Another Review – 84/100



So, Another: the season’s horror series. Let me put a fair warning out first, because for the past months I have seen a few people unpleasantly surprised by its true nature: this show is brutal. If you don’t want to watch gore, then stay as far away from this show as possible, because it contains a number of very graphic death scenes. This is particularly nasty, because it takes a while for it to reveal this nature.

A lot of the airtime in this series is spent on building up. It’s nowhere as extreme as with Blood-C, but still this show really puts emphasis on creating an atmosphere to draw the viewer in, only to toy with this in a gruesome manner. This is also what makes this show great: the contrast between surprisingly relatable characters, and the really dark and intense scenes.

With a lot of the bad horror flicks, the creators spend little time on the characters themselves, however this series avoids this very well. This goes in particular through a very solid lead couple: the two of them have creative backgrounds, they’re well fleshed out, and this series also allows the two of them to play off each other really well whenever they are together. There really is a lot of detail in their acting and dialogue.

The show also rocks in terms of mystery. The show evolves quite nicely as we learn more and more about what’s going on and the characters. The series loves to drop random hints and red herrings everywhere, which really spice up its scenario. This isn’t the series that answers everything, but the closure it gives at the end does wrap things up.

However, this series also is far from perfect. By far the biggest flaw is that it’s trying too hard at times. This series really wants to be atmospheric and haunting, but the twists it pulls at times are just to forced or obvious to take serious. Think of being in an art class, with one of the students suddenly painting “The Scream” of all things. I like symbolism, but there is a line for everything. What also seems to plague this series, especially in its second half, is that it tends to pull very convenient plot twists, just for the sake of wrapping everything up.

It’s understandable that this series wanted to get everything done in just 12 episodes, but that comes with a sacrifice. The cast of this series is huge, and unfortunately it just doesn’t have the time to flesh every single character out, even though this really could have improved this series considering the nature of the story. The same goes with the plot: with more episodes it could have wrapped things up more naturally, but that would have been at the expense of a few boring episodes. And really: the way Another is now, it’s a quick bite-sized horror show that despite its quiet moment never has a part that drags.

Storytelling: 8/10 – Excellent mystery, build-up and turns into very intense horror. Tries too hard at other times, though.
Characters: 8,5/10 – Very well acted main couple, but some of the side-characters could have been better fleshed out.
Production-Values: 8/10 – This isn’t as good as the standard that we’re used to from PA works, but this series still has its moment of very life-like animation.
Setting: 9/10 – I must say that the story behind everything is very creative, and this series knows it.

Yes, I’m also trying to experiment a bit with refining the ratings of these reviews a bit, because Another was a perfect example of a series that I liked better than most series I’d rate 82,5/100, but not as much as the series that I’d rate 85/100). Doing so would lead to a rating of 83,75/100, which is getting a bit ridiculously specific, so rounded a bit more sensibly this lead to the rating of 84/100. For me, this rating means a series with a lot of reasons to be worth watching and something I really enjoyed, which has something that holds it back from being really excellent, which describes Another perfectly for me.
Suggestions:
Ghost Hound
Higurashi no Naku Koro ni
Hitsuji no Uta

Natsume Yuujin-Chou Shi Review – 87,5/100



Let’s get this out of the way first: out of the series that debuted in the past Winter Season, Natsume Yuujin-Chou’s fourth season was by far my favorite. Can you watch it without having seen the other three seasons? No. It very clearly builds further upon what these three seasons did. It doesn’t matter though, because every series of Natsume Yuujin-Chou is truly excellent. Few series can boast to be as genuine and heart-warming as this one.

The people who have already watched the first three seasons know what to expect: episodic stories and small arcs about a boy who can see spirits, and all of the problems and miracles that come with it. The episodic nature again makes it a very varied series that changes every week, and again this series has a very good balance between really heart-warming stories, and stories that are almost like a thriller. The stories still are very cleveryl constructed, and yet they play out very naturally and believably. This season also likes its character studies, and quite a few side-characters also manage to get their place in the spotlight to actually develop themselves a bit.

Every season of Natsume also has a slightly different tone from the other. The first was about quiet and relaxing stories about all sorts of youkai Natsume meets. Season 2 instead put the focus more on the main plot and various recurring characters. The third season was dedicated to Natsume’s development, and the fourth season is about Natsume’s relationship with the people around him. Imagine what a wonderful total picture this all creates! And indeed, the cast still is amazing, in particular Natsume has gotten so much development at this point.

What makes the fourth season stand out in particular is that out of all the four seasons, it’s got the best beginning and the best ending. It really saved its best stories for those points, and especially the ending is a treat. The stories in the middle are also very good, but not as good as the middle episodes of the first and the third season. I’d really consider the First, Third and Fourth season to be just as good, all with their own highlight and standout stories that rock in their own ways, either by being incredibly heart-warming, really well told, consistently tense and intriguing, amazingly built up, wonderfully acted, or just all of those together. This series still is a huge believer of subtlety over bombast, and this leads to some of the best acting of the season.

Storytelling: 9/10 – Great variety, masterful at retaining a subtle atmosphere, and manages to consistently tell heart-warming stories.
Characters: 9/10 – Natsume has 52 episodes of development right now, and this season just continues to add things to his character. The side characters also get a lot of time to flesh themselves out and develop.
Production-Values: 8/10 – Great and very consistent animation. Perhaps not the best of the season, but there are a few very talented animators flexing their muscles here.
Setting: 9/10 – Everyone around Natsume is the main focus of this series. Yes, the setting got even better.

Suggestions:
xxxHolic
Porfy no Nagai Tabi
Tenpou Ibun Ayakashi Ayashi

Rinne no Lagrange Review – 82,5/100




By far the biggest problem of the past season was a lack of ambition. The series were all very solid, but but a lot had the “this could have been much better”-syndrome. If only the creators took more chances and came up with some more imaginative premises, this season would have been amazing, because in terms of execution there certainly was the potential for that. Rinne no Lagrange was one of the most apparent examples of this, where we have a fun, exciting and interesting series about a teenaged girl who has to protect her school from invading aliens inside a mecha with special powers.

Yeah, there probably aren’t a lot of people inclined to pick this up based on just that premise. But really, the exeucution definitely makes it worth watching and the creators definitely tried to bring something appealing to such an overused story. For starters, it smartly turns the invading aliens into more than just a horde of monsters intent to destroy the earth. They’re civilized, they actively try to sympathize with their opponents and some of them also try to oppose causing unnecessary bloodshed. This series also cares a lot about continuity: houses that get destroyed remain destroyed in the next episode and it also subtly shows that there are giant mechas fighting near innocent people who have never been in a war themselves.

Beyond that, this is a series that focuses on the relationship between its three main characters. In the character department, it’s this that really stands out. The characters alone aren’t really special. There are a lot of cliches, they’re a tad too perfect at times and this show has really awkward moments of fanservice, but together they play off each other wonderfully. This also goes for the side characters, by the way. They really manage to flesh each other out. Some very good direction and camera work helps with this, and makes this show quite witty and fun when it wants to.

So yeah, it’ s a shame that the subject material of this show is slightly dull. These creators could really have made an epic series, but in the end, too little just happens for it to warrant that. Instead it chooses to let its story and characters play out, and while that produces a solid series, it really would have been nice a little less cliches, a little less focus on schools, and a little more complex characters.

There will be a second season though, so who knows whether the creators are saving that for then.

Storytelling: 9/10 – Snappy direction, solid action, great atmosphere. A tad slow-paced, but fun.
Characters: 8/10 – Solid, great chemistry, but there are a few too many moe cliches, and the characters could have been more detailed.
Production-Values: 8/10 – Solid. Nothing special for this season’s standards, but the action is still very solid.
Setting: 8/10 – The continuity in this series is very well done. Beyond beyond that though, it does little more.

Suggestions:
Mahou Shoujotai
Gakuen Senki Muryou

Last Exile – Ginyoku no Fam Review – 80/100




It’s a bit hard to recommend Last Exile – Ginyoku no Fam, because it had to live up to the expectations of the original Last Exile… and it didn’t. Still, I still consider it a series worth watching, and it is the proof that Gonzo isn’t dead yet.

But yeah, go into this expecting a war story that just happens to take place in the same universe as Last Exile. The mood and tone of this series have some signfiicant differences, and mots of all this series lacks the refinement that its predecessor has. The character animation often is sloppy, there is much less time spent at believable acting and realism, and the charactes too are a lot closer to caricatures.

The big difference is in the plot, though. It’s here where Ginyoku no Fam lacks creativity. It’s all just too average and straight-forward, and it tries too much to center aruond cute girls… in the middle of a war. Too many episodes are just dedicated to “war is bad”, without much refinement to it. To me, the creators seemed very conflicted on what they wanted to do with their main character, Fam. First they establish her character as a delivery girl, and there are times where she really does well to keep true to that role, in particular the ending. At other times though, they want her to be more involved in the actual war, and that’s where this show leaves the most to be desired, as we’re treated to a very whiny teenager who keeps preaching peace over and over again, and who gets shoehorned into politics that she doesn’t belong in.

So yes, be warned. Those who give it a chance however, will be rewarded by some absolutely gorgeous aerial battles, an excellent sense of world building and a pretty engaging atmosphere here. It’s especially the setting int his series that stands out, because the creators created a ton of interesting locations, with some of the most gorgeous background art and architectures. They dabble a bit in different cultures, and the creators really managed to bring the overall world to life, especially in the first half of this series.

The characters are a bit of a mixed bag, but there also is enough good stuff among them. Fam has her moments where she gets really annoying, but she also has a vew moments where she redeems herself, and the cast of side-characters has a number of interesting people walking around who do manage to spice up the story. It remains an unbalanced production though, but I do think that it gets too much flak. It’s no masterpiece, but it’s got enough reasons to make it worth watching.

Storytelling: 7/10 – Could have used a bit more ambition and gets distracted often, though its atmosphere is good.
Characters: 7/10 – The creators were conflicted in how to use their main character, and thefore she tends to get in the way of everything. It’s got some good moments of characterization, though.
Production-Values: 9/10 – Amazing background art, the action scenes in this show look gorgeous. The 2D animation… not so much.
Setting: 9/10 – Excellent and intriguing setting. This series has a lot of fun with its world building.

Suggestions:
Shantri-La
Guin Saga
Simoun

Guilty Crown Review – 62,5/100

I have been following the Noitamina timeslot ever since 2005. At this point, I’ve watched and completed every single anime to appear in the timeslot, save for one, so yes: I do not say this easily: Guilty Crown has been the worst Noitanima series I have ever seen.

This is a combination of a hype that it miserably failed to live up to, plain bad storytelling and a ton of wasted potential. Here we finally had another Noitamina series that was allowed to go on for two cours with 22 episodes. In a timeslot where the biggest problem is being too short this really is an amazing chance, and even more of a bummer to see it trashed like this. This show is stupid, badly told, boring, inconsequential, and most important of all: it’s empty.

Seriously, this series does not know how to tell a story. This show has the idea that as long as it pulls enough plot twists, it’ll automatically get good. It wants this so badly, that it starts pulling these twists right out of its ass. Especially the second half of the series just keeps pulling the most convenient deus ex machina right from out of bloody nowhere. “Oh, we need this power to keep going, oh wait, that character conveniently had that power, even though it was never mentioned or hinted at before!” – and that’s just one of the least insulting ones.

Okay, so the plot is bad. On its own that’s not automatically a failure if the show has enough to make up for it. The thing is however: this show doesn’t. It looks pretty and all, but I can’t really recommend it for anything. In fact, the plot isn’t even the worst part of this show. No, that honour belongs to the cast of characters.

Shu has got to be the worst main character that I’ve seen in a long while. I mean, you really have to try to be as bad as him. This is the kind of guy of which the creators never really decided what personality they should get him. The result is that he completely changes character with every passing episode with no explanation behind it whatsoever. Whatever is the most convenient for the plot, he acts like that. The result is an incredibly annoying, inconsistent and bafflingly stupid character.

And the thing is: the entire show revolves around this loser. Every character is tailor-made to revolve around him, even though we’re never given a reason to actually like him. Everyone is forced into this role to help him tell his story… whatever the hell that may be. The lead female… is completely useless for the entire length of the show. I know that we often joke with romantic interests being pointless, but this girl is even worse. She literally does nothing other than talk here and there and go emo once in a while. The rest of the side-cast also isn’t better of, as they fit in with whatever role the male lead seems to want to play at the moment, acting as cannon fodder for him. The antagonists are just a bunch of screaming stereotypical evil guys who like to kill people because… well… because.

It’s very likely that this show had the biggest budget of the past half year. And yet, I wouldn’t rank the animation as the best or most interesting here. The show has great inbetween animation, but it hardly ever does anything interesting with its eye candy or direction. I found myself enjoying the visuals of Nisemonogatari, Black Rock Shooter, Milky Holmes, Last Exile and Chihayafuru much more, because they actually tried to bring their characters to life. Guilty Crown doesn’t even attempt to do that.

Overall, the first half of Guilty Crown is mind-numbingly boring. Hardly anything really seems to happen in it at all. This completely changes in the second half when it pulls the most bafflingly convenient plot twists that would make Code Geass cringe. And you know what? It’s still boring. It’s been a while since a show that was this hyped, that was this ambitious, fell so flat on its face as here. I read in an interview once that the creators want to make the male lead into the new Shinji Ikari of Evangelion. And indeed, parts of this show scream “Evangelion wannabe”. These guys however had no bloody clue what made that show good.

Storytelling: 6/10 – Mind-numbingly stupid, boring and empty. Has no idea how to tell a good story and just pulls random twists whatever is the most convenient.
Characters: 5/10 – I really have nothing positive to say about these guys whatsoever. There was no character whatsoever who I liked. Everyone revolves way too much around the male lead. Everyone here is exceptionally bad.
Production-Values: 8/10 – Okay, the series does have pretty graphics, but with the budget it has it could have done so much more.
Setting: 6/10 – Who on earth green-lighted this? The setting behind this feels like no thought was put into making it actually work. Again, it centers way too much to the male lead, instead of the other way around.

Suggestions:
Toward the Terra
– Neon Genesis Evangelion
Eden of the East

Black Rock Shooter Review – 77,5/100



So, Black Rock Shooter. It definitely raised some eyebrows when it was first announced as a Noitamina series. Sure, by that time we were already done with Fractale and all, but considering that the OVA was a boring teenaged angst-fest it didn’t exactly have the best papers in a timeslot that set itself apart through its focus on an older audience. There were hints that the creators were willing to experiment, though: it only had 8 episodes, preventing it from dragging on and allowing Thermae Romae to fill its slot in the meantime, Mari Okada was appointed as the head writer and the action would be directed by Hiroyuki Imaishi (you know, the director of Gurren Lagann and Panty and Stocking). As an arthouse project, it could have had some serious potential with this.

Now, if you haven’t watched the OVA though, there are a few things you should know about this. Black Rock Shooter started as a software program Vocaloid which allows people to make their own songs, which spawned an illustration, which spawned a song. This song spawned an OVA, after which a TV-series followed. It’s an interesting example of virality out there. In any case though, the illustration indeed looked very stylish and a good writer could do some great things with that. For some reason however, the creators of the OVA shoehorned a bunch of teenaged girls into the story who took up most of the airtime, reducing the titular “Black Rock Shooter” to just someone who “fights stuff”. It wasn’t that good. It was up to the creators of the anime to try better. Well, they succeeded in that, but there are a lot of bumps along the way here…

Unfortunately, in the end the TV-series of Black Rock Shooter also ends up focusing on teenaged angst. Thankfully where in the OVA this was really boring, they did try a lot of things to spice up this angst. Some things worked, others tried way too hard, and at others they just didn’t try enough. Especially the first half is a chore to sit through due to all of the hugely overblown angst that passes the screen. In particular the character of Yomi gets really annoying in how incredibly emo she gets, but there are more characters in this show who force themselves way too hard to create drama, and this undermines the rest of the characterization.

Thankfully in the second half this series redeems itself, and it actually starts developing its characters and setting. Along with the revelations, the characters are much better balanced together, and it does come down to a pretty decent, albeit sappy, conclusion. Yes, it actually avoided the biggest pitfall of Noitamina series of not being able to end well. In the end it does create an interesting link between the two parallel worlds so things do come together. I personally found the first half of this show a chore to sit through, but I liked the direction it took in the second half quite a bit.

Also, the action in this series is really sweet. We definitely were in for a treat in the animation department this past winter-season: Nisemonogatari, Milky Holmes 2 and Black Rock Shooter: these three series looked past their conventional animation, and really tried to do interesting stuff with their visuals and their visual direction. The action sequences in this series are really intense and well directed. Most of it is done in 3D CG, so that takes a while to get used to (because they don’t blend in too well at times), but it’s a sacrifice that was worth it, because otherwise the creators would never have been able to put as much movement in this series as now. The soundtrack complements it all well. I’d almost say: go and watch this as a multimedia experience. This is really a show where the visuals are as important as the story and characters. The emo is a bit annoying at times, but overall, it could have done a lot worse. It’s not the disaster that Fractale or Guilty Crown were, in any case.

Storytelling: 8/10 – An interesting attempt in combining story, bisuals and music together. Actually ends well.
Characters: 7/10 – A few interesting ones, along with a few characters who try too hard at being dramatic.
Production-Values: 9/10 – Terrific action scenes, a feast for the senses when it wants to.
Setting: 7/10 – The creators could have done a ton of things with this concept. Unfortunately, the setting they went with was centered around moe teenaged angst that is under-utilized in the first half. A missed chance.

Suggestions:
Madlax
Narutaru
Shigofumi

Tantei Opera Milky Holmes – Dai Ni Maku Review – 85/100



I tend to complain about comedy sequels. It’s one thing to be funny, but it’s an entirely different story to be funny consistently, over a longer period of time. I really noticed that for the vast majority of these sequels, they tend to lose their inspiration, run out of their best jokes, or start trying too hard. The exceptions are there, though: there are comedy sequels who manage to beat their original: Tentai Senshi Sunred, Mitsudomoe and Fireball are examples of that. The thing is however, that the first season of Milky Holmes already was a really, really good series. And here the creators came, and improved significantly over it.

The original Milky Holmes had its weird moments as it chronicled the adventures of a group of four hilariously inept detectives, but at least it still was somewhat grounded in reality. The second season is crack. Pure crack. It makes no iota of sense, and it takes so many things along with it to the absurd. Its contents are completely bizarre from start to finish.

While parody isn’t its main focus, this show has a ton of fun pulling all sorts of references, only to make them completely ridiculous. The four lead characters have got to be the dumbest characters I have seen in a long while. In this case, it’s a compliment: you really have to try in order to be as mind-numbingly stupid as these four girls. By far the favorite form of parody of this series is taking a common trope, and completely changing its context into something completely bizarre. The result is hilarious, and this was by far my favorite comedy of the past season.

What also helps is how technically sound this series is. You wouldn’t suspect it with a team of Artland and JC Staff behind it, but the animation of this series is consistently excellent: the screen is always incredibly dynamic, this series experiments with a ton of different animation styles, and the energy just bursts from the screen in the different and numerous action sequences. The direction also is full of energy and creativity, and this creativity doesn’t run out, even though this is a sequel of a franchise totaling 24 episodes now.

Now, this series doe shave its slow moments. Because despite all the chaos, it also knows how to build up. The result is that the first halves of most episodes are relatively quiet in order to set up everything, only for this show to flick the bizarre-switch as the episode enters its second half. Don’t expect much in terms of deep characterization, though.

Storytelling: 9/10 – Hilarious; full of energy and creativity.
Characters: 8/10 – They’re very simple characters, but they remain lovable throughout the entire series.
Production-Values: 9/10 – Terrific and very dynamic animation; full of life.
Setting: 8/10 – Loves a good parody, and tears a great deal of different tropes apart.

Suggestions:
Dororon – Enma-Kun
Mitsudomoe Zouryouchuu
Ooedo Rocket

Nisemonogatari Review – 80/100



To start this review, here is where I was coming from when starting Nisemonogatari: I really did not like its predecessor, Bakemonogatari. I had a ton of problems with how Shaft executed that series; it was trying too hard, the tons of still frames, far-away shots and blank frames made it look more like a slide-show than an actual anime, the characters bored me, the subject material didn’t feel interesting. It was a chore to sit through. In the meantime though, Shaft changed a lot. It’s not like they stopped making boring shows (Arakawa’s second season was a pain to sit through…), but their successes have allowed them to get a budget to actually animate their series really well. Enter Nisemonogatari.

To my surprise, I actually liked this series. I have a ton of problems with it, don’t get me wrong. But they actually get less in the way compared to Bakemnonogatari, and I was actually able to enjoy the good stuff inbetween these flaws.

Now, by far the biggest improvement and the biggest reason to watch this series is the visual presentation. Unlike Shaft’s early work, the characters in this series are actually animated, and they’re animated really well. Heck, Nisemonogatari was by far the best animated series of this Winter Season, and that is with a season that has a Shoji Kawamori series and a Brains Base series. There is a ton of creativity in the images without looking like it’s trying too hard with pretentious references or unnecessary convoluted detail. This show is a visual feast.

Bakemonogatari also really got on my nerves with its really poor storytelling. It had a ton of dialogue and all, but in the end its arcs never really seemed to amount to anything. To my surprise however, I actually really liked the way in which the both arcs that comprises this series resolved themselves. The dialogue was actually used well, and the growth tat the different characters go through is much more interesting. So yeah, I liked this show. but it really made it hard at times.

You might notice that Bakemonogatari had 15 episodes which combined to five different arcs, and even then it was dragged out. Nisemonogatari has 11 episodes… and consists out of only two arcs. It takes forever to get anywhere, and especially its first half drags on horribly. And ti does so with an ungodly amount of fanservice.

Seriously, this show randomly brings in characters, giving them a rather shallow reason to appear again and then proceeds to have them walk around naked, bathe with the male lead and all kinds of other stuff. At best it’s creative and clever, but at worst it’s realy distasteful. You’d think that at least the dialogue would make up for it, but even that grinds to a halt when the characters end up talking about nothing else but fanservice, over and over and over again.

This really ends up eating away at the majority of the series. The entire female cast needs to have had a long dragged out fanservice scene with the male lead that doesn’t go anywhere. It’s just way too much. Just as you think you’re done with one girl, the male lead moves on to the next and it starts all over again. The important lines that are tacked onto it that actually develop the characters and add more to them feel tacked more than anything. This show even jumps the implied incest bandwagon without really contributing anything to it. I don’t mind fanservice if it’s used well and all, but this was just way too much.

Thankfully, the points where it gets down to business, it really becomes good, and this series does really give some good insights into its lead cast. The dialogue whenever the fanservice isn’t involved is actually dedicated to fleshing out the characters and the wordplay is more put to the side-lines. Watch this if you want to see an arthouse flick, because it definitely is a well directed visual feast.

Storytelling: 7/10 – Great dialogue, way TOO MUCH fanservice.
Characters: 8/10 – Good development, interesting cast, well fleshed out characters for once.
Production-Values: 9/10 – Gorgeous and fluid animation with very creative shots and images. The music is nothing special, though.
Setting: 8/10 – Even though nobody seems to live in the world of Nisemonogatari outside of the main characters, the underlying themes make up for itwith some neat ideas and backstories.

Suggestions:
Dororon Enma-Kun Meerameera
High School of the Dead
Michiko e Hatchin

To Aru Hikuushi he no Tsuioku Review – 82,5/100

Quite often, movies suffer from being too epic. I understand that conflict is necessary, and trying to think big is a great way to do it, but there are also a lot of stories that have no business going there. To Aru Hikuushi he no Tsuioku understands this, and actually creates the right balance. Sure, there is a war going on, and one of the main characters is a princess, but it smartly doesn’t attempt to solve everything in its airtime. At heart, this is an escort story, nothing more, nothing less.

And because it understands this so well it’s able to do a lot of things that other movies can’t. It definitely stands on its own in terms of its plot, which is well paced and gives ample time for events to play themselves out and the characters to develop themselves and flesh each other out. There is relatively little action for a show that’s supposedly about a war, but the few dogfights that are there are really well directed, and the build-up between the quiet parts and the climaxes is excellent.

The characters in this series are also very good most of the time, and that is mostly due to the acting. The characters manage to show off a good variety of their personalities, and they act very believable. There are large parts of this movie dedicated to just showing the two lead characters play off each other, and they work really well together… most of the time.

It’s unfortunate that this movie has one major flaw, really: the romance itself can get really corny at times. The movie has good intentions, but the great acting just can’t hold up as soon as the characters get too sappy about their feelings. The ending also involves one particular twist that makes no sense whatsoever other than giving it a cheesy aftertaste.

So yeah, because of that it’s not amongst the best movies, but really: it has a lot to like. The thing sit does well, it does really well.

Storytelling: 9/10 – Well told, and knows very well what it wants and doesn’t want.
Characters: 8/10 – Very believable characters… outside of the romance.
Production-Values: 8/10 – Great dogfights, although apart from that the animation is nothing special.
Setting: 8/10 – A bit too one-sided on the discrimination subplot, but apart from that we’ve got a believable setting that smartly stays away from being too epic.

Suggestions:
The Sky Crawlers
Seikai no Monshou

Hotarubi no Mori he Review – 85/100

The essentials that you need to know for Hoturabi no Mori he: it’s from the creators of Natsume Yuujin-Chou (same director and same original writer; heck, it’s even done in the same style and the cast of Natsume Yuujinchou even makes a very small cameo here), and for a movie’s standards, it’s very short: only 40 minutes. Most OVAs nowadays have episodes of just that length. Now, Natsume Yuujin-Chou was really, really good at telling short standalone stories. This movie is too.

This movie is perfect for if you’re interested in Natsume Yuujin-Chou, yet don’t have the time to sit through 52 episodes, because it is a delightful self-contained story. Because it’s short, it can’t do as much as other movies can, but the story that it does tell is incredibly well executed. It’s heart-warming from start to finish, and never has a weak scene. The beginning is captivating, the build-up is excellent and the ending is incredibly solid.
What surprised me the most about this movie is the amount of character development. It actually takes place over multiple years, allowing the characters to gradually grow, instead of focing its entire scenario into the timespan of just a few days, like what most movies do. It’s perhaps not the most unpredictable movie, and it definitely isn’t for those who are looking for a lot of action or drama. Apart from that though, it is really an accessible movie with a wonderfully told story.

Storytelling: 9/10 – Excellent script, great build-up and ending.
Characters: 9/10 – Excellent character-development, especially for just a 40 minute movie.
Production-Values: 8/10 – Very good animation, though perhaps nothing impressive for movie standards.
Setting: 8/10 – Pretty much the same setting as Natsume Yuujinchou. Uses it well enough, but doesn’t add much to it either.

Suggestions:
Natsume Yuujin-Chou
Mushishi
Zettai Shounen