Spring 2012 Kaleidoscope – Week 21

#1: Natsuiro Kiseki – 08: I love travelling series, and this episode captured that perfectly. Trips are fun and all, but getting there is very often underestimated. As much as I like the direction Kimi to Boku turned into, in the end I do like Natsuiro Kiseki better, because it accomplished the same thing, while needing half of that airtime. – **+ (Excellent+)

#2: Kimi to Boku – 20: This time it’s the turn for Shu’s brother. As annoying as he was in the other episode he was featured in, as charming he was here. Seriously, that was some good romance there, especially for a guy with as little airtime as him. – **+ (Excellent+)

#3: The Legend of Korra – 07: By far the lest interesting part of the Legend of Korra is its romance, but that really got a push into the right direction with this episode when everyone finally seems to drop all of the tension. Aside from that, once again the action was great and I indeed saw confirmed that I’ve been suspecting all along now. – ** (Excellent)

#4: Nazo no Kanojo X – 07: The male lead’s big flaw is that he is very unremarkable. There is one point at which he sets himself apart from his counterparts though: the way he reacts to his girlfriend. Add that to a played down performance that isn’t trying too hard, and you’ve got a male romance lead that I really don’t mind watching. Nevertheless though, the female characters in this series remain the better ones. – ** (Excellent)

#5: Shirokuma Cafe – 08: A grizzly bear, a polar bear and a panda go fishing. I never imagined that they’d actually make an anime out of that. That bird in the first half of this episode was also hilarious, not to mention Shirokuma’s past. – ** (Excellent)

#6: Jormungand – 07: Nice episode, especially in terms of the gunfight. Koko’s date was a bit anticlimactic, though, but this show is steadily making its cast more interesting. – *+ (Great)

#7: Poyopoyo Kansatsu Nikki – 20: The thing with this series is, that the entire cast is just fun to watch. It’s not just Poyopoyo, but the brother and sister tht own him are well acted and just as fun as he is, if not even more. – *+ (Great)

#8: Hunter X Hunter – 32: This is one fights which was done completely different when compared to the 1999 series. Overall, I prefer the waythe 1999 version did it, for one main reason: this episode went overboard with the explanations. It just went on and on with guiding us through every step in the ultimately brief fight. At times it also felt like the characters were talking to the audience, rather than each other. It’s a shame, because with the right execution the creators could really have done some impressive stuff here. Also, I disagree that my arguments can be dismissed because “this is a shounen series”. Genre conventions are guidelines. Be bold! Screw conventions! Break them! Hunter X Hunter is the perfect series to do that with! – * (Good)

#9: Saint Seiya Omega – 08: Okay, so apparently I dropped this show right at the wrong time: stuff actually happened here. I admit that the golden saint is interesting, but this episode did not fix the character issues I have in that they’re just too bland and uninteresting. That gold saint was one of the best characters so far for a reason. – * (Good)

#10: Sankarea – 08: There is one thing I am really struggling with with this series: it has parts that are really good. But it’s completely boring during the rest of its time. Now, will it get better/ Knowing Studio Deen, they will milk this show into a second season, but even thhen this is a manga adaptation where a lot of focus will be on how they handle the ending.This episode was already dragged out, despite the good bits at the end of it. – (Enjoyable)

#11: Medaka Box – 08: You know, it’s nice and all that the genre shift is about to begin now… but this show will be over in four weeks. Yeah, it’s only a 1-cour series. So yeah, in the meantime we have another dull episode about some random police officer who takes het job way too seriously. Also, if she didn’t have another uniform, what happened to the one she was going to make Medaka wear? – (Disappointing)

Spring 2012 Kaleidoscope – Week 20

#1: Kimi to Boku – 19: Are Japanese girls really so weak that they faint if you so little as even bump on them? I know she was tired and all, but these girls have health issues… Anyway, I digress. An amazing episode with the love triangle finally moving somewhere. Chizuru in particular changed significantly. He’s the type of character who often gets done wrong, with some horrible results. With this though, he really redeemed himself. – *** (Awesome)

#2: The Legend of Korra – 06: This series has also just surpassed itself this week. Really good action scenes, and the creators just keep building further upon Korra’s naivety. I really like how this series is set to subvert a number of often-used fantasy cliches. – **+ (Excellent+)

#3: AKB0048 – 03: I do not have time right now so I’m going to delay deciding whether or not to blog this, and how on earth I’m going to fit this into my schedule, for one more week. But seriously, what the hell did I watch here? Yet again enough proof that the creators know what they’re doing here: this show glorifies idols, but this episode also showed the uglier side of this bizarre premise. Especially Mari Okada was on fire on this episode: this was full of emotion, yet not as extreme as with Black Rock Shooter. – **+ (Excellent+)

#4: Poyopoyo Kansatsu Nikki – 19: Oh my god, this was one of the best episodes yet. The sketch where Poyopoyo gets caught in quick drying cement was priceless. I was wondering why there were less jokes than usual, but the build-up was totally worth it. – **+ (Excellent+)

#5: Natsuiro Kiseki – 07: I hate the idol business in Japan. So why are the idol themed series so damn good? A thoughtful episode that highlighted the layers of the different characters and how they feel about the rock. – ** (Excellent)

#6: Nazo no Kanojo X – 06: That’s some impressive romantic tension you’ve got there, Nazo na Kanojo X. Nice aversion of the love triangle, and a very good potrayal of Tsubaki’s insecureties that make him less bland as a character. – ** (Excellent)

#7: Shirokuma Cafe – 07: Polar Bear is without a doubt my favorite character of this sereis. His deadpan humour in this episode especially was just hysterical. And that while the premises of each episode remain absolutely corny. – ** (Excellent)

#8: Hunter X Hunter – 31: “Let me drag out this fight by holding long monologues in order to explain you exactly how my powers work, giving you plenty of hints on how to stop me!” – This is exactly why I dislike the shounen genre dammit! The pacing keeps slowing down here! – * (Good)

#9: Jormungand – 06: I’m still missing something with this series. I mean, the backdrop of Africa is good, it’s nice to see the characters getting fleshed out and slowly reveal their pasts and the diplomacy is also nice, but I don’t know. The charcters still feel too one-sided and stereotypical. – * (Good)

#10: Medaka Box – 07: This was Medaka Box’s worst episode so far. Dull and forced fanservice, bland premise about art and a forced way to flesh out that new council member. Also I hate how creators can’t think of any light-hearted way to open a scene, so just go for the “walking into changing”-scene. Why has this turned into a default scene to use? – (Disappointing)

#11: Sankarea – 07: Seriously? An entire episode dedicated to that cousin? With no scene of Rea whatsoever? And it only reaffirms her character as “I like the main character”, with nothing beyond that? Come on, Sankarea, weren’t you supposed to be this romance with creative twists? – (Disappointing)

#12: Saint Seiya Omega – 07: I’m dropping this series. It has consistently ranked last amongst these rankings, and it got me thinking: what did it really offer in the past seven episodes? Nothing stood out, it was just a bunch of random hot blooded fights without much soul to them. There are too many other gret series this season for this. – (Disappointing)

Spring 2012 Kaleidoscope – Week 19

#1: Natsuiro Kiseki – 06: Brilliant characterization! Developing the same character in two different ways, based on a simple whim. This show just keeps getting better! – *** (Awesome)
#2: AKB0048 – 02: I have been asked very persistently by a certain someone whether or not I’m going to blog this series. I’m going to withhold that answer for next week, though. Why? Because I want to know what happens next. The intro is done, and what now? Will this turn into yet another boring school series like so many series with promising first episodes have done (lookin’ at you, Saint Seiya…), or will it evolve with the promise of these first two episodes? So far it’s good stuff, though. – ** (Excellent)
#3: Nazo no Kanojo X – 05: This episode again contained that mysterious charm that this sereis has with its bizarre fanservice, even though it was a beach episode. It was restrained, and very nicely played with that. Now if only the male lead were a bit less bland. – ** (Excellent)
#4: Jormungand – 05: Interesting back-story arc with the addition of Koko’s brother here. Good to see Jonah’s backstory earlier. – ** (Excellent)
#5: Kimi to Boku – 18: Aw, what a cute little romance. Naturally this only blossomed after one of the two had to move away, so that’s a bummer, though. – *+ (Great)
#6: Poyopoyo Kansatsu Nikki – 18: This has to be the most tsundere cat I have ever seen. This episode really shined in how it managed to emote the different cats here. – *+ (Great)
#7: Hunter X Hunter – 30: The fight was boring with again unimpressive animation, attack names and weird musical choices. The aftermath however was surprisingly dark, and actually done better than the first season. Also YES! Kurapika’s arc has started! One detail that I think the 1999 series did better there is that we saw things from Kurapica’s perspective there: when Nen was used, we didn’t see anything. – *+ (Great)
#8: Shirokuma Cafe – 06: This episode had too much panda. the charm of this series is that all of the other characters are hilarious too. Although the punchline at the end of the episode was as hilarious as usual. Why the village people of all things? – *+ (Great)
#9: Medaka Box – 06: Well, this episode did stand out by subverting its own cliches a bit, but I don’t know… it still feels so forced for some reason. – * (Good)
#10: The Legend of Korra – 05: So the only way they decided to spice up the tournament arc was with having a very menacing and egotistical end boss and a lot of yelling for romantic reasons. Not the most interesting episode. – * (Good)
#11: Sankarea – 06: Agh, this show is frustrating! On one hand it’s well acted and written. But the attempts at comedy are so cringe-worthy. It’s also that grandfather who tries way too hard at being funny, resulting in especially the first half of this episode to turn into a chore to sit through bad jokes. – (Enjoyable)
#12: Saint Seiya Omega – 06: You know, the more I’m watching this series, the more I’m convinced that it doesn’t really look all that good. You can have a great character-designer, but even those designs look rather ugly if you don’t use it. – (Enjoyable)

Spring 2012 Kaleidoscope – Week 18

#1: Natsuiro Kiseki – 05: What a completely adorable episode. The characters just continue to grow here. even though there was no stone today, this was one of the best depictions of a cold in a long while. – **+ (Excellent+)
#2: Shirokuma Cafe: I don’t get it. Some of the jokes in this seris are horribly predictable. This episode again had all kinds of animals suggest bizarre dishes around their favorite food, and Shirokuma’s bad puns. And yet it’s hilarious and so refreshing to watch. The punchline to the parfait fair also was delightful. – ** (Excellent)
#3: The Legend of Korra – 04: Cheesy romance aside, this is the first time I’ve been impressed by this series. The creators used Korra’s brashness in an excellent way here in combinatiton with the politics. – ** (Excellent)
#4: Kimi to Boku – 17: This episode played up Chizuru’s annoyance to the max again, but I’m not bothered by that as much as I used to. Again this episode was really charming and simple. – ** (Excellent)
#5: Sankarea – 05: Very torn on this episode. It would have been #1 if it wasn’t for that annoying cousin. Excellent build-up and pay-off, although I do wonder whether turning zombies in assaulters was the right decision. – ** (Excellent)
#6: Poyopoyo Kansatsu Nikki – 17: I’m still amazed at how short this series is: not including the OP and ending screen, its episodes are only two minutes and ten seconds long. This episode had 6 different sketches in just that time-frame. All of them were fun. – ** (Excellent)
#7: Jormungand – 04: Good episode for Koko as finally her character was a bit more rounded. Also, “I am an American! I have blond hair, I work for the CIA and I am an asshole!” – *+ (Great)
#8: Nazo no Kanojo X – 04: A bit of a step down compared to last weeks, mostly because the saliva is starting to lose its gimmick, but nevertheless that girl whose name I’ve forgotten had some nice moments together with Urabe. – *+ (Great)
#9: Medaka Box – 05: I noticed that Medaka is often able to hold the higher moral ground, solely because she’s so ungodly good at everything. Will this get used later? Also Gainax, there are times where a slideshow is good, but there are also times where a slide-show is just lazy. For a Gainax series I am surprised how actually mediocre the action in this series is. – * (Good)
#10: Hunter X Hunter – 29: Uh, Hunter X Hunter… are you serious in this? Do you really intend to have people call out the names of their attacks, accompanied by huge letters? Is that your idea of how to best represent Nen? – * (Good)
#11: Saint Seiya Omega – 05: Is the entire series going to be about training and people being hot blooded? – (Enjoyable)

Spring 2012 Kaleidiscope – Week 17

#1: Nazo na Kanojo X – 03: What sets the soundtrack of this series on top of all of the others is hard to describe, but that one track it has that it always plays at the episode climaxes brings out a ton of emotion. – ** (Excellent)
#2: Natsuiro Kiseki – 04: That rock is very cruel: toying with the wishes of teenaged girls, and giving them a big middle finger when they try to fix it. Nevertheless though, this episode once again had some really good character development. I also really like how well this show uses the fact that some of its characters are athletic, while others aren’t. – ** (Excellent)
#3: Poyopoyo Kansatsu Nikki – 16: I love how the creators are able to take everyday situations, throw a bit of sadism into them, and make them fun. That Civet cat in particularly worked well with that in this episode. – ** (Excellent)
#4: Shirokuma Cafe – 04: You know I could complain about how Panda was annoying again and all. But they actually showed the polar bear driving a car this episode! The drive-through part in particular was awesome. It’s very hard to correctly explain why this series is so good to someone who has never seen it, though. – ** (Excellent)
#5: Kimi to Boku – 17: This episode was about the twins. Quite refreshing to see the blond kid completely gone. Quite heart-warming to see some of the conflicts between them. – *+ (Great)
#6: Jormungand: The crazy obsessive lesbian is a trope that seriously needs to die. What’s wrong with having just a regular lesbian on the cast? I did like the tension that the boy soldier created in this episode, though. – * (Good)
#7: The Legend of Korra – 03: Very good fight scenes, and the real introduction of the resistance holds potential, but the amount of cliches in the first half was a bit annoying, and this show has this “Saturday Morning Cartoon’-feel to it. – * (Good)
#8: Hunter X Hunter – 28: It’s finally time for the introduction of Nen, the single best power system of any shounen out there. And it lacks a bit of subtlety here. The creators just send waves of random CG without much variation to Gon and Killua. At the very least, comparing the old and new version with each other has given me a new appreciation for how well the 1999 version was made, regardless of how accurate it may have been to the manga. – * (Good)
#9: Medaka Box: If a character is good or bad at handwriting: SHOW this. Don’t just have random characters claim this. Don’t tell me that your animators only know how to do flashy action-scenes, Gainax. – (Enjoyable)
#10: Sankarea – 04: Very annoying episode with lots of cliches. Especially that cousin and those classmates are not interesting to watch at all, not to mention that the creators actually went for a “walking into the shower scene”. this episode was saved by Rea’s changes and development.
#11: Saint Seiya Omega – 04: Rather boring training episode with generic RPG element explanation. – (Enjoyable)

Introducing this season’s Kaleidoscope. I like to experiment with these things, as it’s the perfect format to try out different stuff. This time, because there are so many series that stand out, I’m going to do a ranking: from best to worst, the episodes that caught my attention the most each week of all of the series that I’m not fully blogging, followed by a small blurb for each series (blurbs can also just be “unimpressive”, otherwise it would just take up too much time for some shows). This way I can also share my thoughts of Hunter X Hunter, without having to dedicate an entire entry to it (although I will remove it from this list as soon as the Hunter X Hunter fanbase arrives again and starts telling me how I should enjoy my series…).

Every week on Sunday I will post a new entry for this Kaleidoscope, with weeks beginning on Sunday and ending on Saturday this time. I usually try to have weeks start on Monday, but this is much more convenient because nothing airs on Friday and Saturday, allowing me time to catch up (not to mention the ungodly amounts of series that air all at the same time on Sunday, on top of me being very busy on most Sundays with this thing called real life), and I’ll update this entry as the week goes along.

Also, as for the series that didn’t make the cut (meaning the series that I’m not going to watch this season):
Arashi no Yoru ni ultimately isn’t worth it. It’s overacted and I’ve already seen the story before.
Accel World has some potential, but it doesn’t have any interesting characters whatsoever, not to mention that it’s got a pretty dull and annoying male lead.
Tasogare Otome Amnesia has really bad acting. Plus, the girl turns round and the guy immediately goes for her boob. Now that’s bad fanservice that needs to die.
Kuroko no Basuke, I don’t think that it can really improve beyond what it has shown here. It’s still a jump series full of shounen powers, and it will probably follow a very constraining format. It in any case doesn’t live up to the standard that sports series have set in the past.
– I actually enjoyed the first two episodes of Saki. However, that got me thinking: the reason I enjoyed them so much, and why I actually managed to finish the first Saki, is because there were no Mahjong battles. I’m bailing out while I still can, because those mahjong matches in the first season were just an insult.
Shining Hearts needs more ambition. The characterization isn’t good enough to make this a good slice of life series, and for an adventure it just goes nowhere with an entire episode being dedicated to… a nasty storm.
Acchi Kocchi fails for me as a slice of life due to its annoying characters.
Kuromajo-San ga Tooru also lacks ambition and is just too dull.
– And then there are comedies like Gon, Haiyore, Zombie and Jewel Pet, which just aren’t funny enough to warrant a watch.

Jormungand – 02

Okay, so Hunter X Hunter is hereby dropped. I just have no clue what to replace it with. After watching both Nazo na Kanojo and Jormungand’s first episodes, I think I’m either going to blog Jormungand, or go with a Kaleidoscope. I’m leaving that for next week to decide.

The thing is: we really have a special season this time. It really needs to be successful, because it has the potential to raise the bar on anime. Last Summer I also was very enthusiastic about how good it was, but this time it’s different: there are so many series this season that put in a lot of effort to stand out in their own ways. There are no immediate instant classics, but there are so many series that have the potential to become so. This will very likely become the best season of the entire year in terms of overall quality.

My thing with Jormungand is that it does not belong among those series, yet it has the potential to stand out. It’s not the only series this season that has this. Really, I had a ton of difficulties picking between this series and Nazo na Kanojo X. Seriously, the runners-up this season also really have some potential to stand out, and that’s something I haven’t seen in a while. A quick overview of them and why I didn’t decide to weekly blog them:
– Nazo na Kanojo has a great female lead and excellent characterization when it gets down to business. It however has only 13 episodes and I’m not sure whether it’ll be enough to talk about weekly.
– Natsuiro Kiseki is very creative, and again deserves a lot of points with the interplay between its cast. It is also very bold in spending so much time on small things. It however, is too angsty at times.
– Polar Bear Cafe is wonderfully creative and delightful Iyashi-Kei. It’s also so boring.
– Same for Kimi to Boku: I’m only starting to like this show more and more and the characterization only gets better, yet the annoying parts are also still there.
– AKB048 just puzzles me with its bizarrely creative premise.
– And then there is the wildcard of Medaka Box, which is very overblown moe, but I can see it break the boundaries of genres like what everyone says about it… if it ever gets to that point and the director doesn’t ruin it.
– Not to mention that Legend of Korra which promises an interesting look at modern day heroes.

And then there are the series that don’t stand out, but are just very good entertainment:
– Kuroko no Basuke knows how to be fun. But yeah: it’s both too shounen and a shounen jump series.
– Saint Seiya has Yoshihiko Umakoshi‘s animation, but unfortunately it doesn’t really add much to what we’ve already seen from him in Casshern Sins and Heartcatch Precure.

Now that I’m typing this up, I see a lot of potential for a good Kaleidoscope here. The past summer season had me saying that it could become an incredibly good series. In the end it didn’t turn out as good as I expected due to a number of bad and incomplete endings. This season has that much less: only Zetman is an obvious culprit here, and even that show is actually trying to make up for it, rather than ignore it.

Anyway, Jormungand. I actually chose this show because it was out of the ones mentioned above, the show I wasn’t going to blog, yet have the most to say about. Again, this can really grow to stand out: the manga is also fully finished and there will be 26 episodes, not to mentioned that the semi-episodic nature will makes sure for a ton of variety. This can really work, and yet I am missing something from this series. Something that doesn’t place it among the top of this season. I’ll try to explain what that is.

Because really: I am a big fan of war dramas. Anime in the past have done some really great things with it. And that’s a thing: this series does feel a bit derivative. I’ve seen a lot of people compare it to Black Lagoon, but that’s also probably because the OPs sound similar (and indeed: the OP does in no way match the classic OP that Black Lagoon had), but I think that the problem is more with the way it ends up setting itself apart because of this: its humor and entertainment value.

This series indeed is very slick, fun and fast-paced. This episode also threw in a lot of character development for the side characters, which also is a good sign. What I do feel however, is that it has its tongue a bit too far up its own cheek, and overplays the comedy a bit too much for a war drama: it always needs to have a joke ready, or it always needs to have a character looking cheeky. Despite the solid production values overall, this is something that it fails to recognize. It makes this series very one-sided. Especially Coco is guilty of this. Think a bit about the most memorable characters out there who use comedy: they use it with a natural charm: they don’t try to be funny, but this comes naturally to them. Jormungand seems to go for this effect, but ti tries to force this too much by trying to give the characters too much natural charm, making them forced. This is something that this series is going to really have to take care of.
Rating: *+ (Great)

Inu X Boku SS – 12

And so, I’ll end this Winter 2012 Kaleidoscope the same way I started it: with Inu X Boku SS. This really was a series that got on my nerves a lot. Not because it was bad or anything, but because it’s David Production. These are the guys who always try to do something extra. They take their series, and add stuff, try to do something new and really put thought into how to make their series work best. Inu X Boku did not have that. There were flashes in which it was really good. That’s the reason I originally picked it up to blog. And yet it got side-tracked so often. It’s not like it was full of filler, but instead all of the episodes didn’t even seem to be trying to be engaging, and the underdeveloped cast of side-characters also didn’t help either. It really was just this series that was fun and watchable, but really not much more.

And then the final two episodes aired. And what do you know? They were actually quite brilliant. In fact, save from perhaps Natsume and Chihayafuru, they were the best final two episodes out of the entire season. I did not expect that. At all.

I’m not sure what happened. Suddenly the writing got like 10 times better. In two episodes this series actually succeeded in breathing a tiny bit of life into the bishie genre, which has been so overly polluted during the past few years by the likes of Studio Deen, A-1, Production IG, etc. For the first time since… Kuroshitsuji II I think we’ve gotten another romance involving bishies that is actually really good. The main couple totally redeemed themselves for me here. Like it’s nothing, this series suddenly took all of the build-up of the first 10 episodes, and brought it together, and did it creatively. In fact, this creativity is what set this series above Ano Natsu de Matteru for me. They both are flawed, but where Ano Natsu depended on well executed cliches, this series actually delivered some creative twists that I absolutely loved.

The previous episode was already wonderful in outlining Miketsukami’s background and how everything fits together, I expected this episode to be a boring aftermath again, and it sure started out this way, save for some well written very last minute character development on random side-characters that suddenly made them a lot better. The bartender and his kid in particular. The time capsule was fairly standard for an inconclusive ending… and then Ririchou from out of nowhere realized that she got two letters mixed up. This is a common trope, but I can’t think of another anime in a long time that did this as well as this episode.

It came out of nowhere that this happened, since everyone was treating this as a very sentimental moment, and afterwards the creators went really deep into the characters’ minds. Both Ririchou and Miketsukami were forced to deal with their own insecurities, after the entire series has built them up as being so distant and afraid to show their own feelings. It was an amazing conclusion.

So yeah, reviewing this series will be a bit of a problem: I loved these past two episodes. The majority of the rest of the series though… not so much. I need to get my thoughts sorted out on this a bit.

Overall though: I’ll be keeping my eye out on this new director, because he has shown to be able to get good stuff across in his adaptations. He has flashes of brilliance, but at the same time you can see that he lacks experience, due to all of the wasted potential of this series. If I had to give him one advice, it’s this: keep a leash on your side characters. There are a few who really ruined the fun a bit. The worst offender is the fangirl: she only did one thing over and over. Balance that character out more. You also had this great and colourful cast of characters in the staff of the hotel everyone is staying in, but you hardly ever used them. Such a waste of potential! I know this is an adaptation, but it’s still the job of the anime staff to choose what to focus on, what to cut, and what to spend extra attention on. You may have excellent source material, but if that results in an adaptation like Persona 4’s, then it doesn’t really matter.
Rating: *** (Awesome)

Black Rock Shooter – 08

So you can call me crazy, but I actually liked these final episodes of Black Rock Shooter. Sure, it was rather sappy and all, but despite that, I liked the direction that the plot took, finally relating the Black Rock Shooter world and the real world together, and creating an interesting setting based on that. Mato also became more interesting as she separated from Black Rock Shooter (and was basically out of the picture being unconscious, allowing the rest of the cast to play out).It’s still full of teenaged angst, but I felt that that angst was much better than in the first half. It actually was about something: about being scared to face reality.

Based on that, I really can’t lump this together with the worst of Noitamina. It obviously is nowhere near the best, but at the very least the creators didn’t turn it into a gigantic flop. It’s certainly better than that m ind-numbingly boring OVA. Library Wars? At least this show had a beginning, middle and conclusion. Jyu Oh Sei? At least this series didn’t overpace itself. Guilty Crown? None of the characters here is as bad as the cast of that show. Fractale? Hell, this show actually did something with its setting.

In the end though, this remains a series where the creators should have put more thought into how to make it work, especially due to that first half. The worst character in this series is by far Yomi, and this show dabbled way too much into her uninteresting angst. The teacher also needed more work. Yeah, she got an explanation and I have no problems with her part in the story, but that still doesn’t make me buy her really weird behavior in the first half.

The action of this series also made up for a lot, because this was genuinely good, compared to the dull action sequences of Guilty Crown. The only shame is that everything had to be in 3D CG, but ah well: without it the creators would never have been able to animate as much as they did here.

My request to Noitamina now is: keep experimenting. You tried to dabble into teenaged series for a while. Now, let that go and start to focus on different series with yet another target audience. Tsuritama and Appolon? Keep that direction going. Don’t just suddenly announce K-On 03 or Shana 04 for your Summer Line-up.
Rating: *+ (Great)

Ano Natsu de Matteru – 10

Okay, it’s time to make up the balance. With these two episodes we’re probably done with the heaviest romantic stuff, and it’s time to see whether this series ended up delivering on the things it promised.

Ichika, Mio and Tetsuro: these are for me the strongest characters. Mio is the one who changed the most as a character, and especially came to her right in this episode. Her back-story was really weird and bordering on fanservice, but I can’t deny that I like her growth a lot. Ichika meanwhile rocks in how she subtly gotten used to her life on earth. Her story is no nonsense: she’s not wrapped up in complicated love triangles: she likes Kaitou, it took her a while to confess, but when she did it was great. She finally has someone to confide in. I also like her portrayal as a real character, rather than just another romantic interest. Tetsurou meanwhile mostly rocked for being so direct and eloquent in the first half of the series. I’m not a big fan that he turned this show in something resembling a love tree (Tetsuro has Mio and that beach slut who are into him, he himself is in love with Kanna, Kanna is in love with Kaito, just like Ichika and that random childhood friend; the only exception to this is Kaito liking Ichika back). Still, looking back I like his character development and place in the story here.

Kaito… is a bit of a tough one. He’s got his good points, but also his lesser. On one hand, he actually knows what he wants. Thank GOD, he knows what he wants. As for his portrayal, though… I’ve got to confess something I realized when typing up this entry. I keep confusing his name with Senkawa. Yes, the lead for Birdy the Mighty. I really have to force myself to get his name right. It’s not a matter of the characters being too similar. Heck, Senkawa was far more annoying than Kaito in the first half of Birdy the Mighty Decode, and far more interesting in the second half. However, even in his annoying phase, he stood out. Kaito doesn’t. In the end he just didn’t escape his generic bland stereotype for me.

Then there are Kanna and Remon. Remon is just a walking catalyst: she’s got no character out of her usual snark, just acts there to spark up the romance between the other characters, and provide a light-hearted tune, but I can’t think of any scene where she really caught my attention. Kanna did have those scenes, most notably last episode. However, beyond that she disappointed a bit. In the end, she too isn’t really a character. Her only purpose in this series is to spice up the love triangles. On one side it’s to add tension for Kaito and Ichika, on the other hand it’s for the Mio and Tetsuro story. Beyond that, I don’t think that this series put any effort in giving her an actual character. The rest of the cast of this series can work when you subtract the romance. She can’t. She isn’t the worst character of this series.

The worst character of this series? That honour goes by far to that mascot.

So yeah, it turned out a bit of a mixed bag, but in the end the pros outweigh the cons. Romance series are something bizarre to me. A lot of the romance shows I like have huge flaws and annoyances to counteract some parts that they do incredibly well, and Ano Natsu fits that pretty well. The solid execution doesn’t make it a stand-out and I do feel that it could have tried more to set itself apart from its cliches (especially during that horrid beach arc) but I enjoyed it so far.
Rating: * (Good)

Guilty Crown – 20 – Or an excuse to ramble about TV-Ratings

Gasp! Could it be? Guilty Crown actually observes some basic rules of storytelling for once? The flashback that took up the majority of this episode was pretty much the best part of Guilty Crown so far, because 1) it actually bothered to explain things rather than pulling whatever is the most convenient out of its ass, and most importantly 2) it had no bloody Shu in it. Of course the ending of the episode ruined things again, with Shu still being in Jesus-mode and all.

That’s not why I decided to devote this week’s Kaleidoscope to what is in my view the worst Noitamina show ever made. Instead, I found out something interesting that I’d like to share and talk about: Noitamina’s tv-rankings. For a while, I was really afraid when I found out that Guilty Crown was selling so well. I really feared that this show will set horrible standards for the future of Noitamina. However, the success of Noitamina isn’t just based on sales, isn’t it? What made the timeslot big in the first place wasn’t the sales at all; it was the ratings it got. I mean, at its height, the timeslot was by far the most popular late-night timeslot out there.

Because of that I decided to look up the ratings of the different Noitamina-shows. They were by all means weird and very inconsistent, but also very interesting. I made a compilation of the average ratings for each pair of series (unfortunately I couldn’t find ratings for each individual show for the double-slots), using data gathered from here, here and here. This season’s Noitamina shows are up to last week’s episode. All of these ratings are in percents.
Honey & Clover – 3,04
Paradise Kiss – 3,19
~ayakashi~ – 3,5
Jyu Oh Sei – 3,5
Honey & Clover 2 – 3,2
Hataraki Man – 4
Nodame Cantabile – 4,39
Mononoke – 3,48
Moyashimon – 4,56
Hakaba Kitarou – 4,8
Library War – 3,47
Antique Bakery – 3,45
Nodame Cantabile Paris – 4,62
Genji Monogatari Sennenki – 3,32
Eden of the East – 3,96
Tokyo Magnitude 8,0 – 3,56
Kuchuu Buranko – 2,66
Nodame Cantabile Finale – 3,25
Sarai-Ya Goyou/Yojou-Han – 2,08
Shiki/Moyashimon Live-Action – 2,56
Shiki/Kuragehime – 2,38
Hourou Musuko/Fractale – 1,76
C/Ano Hana – 2,63
No,6/Usagi Drop – 2,12
Un-Go/Guilty Crown – 2,18
Thermae Romae/Guilty Crown – 2,17
Black Rock Shooter/Guilty Crown – 1,86

Let’s first look at the decline of these ratings, which started with Kuchuu Buranko, and really set through when the timeslot went double length with Sarai-Ya Goyou and Yojou-han Shinwa Taikei, where it reached staggeringly low numbers when you compare it to the previous ratings. After Shiki which aired right afterwards, this also was the last time where Noitamina lost a lot of its experimental touch in terms of animation and scenario and series structure. Quickly afterwards, their strategy of appealing more to a teenaged audience started, with Fractale. This is where the timeslot reached its all-time low with a rating of 1.76.

C and Anohana meanwhile managed to lift up the ratings again slightly, by being overall really well made series (Ano Hana was my favorite series of 2011 for a reason), but the focus at a younger audience remained, culminating in this season, which pretty much is the worst that in terms of actual series (for me at least). The thing is though, that Noitamina’s audience seems to agree. Last week’s ratings were really, really low for the timeslot and that landed it a on the second worst spot, just before Fractale and Hourou Musuko. In other words: the experiment of appealing more to a younger audience… has pretty much failed in terms of rating.

Now, if we look at the kinds of series that in the past did lead to really high ratings, things get a bit weird, because these numbers are rather inconsistent at times. There seems to be one red thread amongst the top performers though: fandom. What’s the best rated Noitamina series out there? It really surprised me when I found out for the first time, but it’s Hakaba Kitarou of all things. The one thing that series did was appeal to everyone who grew up with Gegege no Kitarou, while also giving it a new look and feel. After that comes Nodame Cantabile, which also has a very big built up fanbase, and it also really helped that the first season was incredibly good, solid, and really hard to dislike.

When looking at the series after that though, things get really weird. By far the strangest is how well Ayakashi Japanese Classic Horror did. Out of all the Noitamina-series, that was by far the most experimental and yet it didn’t alienate its audience and delivered a really solid rating of 3.5, the best of the timeslot so far, and until Hataraki Man surpassed it with a random story about a working lady.

And I think that that’s also one of the appeals of why the early slice of life series of the timeslot scored so well: they were really easy to relate to. They were written in a very down to earth way. The latest Noitamina shows however? you can’t really relate to those. Except perhaps for Usagi Drop. Even Anohana: I obviously loved it, along with a lot of other people. But mainstream appeal? It was just too dramatic for that.

And here is the thing: the audience of Noitamina can very much appreciate a good series. Of course I don’t agree with the relatively low ratings for Sarai-Ya Goyou and Yojou-Han, but I love that there is an actual audience for Ayakashi, Mononoke, Nodame Cantabile, Hakaba Kitarou, Honey and Clover, Hataraki Man, Eden of the East, Tokyo Magnitude, and even Genji Monogatari and Antique Bakery. It’s a shame that a lot of the audience was lost during the move to the double time-slot, but it’s also very interesting that another part of the audience doesn’t agree with the move to a younger audience.

You see Noitamina, the reason why that doesn’t work is simple: competition. You started with enabling a hole in the market: series aimed at an older audience at ta time when they are easy to watch, yet they contain a lot of substance to actually make it worth the limited time that adults have inbetween their jobs and studies. However, when you move over to a younger audience, you’ll enter a much more saturated market, in which it’s much harder to stand out. That market is completely different in the way that they consume anime, as shown by the really high dvd sales of Guilty Crown, yet really disappointing ratings.
Rating: (Enjoyable)