like no other. Thsi show, above all else, is well written. It consists out of a number of standalone arcs that are all focused on some murder mystery, and it’s the script that does wonders in fleshing all the different cases out into multi-layered stories and it tries to put as much meaning into the eventual conclusions as possible. This makes just about every conclusion worth watching, as the creators always manage to throw in some sort of satisfying conclusion.

The cast of characters is also an interesting bunch: from the outside they all look like your regulr JC Staff cliches (you know, moe school girls, bland male lead and in particular an annoying little girl), but this show actually manages to give an original spin on them. It does so by excellent acting, and also by giving each of the characters strong roles. The cast of this show is HUGE, but it’s very varied, and most of them turned out to be actually very interesting to watch. The male lead meanwhile starts off a bit bland, wanting to help people for the sake of helping people, but as the show moves on he really grows into a reliable and sympathetic manager and organizer.

Where this show falls down is that it doesn’t seem to realize that it’s only got 12 episodes. It doesn’t drag, but some arcs are very long (one takes up four episodes; that’s a third of the entire series!) and there are too many episodes that focus on the side characters. That’s nice and all, and the result was that the characters in question got some really memorable stories, but because of that there was no time left to animate the arc that focused on the central character of this series: Alice. She could have been an amazing character with a little bit of depth. And in fact, the entire series ended just prematurely: It’s built up in such a way that a potential second season has the potential to become a classic. Unfortunately, that will probably never arrive.

Oh, and there is also something that you need to take in mind when ou start watching this series: the fanservice. This remains JC Staff unfortunately, and so the creators tried to insert very out of place fanservice scenes, similar to what happened with Index II. Don’t worry though: these scenes disappear in the second half. Right when this series really starts to hit its stride, although its opening episode also is one heck of an eye catcher.

Storytelling: 9/10 – Terrific script, well use of build-up and twists. Only 12 ewpisodes long. Will become even better with more episodes.
Characters: 9/10 – Varied cast, likable characters, strong drama, excellent character development.
Production-Values: 8/10 – Crisp art and animation, nice usse of CG in the backgrounds.
Setting: 8/10 – The stories don’t tie together whatsoever, nor do they have a general theme beyond murder. But this show does create a very believable atmosphere.

Suggestions:
Himitsu The Revelation (Granted, Kamimemo does not hold a candle to the master of the arc-based murder mystery genre, Himitsu – though it is a fine attempt nevertheless)
Ayatsuri Sakon
Shinrei Tantei Yakumo

Ikoku Meiro no Croisée Review – 82,5/100




Here is a slice of life series with a twist: instead of focusing on the same old setting, Ikoku Meiro no Croisee focuses on a Japanese girl who starts to live with a French blacksmiths in the Nineteenth century. If you’re like me, and you like slice of life series, but not the ones where just nothing happens, then this is one for you.

This show has two focuses. The first is its cast of characters. The second is celebrating both French and Japanese culture, and the difference between them. The studio behind this series, Satelight, has a lot of French roots and connections, and they were utilized wonderfully for this show. Throughout the series, this show examines all kinds of differences between the culture of the French and the Japanese of the 19th century, ranging from food, weather, gestures, customs: a very wide variety. Supported by that is a team of absolutely wonderful background artists, who give a gorgeous depiction of Paris in those days. The setting in this series is amazingly portrayed.

In terms of the characters meanwhile, you get very heart-warming slice of life. Especially Yune and Oscar are great character. Yune incredibly adorable, while Oscar feels very refreshing, standing miles away from the usual “grandfather”-stereotypes. The rest of the cast also has a great chemistry with each other, though there are a few issues with them individually. Claude, the main character can get a bit too angsty for the sake of drama. He acts too unfriendly and bossy a bit too much for it to be really believable. Alice meanwhile will annoy a lot of people in her first appearance, because of how spoiled a brat she is. Both get better over time, though.

This summer season really was lucky to have two such good slice of life series with Ikoku Meiro no Croisee and Usagi Drop. The big difference between them is that with Usagi Drop the drama was very realistic, while with Ikoku Meiro no Croisee it’s a bit forced, while at the same time Croisee succeeded more in creating a heart-warming atmosphere.

Storytelling: 8/10 – A bit forced with its drama, but very heartwarming and relaxing.
Characters: 8/10 – Yune is absolutely adorable, great chemistry, though a few characters that take a bit getting used to.
Production-Values: 8/10 – Satelight has really improved: consistent and the background art is great.
Setting: 9/10 – Amazing depiction of France of the 19th century, full of cultural differences.

Suggestions:
Hourou Musuko
Ristorante Paradiso