Polar Bear Cafe Review – 81/100

If I said that a really good comedy for the past year was a show about a Penguin and a Panda walking into a bar, would you believe me?

Polar Bear Cafe is an interesting beast here. Series that combine slice of life with comedy are nothing new, but this series does it in a way that has not been done often before. For one, its characters stand apart in their simplicity,and how they try to stay away from often used cliches. One, by being a bunch of talking animals, and two, by focusing not on teenagers, but on the working class adults.

Most humour in anime is energetic. Polar Bear Cafe though, is all about deadpan. If you enjoy that kind of humour, then you should give this show a chance, because on one hand, it contains really every day conversations between its characters, and on the other hand it is really creative in how it delivers its jokes. It constantly pokes fun at itself and its silly concept and contains more running jokes than you can shake a stick at. The self-referential humour is what I liked best about this series: it spends so much time carefully creating its setting, yet at the same it’s also constantly breaking it down and poking fun at it.

50 episodes is long, but I have to say: during the best episodes I really fell off my chair laughing. For me, they were the Penko episode, and the Bar MC episode. Beyond that this series also made me laugh numerous times, but there were unfortunately also plenty of episodes that failed to raise a laugh, or that were just plain dull. Like I said, 50 episodes is long.

It’s a bit of a dilemma for this series. Ideally its length would be at 39 episodes, but the long length does lead to some really good character building. At the end of the series, you really feel like you know these characters. The “people” you see hanging around in bars, cafes that you sometimes talk to and hang out with. The ones who are constantly trolling each other, who don’t try to get others to like them, yet get their charms from that.
One-Sentence Review: Random slice of life combined with deadpan comedy: that’s what makes this show work although it is too long with 50 episodes; plus Polar Bear is a great character.
Suggestions:
– Excel Saga
Poyopoyo Kansatsu Nikki
Soredemo Machi wa Mawatteiru

Tamako Market Review – 75/100

Kyoani. I really respect… your animators. They are able to put in so much detail into their drawings and movements and your anime have much more dynamic movement in them than the competition. Now, would you start making interesting series again? Pretty please?

At this point I’ve already written off Shaft: these guys will just repeat their style over and over unless a really good writer like Urobuchi Gen or something makes them do otherwise. Tamako Market however was for me the final chance I’d give for Kyoani’s slice of life series: if I didn’t like this one, I’d just stop bothering with them. So yeah, at this time I have lost my patience for the as well: I’m not going to give them any more chances. If something like Hyouka appears again, it’ll be obvious that it’s different and interesting right from the start.

Tamako Market did have the best first episode of the new season. It showed a lot of different characters, ranging from high school girls, high school boys, shop owners, adults, families, an eccentric bird, young kids. It seemed so much more than the usual series that are just about a group of random high school girls.

In the end though, this potential never really got used. The shop owners never have any identity for themselves: they are all just lumped together into a collection of random stereotypes. The high school girls aside from Tamako also hardly have any personality aside from one trait. The talking bird got annoying right at the moment he gained weight. The high school boy’s only role in the series turned out to be having a crush on the lead female.

The family is the only part of the first episode that actually got any depth. The few moments the family was at the central focus, this series was at its best. The first half of the series spends most of its time on cultural references. That too was pretty interesting. In the second half though, the series gets overtaken by this really stupid marriage plot that really doesn’t go anywhere. It’s completely mindless, doesn’t really do anything, it’s not charming at all and was really annoying to get through to be honest.

So yeah, with this I’m done with Kyoani. Their series just aren’t for me. Wake me up when they start making something different.
One-Sentence Review: Really good and detailed animation for a slice of life series that doesn’t really go anywhere.
Suggestions:
Aria the Animation
Hyakko
Rumiko Takahashi’s Rumic Theater

Kotoura-San Review – 80/100

Some seasons of anime are better than others, but the past winter season has hit a really low point. If you ignore the sequels, then it has been the worst season I ever blogged. Out of the series that did catch my attention enough, Kotoura-san turned out to be best. Not perhaps because it was the most consistent, but because it was the only show that really managed to stand out in a way. Yeah, it’s nothing special, but at least it’s something.

It’s especially the first and the last episode in this series that made sure of that. Perhaps they’re overdramatic at times, but the first episode plays really well with its mood-swings, making for a nice introduction, and the last episode wraps everything up nicely with a lot of character-development, making for a nice conclusion. Kotoura-san’s characters are by no means good or sophisticated; they’re all really simple teenagers without much depth. Still, they are genuine. That gave them a charm that I missed in all other non-sequels this season.

The series does have some big problems, though. You know the saying “it’s not about the destination, but about the journey”? Well that totally does not apply for Kotoura-san. I mentioned above that for Kotoura-san, it’s start and end are great. Inbetween though… it clearly had difficulties in filling everything in. This results in a pool episode, a beach episode, and a silly crime story that all feel really forced. The creators had some nice ideas for the characters, but they didn’t know what to do with them. Because of that the journey in this series can be really tedious because there really is not much interesting stuff going on. It also does not help that the antics of the bunch of perverts in this series gets annoying really fast. Still, it’s fun. It charmed and entertained me more than the other series this season.
One-Sentence Review: Kotoura-san is about mind-readers: it’s honest and genuine and that gives it a charm that makes it worth watching, despite the fact that it doesn’t know how to use half of its airtime…
Suggestions:
B Gata H Kei
Hitohira
Mahou Tsukai Tai

Zetsuen no Tempest Review – 87.5/100



Spiral was a series that was all about mind games. The characters had to battle people who used puzzles and mind games. Zetsuen no Tempest is the next logical step from its original author: a world-shaking plot that can decide the fate of the entire world, but somehow it managed to find a way to make it entirely dependent on the logic of a bunch of teenagers. It was glorious!

This may sound weird, but really: the characters in Zetsuen no Tempest really are excellent. All of them are fresh and witty, and they play off each other really well. I mean, it’s nothing new that series put a lot of consequences on teenaged emotions, but it has never been done with a cast that works so well together, not to mention with a cast that tries so hard to put logic into the plot as well. The two lead males in particular look like your average male hero at first, yet they turn out to be completely different.

I have sometimes called this “mindfuck, the anime”. This series really loves its surprises in its plot. And while it’s not the first series to attempt some mind-screws, it did manage to pull them off in a unique way. The key here was how it played with its own logic. On one hand, it took itself entirely seriously, on the other it deliberately just ignored it and just went wild with emotions. This dual battle is a really big theme in this series. Logic versus emotions, Genesis versus Exodus, Magic versus Technology, Tempest versus Hamlet (this will all make sense when you see the series). My one complaint though is that it takes a while to get going, and the ending is not what it could have been. The goodness in this series really is in the middle.

Also it also helps that this series has an incredibly epic soundtrack. No, seriously. The animation may be normal, but the soundtrack is just amazing. Right from the start, it just bombards you with complex and classically inspired tracks that just keep coming.
One-Sentence Review: If you’re looking for a good mind-screw with a godly soundtrack and fun characters, then this is a series to check out!
Suggestions:
Death Note
Un-Go
Armed Librarians – The Book of Bantorra

Sakurasou no Pet na Kanojo Review – 79/100



Teenaged romance shows are a dime a dozen, so it has to take something special for a series to catch my interest. For that, the past Autumn Season was a source of gold. Kamisama Hajimemashita was awesome, Sukitte Ii na Yo was a surprise hit, and Sakurasou also seemed like the series to bring new life in the shounen romance genre. It kinda did, but if you want to stay with that impression, then don’t watch the second half.

Sakurasou really managed to set itself apart with its execution. From the outside it looked like an average romantic comedy, but when you started watching it became clear to me how good the chemistry between the characters was. The banter had a lot of comedic gold in it, and it was full of energy. Scenes were well set-up, and there were a number of really sharp characters in this series, whose lines pierced through all pretense. That made this series a roller-coaster of emotions that was actually really well balanced.

The level of writing really was good there, and consistently so. I can only recall one bad episode, which randomly introduced incest for no reason whatsoever). You’d expect this level of writing to get better as the series goes on and gets more chance to build up, but somewhere along the way it just loses its spark. Especially the final third just misses the energy and wit that made this series so addictive at the start.

The early parts of this series are about hard work versus talent, and working hard towards your dreams, and coming of age. The show ends with a love triangle and a silly subplot about a bunch of dorms being closed down. It totally lacks any kind of impact, and the series ends with a melodramatic ending that is too scared to really resolve anything. The only good parts about the final third is where the creators focus on the themes that made the first half so good, but there are unfortunately too few moments to really salvage the series.

It’s a shame, really. I really endorse series evolving and changing. Doing the same thing over and over gets boring. But if you want to change your attention, you have to make sure that you have something interesting and logical to follow up with. Sakurasou didn’t and just got bogged down in its genre conventions that unfortunately spoiled what could have been such a good shounen romance.
One-Sentence Review: If you are interested in Sakurasou, my tip is to watch until episode 16, and let your imagination fill in the climax, because if you do you’ll get a really rewarding and witty romance series, instead of having to sit through the downer climax that follows…
Suggestions:
Kaze no Shoujo Emily
True Tears
Yumekui Merry

Amnesia Review – 64/100

I wanted to get this review out as soon as possible because… I have to apologize. I’m sorry. I endorsed this series when it first came out. I just didn’t know. I had no clue what kind of a trainwreck this would be. honestly!

Okay, so to start at the beginning: I actually liked Amnesia when it first started. It had a concept that really piqued my interest: the lead female wakes up not knowing anything, and suddenly she is dating this random guy with a weird fashion sense and she has no idea what’s going on. Over the course of the series she experiences this multiple times, each time dating a different guy. That had the potential to be a very interesting mystery-series with the right execution. It’s just… the execution was not right. Not right at all.

And yeah, the storytelling may be awkward and the animation may not be special and all, but those are just mere details. I called this a trainwreck, and I mean it. By far the biggest cause for that is the cast of characters.

Usually I try to avoid spoilers, but to get a good grasp of what went wrong I need to give some vague hints of what happens in the story. You see, this series at heart is a harem: over its course it shows the lead female together with a number of potential partners that it thinks appeal to its audience. Or at least, that’s supposed to be it. Regular harems work that way in any case. If Amnesia was based on the same principle then the creators have got a really low image of their target audience because, bar one, every single character in this show is a total prick.

Seriously, there are not many series that have so many unlikable characters in them. There is a murder suspect, a guy with bipolar disorder, an obsessive stalker, an incredibly whiny ladies’ man. The worst is the obsessive stalker. When I watched his episode, I had to do a double-take before I realized what the creators just pulled. I really have to restrain myself from just typing that out loud here. Let’s just say that every sane human being would just give him a kick in the groin at what he did there. The lead female just doesn’t do anything. Everything in this series gets done for her. And she doesn’t even realize it, just walking away happily as if she was the one who did all the work.

Oh, and as for the mystery part of the story… yeah. The final episode features an info-dump that has a good story buried somewhere underneath. But yeah, the final episode rushes through everything in order to stuff in all of the required exposition, which only ends up forced as hell.
One-Sentence Review: A series with interesting potential to finally be a good Otome Game adaptation… only to fail horribly with some of the worst characters imaginable.
Suggestions:
Matantei Loki Ragnarok
Saiunkoku Monogatari
Ashita no Nadja
Note: with suggestions I mean series that worth watching if you liked Amnesia. NOT the other way around…

From the New World Review – 90/100



Shin Sekai Yori, or From the New World, is a series that set out with a mission. Nowadays most anime adhere to their set of stropes. This is one of those shows that just said “screw conventions!” and it just went with an execution that just took so many different risks, taking almost nothing for granted, and ended up as quite a unique experience because of it.

Where most series that are based on something are based to a manga, visual novel, or things like that, with From the New World they actually set out to adapt an actual novel again, and it shows because the pacing is totally different from any other anime out there, including multiple timeskips that see the main characters grow up from small children to full grown adults. The story… makes use of this really well…

It’s hard to really talk about the story without spoiling, but let’s just say that you should not think that even though there are kids in this series, it’s kid-friendly. Shin Sekai Yori is DARK. It uses a lot of build-up to get to where it’s going, but when it’s there it makes one hell of an impact. It has created this unique setting for itself, and it takes a while to set everything up, but that also makes this series quite varied in its mood. The setting has got a lot of depth to it, and the creators actually managed to pull a ton of potential out of it.

The downside to this series is that it is not the easiest to watch, by far. Some episodes have animation that takes quite a few… “artistic liberties”. On one hand this had some of the best animation of the past half year in any TV-series. It can be absolutely gorgeous when it wants to. For a few shots each episodes. The rest of the airtime is full of inconsistent character-designs, weird camrea angles and jerky direction that makes it really hard to figure out what’s going on. It’s not bad or anything, but this will get jarring on some people.

It’s definitely not a show for everyone. Let alone the dark parts, this is a show for people who are looking for something experimental. A show that isn’t afraid to trip itself up over and over for its vision. And believe me: the vision that this series has is amazing.
One-Sentence Review: Taking a unique setting, along with a “screw conventions!”-mentality, Shin Sekai Yori delivers a storyline with a ton of depth to it for those with an open mind.
Suggestions:
Bokura no
Casshern Sins
Strange Dawn

Robotics;Notes Review – 77,5/100



After the complete disaster that was Guilty Crown last year, Production IG had to make up for something. They did so with Psycho Pass, that really was one hell of a ride. As for their other 2-cour Noitamina-series this half year, Robotics;Notes… it’s a bit more difficult. And don’t get me wrong: this is in no way as bad as Guilty Crown. It’s much better, but also very difficult to judge. This series is really ambitious… it just doesn’t work.

I actually liked Robotics;Notes in its first half. It had this ambition, yet at the same time it spent a lot of time fleshing out its characters and focusing on believability. It might sound weird to see this from a series that has a large robot on its promotional material, but that’s the point: one of the subplots in this series offers a bit of a deconstruction of Giant Robot building as it takes a look some of the issues of teenagers piloting these things that most other series tend to ignore.

Then there is a subplot about solar storms, a subplot about miniature robot fighting, a subplot about an evil conspiracy, and that list goes on and on. This is what I mean by the ambition: in the first half this show balances all of these subplots together that at first sight don’t seem to have anything to do with each other. This build-up for me was the best part of this series, and it’s always a question of what this show will focus on next… in its first half.

And then its second half comes, and it’s supposed to weave all of these subplots together… and it kinda fails. A lot. In many ways. There are some things that you’d think are related to each other, which actually totally aren’t, and the ones that are related to each other are brought together in such a shoehorned way that it breaks all suspense of disbelief that it has previously built up.

The show basically tries to run through a checklist of all stories that it needs to wrap up, without any care of making them flow into each other. Because of this entire subplots are conveniently forgotten until they are relevant again without much reason. But granted, the stories that it try to tell have some good concepts and ideas behind them. the character-development also works well enough and it has still enough to make it worth watching. And then the finale comes. I have no idea what happened, but things totally go wrong. All of the build-up just gets thrown out of the window and the show turns into a cheesy mess of plot devices. Talk about a let-down.

So yeah, solid show. Bad ending. That makes it really hard for me to recommend this series, because this series doesn’t just have a bad ending, it’s got a bad ending that invalidates much of the earlier build-up. Watch this if you want a different take on Super Robots. But then again, there are enough shows that also do that.
One-Sentence Review: Robotics;Notes is a very ambitious series that juggles around all sorts of stuff, which works well in terms of build-up, but not in terms of pay-off.
Suggestions:
Bokura no
Birdy the Mighty Decode
Dennou Coil

Psycho Pass Review – 87,5/100



Psycho Pass belongs in the category of series that base themselves on a futuristic world that center around a basic premise. Take for example Kaiba, in which people’s minds can be extracted from their bodies, Real Drive, with its evolution of the Internet or Himitsu, where people can download the memories of dead people. In Psycho Pass, it’s all about creating the perfect society without crime. Everyone is monitored and has their own “Psycho Pass”, and as soon as your mind starts to think criminal thoughts, you’re arrested. With that as a building block, it makes its story.

The story is set to explore this setting. I won’t spoil exactly how, but I will say that over its course, it shows many different opinions about this setting. And it doesn’t just try to answer whether the setting is wrong or right, but it goes more in-depth. Every character has some good or bad points to make, and every one of those points is open to interpretations. It’s a show that aims to make you think, and even the things it just spells out for you have a lot of depth behind them. This goes on for 22 episodes and I have to say that after Guilty Crown, this has really shown how a 2-cours Noitamina series should be done.

Especially at the end of the series everything comes together, and the build-up for the story really pays off. At the beginning of the series though, this series loses some points for focusing on the same things for a bit too long. The big problem is that it focuses too much on one particular aspect of the setting, so that it has to rush to get everything else in in its second half. It manages to do this somehow, but the transition could have gone smoother.

On the technical terms, Production IG delivered some really good choreography and camera angles that really make their impact when they need to. The soundtrack for this series also is really good, and it doesn’t just have one style. It just makes use of whatever track it thinks fits the best to the scene, whether this is classical music or techno. Oh, and that’s another thing that this series loves to do: quote some famous literary works. Call it pretentious. I call it interesting if it contributes to the story. Which to me, it did.

The characters in this series are perhaps not its most memorable parts, but even they have something to write home about. It’s got an excellent villain in the form of Makishima Shougo, who for once actually has some good and interesting motivation to back himself up. Akane also might seem out of place when you first see her, but she really shines in her character-development. The rest of the side-characters also manage to have their impact, even though this series does not have the “Let’s devote all our time to the backstory of this side-character”-episodes. Instead their depth is subtly woven into the story. If you like serious series and believe that anime is too cute nowadays, then this is one series that you shouldn’t pass up.

Note: I’m going to experiment a bit more with this review format, simply because of making the Storytelling, characters, production-values, setting”-list got a bit too annoying to write down every time.
One-sentence Review: Psycho Pass explores its unique sci-fi setting really well with thought-provoking dialogue, characters and a great plot, and mostly keeps true to its promise that there would be no moe included.
Suggestions:
Kaiba
Himitsu The Revelation
RD Sennou Chousashitsu

Jormungand Perfect Order Review – 84/100

I have been putting this one off for way too long, but that’s not because I was looking up to reviewing it. Rather there was so much coming out that I instead wanted to cover, but I guess that I’d just wrap up this sequel that really improved a lot over its original series. The key for that was its plot, for once.

The first Jormungand series really was a build-up series: it’s there to introduce the characters, get the viewers a bit used to the world and concepts of this series. It could have done this better though, because it was too monotone, both in terms of stories and characters. Perfect Order drops the random stories, and instead is much more coherent, not to mention varied in both terms of content and characters.

The improvements first become visible with the characters. The first season was flawed because it had too many characters who were trying too hard to be snarky. The second season then commences to both introduce characters with significantly different personalities, as well as develop the current cast to go beyond their snarky self. Suddenly, a cast that was once bland sparkles with personality, just as I hoped.

The plot takes a while longer to show its trumps, but in the end, it actually does pay off with a number of really good plot twists. Not going to say when they show up, but let’s just say that the characters were preparing for a certain events for a very long while. It really impressed me in any case.

This is not one of those cases in which all of the build-up comes together, though: the plot twists themselves are really good, but the first season’s random stories remain rather… random, and just could have been done better. It’s really the writing that improved so much, but Jormungand as a whole is not a series that is perfectly paced or told, not to mention that even though the setting for this series is very original (taking place over the whole world and not just Japan, America and Europe), it just doesn’t feel real or relatable. There remain a few too many one-dimensional characters in this series, despite the added variety. Nevertheless though: very solid show. Including an awesome soundtrack.

Storytelling: 8.5/10 – Big improvement: things feel much more solid and coherent and it finally starts building up to something, with a great payoff.
Characters: 8.5/10 – A varied cast, that really shines in comparison to the bland cast of the first season.
Production-Values: 8.5/10 – Solid animation, but what really stands out here is the soundtrack. Again a big improvement in how it’s used.
Setting: 8/10 – Nice choice of locations, but it doesn’t make enough of an impact for a higher rating.

Suggestions:
– Black Lagoon
Irresponsible Captain Tylor
Seikai no Senki