Top 50 Anime of the 2000s

Wooper: Nearly six years after hashing out our favorite anime of the 2010s, we’ve gotten the band back together for a look at the best of what the previous decade had to offer, and what we found was that it offered quite a lot. Several of us are seasoned enough to have experienced the era firsthand, while others have begun working back through its classic offerings (as with Lenlo’s Throwback Thursday column), but no matter when you got your start, the 2000s remain an essential period for anime as a whole. It was a time of experimentation, with production methods making the transition from analog to digital and more original works being greenlit than ever before. Meanwhile, some of the biggest manga of all time received modest adaptations that nevertheless captured audiences with their stories and characters. The anime movie canon received several key additions, and even the much-maligned moe boom resulted in a handful of great series. Taking all of this into consideration, the six of us cast our votes and landed on a list of 50 shows and films that we feel best represents this pivotal era. But before we get to that, let’s reveal some of the candidates that barely missed the cut.

Honorable Mentions

Aidan: The Garden of Sinners

If I were to mention Ufotable then the first anime to come to mind would be Demon Slayer or perhaps Fate/Zero. But in reality the first anime to show Ufotable as an animation powerhouse would be Kara no Kyoukai, or The Garden of Sinners. If you were to take a scene from these films made in 2007 and show it to someone claiming it was made in 2025 then they might actually believe you. I would also say this was the series that put Yuki Kajiura on the map, as despite having the likes of the Hack/Sign OST under her belt this series was where I began to see her name being remembered. Adding to these two we can also mark this as a first work for Kinoko Nasu, the author famous (or infamous) for the Fate franchise. You can actually see characters who are like prototypes for his later work, but this was also a time where Nasu rather excelled at creating dark urban fantasies. Mentioning all of these creators makes this series of movies notable in itself, but it certainly helps that they are a unique beast all of their own. I say few other films could capture the ethereal, fantastic nature that makes a city feel like an ancient ruin with monsters lurking in the shadows. Their stories can border on pretentious at times, but can nonetheless be fairly introspective with immaculate vibes. It can be a bit of a slow burn, but by movie three it can get its hooks into you and leave you with a melancholic haze by series’ end. If you are a fan of Type Moon works this is a must watch, but it’s also a worthwhile watch for any casual fan as well.

Continue reading “Top 50 Anime of the 2000s”

Top 50 Anime of the 2010s

Aidan: A lot of things can happen in a decade, though two of those things appear not to be flying cars and self-tying shoes. Ten years is a long time and a lot of anime has been made. Just going by an average of 30 shows a season, in ten years that would mean 1200 anime series made. 360,000 minutes of entertainment, though don’t check my math on that. To consider the amount of work that has gone into the creation of so many shows is truly mind boggling and is worth my utmost respect. So late as we are to the party, we decided to make a list of the top fifty shows of the decade. Take note that this list was the product of all writers voting, so any complaints about what should be here or why something isn’t higher on the list can be reserved for the democratic process. This is mainly just a list for fun and maybe a resource for anyone to take a peek at a show or movie they might have missed. So to cap off this decade of shounen brawls, otherworldly reincarnation, animated waifus and all of the emotions, let us reel off some of our personal favorites. And may there be many decades of anime to come to show the world just what animation is capable of.

#50: Girls’ Last Tour

Aidan: When it’s all over, when the last day falls and our history ends with a bang or a whimper, it’s a wonder who will wander our monoliths of civilisation after we are dead and gone. Girls’ Last Tour’s setting is an easy way to get cold hard depression, with it being about two girls wandering through the world after everything is over, the very world alien and devoid of any meaning to both them and us. However, in a twist, the story – while not shying away from the bleakness of the situation – instead focuses on them finding small rays of happiness in the last days of earth. Naturally if everything is already over, then why bother getting sad over it? So for a show set after the unspecified apocalypse, it’s surprisingly upbeat, making for a relaxing watch. It makes you think that if these girls can cheerfully sing, “It’s hopeless!” in the worst situation, whatever has you down is small stuff in comparison.

Mario: Girls’ Last Tour falls within my favorite new trend that emerged in the anime medium over the last decade: dark moe anime. Set in a post-apocalyptic world where the human race is almost extinct, our two girls wander around the world in their Kettenkrad looking for food and shelter. If it sounds a bit bleak and minimalist, rest assured that Girls’ Last Tour is at its heart a slice-of-life show about those girls having a relaxing time in that world. The show could be entertaining and soothing enough with just those factors, but it has more tricks up its sleeves. More often than not, Girls’ Last Tour ponders some basic philosophical questions about our own existence, our purpose in life and even what life is itself. Moreover, the anime adaptation enhances this show further with consistent audio-visual production and great attention to detail. Depressing and comforting at the same time, Girls’ Last Tour is a rare show that produces unique charms and distinctive tones, while always keeping its feet firmly on the ground.

Continue reading “Top 50 Anime of the 2010s”